Mike Disfarmer: Difference between revisions
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{{Short description|American photographer (1884–1959)}} |
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'''Mike Disfarmer''' (1884–1959) was an American [[photographer]] whose portraits of everyday people in rural [[Arkansas]] became regarded as art some years after his death. |
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'''Mike Disfarmer''' (born '''Mike Meyer''', 1884–1959) was an American [[photographer]] known for his portraits of everyday people in rural [[Arkansas]] from the 1920s to the 1950s. His stark, realist photographs were rediscovered in the 1970s and later came to be regarded as works of art. Because of his status outside of the artistic mainstream, Disfarmer's photographs are considered an example of [[Outsider art]]. |
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== Biography == |
== Biography == |
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Born Mike Meyer in [[Indiana]], he moved with his family to Arkansas in 1892. He later moved to the town of [[Heber Springs, Arkansas]] at the age of thirty, where roughly a decade later he would build and operate his photography studio. Meyer changed his name to Disfarmer while in his 50s, claiming that he was adopted by the Meyers (Disfarmer is a direct reference to Meyer, an archaic German term for farmer).<ref name = "Becoming">{{cite web |last1=Hodara |first1=Susan |title=Faces of a Small Southern Town: 'Becoming Disfarmer,' at the Neuberger Museum of Art |url=https://www.nytimes.com/2015/01/11/nyregion/faces-of-a-small-southern-town-becoming-disfarmer-at-the-neuberger-museum-of-art.html |website=NY Times |access-date=7 July 2022}}</ref> Disfarmer never married, and he lived alone in the photography studio until his death in 1959. While there is speculation that he was eccentric and even insane, so little is known about his personal life that there is no evidence for these assertions other than his photographs.<ref>{{cite web |last1=Ming |first1=Ye |title=Mike Disfarmer: How One Photographer Became Famous After Death |url=https://time.com/3606457/mike-disfarmer-how-one-photographer-became-famous-after-death/ |website=TIME |access-date=7 July 2022}}</ref> |
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==Photographs== |
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| ⚫ | Disfarmer's photographs were simple, postcard-sized [[photographic plate|glass plate negatives]], costing only 50 cents for three photographs. The subjects face directly at the camera and never smile, supposedly told not to by the photographer. His subjects are the small-town residents of Heber Springs as well as tourists, photographed without props against a plain backdrop.<ref name="Becoming"/> Employing a stark realism and often lengthy, unnervingly mute sitting sessions, Disfarmer produced a consistent stream of portraits that, according to some, capture the essence of a particular community and time.<ref>{{cite AV media| people =Lavut, Martin (director)| date =31 May 2010| title =Disfarmer: A Portrait of America| medium =Documentary film| url =http://tvo.org/video/165119/disfarmer-portrait-america| location =Canada| publisher =Public Pictures| url-status =dead| archiveurl =https://web.archive.org/web/20141226070856/http://tvo.org/video/165119/disfarmer-portrait-america| archivedate =26 December 2014}}</ref> |
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== Legacy == |
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A large cache of negatives shot by Disfarmer were found in the 1970s in Heber Springs by Peter Miller who spent a year on a bicentennial grant cleaning, preserving and cataloging the negatives. Subsequently, two exhibitions of Disfarmer's own prints were held.<ref name=NYTimes>{{cite news|first=Charles|last=Isherwood|title=An Eccentric Existence: Ice Cream, Beer and Art|date=2 February 2009|work=[[The New York Times]]|url=http://theater2.nytimes.com/2009/02/02/theater/reviews/02disf.html|accessdate=2 February 2009}}</ref> |
A large cache of negatives shot by Disfarmer were found in the 1970s in Heber Springs by Peter Miller who spent a year on a bicentennial grant cleaning, preserving and cataloging the negatives. Subsequently, two exhibitions of Disfarmer's own prints were held.<ref name=NYTimes>{{cite news|first=Charles|last=Isherwood|title=An Eccentric Existence: Ice Cream, Beer and Art|date=2 February 2009|work=[[The New York Times]]|url=http://theater2.nytimes.com/2009/02/02/theater/reviews/02disf.html|accessdate=2 February 2009}}</ref> |
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In 2008, a picture of Disfarmer was used on the [[80th Academy Awards]] telecast as the alleged portrait of Roderick Jaynes, the [[film editing]] pseudonym of the [[Coen brothers]], who was nominated at that ceremony for editing the Coens' film ''[[No Country for Old Men (film)|No Country for Old Men]]''.<ref>{{cite news|first=Kyle|last=Smith|title=Another Montage and the Roderick Jaynes Question|date=24 February 2008|work=KyleSmithOnline.com|url=http://kylesmithonline.com/?p=1011|accessdate=5 March 2010}}</ref> Disfarmer's photo was supplied to the [[Academy of Motion Picture Arts and Sciences]] by the Coens after Jaynes' nomination.<ref>{{cite news|first=Roger|last=Ebert|title=Those Coen boys, what kidders|date=11 September 2008|work=RogerEbert.com|url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20080911/ANSWERMAN/809119974/-1/RSS|accessdate=5 March 2010| |
In 2008, a picture of Disfarmer was used on the [[80th Academy Awards]] telecast as the alleged portrait of Roderick Jaynes, the [[film editing]] pseudonym of the [[Coen brothers]], who was nominated at that ceremony for editing the Coens' film ''[[No Country for Old Men (film)|No Country for Old Men]]''.<ref>{{cite news|first=Kyle|last=Smith|title=Another Montage and the Roderick Jaynes Question|date=24 February 2008|work=KyleSmithOnline.com|url=http://kylesmithonline.com/?p=1011|accessdate=5 March 2010|archiveurl=https://web.archive.org/web/20100103011739/http://kylesmithonline.com/?p=1011|archivedate=2010-01-03|url-status=dead}}</ref><ref>{{cite web|url=https://www.literaryramblings.com/1000-books-in-10-years-vol-232-235-four-screenplays-by-ethan-and-joel-coen/|title=The Eclectic Genesis of Ethan and Joel Coen|last=Rambler|website=Literary Ramblings}}</ref><ref>{{cite web|url=http://picturesho.com/post/79814750337/jaynes|title=PICTURESHO|website=PICTURESHO}}</ref> Disfarmer's photo was supplied to the [[Academy of Motion Picture Arts and Sciences]] by the Coens after Jaynes' nomination.<ref>{{cite news|first=Roger|last=Ebert|title=Those Coen boys, what kidders|date=11 September 2008|work=RogerEbert.com|url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20080911/ANSWERMAN/809119974/-1/RSS|accessdate=5 March 2010|url-status=dead|archiveurl=https://web.archive.org/web/20110605082520/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=%2F20080911%2FANSWERMAN%2F809119974%2F-1%2FRSS|archivedate=5 June 2011}}</ref> |
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[[Image:Mike Meyer Disfarmer Gravesite.JPG|thumb|right|Disfarmer gravesite in Heber Springs Cemetery]] |
[[Image:Mike Meyer Disfarmer Gravesite.JPG|thumb|right|Disfarmer gravesite in Heber Springs Cemetery]] |
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In 2009, he was the subject of a puppet-theater production by [[Dan Hurlin]], premiered at [[St. Ann's Warehouse]] in New York City.<ref name=NYTimes/> His life was an inspiration for guitarist [[Bill Frisell]], who was commissioned by the Wexner Center for the Arts to write the score to accompany a retrospective of Disfarmer's work. Frisell visited Disfarmer's home town of Heber Springs, Arkansas and created an album "Disfarmer".<ref>{{cite news|title=Bill Frisell: 2009: album ″Disfarmer″|work=Nonesuch.com|url=http://www.nonesuch.com/albums/disfarmer}}</ref> |
In 2009, he was the subject of a puppet-theater production by [[Dan Hurlin]], premiered at [[St. Ann's Warehouse]] in New York City.<ref name=NYTimes/> His life was an inspiration for guitarist [[Bill Frisell]], who was commissioned by the Wexner Center for the Arts to write the score to accompany a retrospective of Disfarmer's work. Frisell visited Disfarmer's home town of Heber Springs, Arkansas and created an album "[[Disfarmer]]".<ref>{{cite news|title=Bill Frisell: 2009: album ″Disfarmer″|work=Nonesuch.com|url=http://www.nonesuch.com/albums/disfarmer}}</ref> |
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[[Mike Meyer Disfarmer Gravesite|His gravesite]] has been placed on the [[National Register of Historic Places]]. |
[[Mike Meyer Disfarmer Gravesite|His gravesite]] has been placed on the [[National Register of Historic Places]]. |
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[[Category:1884 births]] |
[[Category:1884 births]] |
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[[Category:1959 deaths]] |
[[Category:1959 deaths]] |
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[[Category:American photographers]] |
[[Category:20th-century American photographers]] |
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[[Category:People from Heber Springs, Arkansas]] |
[[Category:People from Heber Springs, Arkansas]] |
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[[Category:Photographers from Arkansas]] |
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[[Category:Photographers from Indiana]] |
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Latest revision as of 11:49, 29 September 2022
Mike Disfarmer (born Mike Meyer, 1884–1959) was an American photographer known for his portraits of everyday people in rural Arkansas from the 1920s to the 1950s. His stark, realist photographs were rediscovered in the 1970s and later came to be regarded as works of art. Because of his status outside of the artistic mainstream, Disfarmer's photographs are considered an example of Outsider art.
Biography
[edit]Born Mike Meyer in Indiana, he moved with his family to Arkansas in 1892. He later moved to the town of Heber Springs, Arkansas at the age of thirty, where roughly a decade later he would build and operate his photography studio. Meyer changed his name to Disfarmer while in his 50s, claiming that he was adopted by the Meyers (Disfarmer is a direct reference to Meyer, an archaic German term for farmer).[1] Disfarmer never married, and he lived alone in the photography studio until his death in 1959. While there is speculation that he was eccentric and even insane, so little is known about his personal life that there is no evidence for these assertions other than his photographs.[2]
Photographs
[edit]Disfarmer's photographs were simple, postcard-sized glass plate negatives, costing only 50 cents for three photographs. The subjects face directly at the camera and never smile, supposedly told not to by the photographer. His subjects are the small-town residents of Heber Springs as well as tourists, photographed without props against a plain backdrop.[1] Employing a stark realism and often lengthy, unnervingly mute sitting sessions, Disfarmer produced a consistent stream of portraits that, according to some, capture the essence of a particular community and time.[3]
Legacy
[edit]A large cache of negatives shot by Disfarmer were found in the 1970s in Heber Springs by Peter Miller who spent a year on a bicentennial grant cleaning, preserving and cataloging the negatives. Subsequently, two exhibitions of Disfarmer's own prints were held.[4]
In 2008, a picture of Disfarmer was used on the 80th Academy Awards telecast as the alleged portrait of Roderick Jaynes, the film editing pseudonym of the Coen brothers, who was nominated at that ceremony for editing the Coens' film No Country for Old Men.[5][6][7] Disfarmer's photo was supplied to the Academy of Motion Picture Arts and Sciences by the Coens after Jaynes' nomination.[8]
In 2009, he was the subject of a puppet-theater production by Dan Hurlin, premiered at St. Ann's Warehouse in New York City.[4] His life was an inspiration for guitarist Bill Frisell, who was commissioned by the Wexner Center for the Arts to write the score to accompany a retrospective of Disfarmer's work. Frisell visited Disfarmer's home town of Heber Springs, Arkansas and created an album "Disfarmer".[9]
His gravesite has been placed on the National Register of Historic Places.
Books
[edit]- Disfarmer, Mike. Disfarmer: The Heber Springs Portraits, 1939–1946. Addison House
- Disfarmer, Mike, Steven Kasher, and Alan Trachtenberg. Original Disfarmer Photographs. Göttingen: Steidl, 2005
- Disfarmer, Mike. Heber Springs Portraits: Continuity and Change in the World Disfarmer Photographed. University of New Mexico Press
References
[edit]- ^ a b Hodara, Susan. "Faces of a Small Southern Town: 'Becoming Disfarmer,' at the Neuberger Museum of Art". NY Times. Retrieved 7 July 2022.
- ^ Ming, Ye. "Mike Disfarmer: How One Photographer Became Famous After Death". TIME. Retrieved 7 July 2022.
- ^ Lavut, Martin (director) (31 May 2010). Disfarmer: A Portrait of America (Documentary film). Canada: Public Pictures. Archived from the original on 26 December 2014.
- ^ a b Isherwood, Charles (2 February 2009). "An Eccentric Existence: Ice Cream, Beer and Art". The New York Times. Retrieved 2 February 2009.
- ^ Smith, Kyle (24 February 2008). "Another Montage and the Roderick Jaynes Question". KyleSmithOnline.com. Archived from the original on 2010-01-03. Retrieved 5 March 2010.
- ^ Rambler. "The Eclectic Genesis of Ethan and Joel Coen". Literary Ramblings.
- ^ "PICTURESHO". PICTURESHO.
- ^ Ebert, Roger (11 September 2008). "Those Coen boys, what kidders". RogerEbert.com. Archived from the original on 5 June 2011. Retrieved 5 March 2010.
- ^ "Bill Frisell: 2009: album ″Disfarmer″". Nonesuch.com.
External links
[edit]- Official photo sales website
- Disfarmer (Public Pictures), (Documentary)
- Disfarmer:A Portrait of America, (tvo.org Documentary)
- Photomart Images, (Database)
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