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| birth_place = [[Rochester, Minnesota]] |
| birth_place = [[Rochester, Minnesota]] |
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| death_date = February 8, 2011 |
| death_date = February 8, 2011 |
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| death_place = Fort Worth, Texas |
| death_place = [[Fort Worth, Texas]] |
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| notable_works = Of Birds and Texas, Bass Hall Ceiling Murals, Gubernatorial Portrait of George W. Bush |
| notable_works = Of Birds and Texas, [[Bass Hall]] Ceiling Murals, Gubernatorial Portrait of [[George W. Bush]] |
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| education = Pennsylvania Academy of the Fine Arts, under Walter Stuempfig and John McCoy |
| education = [[Pennsylvania Academy of the Fine Arts]], under [[Walter Stuempfig]] and John McCoy |
||
}} |
}} |
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'''Scott Gregory Gentling''' (1942–2011) was an artist, author, and lecturer who lived in [[Fort Worth, Texas]] |
'''Scott Gregory Gentling''' (1942–2011) was an artist, author, and lecturer who lived and worked in [[Fort Worth, Texas]]. Along with his twin brother, Stuart Gentling, Scott became one of the most notable artists of Fort Worth<ref name=":0">{{Cite news|last=Robinson|first=Gaile|date=February 10, 2011|title=Artist left his mark across North Texas|page=14|work=Fort Worth Star-Telegram|url=https://star-telegram.newspapers.com/image/652529696/|url-status=live|access-date=January 14, 2021}}</ref>. Gentling operated in a variety of styles, but was best known for his [[John James Audubon|Audubon]]-style book that contained paintings and writings, ''Of Birds and Texas''. |
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== Early life == |
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Scott was born just 15 minutes after his twin brother Stuart, on December 31, 1942 in [[Rochester, Minnesota]] to Allan and Barbara Gentling.<ref name=":0" /> The family moved to [[Fort Worth, Texas]] in 1948, when Scott's father accepted a position as head anesthesiologist at Harris Methodist Hospital.<ref name=":1">{{Cite journal|last=Frembling|first=Jonathan|date=2019|title=The Once & Future Audubon|url=|journal=Texas Heritage|volume=4|pages=9-11, 24|via=}}</ref><ref name=":6">{{Cite web|title=Timeline|url=https://www.cartermuseum.org/carter-collection/collection-group/scott-and-stuart-gentling/timeline|access-date=2021-01-14|website=www.cartermuseum.org|language=en}}</ref> |
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As a young teen Scott became fascinated by the work of [[John James Audubon|John-James Audubon]].<ref name=":2">{{Cite book|last=Gentling|first=Stuart|url=https://www.worldcat.org/oclc/45376259|title=Of birds and Texas|last2=Gentling|first2=Scott|date=2001|publisher=University of Texas Press|others=|year=|isbn=0-292-72834-4|edition=1st|location=Austin|pages=|oclc=45376259}}</ref> In November of 1956, Scott and Stuart attempted to recreate [[c:User:Mturtle/The_Birds_of_America#/media/File:206_Summer_or_Wood_Duck.jpg|plate 206, ''Wood Duck (Aix sponsa)'']] from Audubon's ''[[The Birds of America|Birds of America]]'' in [[Watercolor painting|watercolor]]''.''<ref name=":2" /> Several other copies and original works followed through 1957, cementing Scott's lifelong interest in Audubon inspired naturalism.<ref name=":2" /> Once able to drive, Scott and his brother Stuart took a road trip to retrace Audubon's steps from Texas, through Louisiana and Mississippi, and ending up in [[Henderson, Kentucky]].<ref name=":1" /> |
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== Education == |
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At the age of 16 Gentling took his first art course under John Chumley at the Fort Worth Art Center.<ref name=":3">{{Cite news|last=|first=|date=August 2, 1964|title=Gifted Young Painter Pursues Unique Vision of Neo-Realism|page=39|work=Fort Worth Star-Telegram|url=https://star-telegram.newspapers.com/image/640421313/|url-status=live|access-date=January 14, 2021}}</ref><ref name=":6" /> |
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In 1961 Scott enrolled in [[Tulane University]] where he started to become heavily invested in painting.<ref name=":2" /><ref name=":3" /> Shortly after, he enrolled at [[H. Sophie Newcomb Memorial College|Sophie Newcomb College]] to study art, though quickly became dissatisfied and left.<ref name=":2" /> In the Spring of 1962, Emily Guthrie Smith, a family friend and artist, took two of Scott's paintings to [[Fort Worth Art Museum|The Fort Worth Art Museum's]] annual juried competition, which was judged by [[Walter Stuempfig]].<ref name=":2" /> Stuempfig, being impressed with Gentling's work, insisted the board of the [[Pennsylvania Academy of the Fine Arts]] where he worked invite Gentling to attend. Scott accepted, and stayed at the academy until 1965, studying under Stuempfig, and watercolorist John McCoy.<ref name=":2" /><ref>{{Cite web|title=Stuart and Scott Gentling – U.S. Department of State|url=https://art.state.gov/personnel/stuart_and_scott_gentling/|access-date=2021-01-14|language=en-US}}</ref> Scott was formally asked to leave the academy in December 1965, as he had not attended a class in a year.<ref name=":6" /> Upon leaving the academy he resumed living full time in Fort Worth. |
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== Early career == |
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Through the 1960s Gentling expanded his capabilities through his education and had some of the first major breakthroughs of his art career. In this time he explored mediums such as etching, watercolor, photorealism, and pencil drawing - while focusing on subjects such as history, nature, and portraiture.<ref name=":1" /><ref name=":6" /><ref name=":2" /> Scott's first exhibition, ''Watercolors of Wild Birds'', takes place at the Lon Hellums Gallery in Fort Worth in April 1961.<ref>{{Cite news|last=|first=|date=April 16, 1961|title=Gallery Calendar|page=15|work=Fort Worth Star-Telegram|url=https://star-telegram.newspapers.com/image/639785742/|url-status=live|access-date=January 14, 2021}}</ref> Although it wasn't until three years later in August 1964 that his first major exhibition would take place. Showing at the Fort Worth Art Center member's lounge, it featured twenty five paintings and eight [[Etching|etchings]].<ref name=":3" /><ref name=":6" /> At the time he was 21, and already deemed as "one of the area's most promising students".<ref name=":3" /> The art in the exhibit was listed for sale, and a notable purchase was made by [[Perry Richardson Bass|Perry R. Bass]] of the painting ''Benbrook Barn''.<ref name=":3" /> |
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In December of 1964, as his local acclaim grew, Gentling was able to get [[Thomas Hart Benton (painter)|Thomas Hart Benton]] to sit for a portrait - one of the few Benton allowed of himself.<ref>{{Cite news|last=|first=|date=January 17, 1964|title=Rare Portrait|page=24|work=Fort Worth Star-Telegram|url=https://star-telegram.newspapers.com/image/641308247/|url-status=live|access-date=January 14, 2021}}</ref> |
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By 1965, Scott had branched out in style, and received acclaim once again for his work on the portraits of Eddie and Clemmie McGary, African-American [[sharecroppers]].<ref name=":4">{{Cite news|last=|first=|date=June 30, 1966|title=Scott Gentling .. artist|page=1|work=The Naples Monitor|url=https://texashistory.unt.edu/ark:/67531/metapth336574/m1/1/|url-status=live|access-date=January 14, 2021}}</ref> They became favorite subjects of Scott's and would be subjects in his work for the following two decades.<ref name=":6" /> |
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== Valley House Gallery == |
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In 1965 Scott joined the Valley House Gallery in [[Dallas]], where he sold and displayed his works.<ref name=":4" /><ref name=":5">{{Cite web|title=Valley House Gallery & Sculpture Garden|url=https://www.valleyhouse.com/main.asp?page=61#VALLEY%20HOUSE%20GALLERY:|access-date=2021-01-14|website=www.valleyhouse.com}}</ref> His first display was under the show ''Contrasts: The Chosen Ones'' on November 11, 1965, where five of his works were shown.<ref name=":5" /><ref name=":6" /> From March 17 to April 17, 1966 Scott had his first solo showing at the gallery where he displayed 35 works.<ref name=":4" /><ref name=":5" /> He broke an attendance record at the time for his show, when more than 5,000 people showed in just a month to see it.<ref name=":2" /> |
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His works were again exhibited with Valley House as his art broker in: |
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* ''Christmas Exhibition'', December 12-24, 1966 |
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* Solo catalogue, April 7-31, 1968 |
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* A one night exhibit, March 30, 1971 |
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* Solo catalogue, April 5-13, 1972<ref name=":5" /> |
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Scott's fourth and final solo exhibition at the gallery was in September of 1976.<ref name=":6" /> He officially left the gallery shortly after.<ref name=":6" /> |
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== Collaboration with Stuart == |
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While Scott was able to find success with his own work, his popularity grew when collaborating with his twin brother, Stuart. In December of 1972 the Ralph Carr Fine Arts Leasing group organized the first of many of the brother's collaborative shows.<ref>{{Cite news|last=Butterfield|first=Jan|date=December 17, 1972|title=Stuart, Scott Gentling Reveal Artistic Gains|page=156|work=Fort Worth Star-Telegram|url=https://star-telegram.newspapers.com/image/633135194/|url-status=live|access-date=January 21, 2021}}</ref><ref name=":6" /> The brothers continued their cooperation with large pencil drawings of birds, which are sold throughout the 1970s to support Mayfest in Fort Worth.<ref>{{Cite news|last=Bonelli|first=Diana|date=April 7, 1974|title=Cantey Mayfest Award Offered|work=Fort Worth Star-Telegram|url=https://star-telegram.newspapers.com/image/633265766/|url-status=live|access-date=January 21, 2021}}</ref><ref name=":6" /><ref name=":2" /> |
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In 1974, three of Scott's prints are offered, along with three of Stuarts, for sale by Regency Art House by mail-order.<ref name=":6" /> |
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After officially leaving the Valley House Gallery in 1977, along with his brother Stuart, Mariana Thomas, and Dutch and Mary Phillips, Scott establishes The New Gallery. <ref>{{Cite news|last=Nuckols|first=Carol|date=December 11, 1977|title=Gentling Works Displayed|page=146|work=Fort Worth Star-Telegram|url=https://star-telegram.newspapers.com/image/637231475/|url-status=live|access-date=January 21, 2021}}</ref><ref name=":2" /> Capitalizing on the popularity of the brother's bird prints and drawings, two [[folio-size]] prints of Texas birds were issued to celebrate the gallery's opening, one of which was Scott's ''Kentucky Warblers''.<ref name=":2" /> The brothers issued two new bird prints per year, which eventually built up to their best known work, ''Of Birds and Texas''. |
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== ''Of Birds and Texas'' == |
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''Of Birds and Texas'' is a folio-sized collection of [[drybrush]] watercolors and essays, with art and writing provided by the Gentling brothers, and an additional essay by [[John Graves (author)|John Graves]] - a long time friend of the brothers.<ref name=":2" /> The original work measured 22 x 28 inches, had 86 pages, and weighed 47 pounds.<ref name=":7">{{Cite news|last=Lanham|first=Fritz|date=February 3, 2002|title=Fort Worth twins share interests, talents|work=The Houston Chronicle|url=https://www.chron.com/news/article/Cover-Fort-Worth-twins-share-interests-talents-2059572.php|url-status=live|access-date=January 21, 2021}}</ref> |
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While the idea had been around for some time, the brothers seriously began to work on the project in 1982.<ref name=":2" /><ref name=":6" /> Initially they approached David Holman from Wind River Press about printing the folio project.<ref name=":6" /> Soon after they get John Graves on board.<ref name=":6" /> Finally, in October of 1983 Ralph Carr joined the project as the business manager.<ref name=":2" /> The folio is first presented to the public at Carr's Seventh Street gallery in June of 1984, with a price of $2,500 per copy, over 90 are sold during this preview.<ref name=":2" /><ref name=":6" /> |
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By July 1985, the first color plate of the project is produced by David Holman, though the cost of the project were growing quite large.<ref name=":6" /> Scott originally estimated the cost to produce the folio at $350,000, though it ended up closer to $850,000 - forcing Scott's mother to mortgage her house to fund the project.<ref name=":2" /><ref name=":6" /> |
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The original bird paintings of the book are acquired by the [[Fort Worth Museum of Science and History]] for $300,000 in October 1985, and all 40 of the works were put on display.<ref name=":8">{{Cite news|last=Sewell|first=Carol|date=January 10, 1986|title=Gentlings’ Original Bird Paintings Going up at Fort Worth Museum|page=110|work=Fort Worth Star-Telegram|url=https://star-telegram.newspapers.com/image/639118090/|url-status=live|access-date=January 21, 2021}}</ref><ref name=":6" /> |
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In August of 1986, the folio fully debuts in an edition of 500 signed copies.<ref name=":8" /> <ref name=":6" /> |
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== Later Career == |
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After ''Birds'', Gentling's interests shifted to wider projects. |
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In May 1991 his [[Mesoamerica|Mesoamerican]] inspired works appeared at Dutch Phillips' gallery in a show titled ''Views of Tenochtitlan.''<ref name=":6" /> The Aztec inspired drawings would later receive attention from [[Kevin Costner]], for his documentary ''[[500 Nations]]''.<ref name=":6" /> |
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In 1994 the [[Modern Art Museum of Fort Worth]] acquired his portrait of [[Jane Goodall]], which is now part of the museums permanent holdings.<ref>{{Cite web|title=Portrait of Jane Goodall – Works – eMuseum|url=https://collection.themodern.org/objects/1404/portrait-of-jane-goodall;jsessionid=CE1C9C7290A2445275E1C28EDC6E7324|access-date=2021-01-21|website=collection.themodern.org|language=en}}</ref> <ref>{{Cite news|last=|first=|date=February 10, 2011|title=Scott Gentling, one of most accomplished artists of Fort Worth|work=The Dallas Morning News|url=https://www.dallasnews.com/news/obituaries/2011/02/11/scott-gentling-one-of-most-accomplished-artists-of-fort-worth/|url-status=live|access-date=January 21, 2021}}</ref> |
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In March of 1994 the same year the brother's were contacted to design the ceiling murals for the new performance hall in Fort Worth, [[Bass Performance Hall|Bass Hall]].<ref name=":6" /> Although the project faced some issues along the way, the design art for the murals was displayed to the public from April to May of 1998 at the [[Kimbell Art Museum]], before the opening of the hall itself.<ref name=":6" /> |
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With the completion of this project, the brothers were contracted to do several more murals. One was for the [[Houston Museum of Natural Science]] titled ''Sacred Square'', involving Aztec imagery.<ref name=":6" /> Another was ''Parker Cabin'', a mural for the city of Fort Worth detailing one of the oldest structures in the county.<ref name=":6" /> |
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In 2001 Scott was asked to paint the gubernatorial portrait of Texas governor George W. Bush. |
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== Personal Life == |
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Scott was an avid collector of rarities, among his favorites were 18th century gentleman's coats.<ref>{{Cite news|last=Bishop|first=Nancy|date=July 4, 1976|title=Scott Gentling Continues Exploration of Reality|page=76|work=Fort Worth Star-Telegram|url=https://star-telegram.newspapers.com/image/633217091/|url-status=live|access-date=January 14, 2021}}</ref> He showed a great personal interest in [[Aztec Empire|Aztec]] and other [[Pre-Columbian era|Pre-Columbian]] cultures.<ref name=":6" /><ref name=":2" /> He went so far as to have a scale reconstruction of [[Tenochtitlan]] in his living room.<ref name=":7" /> |
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Scott struggled with alcoholism much of his working career, from the early 1970s through 1986 when he quit.<ref name=":6" /> His sister cited this as to why the brother's inability to work with a major gallery to their issues with alcohol.<ref name=":6" /> |
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== Notable Works == |
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* ''[https://www.cartermuseum.org/exhibitions/tracing-past-scott-and-stuart-gentlings-birds-texas Of Birds and Texas]'', 1986 |
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*[https://collection.themodern.org/objects/1404/portrait-of-jane-goodall Jane Goodall Portrait], 1990 |
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* Bass Hall Ceiling Murals, 1997 |
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*[https://tspb.texas.gov/prop/tc/tc-collection/governors/ George W. Bush Gubernatorial Portrait], 2001 |
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== References == |
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* |
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<references /> |
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Latest revision as of 22:07, 21 January 2021
Scott Gentling
[edit]Scott Gentling | |
|---|---|
| Born | December 31, 1942 |
| Died | February 8, 2011 |
| Education | Pennsylvania Academy of the Fine Arts, under Walter Stuempfig and John McCoy |
| Notable work | Of Birds and Texas, Bass Hall Ceiling Murals, Gubernatorial Portrait of George W. Bush |
Scott Gregory Gentling (1942–2011) was an artist, author, and lecturer who lived and worked in Fort Worth, Texas. Along with his twin brother, Stuart Gentling, Scott became one of the most notable artists of Fort Worth[1]. Gentling operated in a variety of styles, but was best known for his Audubon-style book that contained paintings and writings, Of Birds and Texas.
Early life
[edit]Scott was born just 15 minutes after his twin brother Stuart, on December 31, 1942 in Rochester, Minnesota to Allan and Barbara Gentling.[1] The family moved to Fort Worth, Texas in 1948, when Scott's father accepted a position as head anesthesiologist at Harris Methodist Hospital.[2][3]
As a young teen Scott became fascinated by the work of John-James Audubon.[4] In November of 1956, Scott and Stuart attempted to recreate plate 206, Wood Duck (Aix sponsa) from Audubon's Birds of America in watercolor.[4] Several other copies and original works followed through 1957, cementing Scott's lifelong interest in Audubon inspired naturalism.[4] Once able to drive, Scott and his brother Stuart took a road trip to retrace Audubon's steps from Texas, through Louisiana and Mississippi, and ending up in Henderson, Kentucky.[2]
Education
[edit]At the age of 16 Gentling took his first art course under John Chumley at the Fort Worth Art Center.[5][3]
In 1961 Scott enrolled in Tulane University where he started to become heavily invested in painting.[4][5] Shortly after, he enrolled at Sophie Newcomb College to study art, though quickly became dissatisfied and left.[4] In the Spring of 1962, Emily Guthrie Smith, a family friend and artist, took two of Scott's paintings to The Fort Worth Art Museum's annual juried competition, which was judged by Walter Stuempfig.[4] Stuempfig, being impressed with Gentling's work, insisted the board of the Pennsylvania Academy of the Fine Arts where he worked invite Gentling to attend. Scott accepted, and stayed at the academy until 1965, studying under Stuempfig, and watercolorist John McCoy.[4][6] Scott was formally asked to leave the academy in December 1965, as he had not attended a class in a year.[3] Upon leaving the academy he resumed living full time in Fort Worth.
Early career
[edit]Through the 1960s Gentling expanded his capabilities through his education and had some of the first major breakthroughs of his art career. In this time he explored mediums such as etching, watercolor, photorealism, and pencil drawing - while focusing on subjects such as history, nature, and portraiture.[2][3][4] Scott's first exhibition, Watercolors of Wild Birds, takes place at the Lon Hellums Gallery in Fort Worth in April 1961.[7] Although it wasn't until three years later in August 1964 that his first major exhibition would take place. Showing at the Fort Worth Art Center member's lounge, it featured twenty five paintings and eight etchings.[5][3] At the time he was 21, and already deemed as "one of the area's most promising students".[5] The art in the exhibit was listed for sale, and a notable purchase was made by Perry R. Bass of the painting Benbrook Barn.[5]
In December of 1964, as his local acclaim grew, Gentling was able to get Thomas Hart Benton to sit for a portrait - one of the few Benton allowed of himself.[8]
By 1965, Scott had branched out in style, and received acclaim once again for his work on the portraits of Eddie and Clemmie McGary, African-American sharecroppers.[9] They became favorite subjects of Scott's and would be subjects in his work for the following two decades.[3]
Valley House Gallery
[edit]In 1965 Scott joined the Valley House Gallery in Dallas, where he sold and displayed his works.[9][10] His first display was under the show Contrasts: The Chosen Ones on November 11, 1965, where five of his works were shown.[10][3] From March 17 to April 17, 1966 Scott had his first solo showing at the gallery where he displayed 35 works.[9][10] He broke an attendance record at the time for his show, when more than 5,000 people showed in just a month to see it.[4]
His works were again exhibited with Valley House as his art broker in:
- Christmas Exhibition, December 12-24, 1966
- Solo catalogue, April 7-31, 1968
- A one night exhibit, March 30, 1971
- Solo catalogue, April 5-13, 1972[10]
Scott's fourth and final solo exhibition at the gallery was in September of 1976.[3] He officially left the gallery shortly after.[3]
Collaboration with Stuart
[edit]While Scott was able to find success with his own work, his popularity grew when collaborating with his twin brother, Stuart. In December of 1972 the Ralph Carr Fine Arts Leasing group organized the first of many of the brother's collaborative shows.[11][3] The brothers continued their cooperation with large pencil drawings of birds, which are sold throughout the 1970s to support Mayfest in Fort Worth.[12][3][4]
In 1974, three of Scott's prints are offered, along with three of Stuarts, for sale by Regency Art House by mail-order.[3]
After officially leaving the Valley House Gallery in 1977, along with his brother Stuart, Mariana Thomas, and Dutch and Mary Phillips, Scott establishes The New Gallery. [13][4] Capitalizing on the popularity of the brother's bird prints and drawings, two folio-size prints of Texas birds were issued to celebrate the gallery's opening, one of which was Scott's Kentucky Warblers.[4] The brothers issued two new bird prints per year, which eventually built up to their best known work, Of Birds and Texas.
Of Birds and Texas
[edit]Of Birds and Texas is a folio-sized collection of drybrush watercolors and essays, with art and writing provided by the Gentling brothers, and an additional essay by John Graves - a long time friend of the brothers.[4] The original work measured 22 x 28 inches, had 86 pages, and weighed 47 pounds.[14]
While the idea had been around for some time, the brothers seriously began to work on the project in 1982.[4][3] Initially they approached David Holman from Wind River Press about printing the folio project.[3] Soon after they get John Graves on board.[3] Finally, in October of 1983 Ralph Carr joined the project as the business manager.[4] The folio is first presented to the public at Carr's Seventh Street gallery in June of 1984, with a price of $2,500 per copy, over 90 are sold during this preview.[4][3]
By July 1985, the first color plate of the project is produced by David Holman, though the cost of the project were growing quite large.[3] Scott originally estimated the cost to produce the folio at $350,000, though it ended up closer to $850,000 - forcing Scott's mother to mortgage her house to fund the project.[4][3]
The original bird paintings of the book are acquired by the Fort Worth Museum of Science and History for $300,000 in October 1985, and all 40 of the works were put on display.[15][3]
In August of 1986, the folio fully debuts in an edition of 500 signed copies.[15] [3]
Later Career
[edit]After Birds, Gentling's interests shifted to wider projects.
In May 1991 his Mesoamerican inspired works appeared at Dutch Phillips' gallery in a show titled Views of Tenochtitlan.[3] The Aztec inspired drawings would later receive attention from Kevin Costner, for his documentary 500 Nations.[3]
In 1994 the Modern Art Museum of Fort Worth acquired his portrait of Jane Goodall, which is now part of the museums permanent holdings.[16] [17]
In March of 1994 the same year the brother's were contacted to design the ceiling murals for the new performance hall in Fort Worth, Bass Hall.[3] Although the project faced some issues along the way, the design art for the murals was displayed to the public from April to May of 1998 at the Kimbell Art Museum, before the opening of the hall itself.[3]
With the completion of this project, the brothers were contracted to do several more murals. One was for the Houston Museum of Natural Science titled Sacred Square, involving Aztec imagery.[3] Another was Parker Cabin, a mural for the city of Fort Worth detailing one of the oldest structures in the county.[3]
In 2001 Scott was asked to paint the gubernatorial portrait of Texas governor George W. Bush.
Personal Life
[edit]Scott was an avid collector of rarities, among his favorites were 18th century gentleman's coats.[18] He showed a great personal interest in Aztec and other Pre-Columbian cultures.[3][4] He went so far as to have a scale reconstruction of Tenochtitlan in his living room.[14]
Scott struggled with alcoholism much of his working career, from the early 1970s through 1986 when he quit.[3] His sister cited this as to why the brother's inability to work with a major gallery to their issues with alcohol.[3]
Notable Works
[edit]- Of Birds and Texas, 1986
- Jane Goodall Portrait, 1990
- Bass Hall Ceiling Murals, 1997
- George W. Bush Gubernatorial Portrait, 2001
References
[edit]- ^ a b Robinson, Gaile (February 10, 2011). "Artist left his mark across North Texas". Fort Worth Star-Telegram. p. 14. Retrieved January 14, 2021.
{{cite news}}: CS1 maint: url-status (link) - ^ a b c Frembling, Jonathan (2019). "The Once & Future Audubon". Texas Heritage. 4: 9–11, 24.
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac "Timeline". www.cartermuseum.org. Retrieved 2021-01-14.
- ^ a b c d e f g h i j k l m n o p q r Gentling, Stuart; Gentling, Scott (2001). Of birds and Texas (1st ed.). Austin: University of Texas Press. ISBN 0-292-72834-4. OCLC 45376259.
- ^ a b c d e "Gifted Young Painter Pursues Unique Vision of Neo-Realism". Fort Worth Star-Telegram. August 2, 1964. p. 39. Retrieved January 14, 2021.
{{cite news}}: CS1 maint: url-status (link) - ^ "Stuart and Scott Gentling – U.S. Department of State". Retrieved 2021-01-14.
- ^ "Gallery Calendar". Fort Worth Star-Telegram. April 16, 1961. p. 15. Retrieved January 14, 2021.
{{cite news}}: CS1 maint: url-status (link) - ^ "Rare Portrait". Fort Worth Star-Telegram. January 17, 1964. p. 24. Retrieved January 14, 2021.
{{cite news}}: CS1 maint: url-status (link) - ^ a b c "Scott Gentling .. artist". The Naples Monitor. June 30, 1966. p. 1. Retrieved January 14, 2021.
{{cite news}}: CS1 maint: url-status (link) - ^ a b c d "Valley House Gallery & Sculpture Garden". www.valleyhouse.com. Retrieved 2021-01-14.
- ^ Butterfield, Jan (December 17, 1972). "Stuart, Scott Gentling Reveal Artistic Gains". Fort Worth Star-Telegram. p. 156. Retrieved January 21, 2021.
{{cite news}}: CS1 maint: url-status (link) - ^ Bonelli, Diana (April 7, 1974). "Cantey Mayfest Award Offered". Fort Worth Star-Telegram. Retrieved January 21, 2021.
{{cite news}}: CS1 maint: url-status (link) - ^ Nuckols, Carol (December 11, 1977). "Gentling Works Displayed". Fort Worth Star-Telegram. p. 146. Retrieved January 21, 2021.
{{cite news}}: CS1 maint: url-status (link) - ^ a b Lanham, Fritz (February 3, 2002). "Fort Worth twins share interests, talents". The Houston Chronicle. Retrieved January 21, 2021.
{{cite news}}: CS1 maint: url-status (link) - ^ a b Sewell, Carol (January 10, 1986). "Gentlings' Original Bird Paintings Going up at Fort Worth Museum". Fort Worth Star-Telegram. p. 110. Retrieved January 21, 2021.
{{cite news}}: CS1 maint: url-status (link) - ^ "Portrait of Jane Goodall – Works – eMuseum". collection.themodern.org. Retrieved 2021-01-21.
- ^ "Scott Gentling, one of most accomplished artists of Fort Worth". The Dallas Morning News. February 10, 2011. Retrieved January 21, 2021.
{{cite news}}: CS1 maint: url-status (link) - ^ Bishop, Nancy (July 4, 1976). "Scott Gentling Continues Exploration of Reality". Fort Worth Star-Telegram. p. 76. Retrieved January 14, 2021.
{{cite news}}: CS1 maint: url-status (link)