Alfred L. Copley: Difference between revisions
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{{Short description|German-American medical scientist and painter}} |
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'''Alfred Lewin Copley''' ( |
'''Alfred Lewin Copley''' (1910–1992) was a [[Germany|German]]-[[United States|American]] medical scientist<ref>Magda Salvesen and Diane Cousineaup, ''Artists' Estates: Reputations in Trust'', Rutgers University Press, 2005, 356. {{ISBN|0-8135-3604-9}}</ref> and an artist at the [[New York School (art)|New York School]]<ref>[http://findarticles.com/p/articles/mi_m1248/is_n2_v82/ai_15079860 ''Art in America'', February, 1994.]</ref> in the 1950s. As an artist he worked under the name '''L. Alcopley'''. He is best known as an artist for his [[abstract expressionist]] paintings, and as a scientist for his work in the field of [[hemorheology]]. He was married to the [[Iceland]]ic artist [[Nína Tryggvadóttir]]. |
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==Work as a medical scientist== |
==Work as a medical scientist== |
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As a scientist, Copley studied the [[rheology]] of blood. In 1948 he introduced the word [[biorheology]] to describe rheology in biological systems.<ref name=ORear>E. A. O'Rear ''et al.'' (2004) ''Rheology Bulletin'' Vol. 73, No. 2 "International Society of Biorheology"</ref> |
As a scientist, Copley studied the [[rheology]] of blood. In 1948 he introduced the word [[biorheology]] to describe rheology in biological systems.<ref name=ORear>E. A. O'Rear ''et al.'' (2004) ''Rheology Bulletin'' Vol. 73, No. 2 "International Society of Biorheology"</ref> |
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In 1952 he introduced the word [[hemorheology]], to describe the study of the way blood and blood vessels function as part of the living organism.<ref>J. F. Stoltz, Megha Singh, Pavel Riha, ''Hemorheology in Practice'', IOS Press, 1999, p2. ISBN |
In 1952 he introduced the word [[hemorheology]], to describe the study of the way blood and blood vessels function as part of the living organism.<ref>J. F. Stoltz, Megha Singh, Pavel Riha, ''Hemorheology in Practice'', IOS Press, 1999, p2. {{ISBN|90-5199-435-4}}</ref> |
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In 1966 he established the International Society of Hemorheology, which changed its name and scope in 1969 to the International Society of Biorheology (ISB).<ref name=ORear/> In 1972 the ISB awarded him its Poiseuille gold medal.<ref>[http://www.coe.ou.edu/isb/awardees/1972.htm coe.ou.edu], accessed September 23, 2007.</ref> |
In 1966 he established the International Society of Hemorheology, which changed its name and scope in 1969 to the International Society of Biorheology (ISB).<ref name=ORear/> In 1972 the ISB awarded him its Poiseuille gold medal.<ref>[http://www.coe.ou.edu/isb/awardees/1972.htm coe.ou.edu], accessed September 23, 2007.</ref> |
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==Work as an artist== |
==Work as an artist== |
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In 1949 he was one of twenty artists who founded the [[Eighth Street Club]]. The group also included [[Franz Kline]], [[Willem de Kooning]] and Alcopley's close friend, the composer [[Edgard Varèse]].<ref>Steven Johnson, ''The New York Schools of Music and Visual Arts'', Routledge, 2002, p60. ISBN |
In 1949 he was one of twenty artists who founded the [[Eighth Street Club]]. The group also included [[Franz Kline]], [[Willem de Kooning]] and Alcopley's close friend, the composer [[Edgard Varèse]].<ref>Steven Johnson, ''The New York Schools of Music and Visual Arts'', Routledge, 2002, p60. {{ISBN|0-8153-3364-1}}</ref> |
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He participated in the [[9th Street Art Exhibition|Ninth Street Show]] in |
He participated in the [[9th Street Art Exhibition|Ninth Street Show]] in 1951 and had a solo exhibition at the [[Stedelijk Museum]], [[Amsterdam]] in 1962.<ref>[http://www.artnet.com/artist/578390/alcopley.html artnet.com], accessed September 22, 2007.</ref> His work is held in the collection of the [[National Museum of Modern Art, Tokyo]].<ref>[http://www.artfacts.net/index.php/pageType/instInfo/inst/2477 artfacts.net], accessed September 22, 2007.</ref> |
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==See also== |
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*[[Biorheology]], the study of flow properties(rheology) of biological fluids. |
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*[[Hemorheology]], the study of flow properties of blood and its elements . |
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==References== |
==References== |
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==Books== |
==Books== |
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* Alfred L Copley; Alex Silberberg, [http://www.worldcatlibraries.org/oclc/27068332&referer=brief_results ''One man--two visions: L. Alcopley--A.L. Copley, artist and scientist : a retrospective, on the occasion of an eightieth birthday,''] (Oxford |
* Alfred L Copley; Alex Silberberg, [http://www.worldcatlibraries.org/oclc/27068332&referer=brief_results ''One man--two visions: L. Alcopley--A.L. Copley, artist and scientist : a retrospective, on the occasion of an eightieth birthday,''] (Oxford; New York : Pergamon Press, 1993.) {{ISBN|978-0-08-040832-3}} |
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* Marika Herskovic, [http://www.worldcatlibraries.org/oclc/50666793&tab=holdings ''New York School Abstract Expressionists Artists Choice by Artists,''] (New York School Press, 2000.) ISBN |
* Marika Herskovic, [http://www.worldcatlibraries.org/oclc/50666793&tab=holdings ''New York School Abstract Expressionists Artists Choice by Artists,''] (New York School Press, 2000.) {{ISBN|0-9677994-0-6}}. p. 12; p. 18; p. 36; pp. 54–57 |
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*Müller-Yao, Marguerite Hui: ''Der Einfluß der Kunst der chinesischen Kalligraphie auf die westliche informelle Malerei'', Diss. Bonn, Köln 1985. ISBN |
*Müller-Yao, Marguerite Hui: ''Der Einfluß der Kunst der chinesischen Kalligraphie auf die westliche informelle Malerei'', Diss. Bonn, Köln 1985. {{ISBN|3-88375-051-4}} |
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*Müller-Yao, Marguerite: ''Informelle Malerei und chinesische Kalligrafie'', in: ''Informel, Begegnung und Wandel'', (hrsg von Heinz Althöfer, Schriftenreihe des Museums am Ostwall; Bd. 2), Dortmund 2002, ISBN |
*Müller-Yao, Marguerite: ''Informelle Malerei und chinesische Kalligrafie'', in: ''Informel, Begegnung und Wandel'', (hrsg von Heinz Althöfer, Schriftenreihe des Museums am Ostwall; Bd. 2), Dortmund 2002, {{ISBN|3-611-01062-6}} |
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*Rolf Wedewer: ''Die Malerei des Informel. Weltverlust und Ich-Behauptung'', Deutscher Kunstverlag, München, 2007. ISBN |
*Rolf Wedewer: ''Die Malerei des Informel. Weltverlust und Ich-Behauptung'', [[Deutscher Kunstverlag]], München, 2007. {{ISBN|3-422-06560-1}} |
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{{Authority control}} |
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{{DEFAULTSORT:Copley, Alfred L.}} |
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[[Category:Abstract expressionist artists]] |
[[Category:Abstract expressionist artists]] |
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[[Category:American painters]] |
[[Category:20th-century American painters]] |
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[[Category:Modern painters]] |
[[Category:Modern painters]] |
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[[Category:Painters from New York City]] |
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[[Category:Rheologists]] |
[[Category:Rheologists]] |
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[[Category:People from New York City]] |
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[[Category:1910 births]] |
[[Category:1910 births]] |
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[[Category:1992 deaths]] |
[[Category:1992 deaths]] |
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[[Category:German emigrants to the United States]] |
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[[tg:Л. Алкоплей]] |
Latest revision as of 04:53, 10 November 2022
Alfred Lewin Copley (1910–1992) was a German-American medical scientist[1] and an artist at the New York School[2] in the 1950s. As an artist he worked under the name L. Alcopley. He is best known as an artist for his abstract expressionist paintings, and as a scientist for his work in the field of hemorheology. He was married to the Icelandic artist Nína Tryggvadóttir.
Work as a medical scientist
[edit]As a scientist, Copley studied the rheology of blood. In 1948 he introduced the word biorheology to describe rheology in biological systems.[3] In 1952 he introduced the word hemorheology, to describe the study of the way blood and blood vessels function as part of the living organism.[4] In 1966 he established the International Society of Hemorheology, which changed its name and scope in 1969 to the International Society of Biorheology (ISB).[3] In 1972 the ISB awarded him its Poiseuille gold medal.[5]
Work as an artist
[edit]In 1949 he was one of twenty artists who founded the Eighth Street Club. The group also included Franz Kline, Willem de Kooning and Alcopley's close friend, the composer Edgard Varèse.[6]
He participated in the Ninth Street Show in 1951 and had a solo exhibition at the Stedelijk Museum, Amsterdam in 1962.[7] His work is held in the collection of the National Museum of Modern Art, Tokyo.[8]
See also
[edit]- Biorheology, the study of flow properties(rheology) of biological fluids.
- Hemorheology, the study of flow properties of blood and its elements .
References
[edit]- ^ Magda Salvesen and Diane Cousineaup, Artists' Estates: Reputations in Trust, Rutgers University Press, 2005, 356. ISBN 0-8135-3604-9
- ^ Art in America, February, 1994.
- ^ a b E. A. O'Rear et al. (2004) Rheology Bulletin Vol. 73, No. 2 "International Society of Biorheology"
- ^ J. F. Stoltz, Megha Singh, Pavel Riha, Hemorheology in Practice, IOS Press, 1999, p2. ISBN 90-5199-435-4
- ^ coe.ou.edu, accessed September 23, 2007.
- ^ Steven Johnson, The New York Schools of Music and Visual Arts, Routledge, 2002, p60. ISBN 0-8153-3364-1
- ^ artnet.com, accessed September 22, 2007.
- ^ artfacts.net, accessed September 22, 2007.
Books
[edit]- Alfred L Copley; Alex Silberberg, One man--two visions: L. Alcopley--A.L. Copley, artist and scientist : a retrospective, on the occasion of an eightieth birthday, (Oxford; New York : Pergamon Press, 1993.) ISBN 978-0-08-040832-3
- Marika Herskovic, New York School Abstract Expressionists Artists Choice by Artists, (New York School Press, 2000.) ISBN 0-9677994-0-6. p. 12; p. 18; p. 36; pp. 54–57
- Müller-Yao, Marguerite Hui: Der Einfluß der Kunst der chinesischen Kalligraphie auf die westliche informelle Malerei, Diss. Bonn, Köln 1985. ISBN 3-88375-051-4
- Müller-Yao, Marguerite: Informelle Malerei und chinesische Kalligrafie, in: Informel, Begegnung und Wandel, (hrsg von Heinz Althöfer, Schriftenreihe des Museums am Ostwall; Bd. 2), Dortmund 2002, ISBN 3-611-01062-6
- Rolf Wedewer: Die Malerei des Informel. Weltverlust und Ich-Behauptung, Deutscher Kunstverlag, München, 2007. ISBN 3-422-06560-1