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Hatakambari
Arohanam	S R₁ G₃ M₁ P D₃ N₃ Ṡ
Avarohanam	Ṡ N₃ D₃ P M₁ G₃ R₁ S

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Hatakambari (pronounced Hātakāmbari^[1]) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 18th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.

It is called Jayashuddhamālavi in Muthuswami Dikshitar school of Carnatic music.^[1]^[2]^[3]

Structure and Lakshana

It is the 6th rāgam in the 3rd chakra Agni. The mnemonic name is Agni-Sha. The mnemonic phrase is sa ra gu ma pa dhu nu.^[2] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):

ārohaṇa: S R₁ G₃ M₁ P D₃ N₃ Ṡ^[a]
avarohaṇa: Ṡ N₃ D₃ P M₁ G₃ R₁ S^[b]

(the notes used in this scale are shuddha rishabham, antara gandharam, shuddha madhyamam, shatsruthi dhaivatham, kakali nishadham)

As it is a melakarta rāgam, by definition it is a sampoorna rāgam (has all seven notes in ascending and descending scale). It is the shuddha madhyamam equivalent of Vishwambari, which is the 54th melakarta.

Asampurna Melakarta

Jayashuddhamālavi is the 18th Melakarta in the original list compiled by Venkatamakhin. The notes used in the scale are the same, but the scales are different. It is an shadava-sampurna raga (6 notes in ascending scale, while full 7 are used in descending scale in zig-zag manner, vakra prayoga).^[1]

ārohaṇa: S R₁ G₃ M₁ P N₃ Ṡ^[c]
avarohaṇa: Ṡ N₃ D₃ N₃ P M₁ G₃ R₁ S^[d]

Janya rāgams

Hatakambari has a few minor janya rāgams (derived scales) associated with it. See List of janya rāgams to view all rāgams associated with Hatakambari.

Compositions

Few compositions set to Hatakambari are:

Naraharim by Muthuswami Dikshitar
Alalagada by Koteeswara Iyer
RakshĀsumam srÎ lakshmÎ Pathe by Dr. M. Balamuralikrishna.

Related rāgams

This section covers the theoretical and scientific aspect of this rāgam.

Hatakambari's notes when shifted using Graha bhedam, yields one other minor melakarta rāgams, namely, Gavambhodi. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For further details and an illustration refer Graha bhedam on Hatakambari.

Notes

^
Alternate notations:
- Hindustani: S Ṟ G M P Ṉ N Ṡ
- Western: C D♭ E F G A♯ B C
^
Alternate notations:
- Hindustani: Ṡ N Ṉ P M G Ṟ S
- Western: C B A♯ G F E D♭ C
^
Alternate notations:
- Hindustani: S Ṟ G M P N Ṡ
- Western: C D♭ E F G B C
^
Alternate notations:
- Hindustani: Ṡ N Ṉ N P M G Ṟ S
- Western: C B A♯ B G F E D♭ C

References

^ ^a ^b ^c Sri Muthuswami Dikshitar Keertanaigal by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai
^ ^a ^b Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
^ Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras

[4] Alternate notations:
Hindustani: S Ṟ G M P Ṉ N Ṡ
Western: C D♭ E F G A♯ B C

[2] Hindustani: S Ṟ G M P Ṉ N Ṡ

[3] Western: C D♭ E F G A♯ B C

[5] Alternate notations:
Hindustani: Ṡ N Ṉ P M G Ṟ S
Western: C B A♯ G F E D♭ C

[5] Hindustani: Ṡ N Ṉ P M G Ṟ S

[6] Western: C B A♯ G F E D♭ C

[6] Alternate notations:
Hindustani: S Ṟ G M P N Ṡ
Western: C D♭ E F G B C

[8] Hindustani: S Ṟ G M P N Ṡ

[9] Western: C D♭ E F G B C

[7] Alternate notations:
Hindustani: Ṡ N Ṉ N P M G Ṟ S
Western: C B A♯ B G F E D♭ C

[11] Hindustani: Ṡ N Ṉ N P M G Ṟ S

[12] Western: C B A♯ B G F E D♭ C

[dikshitar-1] Sri Muthuswami Dikshitar Keertanaigal by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai

[ragas-2] Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications

[raganidhi-3] Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras

[1]

[2]

[3]

[a]

[b]

[c]

[d]

@@ Line 1: / Line 1: @@
+{{Use dmy dates|date=August 2022}}
 {{Infobox ragam
 | name          = Hatakambari
@@ Line 16: / Line 17: @@
 | similar       =
 }}
-{{Use dmy dates|date=September 2011}}
 {{Carnatic}}
-'''Hatakambari''' (pronounced Hātakāmbari<ref name="dikshitar">''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai</ref>) is a [[rāga]]m in [[Carnatic music]] (musical scale of South Indian classical music). It is the 18th ''[[Melakarta]]'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music.
+'''Hatakambari''' (pronounced Hātakāmbari<ref name="dikshitar">''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai</ref>) is a [[raga]]m in [[Carnatic music]] (musical scale of South Indian classical music). It is the 18th ''[[Melakarta]]'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music.
-It is called '''Jayashuddhamālavi''' in [[Muthuswami Dikshitar]] school of Carnatic music.<ref name="dikshitar" /><ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref  name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref>
+It is called '''Jayashuddhamālavi''' in [[Muthuswami Dikshitar]] school of Carnatic music.<ref name="dikshitar" /><ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref>
 ==Structure and Lakshana==
 [[Image:Hatakambari scale.svg|thumb|right|300px|''Hatakambari'' scale with Shadjam at C]]
-It is the 6th rāgam in the 3rd ''chakra Agni''. The mnemonic name is ''Agni-Sha''. The mnemonic phrase is ''sa ra gu ma pa dhu nu''.<ref name="ragas" /> Its {{IAST|ārohaṇa-avarohaṇa}} structure (ascending and descending scale) is as follows (see [[Swara#Swaras in Carnatic music|''swaras'' in Carnatic music]] for details on below notation and terms):
+It is the 6th rāgam in the 3rd ''chakra Agni''. The mnemonic name is ''Agni-Sha''. The mnemonic phrase is ''sa ra gu ma pa dhu nu''.<ref name="ragas" /> Its {{IAST|ārohaṇa-avarohaṇa}} structure (ascending and descending scale) is as follows (see [[Swara#Svaras in Carnatic music|''swaras'' in Carnatic music]] for details on below notation and terms):
 *[[Arohana|{{IAST|ārohaṇa}}]]: {{svaraC|S|R1|G3|M1|P|D3|N3|S'|foot=yes}}
 *[[Avarohana|{{IAST|avarohaṇa}}]]: {{svaraC|S'|N3|D3|P|M1|G3|R1|S|foot=yes}}
@@ Line 45: / Line 45: @@
 *''Naraharim'' by [[Muthuswami Dikshitar]]
 *''Alalagada'' by [[Koteeswara Iyer]]
-*''RakshĀsumam srÎ lakshmÎ Pathe'' by [[Dr. M. Balamuralikrishna]].
+*''RakshĀsumam srÎ lakshmÎ Pathe'' by Dr. [[M. Balamuralikrishna]].
 ==Related rāgams==

v t e Janya ragas
A-B	Abheri Abhogi Ahiri Amritavarshini Amritha Kalyani Anandabhairavi Andolika Arabhi Asaveri Atana Bageshri Bahudari Bhairavi Bhimsen Bhupalam Bilahari Bowli
D-J	Darbar Darbari Kanada Devagandhari Dhanyasi Gambhiranata Garudadhvani Gaula Hamsadhvani Hamsanadam Hamsanandi Hindolam Jana Ranjani Jaunpuri
K-L	Kalavati Kalyanavasantam Kambhoji Kāpi Karnataka Shuddha Saveri Kathanakuthuhalam Kedaragaula Kedaram Khamas Lalitha Lavangi
M	Mahati Madhuvanti Madhyamavati Malahari Malayamarutam Mohanakalyani Mohanam Mukhari
N-R	Nada Kalyani Nagasvaravali Nata Nattakurinji Navarasa kannada Niroshta Pharaju Poornachandrika Punnagavarali Ranjani Reethigowla Revagupti Revati
S	Sahana Salaga Bhairavi Saramati Saveri Shivaranjani Sri Tyagaraja Shree ragam Shree ranjani Shuddha Saveri Sindhu Bhairavi Sunadavinodini Surutti
T-V	Thyagaraja Mangalam Tilang Udayaravichandrika (Shuddha Dhanyasi) Valaji Varali Vasantha Yadukulakamboji Yamunakalyani
Carnatic music Swaras Melakarta ragas Asampurna Melakarta ragas List of Janya ragas