Classic 100 Swoon: Difference between revisions
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{{Notability|date=January 2018}} |
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{{Article for deletion/dated|page=Classic 100 Swoon (ABC)|timestamp=20150605082331|year=2015|month=June|day=5|substed=yes|help=off}} |
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{{Use dmy dates|date=October 2020}} |
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{{Use Australian English|date=August 2015}} |
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In 2015, the Australian [[radio station]] [[ABC Classic FM]] held the thirteenth of its annual [[Classic 100 Countdowns |
In 2015, the Australian [[radio station]] [[ABC Classic FM]] held the thirteenth of its annual [[Classic 100 Countdowns|Classic Music countdowns]], during which the public votes for 100 favourite pieces. The chosen theme was "[[wikt:swoon|Swoon]]", which refers to a [[Syncope (medicine)|fainting]] and in this context is used to mean "little parcel of [musical] rapture"<ref>{{Cite web|title = ABC Classic FM – Classic 100 2015|url = http://www.abc.net.au/classic/classic100/swoon/|website = www.abc.net.au|accessdate = 2015-06-04}}</ref> or music "that makes [the listeners'] world stand still."<ref>{{Cite web|url=http://www.limelightmagazine.com.au/news/abc-classic-fm-announce-swoon-theme-2015-classic-100|title=Classic FM announce Swoon as theme of 2015 Classic 100|last=Boon|first=Maxim|date=15 April 2015|website=Limelight|archive-url=https://web.archive.org/web/20170703111026/http://www.limelightmagazine.com.au/news/abc-classic-fm-announce-swoon-theme-2015-classic-100|archive-date=3 July 2017|url-status=dead|access-date=1 January 2018}}</ref> The '''Classic 100 Swoon''' countdown was broadcast in reverse order from 5 to 8 June. |
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== Countdown results == |
== Countdown results == |
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!Composer |
!Composer |
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!Work |
!Work |
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!Genre |
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!Date |
!Date |
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|- |
|- |
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Line 16: | Line 17: | ||
|[[Ralph Vaughan Williams|Vaughan Williams, Ralph]] |
|[[Ralph Vaughan Williams|Vaughan Williams, Ralph]] |
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|''[[The Lark Ascending]]'' |
|''[[The Lark Ascending]]'' |
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| Violin, piano |
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|1920 |
|1920 |
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|- |
|- |
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Line 21: | Line 23: | ||
|[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] |
|[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] |
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|[[Clarinet Concerto (Mozart)|Clarinet Concerto]], K. 622 (Adagio) |
|[[Clarinet Concerto (Mozart)|Clarinet Concerto]], K. 622 (Adagio) |
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| Concerto |
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|1791 |
|1791 |
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|- |
|- |
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Line 26: | Line 29: | ||
|[[Samuel Barber|Barber, Samuel]] |
|[[Samuel Barber|Barber, Samuel]] |
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|''[[Adagio for Strings]]'' (orchestral and vocal versions) |
|''[[Adagio for Strings]]'' (orchestral and vocal versions) |
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| Orchestra, Choral |
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|1936 |
|1936 |
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|- |
|- |
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Line 31: | Line 35: | ||
|[[Arvo Pärt|Pärt, Arvo]] |
|[[Arvo Pärt|Pärt, Arvo]] |
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|''[[Spiegel im Spiegel]]'' |
|''[[Spiegel im Spiegel]]'' |
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| [[Tintinnabuli]] |
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|1978 |
|1978 |
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|- |
|- |
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Line 36: | Line 41: | ||
| [[Gregorio Allegri|Allegri, Gregorio]] |
| [[Gregorio Allegri|Allegri, Gregorio]] |
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| [[Miserere (Allegri)|''Miserere'']] |
| [[Miserere (Allegri)|''Miserere'']] |
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| Choral |
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| 1630s |
| 1630s |
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|- |
|- |
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Line 41: | Line 47: | ||
|[[Jules Massenet|Massenet, Jules]] |
|[[Jules Massenet|Massenet, Jules]] |
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|"[[Méditation (Thaïs)|Méditation]]" from ''[[Thaïs (opera)|Thaïs]]'' |
|"[[Méditation (Thaïs)|Méditation]]" from ''[[Thaïs (opera)|Thaïs]]'' |
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| Orchestral |
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|1894 |
|1894 |
||
|- |
|- |
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Line 46: | Line 53: | ||
|[[Edward Elgar|Elgar, Edward]] |
|[[Edward Elgar|Elgar, Edward]] |
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|''[[Enigma Variations]]'' Op. 36 (includes Variation 9, Nimrod) |
|''[[Enigma Variations]]'' Op. 36 (includes Variation 9, Nimrod) |
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| Orchestral |
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|1898–99 |
|1898–99 |
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|- |
|- |
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Line 51: | Line 59: | ||
|[[Ennio Morricone|Morricone, Ennio]] |
|[[Ennio Morricone|Morricone, Ennio]] |
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|[[The Mission (soundtrack)|''The Mission'']] (Includes [[Gabriel's Oboe]] original version) |
|[[The Mission (soundtrack)|''The Mission'']] (Includes [[Gabriel's Oboe]] original version) |
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| Film soundtrack |
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|1986 |
|1986 |
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|- |
|- |
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Line 56: | Line 65: | ||
|[[Gabriel Fauré|Fauré, Gabriel]] |
|[[Gabriel Fauré|Fauré, Gabriel]] |
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|[[Requiem (Fauré)|Requiem]] Op.48 (includes Introit and Kyrie, Pie Jesu, Agnus Dei et Lux Aeterna, In Paradisum) |
|[[Requiem (Fauré)|Requiem]] Op.48 (includes Introit and Kyrie, Pie Jesu, Agnus Dei et Lux Aeterna, In Paradisum) |
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| Choral, mass |
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|1887-90 |
|1887-90 |
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|- |
|- |
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|10 |
|10 |
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|[[Tomaso Albinoni|Albinoni, Tomaso]] |
|[[Tomaso Albinoni|Albinoni, Tomaso]]/[[Remo Giazotto]] |
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|[[Adagio in G minor]] |
|[[Adagio in G minor]] |
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| Strings, organ |
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| |
| |
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|- |
|- |
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Line 66: | Line 77: | ||
|[[Erik Satie|Satie, Erik]] |
|[[Erik Satie|Satie, Erik]] |
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|''[[Gymnopédies]]'' |
|''[[Gymnopédies]]'' |
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| Piano |
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| |
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|1888 |
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|- |
|- |
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|12 |
|12 |
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|[[Edward Elgar|Elgar, Edward]] |
|[[Edward Elgar|Elgar, Edward]] |
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|[[Cello Concerto (Elgar)|Cello Concerto]] in E minor (includes Adagio) |
|[[Cello Concerto (Elgar)|Cello Concerto]] in E minor (includes Adagio) |
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| Concerto, for cello |
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|1919 |
|1919 |
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|- |
|- |
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Line 76: | Line 89: | ||
|[[Sergei Rachmaninoff|Rachmaninoff, Sergei]] |
|[[Sergei Rachmaninoff|Rachmaninoff, Sergei]] |
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|[[Piano Concerto No. 2 (Rachmaninoff)|Piano Concerto No. 2]] (includes Adagio sostenuto) |
|[[Piano Concerto No. 2 (Rachmaninoff)|Piano Concerto No. 2]] (includes Adagio sostenuto) |
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| Concerto, for piano |
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|1900–01 |
|1900–01 |
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|- |
|- |
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|[[Gustav Mahler|Mahler, Gustav]] |
|[[Gustav Mahler|Mahler, Gustav]] |
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|[[Symphony No. 5 (Mahler)|Symphony No. 5]] (includes Adagietto) |
|[[Symphony No. 5 (Mahler)|Symphony No. 5]] (includes Adagietto) |
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| Symphony |
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|1901–02 |
|1901–02 |
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|- |
|- |
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Line 86: | Line 101: | ||
|[[Ludwig van Beethoven|Beethoven, Ludwig van]] |
|[[Ludwig van Beethoven|Beethoven, Ludwig van]] |
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|[[Piano Concerto No. 5 (Beethoven)|Piano Concerto No. 5]] in E-flat major |
|[[Piano Concerto No. 5 (Beethoven)|Piano Concerto No. 5]] in E-flat major |
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| Symphony |
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|1809–11 |
|1809–11 |
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|- |
|- |
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|[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] |
|[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] |
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|''[[Ave verum corpus (Mozart)|Ave verum corpus]]'', K. 618 |
|''[[Ave verum corpus (Mozart)|Ave verum corpus]]'', K. 618 |
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| Choral, motet |
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|1791 |
|1791 |
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|- |
|- |
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|17 |
|17 |
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|[[Georges Bizet]] |
|[[Georges Bizet|Bizet, Georges]] |
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|[[Les pêcheurs de perles|''The Pearl Fishers'']] (Includes "[[Au fond du temple saint]]", "Je crois entendre encore") |
|[[Les pêcheurs de perles|''The Pearl Fishers'']] (Includes "[[Au fond du temple saint]]", "Je crois entendre encore") |
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| Opera |
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|1863 |
|1863 |
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|- |
|- |
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Line 101: | Line 119: | ||
|[[Ralph Vaughan Williams|Vaughan Williams, Ralph]] |
|[[Ralph Vaughan Williams|Vaughan Williams, Ralph]] |
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|''[[Fantasia on a Theme by Thomas Tallis]]'' |
|''[[Fantasia on a Theme by Thomas Tallis]]'' |
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| Orchestral |
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|1910 |
|1910 |
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|- |
|- |
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Line 106: | Line 125: | ||
|[[Richard Strauss|Strauss, Richard]] |
|[[Richard Strauss|Strauss, Richard]] |
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|''[[Four Last Songs]]'' |
|''[[Four Last Songs]]'' |
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| Orchestral, with voice |
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|1948 |
|1948 |
||
|- |
|- |
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Line 111: | Line 131: | ||
|[[Dmitri Shostakovich|Shostakovich, Dmitri]] |
|[[Dmitri Shostakovich|Shostakovich, Dmitri]] |
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|''[[The Gadfly Suite]]'' |
|''[[The Gadfly Suite]]'' |
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| Suite, orchestral |
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|1955 |
|1955 |
||
|- |
|- |
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|21 |
|21 |
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|[[Aram Khachaturian|Khachaturan, Aram]] |
|[[Aram Khachaturian|Khachaturan, Aram]] |
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|[[Spartacus (ballet)|''Spartacus'' |
|[[Spartacus (ballet)|''Spartacus'']] (Adagio of Spartacus and Phrygia) |
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| Ballet score |
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|1954 |
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| 1954 |
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|- |
|- |
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|22 |
|22 |
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|[[Giacomo Puccini|Puccini, Giacomo]] |
|[[Giacomo Puccini|Puccini, Giacomo]] |
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|''[[Madama Butterfly]]'' (includes "One Fine Day", "Humming Chorus") |
|''[[Madama Butterfly]]'' (includes "One Fine Day", "Humming Chorus") |
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| Opera |
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|1904 |
|1904 |
||
|- |
|- |
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Line 126: | Line 149: | ||
|[[Joaquín Rodrigo|Rodrigo]], [[Joaquín Rodrigo|Joaquín]] |
|[[Joaquín Rodrigo|Rodrigo]], [[Joaquín Rodrigo|Joaquín]] |
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|''[[Concierto de Aranjuez]]'' |
|''[[Concierto de Aranjuez]]'' |
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| Orchestral, with guitar |
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|1939 |
|1939 |
||
|- |
|- |
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Line 131: | Line 155: | ||
|[[Max Bruch|Bruch, Max]] |
|[[Max Bruch|Bruch, Max]] |
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|[[Violin Concerto No. 1 (Bruch)|Violin Concerto No. 1]] in G minor |
|[[Violin Concerto No. 1 (Bruch)|Violin Concerto No. 1]] in G minor |
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| Concerto |
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|1866 |
|1866 |
||
|- |
|- |
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Line 136: | Line 161: | ||
|[[Johann Sebastian Bach|Bach, Johann Sebastian]] |
|[[Johann Sebastian Bach|Bach, Johann Sebastian]] |
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|''[[St Matthew Passion]]'' BWV 244 |
|''[[St Matthew Passion]]'' BWV 244 |
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| Oratorio |
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|1727 |
|1727 |
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|- |
|- |
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Line 141: | Line 167: | ||
|[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] |
|[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] |
||
|[[Requiem (Mozart)|Requiem in D minor]] K.626 |
|[[Requiem (Mozart)|Requiem in D minor]] K.626 |
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| Choral, Mass |
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|1791 |
|1791 |
||
|- |
|- |
||
Line 146: | Line 173: | ||
|[[Johann Pachelbel|Pachelbel, Johann]] |
|[[Johann Pachelbel|Pachelbel, Johann]] |
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|[[Pachelbel's Canon|Canon in D]] |
|[[Pachelbel's Canon|Canon in D]] |
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| Strings |
|||
| |
| |
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|- |
|- |
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Line 151: | Line 179: | ||
|[[Johann Sebastian Bach|Bach, Johann Sebastian]] |
|[[Johann Sebastian Bach|Bach, Johann Sebastian]] |
||
|[[Cello Suites (Bach)|Cello Suite]] No. 1 in G major BWV 1007 (includes Prelude) |
|[[Cello Suites (Bach)|Cello Suite]] No. 1 in G major BWV 1007 (includes Prelude) |
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| Suite, cello |
|||
| |
| |
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|- |
|- |
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Line 156: | Line 185: | ||
|[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] |
|[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] |
||
|[[Piano Concerto No. 21 (Mozart)|Piano Concerto No. 21]] in C major K.467 (Includes Andante) |
|[[Piano Concerto No. 21 (Mozart)|Piano Concerto No. 21]] in C major K.467 (Includes Andante) |
||
| Concerto |
|||
|1785 |
|1785 |
||
|- |
|- |
||
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|[[Henry Purcell|Purcell, Henry]] |
|[[Henry Purcell|Purcell, Henry]] |
||
|''[[Dido and Aeneas]]'' (includes "[[Dido's Lament]]") |
|''[[Dido and Aeneas]]'' (includes "[[Dido's Lament]]") |
||
| Opera |
|||
|1688 |
|1688 |
||
|- |
|- |
||
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|[[Pietro Mascagni|Mascagni, Pietro]] |
|[[Pietro Mascagni|Mascagni, Pietro]] |
||
|''[[Cavalleria rusticana]]'' |
|''[[Cavalleria rusticana]]'' |
||
| Opera |
|||
|1890 |
|1890 |
||
|- |
|- |
||
Line 171: | Line 203: | ||
|[[Léo Delibes|Delibes, Léo]] |
|[[Léo Delibes|Delibes, Léo]] |
||
|''[[Lakmé]]'' |
|''[[Lakmé]]'' |
||
| Opera |
|||
|1881–81 |
|1881–81 |
||
|- |
|- |
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|[[Camille Saint-Saëns|Saint-Saëns, Camille]] |
|[[Camille Saint-Saëns|Saint-Saëns, Camille]] |
||
|''[[The Carnival of the Animals]]'' (includes "Aquarium", "The Swan") |
|''[[The Carnival of the Animals]]'' (includes "Aquarium", "The Swan") |
||
| Suite, chamber |
|||
|1886 |
|1886 |
||
|- |
|- |
||
|34 |
|34 |
||
|[[Sergei Rachmaninoff|Rachmaninoff, Sergei]] |
|[[Sergei Rachmaninoff|Rachmaninoff, Sergei]] |
||
|[[Rhapsody on a Theme of Paganini |
|''[[Rhapsody on a Theme of Paganini]]'' |
||
| Concerto, for piano |
|||
|1934 |
|1934 |
||
|- |
|- |
||
Line 186: | Line 221: | ||
|[[Antonín Dvořák|Dvořák, Antonín]] |
|[[Antonín Dvořák|Dvořák, Antonín]] |
||
|"O silver moon" from ''[[Rusalka (opera)|Rusalka]]'' |
|"O silver moon" from ''[[Rusalka (opera)|Rusalka]]'' |
||
| Opera, aria |
|||
|1901 |
|1901 |
||
|- |
|- |
||
Line 191: | Line 227: | ||
|[[Nigel Westlake|Westlake, Nigel]] |
|[[Nigel Westlake|Westlake, Nigel]] |
||
|[[Antarctica Suite]] |
|[[Antarctica Suite]] |
||
| Film soundtrack |
|||
|1991 |
|1991 |
||
|- |
|- |
||
Line 196: | Line 233: | ||
|[[Giuseppe Verdi|Verdi, Giuseppe]] |
|[[Giuseppe Verdi|Verdi, Giuseppe]] |
||
|''[[Nabucco]]'' |
|''[[Nabucco]]'' |
||
| Opera |
|||
|1841 |
|1841 |
||
|- |
|- |
||
|38 |
|38 |
||
|[[Johann Sebastian Bach|Bach, Johann Sebastian]] |
|[[Johann Sebastian Bach|Bach, Johann Sebastian]] |
||
|[[Concerto for Two Violins (Bach)|Concerto for two violins]] in D minor BWV 1043 (includes Allegro ma non |
|[[Concerto for Two Violins (Bach)|Concerto for two violins]] in D minor BWV 1043 (includes Allegro ma non-tanto) |
||
| Concerto, for violin |
|||
|1717–23 |
|1717–23 |
||
|- |
|- |
||
Line 206: | Line 245: | ||
|[[Edvard Grieg|Grieg, Edvard]] |
|[[Edvard Grieg|Grieg, Edvard]] |
||
|[[Peer Gynt (Grieg)|''Peer Gynt'']] |
|[[Peer Gynt (Grieg)|''Peer Gynt'']] |
||
| Play incidental music |
|||
|1875 |
|1875 |
||
|- |
|- |
||
Line 211: | Line 251: | ||
|[[Claude Debussy|Debussy, Claude]] |
|[[Claude Debussy|Debussy, Claude]] |
||
|[[Suite bergamasque|''Suite Bergamasque'']] (includes "Clair de Lune"; "Passepied") |
|[[Suite bergamasque|''Suite Bergamasque'']] (includes "Clair de Lune"; "Passepied") |
||
| Suite, piano |
|||
|1905 |
|1905 |
||
|- |
|- |
||
Line 216: | Line 257: | ||
|[[Gustav Holst|Holst, Gustav]] |
|[[Gustav Holst|Holst, Gustav]] |
||
|''[[The Planets]]'' Op.32 |
|''[[The Planets]]'' Op.32 |
||
| Suite, orchestral |
|||
|1914–16 |
|1914–16 |
||
|- |
|- |
||
Line 221: | Line 263: | ||
|[[George Frideric Handel|Handel, George Frideric]] |
|[[George Frideric Handel|Handel, George Frideric]] |
||
|[[Messiah (Handel)|''Messiah'']] HWV 56 (includes "Comfort Ye"; "I Know that my Redeemer Liveth") |
|[[Messiah (Handel)|''Messiah'']] HWV 56 (includes "Comfort Ye"; "I Know that my Redeemer Liveth") |
||
| Oratorio |
|||
|1741 |
|1741 |
||
|- |
|- |
||
Line 226: | Line 269: | ||
|[[Thomas Tallis|Tallis, Thomas]] |
|[[Thomas Tallis|Tallis, Thomas]] |
||
|''[[Spem in alium]]'' |
|''[[Spem in alium]]'' |
||
| Choral |
|||
|c1570 |
|||
|c.1570 |
|||
|- |
|- |
||
|44 |
|44 |
||
|[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] |
|[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] |
||
|''[[Così fan tutte]]'' K.588 (includes ''soave sia il vento'') |
|''[[Così fan tutte]]'' K.588 (includes ''soave sia il vento'') |
||
| Opera |
|||
|1790 |
|1790 |
||
|- |
|- |
||
Line 236: | Line 281: | ||
|[[Antonín Dvořák|Dvořák, Antonín]] |
|[[Antonín Dvořák|Dvořák, Antonín]] |
||
|[[Symphony No. 9 (Dvořák)|Symphony No. 9 Op. 45]] "From the New World" (includes largo) |
|[[Symphony No. 9 (Dvořák)|Symphony No. 9 Op. 45]] "From the New World" (includes largo) |
||
| Symphony |
|||
|1893 |
|1893 |
||
|- |
|- |
||
Line 241: | Line 287: | ||
|[[Pyotr Ilyich Tchaikovsky|Tchaikovsky, Pyotr Ilyich]] |
|[[Pyotr Ilyich Tchaikovsky|Tchaikovsky, Pyotr Ilyich]] |
||
|''[[The Nutcracker|The Nutcracker Suite]]'' (Includes "Waltz of the Snowflakes"; "Danse Arabe"; "Waltz of the Flowers") |
|''[[The Nutcracker|The Nutcracker Suite]]'' (Includes "Waltz of the Snowflakes"; "Danse Arabe"; "Waltz of the Flowers") |
||
| Suite, ballet score |
|||
|1892 |
|1892 |
||
|- |
|- |
||
|47 |
|47 |
||
|[[Karl Jenkins|Jenkins, Karl]] |
|[[Karl Jenkins|Jenkins, Karl]] |
||
|''The Armed Man: A Mass for Peace'' |
|''[[The Armed Man]]: A Mass for Peace'' |
||
| Choral, mass, orchestral |
|||
|1999 |
|1999 |
||
|- |
|- |
||
Line 251: | Line 299: | ||
|[[Joseph Canteloube|Canteloube, Joseph]] |
|[[Joseph Canteloube|Canteloube, Joseph]] |
||
|''[[Chants d'Auvergne|Songs of the Auvergne]]'' (includes ''Baïlèro'') |
|''[[Chants d'Auvergne|Songs of the Auvergne]]'' (includes ''Baïlèro'') |
||
| Arranged folksongs |
|||
|1923-30 |
|1923-30 |
||
|- |
|- |
||
Line 256: | Line 305: | ||
|[[Elena Kats-Chernin|Kats-Chernin, Elena]] |
|[[Elena Kats-Chernin|Kats-Chernin, Elena]] |
||
|''[[Wild Swans (ballet)|Wild Swans]]'' suite (includes ''[[Eliza's Aria]]'' and ''Green Leaf Prelude'') |
|''[[Wild Swans (ballet)|Wild Swans]]'' suite (includes ''[[Eliza's Aria]]'' and ''Green Leaf Prelude'') |
||
| Ballet score |
|||
|2003 |
|2003 |
||
|- |
|- |
||
Line 261: | Line 311: | ||
|[[Richard Wagner|Wagner, Richard]] |
|[[Richard Wagner|Wagner, Richard]] |
||
|''[[Tristan und Isolde|Tristan and Isolde]]'' (includes ''[[Liebestod|Prelude]]'' [[Liebestod|''and'' ''Liebestod'']]) |
|''[[Tristan und Isolde|Tristan and Isolde]]'' (includes ''[[Liebestod|Prelude]]'' [[Liebestod|''and'' ''Liebestod'']]) |
||
| Opera |
|||
|1857–59 |
|1857–59 |
||
|- |
|- |
||
Line 266: | Line 317: | ||
|[[John Williams|Williams, John]] |
|[[John Williams|Williams, John]] |
||
|''[[Schindler's List (soundtrack)|Schindler's List]]'' (Main Theme) |
|''[[Schindler's List (soundtrack)|Schindler's List]]'' (Main Theme) |
||
| Film soundtrack |
|||
|1993 |
|1993 |
||
|- |
|- |
||
Line 271: | Line 323: | ||
|[[Ross Edwards (composer)|Edwards, Ross]] |
|[[Ross Edwards (composer)|Edwards, Ross]] |
||
|''Dawn Mantras'' |
|''Dawn Mantras'' |
||
| Orchestral, choral |
|||
| |
|||
|1999 |
|||
|- |
|- |
||
|53 |
|53 |
||
|[[Ludwig van Beethoven|Beethoven, Ludwig van]] |
|[[Ludwig van Beethoven|Beethoven, Ludwig van]] |
||
|[[Piano Sonata No. 14 (Beethoven)|Sonata No. 14 in C-sharp minor, Op. 27, No. 2 ''Moonlight'']] (includes I. Adagio sostenuto) |
|[[Piano Sonata No. 14 (Beethoven)|Sonata No. 14 in C-sharp minor, Op. 27, No. 2 ''Moonlight'']] (includes I. Adagio sostenuto) |
||
| Sonata for piano |
|||
|1801 |
|1801 |
||
|- |
|- |
||
Line 281: | Line 335: | ||
|[[George Frideric Handel|Handel, George Frideric]] |
|[[George Frideric Handel|Handel, George Frideric]] |
||
|''[[Serse|Xerxes]]''[[Serse|, HWV 40]] (includes "[[Ombra mai fu|Ombra Mai Fu]]" – ''Largo'') |
|''[[Serse|Xerxes]]''[[Serse|, HWV 40]] (includes "[[Ombra mai fu|Ombra Mai Fu]]" – ''Largo'') |
||
| Opera |
|||
|1738 |
|1738 |
||
|- |
|- |
||
Line 286: | Line 341: | ||
|[[Claude Debussy|Debussy, Claude]] |
|[[Claude Debussy|Debussy, Claude]] |
||
|''[[Prélude à l'après-midi d'un faune|Prelude to the Afternoon of a Faun]]'' |
|''[[Prélude à l'après-midi d'un faune|Prelude to the Afternoon of a Faun]]'' |
||
| Symphonic poem |
|||
|1894 |
|1894 |
||
|- |
|- |
||
Line 291: | Line 347: | ||
|[[Peter Sculthorpe|Sculthorpe, Peter]] |
|[[Peter Sculthorpe|Sculthorpe, Peter]] |
||
|''Small Town'' |
|''Small Town'' |
||
| Orchestral |
|||
|1976 |
|1976 |
||
|- |
|- |
||
Line 296: | Line 353: | ||
|[[Arvo Pärt|Pärt, Arvo]] |
|[[Arvo Pärt|Pärt, Arvo]] |
||
|''[[Cantus in Memoriam Benjamin Britten]]'' |
|''[[Cantus in Memoriam Benjamin Britten]]'' |
||
| [[Tintinnabuli]] |
|||
|1977 |
|1977 |
||
|- |
|- |
||
Line 301: | Line 359: | ||
|[[Ludwig van Beethoven|Beethoven, Ludwig van]] |
|[[Ludwig van Beethoven|Beethoven, Ludwig van]] |
||
|[[Violin Concerto (Beethoven)|Violin Concerto in D Major, Op. 61]] (includes II. Larghetto) |
|[[Violin Concerto (Beethoven)|Violin Concerto in D Major, Op. 61]] (includes II. Larghetto) |
||
| Concerto, for violin |
|||
|1806 |
|1806 |
||
|- |
|- |
||
Line 306: | Line 365: | ||
|[[Felix Mendelssohn|Mendelssohn, Felix]] |
|[[Felix Mendelssohn|Mendelssohn, Felix]] |
||
|''[[The Hebrides (overture)|The Hebrides' Overture]]''[[The Hebrides (overture)|, Op. 26]] (Fingal's Cave) |
|''[[The Hebrides (overture)|The Hebrides' Overture]]''[[The Hebrides (overture)|, Op. 26]] (Fingal's Cave) |
||
| Overture |
|||
|1830 |
|1830 |
||
|- |
|- |
||
Line 311: | Line 371: | ||
|[[Sergei Rachmaninoff|Rachmaninoff, Sergei]] |
|[[Sergei Rachmaninoff|Rachmaninoff, Sergei]] |
||
|''[[All-Night Vigil (Rachmaninoff)|Vespers]]''[[All-Night Vigil (Rachmaninoff)|, Op. 37]] (All-Night Vigil) |
|''[[All-Night Vigil (Rachmaninoff)|Vespers]]''[[All-Night Vigil (Rachmaninoff)|, Op. 37]] (All-Night Vigil) |
||
| Choral |
|||
|1915 |
|1915 |
||
|- |
|- |
||
Line 316: | Line 377: | ||
|[[Felix Mendelssohn|Mendelssohn, Felix]] |
|[[Felix Mendelssohn|Mendelssohn, Felix]] |
||
|[[Violin Concerto (Mendelssohn)|Violin Concerto in E minor, Op. 64]] (includes II. Andante) |
|[[Violin Concerto (Mendelssohn)|Violin Concerto in E minor, Op. 64]] (includes II. Andante) |
||
| Concerto for violin |
|||
|1845 |
|1845 |
||
|- |
|- |
||
Line 321: | Line 383: | ||
|[[Johann Sebastian Bach|Bach, JS]]/[[Myra Hess|Hess, Myra]] |
|[[Johann Sebastian Bach|Bach, JS]]/[[Myra Hess|Hess, Myra]] |
||
|''[[Jesu, Joy of Man's Desiring]]'' |
|''[[Jesu, Joy of Man's Desiring]]'' |
||
| Cantata |
|||
|1926 |
|1926 |
||
|- |
|- |
||
Line 326: | Line 389: | ||
|[[Ludwig van Beethoven|Beethoven, Ludwig van]] |
|[[Ludwig van Beethoven|Beethoven, Ludwig van]] |
||
|''[[Für Elise]]'' |
|''[[Für Elise]]'' |
||
| Piano |
|||
|1810 |
|1810 |
||
|- |
|- |
||
Line 331: | Line 395: | ||
|[[Ludwig van Beethoven|Beethoven, Ludwig van]] |
|[[Ludwig van Beethoven|Beethoven, Ludwig van]] |
||
|[[Symphony No. 9 (Beethoven)|Symphony No. 9 in D minor, Op. 125 ''Choral'']] (includes III. Adagio molto e cantabile) |
|[[Symphony No. 9 (Beethoven)|Symphony No. 9 in D minor, Op. 125 ''Choral'']] (includes III. Adagio molto e cantabile) |
||
| Symphony, choral |
|||
|1824 |
|1824 |
||
|- |
|- |
||
Line 336: | Line 401: | ||
|[[Maurice Ravel|Ravel, Maurice]] |
|[[Maurice Ravel|Ravel, Maurice]] |
||
|''[[Pavane pour une infante défunte|Pavane for a Dead Princess]]'' |
|''[[Pavane pour une infante défunte|Pavane for a Dead Princess]]'' |
||
| Piano |
|||
|1899 |
|1899 |
||
|- |
|- |
||
Line 341: | Line 407: | ||
|[[Felix Mendelssohn|Mendelssohn, Felix]] |
|[[Felix Mendelssohn|Mendelssohn, Felix]] |
||
|''[[A Midsummer Night's Dream (Mendelssohn)|A Midsummer Night's Dream]]'' |
|''[[A Midsummer Night's Dream (Mendelssohn)|A Midsummer Night's Dream]]'' |
||
| Orchestral |
|||
|1826, 1842 |
|1826, 1842 |
||
|- |
|- |
||
Line 346: | Line 413: | ||
|[[Ludwig van Beethoven|Beethoven, Ludwig van]] |
|[[Ludwig van Beethoven|Beethoven, Ludwig van]] |
||
|[[Symphony No. 7 (Beethoven)|Symphony No. 7 in A major]] (includes II. Allegretto) |
|[[Symphony No. 7 (Beethoven)|Symphony No. 7 in A major]] (includes II. Allegretto) |
||
| Symphony |
|||
|1811–12 |
|1811–12 |
||
|- |
|- |
||
Line 351: | Line 419: | ||
|[[Johann Sebastian Bach|Bach, Johann Sebastian]] |
|[[Johann Sebastian Bach|Bach, Johann Sebastian]] |
||
|[[Herz und Mund und Tat und Leben, BWV 147|Cantata, BWV 147 ''Herz und Mund und Tat und Leben'']] (includes "[[Jesu, Joy of Man's Desiring|Jesu Joy of Man's Desiring]]") |
|[[Herz und Mund und Tat und Leben, BWV 147|Cantata, BWV 147 ''Herz und Mund und Tat und Leben'']] (includes "[[Jesu, Joy of Man's Desiring|Jesu Joy of Man's Desiring]]") |
||
| Cantata |
|||
|1716, 1723 |
|1716, 1723 |
||
|- |
|- |
||
Line 356: | Line 425: | ||
|[[Christoph Willibald Gluck|Gluck, Christoph Willibald]] |
|[[Christoph Willibald Gluck|Gluck, Christoph Willibald]] |
||
|''[[Orfeo ed Euridice|Orpheus and Euridice]]'' (includes "Dance of the Blessed Spirits") |
|''[[Orfeo ed Euridice|Orpheus and Euridice]]'' (includes "Dance of the Blessed Spirits") |
||
| Opera |
|||
|1762 |
|1762 |
||
|- |
|- |
||
Line 361: | Line 431: | ||
|[[Ennio Morricone|Morricone, Ennio]] |
|[[Ennio Morricone|Morricone, Ennio]] |
||
|''[[Cinema Paradiso]]'' (includes Main Theme; Love Theme for Nata) |
|''[[Cinema Paradiso]]'' (includes Main Theme; Love Theme for Nata) |
||
| Film soundtrack |
|||
|1988 |
|1988 |
||
|- |
|- |
||
Line 366: | Line 437: | ||
|[[Johann Sebastian Bach|Bach, Johann Sebastian]] |
|[[Johann Sebastian Bach|Bach, Johann Sebastian]] |
||
|''[[Goldberg Variations|Goldberg Variations, BWV 988]]'' (includes Aria) |
|''[[Goldberg Variations|Goldberg Variations, BWV 988]]'' (includes Aria) |
||
| Keyboard |
|||
|1741 |
|1741 |
||
|- |
|- |
||
Line 371: | Line 443: | ||
|[[Franz Schubert|Schubert, Franz]] |
|[[Franz Schubert|Schubert, Franz]] |
||
|[[Impromptus (Schubert)#No. 3 in G-flat major|Impromptu in G-flat major]] |
|[[Impromptus (Schubert)#No. 3 in G-flat major|Impromptu in G-flat major]] |
||
| Piano |
|||
|1827 |
|1827 |
||
|- |
|- |
||
Line 376: | Line 449: | ||
|[[Johann Sebastian Bach|Bach, Johann Sebastian]] |
|[[Johann Sebastian Bach|Bach, Johann Sebastian]] |
||
|[[Mass in B minor|Mass in B minor, BWV 232]] |
|[[Mass in B minor|Mass in B minor, BWV 232]] |
||
| Choral, mass |
|||
|1749 |
|1749 |
||
|- |
|- |
||
Line 381: | Line 455: | ||
|[[Andrew Lloyd Webber|Lloyd Webber, Andrew]] |
|[[Andrew Lloyd Webber|Lloyd Webber, Andrew]] |
||
|''[[Requiem (Lloyd Webber)|Requiem]]'' (includes "Pie Jesu") |
|''[[Requiem (Lloyd Webber)|Requiem]]'' (includes "Pie Jesu") |
||
| Choral, mass |
|||
|1984–85 |
|1984–85 |
||
|- |
|- |
||
|75 |
|75 |
||
|[[Gabriel Fauré|Fauré, Gabriel]] |
|[[Gabriel Fauré|Fauré, Gabriel]] |
||
|''[[ |
|''[[Cantique de Jean Racine]]'' |
||
| Choral, with piano |
|||
|1864–65 |
|1864–65 |
||
|- |
|- |
||
Line 391: | Line 467: | ||
|[[George Frideric Handel|Handel, George Frideric]] |
|[[George Frideric Handel|Handel, George Frideric]] |
||
|''[[Rinaldo (opera)|Rinaldo]]'' (includes "[[Lascia ch'io pianga]]") |
|''[[Rinaldo (opera)|Rinaldo]]'' (includes "[[Lascia ch'io pianga]]") |
||
| Opera |
|||
|1711 |
|1711 |
||
|- |
|- |
||
Line 396: | Line 473: | ||
|[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] |
|[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] |
||
|[[Piano Concerto No. 23 (Mozart)|Piano Concerto No. 23 in A major]] (includes II. Adagio) |
|[[Piano Concerto No. 23 (Mozart)|Piano Concerto No. 23 in A major]] (includes II. Adagio) |
||
| Concerto for piano |
|||
|1786 |
|1786 |
||
|- |
|- |
||
Line 401: | Line 479: | ||
|[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] |
|[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] |
||
|[[Clarinet Quintet (Mozart)|Clarinet Quintet, K581]] (includes II. Larghetto) |
|[[Clarinet Quintet (Mozart)|Clarinet Quintet, K581]] (includes II. Larghetto) |
||
| Chamber |
|||
|1789 |
|1789 |
||
|- |
|- |
||
Line 406: | Line 485: | ||
|{{hs|Brahms}}[[Johannes Brahms|Brahms, Johannes]] |
|{{hs|Brahms}}[[Johannes Brahms|Brahms, Johannes]] |
||
|[[A German Requiem (Brahms)|''A German Requiem'', Op. 45]] |
|[[A German Requiem (Brahms)|''A German Requiem'', Op. 45]] |
||
| Choral, mass |
|||
|1868 |
|1868 |
||
|- |
|- |
||
Line 411: | Line 491: | ||
|{{hs|Gorecki}}[[Henryk Górecki|Górecki, Henryk]] |
|{{hs|Gorecki}}[[Henryk Górecki|Górecki, Henryk]] |
||
|[[Symphony No. 3 (Górecki)|Symphony No. 3, Op. 36]] (''Symphony of Sorrowful Songs'') |
|[[Symphony No. 3 (Górecki)|Symphony No. 3, Op. 36]] (''Symphony of Sorrowful Songs'') |
||
| Symphony, with voice |
|||
|1976 |
|1976 |
||
|- |
|- |
||
|81 |
|81 |
||
||{{hs|Bach, Johann}}[[Johann Sebastian Bach|Bach, Johann Sebastian]] |
||{{hs|Bach, Johann}}[[Johann Sebastian Bach|Bach, Johann Sebastian]] |
||
|[[Brandenburg Concertos#No. 5 in D major, BWV 1050|Brandenburg Concerto No. 5, BWV 1050]] |
|[[Brandenburg Concertos#Concerto No. 5 in D major, BWV 1050|Brandenburg Concerto No. 5, BWV 1050]] |
||
| Concerto, chamber |
|||
|1721 |
|1721 |
||
|- |
|- |
||
Line 421: | Line 503: | ||
|{{hs|Saint-Saens}}[[Camille Saint-Saëns|Saint-Saëns, Camille]] |
|{{hs|Saint-Saens}}[[Camille Saint-Saëns|Saint-Saëns, Camille]] |
||
|''[[Samson and Delilah (opera)|Samson and Delilah]]'' (includes "[[Mon cœur s'ouvre à ta voix]]") |
|''[[Samson and Delilah (opera)|Samson and Delilah]]'' (includes "[[Mon cœur s'ouvre à ta voix]]") |
||
| Opera |
|||
|1877 |
|1877 |
||
|- |
|- |
||
Line 426: | Line 509: | ||
|{{hs|Faure}}[[Gabriel Fauré|Fauré, Gabriel]] |
|{{hs|Faure}}[[Gabriel Fauré|Fauré, Gabriel]] |
||
|[[Pavane (Fauré)|Pavane, Op. 50]] |
|[[Pavane (Fauré)|Pavane, Op. 50]] |
||
|Orchestral, with chorus |
|||
|1887 |
|1887 |
||
|- |
|- |
||
|84 |
|84 |
||
|{{hs|Gershwin}}[[George Gershwin|Gershwin, George]] |
|{{hs|Gershwin}}[[George Gershwin|Gershwin, George]] |
||
|''[[Porgy and Bess]]'' (includes "[[Summertime (song)|Summertime]]") |
|''[[Porgy and Bess]]'' (includes "[[Summertime (George Gershwin song)|Summertime]]") |
||
| Opera |
|||
| 1934 |
| 1934 |
||
|- |
|- |
||
Line 436: | Line 521: | ||
|{{hs|Mozart, Wolfgang}}[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] |
|{{hs|Mozart, Wolfgang}}[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] |
||
|[[Concerto for Flute, Harp, and Orchestra (Mozart)|Concerto for Flute, Harp, and Orchestra, K. 299]] |
|[[Concerto for Flute, Harp, and Orchestra (Mozart)|Concerto for Flute, Harp, and Orchestra, K. 299]] |
||
| Concerto |
|||
|1778 |
|1778 |
||
|- |
|- |
||
Line 441: | Line 527: | ||
|{{hs|Korngold}}[[Erich Wolfgang Korngold|Korngold, Erich Wolfgang]] |
|{{hs|Korngold}}[[Erich Wolfgang Korngold|Korngold, Erich Wolfgang]] |
||
|''[[Die tote Stadt]]'' (includes "[[Glück das mir verblieb]]") |
|''[[Die tote Stadt]]'' (includes "[[Glück das mir verblieb]]") |
||
| Opera |
|||
|1920 |
|1920 |
||
|- |
|- |
||
Line 446: | Line 533: | ||
|{{hs|Satie}}[[Erik Satie|Satie, Erik]] |
|{{hs|Satie}}[[Erik Satie|Satie, Erik]] |
||
|''[[Gnossiennes]]'' |
|''[[Gnossiennes]]'' |
||
| Piano |
|||
|{{hs|1890}} 1890s |
|{{hs|1890}} 1890s |
||
|- |
|- |
||
Line 451: | Line 539: | ||
|{{hs|Beethoven}}[[Ludwig van Beethoven|Beethoven, Ludwig van]] |
|{{hs|Beethoven}}[[Ludwig van Beethoven|Beethoven, Ludwig van]] |
||
|[[Symphony No. 6 (Beethoven)|Symphony No. 6, Op. 68]] (''Pastoral'') |
|[[Symphony No. 6 (Beethoven)|Symphony No. 6, Op. 68]] (''Pastoral'') |
||
| Symphony |
|||
|1808 |
|1808 |
||
|- |
|- |
||
Line 456: | Line 545: | ||
|{{hs|Chopin}}[[Frédéric Chopin|Chopin, Frédéric]] |
|{{hs|Chopin}}[[Frédéric Chopin|Chopin, Frédéric]] |
||
|[[Piano Concerto No. 1 (Chopin)|Piano Concerto No. 1 in E minor]], Op. 11 |
|[[Piano Concerto No. 1 (Chopin)|Piano Concerto No. 1 in E minor]], Op. 11 |
||
| Concerto for piano |
|||
|1830 |
|1830 |
||
|- |
|- |
||
Line 461: | Line 551: | ||
|{{hs|Schubert}}[[Franz Schubert|Schubert, Franz]] |
|{{hs|Schubert}}[[Franz Schubert|Schubert, Franz]] |
||
|[[Ave Maria (Schubert)|Ave Maria]] |
|[[Ave Maria (Schubert)|Ave Maria]] |
||
| Choral |
|||
|1825 |
|1825 |
||
|- |
|- |
||
Line 466: | Line 557: | ||
|{{hs|Sculthorpe}}[[Peter Sculthorpe|Sculthorpe, Peter]] |
|{{hs|Sculthorpe}}[[Peter Sculthorpe|Sculthorpe, Peter]] |
||
|Little Suite |
|Little Suite |
||
| Suite, for strings |
|||
|1983 |
|1983 |
||
|- |
|- |
||
Line 471: | Line 563: | ||
|{{hs|Dvorak}}[[Antonín Dvořák|Dvořák, Antonín]] |
|{{hs|Dvorak}}[[Antonín Dvořák|Dvořák, Antonín]] |
||
|[[Cello Concerto (Dvořák)|Cello Concerto in B minor]], Op. 104 |
|[[Cello Concerto (Dvořák)|Cello Concerto in B minor]], Op. 104 |
||
| Concerto for cello |
|||
|1894–95 |
|1894–95 |
||
|- |
|- |
||
Line 476: | Line 569: | ||
|{{hs|Pergolesi}}[[Giovanni Battista Pergolesi|Pergolesi, Giovanni Battista]] |
|{{hs|Pergolesi}}[[Giovanni Battista Pergolesi|Pergolesi, Giovanni Battista]] |
||
|[[Stabat Mater]] |
|[[Stabat Mater]] |
||
| Oratorio |
|||
|1736 |
|1736 |
||
|- |
|- |
||
Line 481: | Line 575: | ||
|{{hs|Tavener}}[[John Tavener|Tavener, John]] |
|{{hs|Tavener}}[[John Tavener|Tavener, John]] |
||
|[[Song for Athene]] |
|[[Song for Athene]] |
||
| Choral |
|||
|1997 |
|1997 |
||
|- |
|- |
||
Line 486: | Line 581: | ||
|{{hs|Albinoni}}[[Tomaso Albinoni|Albinoni, Tomaso]] |
|{{hs|Albinoni}}[[Tomaso Albinoni|Albinoni, Tomaso]] |
||
|Oboe Concerto in D minor, [[12 Concerti a cinque (Albinoni)|Op. 9]], No. 2 |
|Oboe Concerto in D minor, [[12 Concerti a cinque (Albinoni)|Op. 9]], No. 2 |
||
| Concerto for oboe |
|||
|1722 |
|1722 |
||
|- |
|- |
||
Line 491: | Line 587: | ||
|{{hs|Bellini}}[[Vincenzo Bellini|Bellini, Vincenzo]] |
|{{hs|Bellini}}[[Vincenzo Bellini|Bellini, Vincenzo]] |
||
|''[[Norma (opera)|Norma]]'' (includes "Casta diva") |
|''[[Norma (opera)|Norma]]'' (includes "Casta diva") |
||
| Opera |
|||
|1831 |
|1831 |
||
|- |
|- |
||
|97 |
|97 |
||
|{{hs|Strauss, Richard}} |
|{{hs|Strauss, Richard}}[[Richard Strauss|Strauss, Richard]] |
||
|[[Morgen!]] |
|[[Morgen!]] |
||
| Song |
|||
|1894 |
|1894 |
||
|- |
|- |
||
Line 501: | Line 599: | ||
|{{hs|Bach, Johann}}[[Johann Sebastian Bach|Bach, JS]]/[[Charles Gounod|Gounod, Charles]] |
|{{hs|Bach, Johann}}[[Johann Sebastian Bach|Bach, JS]]/[[Charles Gounod|Gounod, Charles]] |
||
|[[Ave Maria (Bach/Gounod)|Ave Maria]] |
|[[Ave Maria (Bach/Gounod)|Ave Maria]] |
||
| Choral |
|||
|1853 |
|1853 |
||
|- |
|- |
||
Line 506: | Line 605: | ||
|{{hs|Bach, Johann}}[[Johann Sebastian Bach|Bach, Johann Sebastian]] |
|{{hs|Bach, Johann}}[[Johann Sebastian Bach|Bach, Johann Sebastian]] |
||
|[[Orchestral suites (Bach)#Suite No. 3 in D major.2C BWV 1068|Orchestral Suite No. 3 in D major]], BWV 1068 (includes [[Air on the G String|Air on a G string]]) |
|[[Orchestral suites (Bach)#Suite No. 3 in D major.2C BWV 1068|Orchestral Suite No. 3 in D major]], BWV 1068 (includes [[Air on the G String|Air on a G string]]) |
||
| Suite |
|||
|1730 |
|1730 |
||
|- |
|- |
||
Line 511: | Line 611: | ||
|{{hs|Puccini}}[[Giacomo Puccini|Puccini, Giacomo]] |
|{{hs|Puccini}}[[Giacomo Puccini|Puccini, Giacomo]] |
||
|"[[O mio babbino caro]]" from ''[[Gianni Schicchi]]'' |
|"[[O mio babbino caro]]" from ''[[Gianni Schicchi]]'' |
||
| Opera, aria |
|||
|1917–1918 |
|||
|1917–18 |
|||
|} |
|} |
||
Line 562: | Line 663: | ||
|- |
|- |
||
|Chopin |
|Chopin |
||
|Polish |
|Polish-French |
||
|1 |
|1 |
||
|- |
|- |
||
Line 575: | Line 676: | ||
|Dvořák |
|Dvořák |
||
|Czech |
|Czech |
||
| |
|3 |
||
|- |
|- |
||
|Edwards |
|Edwards |
||
Line 612: | Line 713: | ||
|German-British |
|German-British |
||
|3 |
|3 |
||
|- |
|||
|Hess |
|||
|British |
|||
|1 |
|||
|- |
|- |
||
|Holst |
|Holst |
||
Line 680: | Line 785: | ||
|Estonian |
|Estonian |
||
|2 |
|2 |
||
|- |
|||
|Rachmaninoff |
|||
|Russian |
|||
|3 |
|||
|- |
|- |
||
|Rachmaninoff |
|Rachmaninoff |
||
Line 756: | Line 857: | ||
== See also == |
== See also == |
||
* [[Classic 100 Countdowns |
* [[Classic 100 Countdowns]] |
||
* [[List of classical music composers by era]] |
* [[List of classical music composers by era]] |
||
Line 766: | Line 867: | ||
[[Category:Classic 100 Countdowns (ABC)]] |
[[Category:Classic 100 Countdowns (ABC)]] |
||
[[Category:2015 in Australian music]] |
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[[Category:2015 in radio]] |
Latest revision as of 03:12, 31 January 2023
The topic of this article may not meet Wikipedia's general notability guideline. (January 2018) |
In 2015, the Australian radio station ABC Classic FM held the thirteenth of its annual Classic Music countdowns, during which the public votes for 100 favourite pieces. The chosen theme was "Swoon", which refers to a fainting and in this context is used to mean "little parcel of [musical] rapture"[1] or music "that makes [the listeners'] world stand still."[2] The Classic 100 Swoon countdown was broadcast in reverse order from 5 to 8 June.
Countdown results
[edit]The results of the countdown are as follows:
Rank | Composer | Work | Genre | Date |
---|---|---|---|---|
1 | Vaughan Williams, Ralph | The Lark Ascending | Violin, piano | 1920 |
2 | Mozart, Wolfgang Amadeus | Clarinet Concerto, K. 622 (Adagio) | Concerto | 1791 |
3 | Barber, Samuel | Adagio for Strings (orchestral and vocal versions) | Orchestra, Choral | 1936 |
4 | Pärt, Arvo | Spiegel im Spiegel | Tintinnabuli | 1978 |
5 | Allegri, Gregorio | Miserere | Choral | 1630s |
6 | Massenet, Jules | "Méditation" from Thaïs | Orchestral | 1894 |
7 | Elgar, Edward | Enigma Variations Op. 36 (includes Variation 9, Nimrod) | Orchestral | 1898–99 |
8 | Morricone, Ennio | The Mission (Includes Gabriel's Oboe original version) | Film soundtrack | 1986 |
9 | Fauré, Gabriel | Requiem Op.48 (includes Introit and Kyrie, Pie Jesu, Agnus Dei et Lux Aeterna, In Paradisum) | Choral, mass | 1887-90 |
10 | Albinoni, Tomaso/Remo Giazotto | Adagio in G minor | Strings, organ | |
11 | Satie, Erik | Gymnopédies | Piano | 1888 |
12 | Elgar, Edward | Cello Concerto in E minor (includes Adagio) | Concerto, for cello | 1919 |
13 | Rachmaninoff, Sergei | Piano Concerto No. 2 (includes Adagio sostenuto) | Concerto, for piano | 1900–01 |
14 | Mahler, Gustav | Symphony No. 5 (includes Adagietto) | Symphony | 1901–02 |
15 | Beethoven, Ludwig van | Piano Concerto No. 5 in E-flat major | Symphony | 1809–11 |
16 | Mozart, Wolfgang Amadeus | Ave verum corpus, K. 618 | Choral, motet | 1791 |
17 | Bizet, Georges | The Pearl Fishers (Includes "Au fond du temple saint", "Je crois entendre encore") | Opera | 1863 |
18 | Vaughan Williams, Ralph | Fantasia on a Theme by Thomas Tallis | Orchestral | 1910 |
19 | Strauss, Richard | Four Last Songs | Orchestral, with voice | 1948 |
20 | Shostakovich, Dmitri | The Gadfly Suite | Suite, orchestral | 1955 |
21 | Khachaturan, Aram | Spartacus (Adagio of Spartacus and Phrygia) | Ballet score | 1954 |
22 | Puccini, Giacomo | Madama Butterfly (includes "One Fine Day", "Humming Chorus") | Opera | 1904 |
23 | Rodrigo, Joaquín | Concierto de Aranjuez | Orchestral, with guitar | 1939 |
24 | Bruch, Max | Violin Concerto No. 1 in G minor | Concerto | 1866 |
25 | Bach, Johann Sebastian | St Matthew Passion BWV 244 | Oratorio | 1727 |
26 | Mozart, Wolfgang Amadeus | Requiem in D minor K.626 | Choral, Mass | 1791 |
27 | Pachelbel, Johann | Canon in D | Strings | |
28 | Bach, Johann Sebastian | Cello Suite No. 1 in G major BWV 1007 (includes Prelude) | Suite, cello | |
29 | Mozart, Wolfgang Amadeus | Piano Concerto No. 21 in C major K.467 (Includes Andante) | Concerto | 1785 |
30 | Purcell, Henry | Dido and Aeneas (includes "Dido's Lament") | Opera | 1688 |
31 | Mascagni, Pietro | Cavalleria rusticana | Opera | 1890 |
32 | Delibes, Léo | Lakmé | Opera | 1881–81 |
33 | Saint-Saëns, Camille | The Carnival of the Animals (includes "Aquarium", "The Swan") | Suite, chamber | 1886 |
34 | Rachmaninoff, Sergei | Rhapsody on a Theme of Paganini | Concerto, for piano | 1934 |
35 | Dvořák, Antonín | "O silver moon" from Rusalka | Opera, aria | 1901 |
36 | Westlake, Nigel | Antarctica Suite | Film soundtrack | 1991 |
37 | Verdi, Giuseppe | Nabucco | Opera | 1841 |
38 | Bach, Johann Sebastian | Concerto for two violins in D minor BWV 1043 (includes Allegro ma non-tanto) | Concerto, for violin | 1717–23 |
39 | Grieg, Edvard | Peer Gynt | Play incidental music | 1875 |
40 | Debussy, Claude | Suite Bergamasque (includes "Clair de Lune"; "Passepied") | Suite, piano | 1905 |
41 | Holst, Gustav | The Planets Op.32 | Suite, orchestral | 1914–16 |
42 | Handel, George Frideric | Messiah HWV 56 (includes "Comfort Ye"; "I Know that my Redeemer Liveth") | Oratorio | 1741 |
43 | Tallis, Thomas | Spem in alium | Choral | c.1570 |
44 | Mozart, Wolfgang Amadeus | Così fan tutte K.588 (includes soave sia il vento) | Opera | 1790 |
45 | Dvořák, Antonín | Symphony No. 9 Op. 45 "From the New World" (includes largo) | Symphony | 1893 |
46 | Tchaikovsky, Pyotr Ilyich | The Nutcracker Suite (Includes "Waltz of the Snowflakes"; "Danse Arabe"; "Waltz of the Flowers") | Suite, ballet score | 1892 |
47 | Jenkins, Karl | The Armed Man: A Mass for Peace | Choral, mass, orchestral | 1999 |
48 | Canteloube, Joseph | Songs of the Auvergne (includes Baïlèro) | Arranged folksongs | 1923-30 |
49 | Kats-Chernin, Elena | Wild Swans suite (includes Eliza's Aria and Green Leaf Prelude) | Ballet score | 2003 |
50 | Wagner, Richard | Tristan and Isolde (includes Prelude and Liebestod) | Opera | 1857–59 |
51 | Williams, John | Schindler's List (Main Theme) | Film soundtrack | 1993 |
52 | Edwards, Ross | Dawn Mantras | Orchestral, choral | 1999 |
53 | Beethoven, Ludwig van | Sonata No. 14 in C-sharp minor, Op. 27, No. 2 Moonlight (includes I. Adagio sostenuto) | Sonata for piano | 1801 |
54 | Handel, George Frideric | Xerxes, HWV 40 (includes "Ombra Mai Fu" – Largo) | Opera | 1738 |
55 | Debussy, Claude | Prelude to the Afternoon of a Faun | Symphonic poem | 1894 |
56 | Sculthorpe, Peter | Small Town | Orchestral | 1976 |
57 | Pärt, Arvo | Cantus in Memoriam Benjamin Britten | Tintinnabuli | 1977 |
58 | Beethoven, Ludwig van | Violin Concerto in D Major, Op. 61 (includes II. Larghetto) | Concerto, for violin | 1806 |
59 | Mendelssohn, Felix | The Hebrides' Overture, Op. 26 (Fingal's Cave) | Overture | 1830 |
60 | Rachmaninoff, Sergei | Vespers, Op. 37 (All-Night Vigil) | Choral | 1915 |
61 | Mendelssohn, Felix | Violin Concerto in E minor, Op. 64 (includes II. Andante) | Concerto for violin | 1845 |
62 | Bach, JS/Hess, Myra | Jesu, Joy of Man's Desiring | Cantata | 1926 |
63 | Beethoven, Ludwig van | Für Elise | Piano | 1810 |
64 | Beethoven, Ludwig van | Symphony No. 9 in D minor, Op. 125 Choral (includes III. Adagio molto e cantabile) | Symphony, choral | 1824 |
65 | Ravel, Maurice | Pavane for a Dead Princess | Piano | 1899 |
66 | Mendelssohn, Felix | A Midsummer Night's Dream | Orchestral | 1826, 1842 |
67 | Beethoven, Ludwig van | Symphony No. 7 in A major (includes II. Allegretto) | Symphony | 1811–12 |
68 | Bach, Johann Sebastian | Cantata, BWV 147 Herz und Mund und Tat und Leben (includes "Jesu Joy of Man's Desiring") | Cantata | 1716, 1723 |
69 | Gluck, Christoph Willibald | Orpheus and Euridice (includes "Dance of the Blessed Spirits") | Opera | 1762 |
70 | Morricone, Ennio | Cinema Paradiso (includes Main Theme; Love Theme for Nata) | Film soundtrack | 1988 |
71 | Bach, Johann Sebastian | Goldberg Variations, BWV 988 (includes Aria) | Keyboard | 1741 |
72 | Schubert, Franz | Impromptu in G-flat major | Piano | 1827 |
73 | Bach, Johann Sebastian | Mass in B minor, BWV 232 | Choral, mass | 1749 |
74 | Lloyd Webber, Andrew | Requiem (includes "Pie Jesu") | Choral, mass | 1984–85 |
75 | Fauré, Gabriel | Cantique de Jean Racine | Choral, with piano | 1864–65 |
76 | Handel, George Frideric | Rinaldo (includes "Lascia ch'io pianga") | Opera | 1711 |
77 | Mozart, Wolfgang Amadeus | Piano Concerto No. 23 in A major (includes II. Adagio) | Concerto for piano | 1786 |
78 | Mozart, Wolfgang Amadeus | Clarinet Quintet, K581 (includes II. Larghetto) | Chamber | 1789 |
79 | Brahms, Johannes | A German Requiem, Op. 45 | Choral, mass | 1868 |
80 | Górecki, Henryk | Symphony No. 3, Op. 36 (Symphony of Sorrowful Songs) | Symphony, with voice | 1976 |
81 | Bach, Johann Sebastian | Brandenburg Concerto No. 5, BWV 1050 | Concerto, chamber | 1721 |
82 | Saint-Saëns, Camille | Samson and Delilah (includes "Mon cœur s'ouvre à ta voix") | Opera | 1877 |
83 | Fauré, Gabriel | Pavane, Op. 50 | Orchestral, with chorus | 1887 |
84 | Gershwin, George | Porgy and Bess (includes "Summertime") | Opera | 1934 |
85 | Mozart, Wolfgang Amadeus | Concerto for Flute, Harp, and Orchestra, K. 299 | Concerto | 1778 |
86 | Korngold, Erich Wolfgang | Die tote Stadt (includes "Glück das mir verblieb") | Opera | 1920 |
87 | Satie, Erik | Gnossiennes | Piano | 1890s |
88 | Beethoven, Ludwig van | Symphony No. 6, Op. 68 (Pastoral) | Symphony | 1808 |
89 | Chopin, Frédéric | Piano Concerto No. 1 in E minor, Op. 11 | Concerto for piano | 1830 |
90 | Schubert, Franz | Ave Maria | Choral | 1825 |
91 | Sculthorpe, Peter | Little Suite | Suite, for strings | 1983 |
92 | Dvořák, Antonín | Cello Concerto in B minor, Op. 104 | Concerto for cello | 1894–95 |
93 | Pergolesi, Giovanni Battista | Stabat Mater | Oratorio | 1736 |
94 | Tavener, John | Song for Athene | Choral | 1997 |
95 | Albinoni, Tomaso | Oboe Concerto in D minor, Op. 9, No. 2 | Concerto for oboe | 1722 |
96 | Bellini, Vincenzo | Norma (includes "Casta diva") | Opera | 1831 |
97 | Strauss, Richard | Morgen! | Song | 1894 |
98 | Bach, JS/Gounod, Charles | Ave Maria | Choral | 1853 |
99 | Bach, Johann Sebastian | Orchestral Suite No. 3 in D major, BWV 1068 (includes Air on a G string) | Suite | 1730 |
100 | Puccini, Giacomo | "O mio babbino caro" from Gianni Schicchi | Opera, aria | 1917–18 |
By composer
[edit]The following composers were featured in the countdown:
Composer | Nationality | Works |
---|---|---|
Albinoni | Italian | 2 |
Allegri | Italian | 1 |
JS Bach | German | 9 |
Barber | American | 1 |
Beethoven | German | 7 |
Bellini | Italian | 1 |
Bizet | French | 1 |
Brahms | German | 1 |
Bruch | German | 1 |
Canteloube | French | 1 |
Chopin | Polish-French | 1 |
Debussy | French | 2 |
Delibes | French | 1 |
Dvořák | Czech | 3 |
Edwards | Australian | 1 |
Elgar | English | 2 |
Fauré | French | 3 |
Gershwin | American | 1 |
Gluck | German | 1 |
Gorecki | Polish | 1 |
Gounod | French | 1 |
Grieg | Norwegian | 1 |
Handel | German-British | 3 |
Hess | British | 1 |
Holst | English | 1 |
Jenkins | Welsh | 1 |
Kats-Chernin | Australian | 1 |
Khachaturian | Armenian | 1 |
Korngold | Czech | 1 |
Lloyd Webber | English | 1 |
Mahler | Austrian | 1 |
Mascagni | Italian | 1 |
Massenet | French | 1 |
Mendelssohn | German | 3 |
Morricone | Italian | 2 |
Mozart | Austrian | 8 |
Pachelbel | German | 1 |
Pergolesi | Italian | 1 |
Puccini | Italian | 2 |
Purcell | English | 1 |
Pärt | Estonian | 2 |
Rachmaninoff | Russian | 3 |
Ravel | French | 1 |
Rodrigo | Spanish | 1 |
Saint-Saëns | French | 2 |
Satie | French | 2 |
Schubert | Austrian | 2 |
Sculthorpe | Australian | 2 |
Shostakovich | Russian | 1 |
Strauss | German | 2 |
Tallis | English | 1 |
Tavener | British | 1 |
Tchaikovsky | Russian | 1 |
Vaughan Williams | English | 2 |
Verdi | Italian | 1 |
Wagner | German | 1 |
Westlake | Australian | 1 |
Williams | American | 1 |
Note: Bach had 10 entries on the countdown, including Jesu, Joy of Man's Desiring as part of Herz und Mund und Tat und Leben and as a separate entry.
See also
[edit]References
[edit]- ^ "ABC Classic FM – Classic 100 2015". www.abc.net.au. Retrieved 4 June 2015.
- ^ Boon, Maxim (15 April 2015). "Classic FM announce Swoon as theme of 2015 Classic 100". Limelight. Archived from the original on 3 July 2017. Retrieved 1 January 2018.