View source for Raymond Hanson (composer)

{{Short description|Australian composer}}
{{Use dmy dates|date=April 2022}}
{{Infobox person
|name          = Raymond Charles Hanson
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|birth_date    = 23 November 1913
|birth_place   = [[Sydney]], Australia
|death_date    = {{Death date and age|1976|12|06|1913|11|23|df=y}}
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|nationality   = Australian
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|occupation    = Composer, teacher
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'''Raymond (Charles) Hanson''' [[Order of Australia|AM]] (23 November 1913{{spaced ndash}}6 December 1976) was an Australian [[composer]] and lecturer in composition at the NSW State Conservatorium of Music now known as the [[Sydney Conservatorium of Music]]. A highly regarded teacher and mentor to many prominent Australian musicians,<ref name=abdo /> such as [[Don Burrows]], [[Larry Sitsky]] and [[Roger Woodward]], Hanson himself was largely self-taught.<ref name=amc />

As a composer, Hanson was not a follower of prevailing trends, and consequently his music was unfashionable and ignored by many other composers. Late in life however, his distinctive personal style began to receive greater recognition, and since his death his work has been held in high esteem by some critics.<ref>''Review: The Centre for Studies in Australian Music'', Number 20, October 2005. See Sitsky piece.</ref>

==Early years==

Hanson was born in the Sydney suburb of [[Burwood, New South Wales|Burwood]] on 23 November 1913, the youngest of five children to Australian-born [[railroad engineer]] William Hanson, and his English-born wife Lilian, née Bennett. The marriage broke up when Hanson was quite young. Hanson was sickly as a child, suffering from [[bronchial]] complaints and a recurring ear infection that left him almost deaf in his left ear. He began experimenting in musical composition from the age of eight, inspired by his older sister's piano practice. Hanson's mother brought him up as a [[Baptist]], and though he later left the faith he retained a lifelong interest in [[spirituality]].

Hanson attended Burwood Public and [[Fort Street High School]]s, but left before completing his third year. He continued however to pursue piano lessons, aided by teacher Anne Spillane who kindly provided him with free lessons as his family was too poor to pay for them. He was thereby eventually able, in 1930 at the age of seventeen, to gain the [[Licentiate (degree)|Licentiate]] (piano) of the [[Associated Board of the Royal Schools of Music]]. From 1930 until the outbreak of World War II in 1939, he made a living by teaching piano and by working in a variety of menial jobs.

Hanson was able to give a number of [[recital]]s of his own compositions in the late 1930s, and had the opportunity to gain some formal training in composition after being awarded the Gordon Vickers Scholarship at the [[Sydney Conservatorium of Music|New South Wales State Conservatorium of Music]]. Unfortunately, his Conservatorium studies would last only two months before the war interrupted them.

He joined the Army in 1941, eventually rising to the rank of [[Sergeant]] in the Army Education Service. During the war he was exposed to, and developed a lasting interest in, [[jazz]] music, an interest that would come to have some influence on his own work. He left the Army in 1946.<ref name=abdo>Australian Dictionary of Biography Online.</ref>

==Teaching career==
{{For LMST|Raymond|Hanson}}

As the recipient of a Fellowship in Composition, Hanson after the war was able to resume his studies at the Conservatorium. Following a year of study which he undertook with [[Alex Burnard]], the Conservatorium offered Hanson a place on the staff, and this he accepted. He became a teacher of Aural Training, in which he was considered something of an innovator, and later a lecturer in [[Harmony]] and Composition, [[Counterpoint]] and [[Aesthetics]] of Music. He was also active in curriculum development and assisted in the introduction of the Bachelor of Music Education degree.

As a teacher, Hanson was noted for a kind, thoughtful and unpretentious manner, which was appreciated by students, while his abilities and dedication were greatly respected. He became a teacher and mentor to many future Australian composers and musicians, such as [[Nigel Butterley]], [[Richard Meale]] and [[Barry Conyngham]], as well as to noted performers such as jazz clarinettist [[Don Burrows]] and piano [[virtuoso]] [[Roger Woodward]]. In addition to his work at the Conservatorium, he also gave private lessons, which not infrequently ended in long discussions about philosophy or politics.

===Political activity===
Hanson himself became active in political matters when, in the early 1950s, he joined the Australian Cultural Defence Movement which sought to protect Australian culture from being swamped by foreign influences, particularly the [[United States]] and [[Americanization]]. In the prevailing mood of the times however, the movement was painted as leftist and pro-[[communist]], and quickly crumbled. Hanson believed that his association with this movement, along with his membership in the Australian-Soviet Friendship Society, was one of the factors that held back his professional career.<ref name=abdo />

==Music==

While his teaching abilities were widely acknowledged, Hanson struggled to gain recognition for his talents as a composer for much of his career, as his music was often unpopular with the audience at that time and also unfashionable. He was fifty-four years old before receiving his first commission for a piece of music,<ref name=amc>Australian Music Centre.</ref> and many of his works lay unperformed for many decades. One champion of his music was the pianist [[Igor Hmelnitsky]], who was also on the faculty at the Conservatorium.<ref>{{cite web |last1=Sitsky |first1=Larry |title=Igor Hmelnitsky (1920–1987) |url=https://adb.anu.edu.au/biography/hmelnitsky-igor-13317 |website=Australian Dictionary of Biography |publisher=National Centre of Biography, Australian National University |access-date=19 September 2024 |language=en}}</ref> Part of the problem lay with his independence of mind. Hanson ignored prevailing trends in the pursuit of his own [[muse]]. In the 1940s and 1950s, his work was regarded by his Australian contemporaries as too [[avant-garde]], but by the 1960s it was being dismissed as not avant-garde enough. Hanson's rejection of [[serialism]], responsible for the latter dismissal, was ultimately vindicated by history, but this vindication came late in his career.

In 1971 he won the [[Albert H. Maggs Composition Award]].<ref>{{cite web |title=Albert H Maggs Composition Award : Prize : Australian Music Centre |url=https://www.australianmusiccentre.com.au/award/albert-h-maggs-composition-award |website=www.australianmusiccentre.com.au |access-date=19 September 2024}}</ref>

===Style===

Hanson's unique qualities as a composer were noticed early by English critic [[Neville Cardus]], who perceived, after attending a concert featuring Hanson's works in 1941, "an originality that avoided [[Anglocentrism]]".<ref name=grove>New Grove Dictionary.</ref> His music has also been described as "of a style not usually associated with Australian composition".<ref>[http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20051110.160444/index.html Australian Digital Thesis Program], University of Wollongong Library.</ref> Hanson himself eschewed the notion of a uniquely "Australian" style, but some have nevertheless heard an "unmistakeable" influence of the Australian landscape in his works.<ref name=apm20>Sitsky & Martin.</ref> Others, by contrast, have detected traces of English pastoralism.<ref name=abdo />

Particularly crucial to Hanson were the compositions and the pedagogic theories of [[Paul Hindemith]] ("I still think Hindemith has the answers to so many things ... If you want to be incomprehensible, go and get it. I don't").<ref>Murdoch, James (1972), ''Australia's Contemporary Composers'' (Melbourne: Macmillan), 112.</ref> Another figure who had a powerful impact on Hanson's philosophy was the Indian poet and musician [[Rabindranath Tagore]]. Hanson's deep spirituality (he once considered becoming a missionary to India) played a notable part in his creative outlook. His appreciation of [[jazz]] is apparent in the sense of spontaneity and rhythmic fluidity that he strove to bring to his own pieces.<ref name=apm20 /> He had a gift for [[improvisation]] and often composed directly at the [[keyboard instrument|keyboard]].

Technically speaking, Hanson rejected serialism with its rigid rules of development, but retained a fascination with the twelve-note scale and its full potentialities.<ref name=abdo /> This should not be taken to indicate, however, that he disdained melody. On the contrary, he has been described as "a lyrical composer who thought naturally in evolving lines".<ref name=apm20 />

==Personal life==

On 15 September 1956, Hanson at the age of 43 married a 23-year-old Conservatorium student, Moira Winifred Young, at St. Matthew's Anglican Church, [[Manly, New South Wales|Manly]]. The marriage was a very happy union despite the unconventionality of the age difference. The couple moved house several times over the next few years as prior to Hanson being placed on salary all teaching staff at the Con were contract players. Hanson's health deteriorated and in 1967 he suffered a heart attack. Young died in 1975, and after being appointed a Member of the [[Order of Australia]] (AM) in January 1976,<ref>[https://honours.pmc.gov.au/honours/awards/869935 It's an Honour: AM]</ref> Hanson himself died of [[myocardial infarction]] later that year, on 6 December. The couple were survived by three daughters.<ref name=abdo />

During his life, Hanson sometimes commented on his pride in being born within 24 hours of the birth of his musical hero [[Benjamin Britten]].<ref>[http://www.theaustralian.com.au/arts/composer-gets-a-fresh-hearing/story-e6frg8n6-1226765535258 "Composer gets a fresh hearing"] by Vincent Plush, ''[[The Australian]]'', 22 November 2012 {{Subscription required}}</ref> His death, also, came only two days after Britten's.

==Works==

Hanson left behind over 100 major works, including a [[symphony]], four [[concerto]]s, a [[ballet]], an [[opera]], an [[oratorio]], [[cantata]]s, [[chamber music|chamber works]] and [[piano]] music. He also wrote film, television and radio [[Musical composition|scores]], as well as [[jazz]] music and [[arrangement]]s.

More notable works include his 1948 ''Trumpet Concerto'', released worldwide on the [[RCA]] label, the technically demanding ''Piano Sonata'' (composed between 1938 and 1941, and reflecting his feelings about the [[Fall of France]]), the piano ''Preludes'', and his ''Violin Concerto''. Hanson also set many of Tagore's poems to music, his most ambitious work in this regard being the 1976 oratorio ''The Immortal Touch''. Many of Hanson's works, such as the ''Violin Concerto'', went unperformed for many years, and his 1941 ''Piano Sonata'' was only finally published in 1976, on the day of his death.

===Selected list of major works===

'''Dramatic'''
: ''Dhoogor'' (ballet), 1945
: ''Three in One'' (film score), 1955
: ''The Lost Child'' (radio or TV op), 1958
: ''Surfing'' (film score), 1958
: ''Captain Cook (Cook’s Voyage)'' (film score), 1959
: ''Temptation'' (film score), 1960
: ''Jane Greer'' (opera), 1964
: Also other film scores
'''Orchestral'''
: ''Violin Concerto'', 1946
: ''Novelette'', 1947
: ''Overture for a Royal Occasion'', 1948
: ''Trumpet Concerto'', 1948
: ''Symphony'', 1952
: ''Trombone Concerto'', 1955
: ''Gula'', 1968
: ''Movement "Homage to Alfred Hill"'', 1969
: ''Piano Concerto'', 1972
: ''Fanfare'', 1973
'''Vocal'''
: ''I dreamt that she sat by my head'' (Tagore), for mezzo/baritone and piano, 1935
: ''Fallen Veils'' (D.G. Rossetti), for soprano and piano, 1938
: ''This is my delight'' (Tagore), soprano and piano, 1941
: ''Spindrift'' (M. Memory), mezzo/baritone and piano, 1946
: ''Do not keep to yourself'' (Tagore), voice and piano, 1952
: ''My love, once upon a time'' (Tagore), 1960
: ''The Web is Wove'' (T. Gray), 1968
: ''Fern Hill'' (D. Thomas), violin and orchestra, 1969
: ''The Immortal Touch'' (Tagore), violin and orchestra, 1976
: Many others
'''Chamber and solo instrumental'''
: ''Piano Sonata'', 1938–40, revised 1963
: ''Procrastination'', piano, 1939
: ''Violin Sonata'', violin and piano, 1939
: ''Quizzic'', piano, 1940
: ''Preludes'', 1941
: ''Flute Sonata'', flute and piano, 1941
: ''Idylle'', 1942
: ''Piano Quintet'', 1944
: ''Fancies'', violin and piano, 1946
: ''Legende'', violin and piano, c1946
: ''Episodes on Tarry Trowsers'', piano, 1948
: ''Five Portraits'', piano, 1948
: ''Piano Sonatina'', 1949
: ''Seascape'', violin and piano, 1953
: ''Sonatina'', 1956
: ''Still Winds'', flute, guitar, double bass and vibraphone, 1956
: ''String Quartet'', 1967
: ''An Etching'', violin and piano, 1969
: ''Divertimento'', wind quintet, 1972
: ''Dedication'', 2 flutes, clarinet, 1973<ref name=grove />

==Recordings==
*''The Poet Sings'', (Lisa Harper-Brown – soprano, [[David Wickham]] – piano), [[Stone Records]] 2012

==References==
'''Notes'''
{{reflist}}

'''Sources'''
*[http://www.amcoz.com.au/composers/composer.asp?id=732 Raymond Hanson], Australian Music Centre website
*[http://www.adb.online.anu.edu.au/biogs/A140435b.htm?hilite=raymond%3Bcharles%3Bhanson Hanson, Raymond Charles], Australian Dictionary of Biography Online
*[http://www.grovemusic.com New Grove Dictionary of Music & Musicians Online] {{Webarchive|url=https://web.archive.org/web/20080516041031/http://www.grovemusic.com/ |date=16 May 2008 }}, (subscription required)
*Sitsky, Larry; Martin, Ruth Lee (2005): ''Australian Piano Music of the Twentieth Century'', Greenwood Publishing Group, pp.&nbsp;35–42, {{ISBN|0-313-32286-4}}. [https://books.google.com/books?id=3g8PGmIHm3cC&dq=+piano+%22raymond+hanson+%22&pg=PA37 Extract].

{{Authority control}}

{{DEFAULTSORT:Hanson Raymond Charles}}
[[Category:1913 births]]
[[Category:1976 deaths]]
[[Category:20th-century Australian classical composers]]
[[Category:Australian film score composers]]
[[Category:Australian male film score composers]]
[[Category:Winners of the Albert H. Maggs Composition Award]]
[[Category:20th-century Australian male musicians]]
[[Category:20th-century Australian musicians]]
[[Category:Australian Army personnel of World War II]]
[[Category:Australian Army soldiers]]