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{{Use dmy dates|date=August 2022}}
{{Infobox ragam
{{Infobox ragam
| name = Hatakambari
| name = Hatakambari
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| similar =
| similar =
}}
}}
{{Use dmy dates|date=September 2011}}
{{Carnatic}}
{{Carnatic}}
'''Hatakambari''' (pronounced Hātakāmbari<ref name="dikshitar">''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai</ref>) is a [[rāga]]m in [[Carnatic music]] (musical scale of South Indian classical music). It is the 18th ''[[Melakarta]]'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music.
'''Hatakambari''' (pronounced Hātakāmbari<ref name="dikshitar">''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai</ref>) is a [[raga]]m in [[Carnatic music]] (musical scale of South Indian classical music). It is the 18th ''[[Melakarta]]'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music.


It is called '''Jayashuddhamālavi''' in [[Muthuswami Dikshitar]] school of Carnatic music.<ref name="dikshitar" /><ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref>
It is called '''Jayashuddhamālavi''' in [[Muthuswami Dikshitar]] school of Carnatic music.<ref name="dikshitar" /><ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref>


==Structure and Lakshana==
==Structure and Lakshana==
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*''Naraharim'' by [[Muthuswami Dikshitar]]
*''Naraharim'' by [[Muthuswami Dikshitar]]
*''Alalagada'' by [[Koteeswara Iyer]]
*''Alalagada'' by [[Koteeswara Iyer]]
*''RakshĀsumam srÎ lakshmÎ Pathe'' by [[Dr. M. Balamuralikrishna]].
*''RakshĀsumam srÎ lakshmÎ Pathe'' by Dr. [[M. Balamuralikrishna]].


==Related rāgams==
==Related rāgams==

Latest revision as of 07:35, 2 August 2022

Hatakambari
ArohanamS R₁ G₃ M₁ P D₃ N₃ 
Avarohanam N₃ D₃ P M₁ G₃ R₁ S

Hatakambari (pronounced Hātakāmbari[1]) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 18th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.

It is called Jayashuddhamālavi in Muthuswami Dikshitar school of Carnatic music.[1][2][3]

Structure and Lakshana

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Hatakambari scale with Shadjam at C

It is the 6th rāgam in the 3rd chakra Agni. The mnemonic name is Agni-Sha. The mnemonic phrase is sa ra gu ma pa dhu nu.[2] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):

(the notes used in this scale are shuddha rishabham, antara gandharam, shuddha madhyamam, shatsruthi dhaivatham, kakali nishadham)

As it is a melakarta rāgam, by definition it is a sampoorna rāgam (has all seven notes in ascending and descending scale). It is the shuddha madhyamam equivalent of Vishwambari, which is the 54th melakarta.

Asampurna Melakarta

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Jayashuddhamālavi is the 18th Melakarta in the original list compiled by Venkatamakhin. The notes used in the scale are the same, but the scales are different. It is an shadava-sampurna raga (6 notes in ascending scale, while full 7 are used in descending scale in zig-zag manner, vakra prayoga).[1]

Janya rāgams

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Hatakambari has a few minor janya rāgams (derived scales) associated with it. See List of janya rāgams to view all rāgams associated with Hatakambari.

Compositions

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Few compositions set to Hatakambari are:

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This section covers the theoretical and scientific aspect of this rāgam.

Hatakambari's notes when shifted using Graha bhedam, yields one other minor melakarta rāgams, namely, Gavambhodi. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For further details and an illustration refer Graha bhedam on Hatakambari.

Notes

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  1. ^ Alternate notations:
    • Hindustani: S  G M P  N 
    • Western: C D E F G A B C
  2. ^ Alternate notations:
    • Hindustani:  N  P M G  S
    • Western: C B A G F E D C
  3. ^ Alternate notations:
    • Hindustani: S  G M P N 
    • Western: C D E F G B C
  4. ^ Alternate notations:
    • Hindustani:  N  N P M G  S
    • Western: C B A B G F E D C

References

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  1. ^ a b c Sri Muthuswami Dikshitar Keertanaigal by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai
  2. ^ a b Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
  3. ^ Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras