Henry Pleasants (music critic): Difference between revisions
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Pleasants studied [[vocal music|voice]], [[piano]] and [[music composition|composition]] at the [[Curtis Institute of Music]], from which he received an honorary doctorate in 1977. In 1930, at age 19, he became a music critic for the ''[[Philadelphia Evening Bulletin]]'' and was the paper's music editor from 1934 to 1942, when he enlisted in the [[U.S. Army]]. |
Pleasants studied [[vocal music|voice]], [[piano]] and [[music composition|composition]] at the [[Curtis Institute of Music]], from which he received an honorary doctorate in 1977. In 1930, at age 19, he became a music critic for the ''[[Philadelphia Evening Bulletin]]'' and was the paper's music editor from 1934 to 1942, when he enlisted in the [[U.S. Army]]. |
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In 1948–49, he re-entered the military as an army [[liaison officer]] with the [[Government of Austria|Austrian government]]. He left the army to enter the [[United States Foreign Service|Foreign Service]] in 1950, serving as an intelligence officer in [[Munich]]. From 1950 to 1956, he was the [[Central Intelligence Agency|CIA]] station chief in [[Bern]],<ref name="Critchfield2003">James H. Critchfield: Partners at Creation: The Men Behind Postwar Germany's Defense and Intelligence Establishments. Annapolis: Naval Institute Press, 2003. x + 243 pp, {{ISBN|1-59114-136-2}}.</ref> and subsequently from 1956 until his retirement from the CIA in 1964, CIA station chief in [[Bonn]].<ref>{{cite news |first=Bill |last=Kelly<!--|title=Tape Inquiry: Ex-Spymaster in the Middle.-->|url=http://jamesbondauthenticus.blogspot.com/2008/11/felix-leiter-henry-pleasants.html|title=Felix Leiter = Henry Pleasants|date=2008-11-04 |access-date=2011-11-29}}</ref> He was involved in [[espionage]] during the [[Cold War]], living with [[Reinhard Gehlen]], a former Nazi general and a top intelligence official for [[West Germany]], to evaluate his "suitability." The [[Gehlen Organization]], which the former general led, became the forerunner of the postwar [[Bundesnachrichtendienst|West German Federal Intelligence Service]]. |
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==Writing== |
==Writing== |
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His most famous and controversial work was his 1955 publication ''The Agony of Modern Music'', a polemical attack on the direction taken by much of twentieth-century music and an argument in favor of jazz as the "true" master music of the time. The book stated, "Serious music is a dead art. The vein which for 300 years offered a seemingly inexhaustible yield of beautiful music has run out. What we know as modern music is the noise made by deluded speculators picking through its slag pile." He further developed this critique of [[contemporary music]] in ''Death of a Music?: The Decline of the European Tradition and the Rise of Jazz'' (1961) and ''Serious Music and All That Jazz'' (1969). |
His most famous and controversial work was his 1955 publication ''The Agony of Modern Music'', a polemical attack on the direction taken by much of twentieth-century music and an argument in favor of jazz as the "true" master music of the time. The book stated, "Serious music is a dead art. The vein which for 300 years offered a seemingly inexhaustible yield of beautiful music has run out. What we know as modern music is the noise made by deluded speculators picking through its slag pile." He further developed this critique of [[contemporary music]] in ''Death of a Music?: The Decline of the European Tradition and the Rise of Jazz'' (1961) and ''Serious Music and All That Jazz'' (1969). |
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Henry |
Henry Pleasants's first and major enthusiasm, however, was the human voice. His ''The Great Singers: From the Dawn of Opera to Our Own Time'' (1966) became a standard reference work. Other books on singers and singing were ''The Great American Popular Singers'', ''Opera in Crisis: Tradition, Present, Future'','' ''and ''The Great Tenor Tragedy: The Last Days of [[Adolphe Nourrit]]'', about the nineteenth-century French singer who committed suicide after his vocal style became outdated. His article "Elvis Presley," reprinted in Simon Firth, ed., ''Popular Music: Critical Concepts in Media and Cultural Studies'', volume 3 (2004), describes in detail [[Elvis Presley]]'s "extraordinary compass and very wide range of vocal color." |
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==Henry Pleasants Lecture Series== |
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The [[American Institute of Musical Studies]] in Graz, Austria, holds an annual lecture series named in honor of Henry Pleasants, |
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who lectured and conducted seminars on singing there for 29 years. |
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<ref>https://books.google.com/books?id=1Y1_AwAAQBAJ&pg=PA221&lpg=PA221 A Dictionary for the Modern Singer, p. 221</ref> |
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<ref>https://aimsgraz.com/the-program/course-descriptions/#henry-pleasants-lecture-series Henry Pleasants Lecture Series at AIMS</ref> |
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<ref>{{Cite news |last=Stevens |first=David |last2=Tribune |first2=International Herald |date=2000-01-13 |title=OBITUARY : Henry Pleasants, 89, Music Critic, Dies |language=en-US |work=The New York Times |url=https://www.nytimes.com/2000/01/13/news/obituary-henry-pleasants-89-music-critic-dies.html |access-date=2023-02-05 |issn=0362-4331}}</ref> |
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==Death== |
==Death== |
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==Further reading== |
==Further reading== |
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* {{cite encyclopedia |last=Goodwin |first=Noël |author-link=Noël Goodwin |year=2001 |encyclopedia=[[Grove Music Online]] |title=Pleasants, Henry |publisher=[[Oxford University Press]] |location=Oxford |doi=10.1093/gmo/9781561592630.article.21932 |isbn=978-1-56159-263-0 |url-access=subscription |url=https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000021932 }} {{Grove Music subscription}} |
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* {{cite journal|last= Horovitz|first= Joseph|author-link=Joseph Horovitz|title= The Importance of Henry Pleasants, Parts I-II |journal=Composer |issue=34–35|pages=11–19, 20–25|date= 1970}} |
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* Martin |
* {{cite journal|last= Martin|first= Douglas|title= Henry Pleasants, 89, Spy Who Knew His Music |journal= [[The New York Times]] |date= 14 January 2000}} |
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==External links== |
==External links== |
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[[Category:Opera critics]] |
[[Category:Opera critics]] |
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[[Category:People of the Central Intelligence Agency]] |
[[Category:People of the Central Intelligence Agency]] |
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[[Category:English male writers]] |
[[Category:English male non-fiction writers]] |
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[[Category:20th-century American |
[[Category:20th-century American essayists]] |
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[[Category:20th-century American male writers]] |
[[Category:20th-century American male writers]] |
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[[Category:American male non-fiction writers]] |
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[[Category:20th-century British musicologists]] |
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[[Category:20th-century English male writers]] |
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Latest revision as of 05:21, 5 March 2023
Henry Pleasants | |
|---|---|
 | |
| Born | May 12, 1910 |
| Died | January 4, 2000 (aged 89) |
| Nationality | American, British |
| Occupation(s) | Spy, music critic |
Henry Pleasants (May 12, 1910 – January 4, 2000) was an American music critic and intelligence officer.
Early career
[edit]Pleasants studied voice, piano and composition at the Curtis Institute of Music, from which he received an honorary doctorate in 1977. In 1930, at age 19, he became a music critic for the Philadelphia Evening Bulletin and was the paper's music editor from 1934 to 1942, when he enlisted in the U.S. Army.
In 1948–49, he re-entered the military as an army liaison officer with the Austrian government. He left the army to enter the Foreign Service in 1950, serving as an intelligence officer in Munich. From 1950 to 1956, he was the CIA station chief in Bern,[1] and subsequently from 1956 until his retirement from the CIA in 1964, CIA station chief in Bonn.[2] He was involved in espionage during the Cold War, living with Reinhard Gehlen, a former Nazi general and a top intelligence official for West Germany, to evaluate his "suitability." The Gehlen Organization, which the former general led, became the forerunner of the postwar West German Federal Intelligence Service.
Writing
[edit]Following the end of the war, from 1945 to 1955, Pleasants contributed articles on European musical events to The New York Times. He also wrote regularly for Opera Quarterly, was London editor for the magazine Stereo Review, and for 30 years, beginning in 1967, was the London music critic for the International Herald Tribune. In 1964, he retired from the service and settled in London with his wife, Virginia Pleasants, a harpsichordist and fortepianist.
His most famous and controversial work was his 1955 publication The Agony of Modern Music, a polemical attack on the direction taken by much of twentieth-century music and an argument in favor of jazz as the "true" master music of the time. The book stated, "Serious music is a dead art. The vein which for 300 years offered a seemingly inexhaustible yield of beautiful music has run out. What we know as modern music is the noise made by deluded speculators picking through its slag pile." He further developed this critique of contemporary music in Death of a Music?: The Decline of the European Tradition and the Rise of Jazz (1961) and Serious Music and All That Jazz (1969).
Henry Pleasants's first and major enthusiasm, however, was the human voice. His The Great Singers: From the Dawn of Opera to Our Own Time (1966) became a standard reference work. Other books on singers and singing were The Great American Popular Singers, Opera in Crisis: Tradition, Present, Future, and The Great Tenor Tragedy: The Last Days of Adolphe Nourrit, about the nineteenth-century French singer who committed suicide after his vocal style became outdated. His article "Elvis Presley," reprinted in Simon Firth, ed., Popular Music: Critical Concepts in Media and Cultural Studies, volume 3 (2004), describes in detail Elvis Presley's "extraordinary compass and very wide range of vocal color."
Henry Pleasants Lecture Series
[edit]The American Institute of Musical Studies in Graz, Austria, holds an annual lecture series named in honor of Henry Pleasants, who lectured and conducted seminars on singing there for 29 years. [3] [4] [5]
Death
[edit]On January 4, 2000, Pleasants died aged 89 in a London hospital after suffering a ruptured aorta. He was survived by his wife, harpsichordist Virginia Pleasants (1911 - 2011), two sisters, Constantia Bowditch of Peterborough, New Hampshire, and Nancy Logue of Clarksville, Tennessee; and a brother, William, of Bethel, Delaware (1911 - 2005).
References
[edit]- ^ James H. Critchfield: Partners at Creation: The Men Behind Postwar Germany's Defense and Intelligence Establishments. Annapolis: Naval Institute Press, 2003. x + 243 pp, ISBN 1-59114-136-2.
- ^ Kelly, Bill (4 November 2008). "Felix Leiter = Henry Pleasants". Retrieved 29 November 2011.
- ^ https://books.google.com/books?id=1Y1_AwAAQBAJ&pg=PA221&lpg=PA221 A Dictionary for the Modern Singer, p. 221
- ^ https://aimsgraz.com/the-program/course-descriptions/#henry-pleasants-lecture-series Henry Pleasants Lecture Series at AIMS
- ^ Stevens, David; Tribune, International Herald (13 January 2000). "OBITUARY : Henry Pleasants, 89, Music Critic, Dies". The New York Times. ISSN 0362-4331. Retrieved 5 February 2023.
Further reading
[edit]- Goodwin, Noël (2001). "Pleasants, Henry". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.21932. ISBN 978-1-56159-263-0. (subscription or UK public library membership required)
- Horovitz, Joseph (1970). "The Importance of Henry Pleasants, Parts I-II". Composer (34–35): 11–19, 20–25.
- Martin, Douglas (14 January 2000). "Henry Pleasants, 89, Spy Who Knew His Music". The New York Times.
- Stevens, David (13 January 2000). "Obituary of Henry Pleasants". International Herald Tribune.
External links
[edit]
- 1910 births
- 2000 deaths
- American music educators
- American magazine editors
- English columnists
- American music critics
- English music critics
- English musicologists
- Opera critics
- People of the Central Intelligence Agency
- English male non-fiction writers
- 20th-century American essayists
- 20th-century American male writers
- American male non-fiction writers
- 20th-century British musicologists
- 20th-century English male writers