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{{Use Australian English|date=October 2016}}
{{Use Australian English|date=October 2016}}
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{{Short description|Australian artist}}
{{Infobox artist
{{Infobox artist
| name = Joyce Scott
| name = Joyce Scott
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| caption =
| caption =
| birth_name = Joyce Ellen Mottershead
| birth_name = Joyce Ellen Mottershead
| birth_date = {{Birth date|1942|12|04}}
| birth_date = {{Birth date|df=yes|1938|12|04}}
| birth_place = <!-- [[Poynton]], [[Cheshire]], [[England]] -->
| birth_place = <!-- [[Poynton]], [[Cheshire]], [[England]] -->
| death_date =
| death_date =
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}}
}}


'''Joyce Scott''' FRSASA<ref>{{cite web |title=Fellow, South Australian Royal Society of Arts |url=http://www.rsasarts.com.au/ }}</ref> 'is an [[List of Australian artists|Australian artist]] working in [[drawing]], [[oil painting]] and [[ceramic art|ceramics]].'<ref name=VisualHistoryV2P271>{{Citation |last=Dutkiewicz |first=Adam |title=A Visual History: The Royal South Australian Society of Arts, 1856-2016, Volume Two |year=2017 |pages=271 |publisher=Royal South Australian Society of Arts Inc |isbn=9780994648013}}</ref> 'She has held ten independent exhibitions, is represented internationally and has received five awards.'<ref name= VisualHistoryV2P271/> 'Scott, née Mottershead, was born in [[Poynton]], [[Cheshire]], [[England]] in 1942 and migrated with her family to [[Adelaide]], [[South Australia]] in 1951.'<ref name= VisualHistoryV2P271/>
'''Joyce Scott''' FRSASA<ref>{{cite web |title=Fellow, South Australian Royal Society of Arts |url=http://www.rsasarts.com.au/ |access-date=15 July 2014 |archive-date=17 May 2019 |archive-url=https://web.archive.org/web/20190517090414/http://www.rsasarts.com.au/ |url-status=live }}</ref> 'is an [[List of Australian artists|Australian artist]] working in [[drawing]], [[oil painting]] and [[ceramic art|ceramics]].'<ref name=VisualHistoryV2P271>{{Citation |last=Dutkiewicz |first=Adam |title=A Visual History: The Royal South Australian Society of Arts, 1856-2016, Volume Two |year=2017 |pages=271 |publisher=Royal South Australian Society of Arts Inc |isbn=9780994648013}}</ref> 'She has held ten independent exhibitions, is represented internationally and has received five awards.'<ref name= VisualHistoryV2P271/> 'Scott, née Mottershead, was born in [[Poynton]], [[Cheshire]], [[England]] in 1938 and migrated with her family to [[Adelaide]], [[South Australia]] in 1951.'<ref name= VisualHistoryV2P271/>
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==Highlights==
==Highlights==
Joyce Scott studied ceramics ‘in the early 1970s under the tutelage of [[Milton Moon]], a dynamic teacher’.<ref name=CraftsArtsInternational_CeramicLandscapes>{{Citation |journal=Crafts Arts International |title=Ceramic Landscapes |first=Doug |last= Dr Boughton |volume=16 |date=August–October 1989 |pages=front page, 65–68 |publisher=Craft-Art Pty Ltd |issn=1038-846X}}</ref> She '... received a Diploma of Design, Ceramics and a Graduate Diploma of Education (Art) from the [[University of South Australia|Adelaide College of Art]], and later qualified for a Bachelor of Education from the [[University of South Australia|South Australian College of Advanced Education]].'<ref name= VisualHistoryV2P271/> In 1976, Scott was made a Fellow of the [[South Australian Society of Arts|Royal South Australian Society of Arts]].<ref name= RoyalSouthAustralianSocietyofArts>{{cite web |title=Royal South Australian Society of Arts |url=http://www.rsasarts.com.au }}</ref>
Joyce Scott studied ceramics ‘in the early 1970s under the tutelage of [[Milton Moon]], a dynamic teacher’.<ref name=CraftsArtsInternational_CeramicLandscapes>{{Citation |journal=Crafts Arts International |title=Ceramic Landscapes |first=Doug |last= Dr Boughton |volume=16 |date=August–October 1989 |pages=front page, 65–68 |publisher=Craft-Art Pty Ltd |issn=1038-846X}}</ref> She '... received a Diploma of Design, Ceramics and a Graduate Diploma of Education (Art) from the [[University of South Australia|Adelaide College of Art]], and later qualified for a Bachelor of Education from the [[University of South Australia|South Australian College of Advanced Education]].'<ref name= VisualHistoryV2P271/> In 1976, Scott was made a Fellow of the [[South Australian Society of Arts|Royal South Australian Society of Arts]].<ref name= RoyalSouthAustralianSocietyofArts>{{cite web |title=Royal South Australian Society of Arts |url=http://www.rsasarts.com.au/ |access-date=15 July 2014 |archive-date=17 May 2019 |archive-url=https://web.archive.org/web/20190517090414/http://www.rsasarts.com.au/ |url-status=live }}</ref>




'A long-running relationship between the artist and Greenhill Galleries commenced with her first exhibition in 1974.'<ref name= VisualHistoryV2P271/> Art Critic Ivor Frances reported in a newspaper review, ''Pottery is Exciting'', that ‘The [exhibition] pottery is large and sculptural, subtly coloured in harmonious glazes .. Joyce Scott has overcome many of the firing problems which occur in making large, light ceramic articles .. [and] the glazes crawl and break into fractured earth colours, browns and greens, all over the surface.’<ref name=TheAdvertiserPOTTERYISEXITING>{{Citation |newspaper=The Advertiser |title=POTTERY IS EXITING |first=Ivor |last=Frances |date=24 April 1974 |publisher=News Ltd |issn=1039-4192}}</ref>
'A long-running relationship between the artist and Greenhill Galleries commenced with her first exhibition in 1974.'<ref name= VisualHistoryV2P271/> Art Critic Ivor Frances reported in a newspaper review, ''Pottery is Exciting'', that ‘The [exhibition] pottery is large and sculptural, subtly coloured in harmonious glazes .. Joyce Scott has overcome many of the firing problems which occur in making large, light ceramic articles .. [and] the glazes crawl and break into fractured earth colours, browns and greens, all over the surface.’<ref name=TheAdvertiserPOTTERYISEXITING>{{Citation |newspaper=The Advertiser |title=POTTERY IS EXITING |first=Ivor |last=Frances |date=24 April 1974 |publisher=News Ltd |issn=1039-4192}}</ref>
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As a young artist and teacher, Scott was engaged in the political transformations of the 1970s. The [[United Nations]] declared 1975 to be [[International Women’s Year]], with conferences and celebrations held worldwide, including a broad programme of events in Adelaide, South Australia. As part those activities, Scott participated in an exhibition of women artists held at the [[Adelaide Festival Centre]].
As a young artist and teacher, Scott was engaged in the political transformations of the 1970s. The [[United Nations]] declared 1975 to be [[International Women’s Year]], with conferences and celebrations held worldwide, including a broad programme of events in Adelaide, South Australia. As part those activities, Scott participated in an exhibition of women artists held at the [[Adelaide Festival Centre]].


Later that year, Scott took part in a delegation of [[Australia]]n potters<ref>{{Citation |newspaper=The Advertiser |title=Bound for China |date=26 July 1975 |publisher=News Ltd |issn=1039-4192}}</ref> as guests of the [[China|People's Republic of China]]. The party of 10, led by Australian Potter Ivan McMeekin<ref>{{cite web |title=Ivan McMeekin, Design & Art Australia Online |url=https://www.daao.org.au/bio/ivan-mcmeekin/references/ |access-date=27 August 2015 |archive-date=6 March 2016 |archive-url=https://web.archive.org/web/20160306004823/https://www.daao.org.au/bio/ivan-mcmeekin/references/ |url-status=live }}</ref> and accompanied by Diplomat Geoffrey Marginson, spent 35 days studying pottery techniques in urban and regional settings. This delegation formed part of cultural exchanges consequent to the opening of [[Australia–China relations|diplomatic relations between the two countries]] in 1972.


Scott held her first major exhibition outside her home state at Solander Gallery, [[Canberra]], [[Australian Capital Territory]]. Rowland Richardson, Head, North Adelaide School of Art, reviewed the opening in the Spring 1978 edition of Pottery in Australia. He wrote that ‘The forms are mainly hand built with dry or matt "earth" glazes sprayed on. The sun, usually seen as a negative form, is often surrounded with a lattice of clay depicting the shimmering, radiating heat. A sun which bakes dry the landscape, but is still very much at the centre of it. However, the more recent work has a totemic feel to it. It is stronger, more geometric, and is decorated with a formal engobe pattern. [Joyce Scott] is a thoroughly professional artist, sketching a lot, determinedly independent and unaffected by fashions. I believe she is one of the few ceramic artists who have been able to imbue their work with a uniquely Australian feel.’<ref name=PotteryInAustSolander>{{Citation |journal=Pottery in Australia |title=Joyce Scott, Solandar Gallery, September 22-October 8, Canberra |volume=17 |issue=2 |date=Spring 1978 |pages=60 |publisher=The Potters' Society of Australia |issn=0048-4954}}</ref>


'As part of an ongoing relationship with the political left, in the early 1980s Scott donated artwork to exhibition fundraisers of the [[Australian Labor Party]].'<ref name= VisualHistoryV2P271/> A personal letter of appreciation<ref>{{cite web |title=Letter of appreciation from John Bannon to Joyce Scott for artworks donated to the Australian Labor Party. |url=https://commons.wikimedia.org/wiki/File:Letter_of_Appreciation_from_John_Bannon_to_Joyce_Scott.jpeg |access-date=29 August 2014 |archive-date=4 September 2014 |archive-url=https://web.archive.org/web/20140904024131/https://commons.wikimedia.org/wiki/File:Letter_of_Appreciation_from_John_Bannon_to_Joyce_Scott.jpeg |url-status=live }}</ref> from the then Leader of the Opposition, [[John Bannon]], records her contribution.
Later that year, Scott took part in a delegation of [[Australia]]n potters<ref>{{Citation |newspaper=The Advertiser |title=Bound for China |date=26 July 1975 |publisher=News Ltd |issn=1039-4192}}</ref> as guests of the [[China|People's Republic of China]]. The party of 10, led by Australian Potter Ivan McMeekin<ref>{{cite web |title=Ivan McMeekin, Design & Art Australia Online |url=https://www.daao.org.au/bio/ivan-mcmeekin/references/ }}</ref> and accompanied by Diplomat Geoffrey Marginson, spent 35 days studying pottery techniques in urban and regional settings. This delegation formed part of cultural exchanges consequent to the opening of [[Australia–China relations|diplomatic relations between the two countries]] in 1972.


Subsequently, '... in 1983, the late John Bannon, then Premier of South Australia, opened an exhibition of Scott’s ceramics at Bonython Art Gallery.'<ref name= VisualHistoryV2P271/><ref name=ExhibitionInvitationCard_BonythonGallery>{{cite web |title=Exhibition Invitation Card, Bonython Gallery, SA, 1983 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Bonython_Gallery_SA,_Exhibition_Invitation,_1983.jpg |access-date=26 July 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812060432/https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Bonython_Gallery_SA,_Exhibition_Invitation,_1983.jpg |url-status=live }}</ref> 'The exhibition was reviewed by Stephen Skillitzi in the Spring 1983 edition of S.A. Crafts. Skillitzi, then Lecturer in Charge of Ceramics at the South Australia School of Art, praised the 'intrinsic warmth and richness of clay, amber and black oxides, and white glaze are fused into composites that are bold in their simplicity and yet rich in their delicate detail of applied brushed and incised textural patterns and line and soft torn clay slab additions.’<ref name= VisualHistoryV2P271/><ref name=SACrafts_SpecialCeramicsConferenceEdition>{{Citation |journal=S.A. Crafts, Special Ceramics Conference Edition |title=Joyce Scott, Cameo Reflections |volume=25 |date=Spring 1983 |pages=41 |publisher=Craft Council of South Australia Inc |issn=0157-3667}}</ref> After surveying a number of individual artworks, Skillitzi concluded ‘These strongly conceived yet delicately executed and cogent statements in stoneware underline Joyce Scott’s gradual refinement and maturation into a ceramic artist with significant vision.’<ref name=SACrafts_SpecialCeramicsConferenceEdition/>
Scott held her first major exhibition outside her home state at Solander Gallery, [[Canberra]], [[Australian Capital Territory]]. Rowland Richardson, Head, North Adelaide School of Art, reviewed the opening in the Spring 1978 edition of Pottery in Australia. He wrote that ‘The forms are mainly hand built with dry or matt “earth” glazes sprayed on. The sun, usually seen as a negative form, is often surrounded with a lattice of clay depicting the shimmering, radiating heat. A sun which bakes dry the landscape, but is still very much at the centre of it. However, the more recent work has a totemic feel to it. It is stronger, more geometric, and is decorated with a formal engobe pattern. [Joyce Scott] is a thoroughly professional artist, sketching a lot, determinedly independent and unaffected by fashions. I believe she is one of the few ceramic artists who have been able to imbue their work with a uniquely Australian feel.’<ref name=PotteryInAustSolander>{{Citation |journal=Pottery in Australia |title=Joyce Scott, Solandar Gallery, September 22-October 8, Canberra |volume=17 |issue=2 |date=Spring 1978 |pages=60 |publisher=The Potters' Society of Australia |issn=0048-4954}}</ref>


''Wild Grass'' was the title of Scott’s first drawing exhibition. A review of the exhibition by the prominent art critic [[Neville Weston]] in [[The Advertiser (Adelaide)|The Advertiser]] newspaper said ‘Joyce Scott’s [1985 drawing] exhibition at Greenhill Galleries .. suggests that the landscape feel, which has always been a strong feature of her ceramics, is no longer pot bound … it is an exciting exhibition.’<ref name=TheAdvertiser_Anotedarchitecturalpresence>{{Citation |newspaper=The Advertiser |title=A noted architectural presence |first=Neville |last=Western |date=23 July 1985 |publisher=News Ltd |issn=1039-4192}}</ref> In correspondence to the artist about the exhibits, Australian painter and 'master of contemporary landscape'<ref>{{cite web |title=Geoff Wilson: Interrogated Landscape, Australian Broadcasting Commission |url=http://www.abc.net.au/radionational/programs/booksandarts/geoff-wilson3a-interrogated-landscape/6706640/ |date=18 August 2015 |access-date=16 November 2015 |archive-date=18 November 2015 |archive-url=https://web.archive.org/web/20151118031448/http://www.abc.net.au/radionational/programs/booksandarts/geoff-wilson3a-interrogated-landscape/6706640 |url-status=live }}</ref> Geoff Wilson<ref>{{cite web |title=Geoff Wilson |url=http://www.printsandprintmaking.gov.au/artists/7590/ |access-date=11 August 2015 |archive-date=24 September 2015 |archive-url=https://web.archive.org/web/20150924081845/http://www.printsandprintmaking.gov.au/artists/7590/ |url-status=live }}</ref> magnanimously observed 'you show the same fascinating ease with your drawings as with your ceramics. I wouldn't dare tackle such complex subjects.'<ref>{{cite web |title=Geoff Wilson correspondence, 1985 |url=https://commons.wikimedia.org/wiki/File:Geoff_Wilson_correspondence_to_Joyce_Scott,_1985.jpeg |access-date=11 August 2015 |archive-date=17 November 2015 |archive-url=https://web.archive.org/web/20151117030656/https://commons.wikimedia.org/wiki/File:Geoff_Wilson_correspondence_to_Joyce_Scott,_1985.jpeg |url-status=live }}</ref> He further commended Scott on the 'rewarding success' of selling all exhibited works.
'As part of an ongoing relationship with the political left, in the early 1980s Scott donated artwork to exhibition fundraisers of the [[Australian Labor Party]].'<ref name= VisualHistoryV2P271/> A personal letter of appreciation<ref>{{cite web |title=Letter of appreciation from John Bannon to Joyce Scott for artworks donated to the Australian Labor Party. |url=https://commons.wikimedia.org/wiki/File:Letter_of_Appreciation_from_John_Bannon_to_Joyce_Scott.jpeg }}</ref> from the then Leader of the Opposition, [[John Bannon]], records her contribution.


'During the late 1980s and early 1990s Scott lectured in the School of Art and Design Education at the [[University of South Australia]].'<ref name= VisualHistoryV2P271/><ref>The South Australian College of Advanced Education became the University of South Australia during this period. Scott lectured at both.</ref> 'She coordinated Units in Sculpture, Clay, Glaze Technology, Visual Research and Core Studies across all years of the Graduate Programme.'<ref name= VisualHistoryV2P271/><ref>{{cite web |title=Joyce Scott, Appointment Letter, University of South Australia |url=https://commons.wikimedia.org/wiki/File:Joyce_Scott,_Lecturer_Appointment_Letter.jpeg |access-date=3 October 2014 |archive-date=6 October 2014 |archive-url=https://web.archive.org/web/20141006140912/https://commons.wikimedia.org/wiki/File:Joyce_Scott,_Lecturer_Appointment_Letter.jpeg |url-status=live }}</ref>
Subsequently, '... in 1983, the late John Bannon, then Premier of South Australia, opened an exhibition of Scott’s ceramics at Bonython Art Gallery.'<ref name= VisualHistoryV2P271/><ref name=ExhibitionInvitationCard_BonythonGallery>{{cite web |title=Exhibition Invitation Card, Bonython Gallery, SA, 1983 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Bonython_Gallery_SA,_Exhibition_Invitation,_1983.jpg }}</ref> 'The exhibition was reviewed by Stephen Skillitzi in the Spring 1983 edition of S.A. Crafts. Skillitzi, then Lecturer in Charge of Ceramics at the South Australia School of Art, praised the 'intrinsic warmth and richness of clay, amber and black oxides, and white glaze are fused into composites that are bold in their simplicity and yet rich in their delicate detail of applied brushed and incised textural patterns and line and soft torn clay slab additions.’<ref name= VisualHistoryV2P271/><ref name=SACrafts_SpecialCeramicsConferenceEdition>{{Citation |journal=S.A. Crafts, Special Ceramics Conference Edition |title=Joyce Scott, Cameo Reflections |volume=25 |date=Spring 1983 |pages=41 |publisher=Craft Council of South Australia Inc |issn=0157-3667}}</ref> After surveying a number of individual artworks, Skillitzi concluded ‘These strongly conceived yet delicately executed and cogent statements in stoneware underline Joyce Scott’s gradual refinement and maturation into a ceramic artist with significant vision.’<ref name=SACrafts_SpecialCeramicsConferenceEdition/>


‘In 1986 and ’89 her work gained international recognition, and among her achievements she received two Honourable Mentions in the form of certificates presented for outstanding achievement at [both] the First and Second International Ceramics Contests in Nagoya, [Mino], Japan. Her work has since been acquired by a number of state and international art museums’ said Dr Noris Ioannou.<ref name=CraftsArtsInternational_EyeoftheSun>{{Citation |journal=Crafts Arts International |title=Eye of the Sun |first=Noris |last= Dr Ioannou |volume=34 |year=1995 |pages=44–46 |publisher=Craft-Art Pty Ltd |issn=1038-846X}}</ref> '[[Japanese pottery and porcelain]] is acknowledged as the world’s finest and Scott amplified her international recognition with an Honorable Certificate, Silver Prize<ref name=HonorableCertificate_InternationalPotteryExhibition>{{cite web |title=Honorable Certificate, Silver Prize, '88 International Pottery Exhibition, Japan Pottery Association |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Silver_Prize,_Certificate,_International_Pottery_Exhibition,_Japan_Pottery_Association,_1988.jpg |access-date=2 August 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812090901/https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Silver_Prize,_Certificate,_International_Pottery_Exhibition,_Japan_Pottery_Association,_1988.jpg |url-status=live }}</ref> at the 1988 International Pottery Exhibition of The Japanese Pottery Association, Tokyo.'<ref name= VisualHistoryV2P271/>


The August 1989 edition of Craft Arts International was fronted by Scott’s work and carried a four-page feature article on her ceramics by Dr Doug Boughton, the then Head of the School of Art and Design Education, South Australian College of Advanced Education. Boughton described ‘Each piece [as] uncompromising in its "earthiness", a feeling created through the glowing warmth of the earth reds, burnt oranges, and yellow ochres which appear to shimmer across the surfaces almost like the illusion of a mirage on a desert landscape. Stain and glaze are used on clay with a sensitivity and authority that would seem to be more the province of a painter than a ceramist. It is not a surprise that Joyce Scott regards the flat areas of her pieces as a "canvas of clay" on which she works her magic with variations of tone and intensity of hue.’<ref name=CraftsArtsInternational_CeramicLandscapes/> Boughton quoted the artist as saying: "I am endeavouring to produce a series of forms and images influenced and inspired by the Australian landscape. I want to celebrate the vitality of the land, and uncover a different reality. This involves a two-way vision, looking outward, and looking inward at the essence of life.’’’


[[File:Joyce Ellen Scott Signature.jpg|thumb|right|100px|alt=The artist's graphical signature incised into clay|Joyce Ellen Scott's [[potter's mark]]]]
''Wild Grass'' was the title of Scott’s first drawing exhibition. A review of the exhibition by the prominent art critic [[Neville Weston]] in [[The Advertiser (Adelaide)|The Advertiser]] newspaper said ‘Joyce Scott’s [1985 drawing] exhibition at Greenhill Galleries .. suggests that the landscape feel, which has always been a strong feature of her ceramics, is no longer pot bound … it is an exciting exhibition.’<ref name=TheAdvertiser_Anotedarchitecturalpresence>{{Citation |newspaper=The Advertiser |title=A noted architectural presence |first=Neville |last=Western |date=23 July 1985 |publisher=News Ltd |issn=1039-4192}}</ref> In correspondence to the artist about the exhibits, Australian painter and 'master of contemporary landscape'<ref>{{cite web |title=Geoff Wilson: Interrogated Landscape, Australian Broadcasting Commission |url=http://www.abc.net.au/radionational/programs/booksandarts/geoff-wilson3a-interrogated-landscape/6706640/ }}</ref> Geoff Wilson<ref>{{cite web |title=Geoff Wilson |url=http://www.printsandprintmaking.gov.au/artists/7590/ }}</ref> magnanimously observed 'you show the same fascinating ease with your drawings as with your ceramics. I wouldn't dare tackle such complex subjects.'<ref>{{cite web |title=Geoff Wilson correspondence, 1985 |url=https://commons.wikimedia.org/wiki/File:Geoff_Wilson_correspondence_to_Joyce_Scott,_1985.jpeg }}</ref> He further commended Scott on the 'rewarding success' of selling all exhibited works.

'During the late 1980s and early 1990s Scott lectured in the School of Art and Design Education at the [[University of South Australia]].'<ref name= VisualHistoryV2P271/><ref>The South Australian College of Advanced Education became the University of South Australia during this period. Scott lectured at both.</ref> 'She coordinated Units in Sculpture, Clay, Glaze Technology, Visual Research and Core Studies across all years of the Graduate Programme.'<ref name= VisualHistoryV2P271/><ref>{{cite web |title=Joyce Scott, Appointment Letter, University of South Australia |url=https://commons.wikimedia.org/wiki/File:Joyce_Scott,_Lecturer_Appointment_Letter.jpeg }}</ref>

‘In 1986 and ’89 her work gained international recognition, and among her achievements she received two Honourable Mentions in the form of certificates presented for outstanding achievement at [both] the First and Second International Ceramics Contests in Nagoya, [Mino], Japan. Her work has since been acquired by a number of state and international art museums’ said Dr Noris Ioannou.<ref name=CraftsArtsInternational_EyeoftheSun>{{Citation |journal=Crafts Arts International |title=Eye of the Sun |first=Noris |last= Dr Ioannou |volume=34 |year=1995 |pages=44–46 |publisher=Craft-Art Pty Ltd |issn=1038-846X}}</ref> '[[Japanese pottery and porcelain]] is acknowledged as the world’s finest and Scott amplified her international recognition with an Honorable Certificate, Silver Prize<ref name=HonorableCertificate_InternationalPotteryExhibition>{{cite web |title=Honorable Certificate, Silver Prize, '88 International Pottery Exhibition, Japan Pottery Association |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Silver_Prize,_Certificate,_International_Pottery_Exhibition,_Japan_Pottery_Association,_1988.jpg
}}</ref> at the 1988 International Pottery Exhibition of The Japanese Pottery Association, Tokyo.'<ref name= VisualHistoryV2P271/>

The August 1989 edition of Craft Arts International was fronted by Scott’s work and carried a four-page feature article on her ceramics by Dr Doug Boughton, the then Head of the School of Art and Design Education, South Australian College of Advanced Education. Boughton described ‘Each piece [as] uncompromising in its “earthiness”, a feeling created through the glowing warmth of the earth reds, burnt oranges, and yellow ochres which appear to shimmer across the surfaces almost like the illusion of a mirage on a desert landscape. Stain and glaze are used on clay with a sensitivity and authority that would seem to be more the province of a painter than a ceramist. It is not a surprise that Joyce Scott regards the flat areas of her pieces as a “canvas of clay” on which she works her magic with variations of tone and intensity of hue.’<ref name=CraftsArtsInternational_CeramicLandscapes/> Boughton quoted the artist as saying: “I am endeavouring to produce a series of forms and images influenced and inspired by the Australian landscape. I want to celebrate the vitality of the land, and uncover a different reality. This involves a two-way vision, looking outward, and looking inward at the essence of life.’’’

[[File:Joyce Ellen Scott Signature.jpg|thumb|right|100px|alt=The artist's graphical signature incised into clay|Potter's Mark]]


The 1995 edition of Craft Arts International published a second feature article on Scott by historian and freelance writer Dr Noris Ioannou. In this article, entitled Eye of the Sun, Dr Ioannou said ‘Scott‘s work is a joyous celebration of sun, life and the fecundity of the South Australian Landscape. Her large, abstracted, slab-built vessels seem to rise from a primeval base to suggest stylised natural terrain; alternatively, the forms suggest microcosmic views of the placental womb. Whatever the imagery implies, the central idea is that of birth, regeneration, and fertility.’<ref name=CraftsArtsInternational_EyeoftheSun/> He continued ‘Underpinning her evocative imagery is the concept of containment, as symbolised by the principal form of her work, the vessel. For Scott, the vessel represents the earth, the timelessness of nature and the heavens. The metaphor of the vessel as the earth also extends to its representation of human life, both individual and collective. Earth, material culture, and human life are therefore interlinked and symbolised through the fired clay vessel. As such, Scott, through her ceramic sculptures, is essentially exploring the universal human condition. Above all, however, it is the balance of this fragile planet — both the life on it, as well as the inner equilibrium which each and every person seeks to achieve - that she especially seeks to symbolise in her new sculptures.’
The 1995 edition of Craft Arts International published a second feature article on Scott by historian and freelance writer Dr Noris Ioannou. In this article, entitled Eye of the Sun, Dr Ioannou said ‘Scott‘s work is a joyous celebration of sun, life and the fecundity of the South Australian Landscape. Her large, abstracted, slab-built vessels seem to rise from a primeval base to suggest stylised natural terrain; alternatively, the forms suggest microcosmic views of the placental womb. Whatever the imagery implies, the central idea is that of birth, regeneration, and fertility.’<ref name=CraftsArtsInternational_EyeoftheSun/> He continued ‘Underpinning her evocative imagery is the concept of containment, as symbolised by the principal form of her work, the vessel. For Scott, the vessel represents the earth, the timelessness of nature and the heavens. The metaphor of the vessel as the earth also extends to its representation of human life, both individual and collective. Earth, material culture, and human life are therefore interlinked and symbolised through the fired clay vessel. As such, Scott, through her ceramic sculptures, is essentially exploring the universal human condition. Above all, however, it is the balance of this fragile planet — both the life on it, as well as the inner equilibrium which each and every person seeks to achieve - that she especially seeks to symbolise in her new sculptures.’
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|-
|-
| style="padding:6px; background-color:#E4F5E4; vertical-align:top;" | 1974
| style="padding:6px; background-color:#E4F5E4; vertical-align:top;" | 1974
| style="padding:6px; background-color:#EEFFEE; vertical-align:top;" | First prize <ref name=WesternAdvocatePotteryGrowingFast/><ref name=CarillonCityFestivalArtAward1974>{{cite web |title=Carillon City Festival Art Award 1974 |url=http://www.bathurstart.com.au/collection/search-collection/5297.html }}</ref>
| style="padding:6px; background-color:#EEFFEE; vertical-align:top;" | First prize <ref name=WesternAdvocatePotteryGrowingFast/><ref name=CarillonCityFestivalArtAward1974>{{cite web |title=Carillon City Festival Art Award 1974 |url=http://www.bathurstart.com.au/collection/search-collection/5297.html |access-date=19 July 2014 |archive-date=25 July 2014 |archive-url=https://web.archive.org/web/20140725234855/http://www.bathurstart.com.au/collection/search-collection/5297.html |url-status=live }}</ref>
| style="padding:6px; background-color:#E4F5E4; vertical-align:top;" | [[Bathurst, New South Wales|Bathurst]] Carillion City Festival, NSW
| style="padding:6px; background-color:#E4F5E4; vertical-align:top;" | [[Bathurst, New South Wales|Bathurst]] Carillion City Festival, NSW
|-
|-
| style="padding:6px; background-color:#E4E4E4; vertical-align:top;" | 1986
| style="padding:6px; background-color:#E4E4E4; vertical-align:top;" | 1986
| style="padding:6px; background-color:#EEEEEE; vertical-align:top;" | Honorable Mention <ref>{{cite web |title=Honorable Mention, 1st International Ceramics Contest, Mino, Japan, 1986 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Honorable_Mention,_1st_International_Ceramics_Contest,_Mino,_Japan,_1986.jpg }}</ref> for outstanding achievement
| style="padding:6px; background-color:#EEEEEE; vertical-align:top;" | Honorable Mention <ref>{{cite web |title=Honorable Mention, 1st International Ceramics Contest, Mino, Japan, 1986 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Honorable_Mention,_1st_International_Ceramics_Contest,_Mino,_Japan,_1986.jpg |access-date=2 August 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812090858/https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Honorable_Mention,_1st_International_Ceramics_Contest,_Mino,_Japan,_1986.jpg |url-status=live }}</ref> for outstanding achievement
| style="padding:6px; background-color:#E4E4E4; vertical-align:top;" | First International Ceramics Contest, Mino, Japan <ref name=MinoCeramicsFestival>{{cite web |title=International Ceramics Festival, Mino, Japan |url=http://www.icfmino.com/english/ }}</ref>
| style="padding:6px; background-color:#E4E4E4; vertical-align:top;" | First International Ceramics Contest, Mino, Japan <ref name=MinoCeramicsFestival>{{cite web |title=International Ceramics Festival, Mino, Japan |url=http://www.icfmino.com/english/ |access-date=14 July 2014 |archive-date=14 July 2014 |archive-url=https://web.archive.org/web/20140714200943/http://www.icfmino.com/english/ |url-status=live }}</ref>
|-
|-
| style="padding:6px; background-color:#E4F5E4; vertical-align:top;" | 1988
| style="padding:6px; background-color:#E4F5E4; vertical-align:top;" | 1988
| style="padding:6px; background-color:#EEFFEE; vertical-align:top;" | Honorable Certificate, Silver Prize <ref name=HonorableCertificate_InternationalPotteryExhibition/> and plague <ref>{{cite web |title=Plague for Silver Prize, '88 International Pottery Exhibition, Japan Pottery Association |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Silver_Prize,_Plaque,_International_Pottery_Exhibition,_Japan_Pottery_Association,_1988.jpg
| style="padding:6px; background-color:#EEFFEE; vertical-align:top;" | Honorable Certificate, Silver Prize <ref name=HonorableCertificate_InternationalPotteryExhibition/> and plague <ref>{{cite web |title=Plague for Silver Prize, '88 International Pottery Exhibition, Japan Pottery Association |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Silver_Prize,_Plaque,_International_Pottery_Exhibition,_Japan_Pottery_Association,_1988.jpg |access-date=2 August 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812090908/https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Silver_Prize,_Plaque,_International_Pottery_Exhibition,_Japan_Pottery_Association,_1988.jpg |url-status=live }}</ref>
}}</ref>
| style="padding:6px; background-color:#E4F5E4; vertical-align:top;" | 1988 International Pottery Exhibition,<br/>The Japanese Pottery Association, Tokyo
| style="padding:6px; background-color:#E4F5E4; vertical-align:top;" | 1988 International Pottery Exhibition,<br/>The Japanese Pottery Association, Tokyo
|-
|-
| style="padding:4px; background-color:#E4E4E4; vertical-align:top;" | 1989
| style="padding:4px; background-color:#E4E4E4; vertical-align:top;" | 1989
| style="padding:4px; background-color:#EEEEEE; vertical-align:top;" | Honorable Mention <ref>{{cite web |title=Honorable Mention, 2nd International Ceramics Competition, Mino, Japan, 1989 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Honorable_Mention,_2nd_International_Ceramics_Contest,_Mino,_Japan,_1989.jpg }}</ref> for outstanding achievement
| style="padding:4px; background-color:#EEEEEE; vertical-align:top;" | Honorable Mention <ref>{{cite web |title=Honorable Mention, 2nd International Ceramics Competition, Mino, Japan, 1989 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Honorable_Mention,_2nd_International_Ceramics_Contest,_Mino,_Japan,_1989.jpg |access-date=2 August 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812090906/https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Honorable_Mention,_2nd_International_Ceramics_Contest,_Mino,_Japan,_1989.jpg |url-status=live }}</ref> for outstanding achievement
| style="padding:4px; background-color:#E4E4E4; vertical-align:top;" | Second International Ceramics Competition, Mino, Japan <ref name=MinoCeramicsFestival/>
| style="padding:4px; background-color:#E4E4E4; vertical-align:top;" | Second International Ceramics Competition, Mino, Japan <ref name=MinoCeramicsFestival/>
|}
|}
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==Represented==
==Represented==
Scott's work is represented in the:
Scott's work is represented in the:
* [[National Gallery of Australia]]<ref>{{cite web |title=Force Intensified, ArtSearch, National Gallery of Australia |url=http://artsearch.nga.gov.au/Detail.cfm?IRN=98585 }}</ref><ref>{{cite web |title=A letter from the Australian National Gallery to Joyce Scott confirming that the Gallery holds her work. |url=https://commons.wikimedia.org/wiki/File:Letter_from_Australian_National_Gallery_to_Joyce_Scott,_1985-01-07.jpg }}</ref><ref name=AustralianCrafts>{{Citation |journal=Australian Crafts, A survey of recent work |title=Joyce Scott, Force Intensified, 1977 |volume=25 |issue=2 |date=Summer 1978 |pages=38 |publisher=Craft Council of Australia |issn=0004-301X}}</ref><ref>The Australian Craft Board touring exhibition, ''Australian Crafts'', was acquired by the National Gallery of Australia in 1980</ref><ref>{{cite web |title=Centre for Australian Art, From the National Gallery Collection |url=http://www.printsandprintmaking.gov.au/artists/12785/ }}</ref> <!--Why this appears under the Australian Prints + Printmaking section is unclear.-->
* [[National Gallery of Australia]]<ref>{{cite web |title=Force Intensified, ArtSearch, National Gallery of Australia |url=http://artsearch.nga.gov.au/Detail.cfm?IRN=98585 |access-date=25 July 2014 |archive-date=4 March 2016 |archive-url=https://web.archive.org/web/20160304113113/http://artsearch.nga.gov.au/Detail.cfm?IRN=98585 |url-status=live }}</ref><ref>{{cite web |title=A letter from the Australian National Gallery to Joyce Scott confirming that the Gallery holds her work. |url=https://commons.wikimedia.org/wiki/File:Letter_from_Australian_National_Gallery_to_Joyce_Scott,_1985-01-07.jpg |access-date=31 March 2016 |archive-date=23 April 2016 |archive-url=https://web.archive.org/web/20160423102352/https://commons.wikimedia.org/wiki/File:Letter_from_Australian_National_Gallery_to_Joyce_Scott,_1985-01-07.jpg |url-status=live }}</ref><ref name=AustralianCrafts>{{Citation |journal=Australian Crafts, A Survey of Recent Work |title=Joyce Scott, Force Intensified, 1977 |volume=25 |issue=2 |date=Summer 1978 |pages=38 |publisher=Craft Council of Australia |issn=0004-301X}}</ref><ref>The Australian Craft Board touring exhibition, ''Australian Crafts'', was acquired by the National Gallery of Australia in 1980</ref><ref>{{cite web |title=Centre for Australian Art, From the National Gallery Collection |url=http://www.printsandprintmaking.gov.au/artists/12785/ |access-date=22 July 2014 |archive-date=27 March 2023 |archive-url=https://web.archive.org/web/20230327011302/https://www.printsandprintmaking.gov.au/artists/12785/ |url-status=live }}</ref> <!--Why this appears under the Australian Prints + Printmaking section is unclear.-->
* Rockhampton Art Gallery <ref>{{cite web |title=Acquisition Confirmation Email, Rockhampton Art Gallery, 1986 |url=https://commons.wikimedia.org/wiki/File:Joyce_Scott,_Rockhampton_Art_Gallery,_Acquisition_Confirmation_Email.pdf }}</ref><ref>{{cite web |title=Rockhampton Art Gallery, Rockhampton, Queensland, Australia |url=http://www.rockhamptonartgallery.com.au/ }}</ref>
* Rockhampton Art Gallery <ref>{{cite web |title=Acquisition Confirmation Email, Rockhampton Art Gallery, 1986 |url=https://commons.wikimedia.org/wiki/File:Joyce_Scott,_Rockhampton_Art_Gallery,_Acquisition_Confirmation_Email.pdf |access-date=28 July 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812071908/https://commons.wikimedia.org/wiki/File:Joyce_Scott,_Rockhampton_Art_Gallery,_Acquisition_Confirmation_Email.pdf |url-status=live }}</ref><ref>{{cite web |title=Rockhampton Art Gallery, Rockhampton, Queensland, Australia |url=http://www.rockhamptonartgallery.com.au/ |access-date=14 July 2014 |archive-date=27 March 2023 |archive-url=https://web.archive.org/web/20230327011333/https://www.rmoa.com.au/Home |url-status=live }}</ref>
* Bathurst Regional Art Gallery <ref>{{cite web |title=Shaping Spirit, Gallery Catalogue, Bathurst Regional Art Gallery |url=http://www.bathurstart.com.au/collection/search-collection/5297.html }}</ref>
* Bathurst Regional Art Gallery <ref>{{cite web |title=Shaping Spirit, Gallery Catalogue, Bathurst Regional Art Gallery |url=http://www.bathurstart.com.au/collection/search-collection/5297.html |access-date=19 July 2014 |archive-date=25 July 2014 |archive-url=https://web.archive.org/web/20140725234855/http://www.bathurstart.com.au/collection/search-collection/5297.html |url-status=live }}</ref>
* Adelaide College of the Arts and Education <ref>{{cite web |title=Confirmation Email, From Max Lyle via Dr Gregory Ramsay |url=https://commons.wikimedia.org/wiki/File:Joyce_Scott,_Adelaide_College_of_the_Arts_and_Education,_Acquisition_Confirmation_Email.pdf }}</ref>
* Adelaide College of the Arts and Education <ref>{{cite web |title=Confirmation Email, From Max Lyle via Dr Gregory Ramsay |url=https://commons.wikimedia.org/wiki/File:Joyce_Scott,_Adelaide_College_of_the_Arts_and_Education,_Acquisition_Confirmation_Email.pdf |access-date=6 August 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812092827/https://commons.wikimedia.org/wiki/File:Joyce_Scott,_Adelaide_College_of_the_Arts_and_Education,_Acquisition_Confirmation_Email.pdf |url-status=live }}</ref>
* [[Artbank]], Australia <ref>{{cite web |title=Acquisition Receipt, Artbank, 1983 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Artbank_Purchase_Receipt,_1983.jpeg }}</ref>
* [[Artbank]], Australia <ref>{{cite web |title=Acquisition Receipt, Artbank, 1983 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Artbank_Purchase_Receipt,_1983.jpeg |access-date=28 July 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812071923/https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Artbank_Purchase_Receipt,_1983.jpeg |url-status=live }}</ref>
* Arts Council of Bunbury <ref>{{cite web |title=Bunbury Regional Art Galleries, Bunbury, Western Australia |url=http://www.brag.org.au/ }}</ref>
* Arts Council of Bunbury <ref>{{cite web |title=Bunbury Regional Art Galleries, Bunbury, Western Australia |url=http://www.brag.org.au/ |access-date=14 July 2014 |archive-date=14 July 2014 |archive-url=https://web.archive.org/web/20140714191715/http://www.brag.org.au/ |url-status=live }}</ref>
* Museum of Contemporary Ceramics, Grottaglia, Italy <ref>{{cite web |title=Museum of Contemporary Ceramics, Grottaglia, Italy |url=http://www.museogrottaglie.it/ }}</ref>
* Museum of Contemporary Ceramics, Grottaglia, Italy <ref>{{cite web |title=Museum of Contemporary Ceramics, Grottaglia, Italy |url=http://www.museogrottaglie.it/ |access-date=14 July 2014 |archive-date=28 October 2012 |archive-url=https://web.archive.org/web/20121028141826/http://www.museogrottaglie.it/ |url-status=live }}</ref>
* South Australian Studio Potters Collection <ref>{{cite web |title=Record of Joyce Scott artwork held in the South Australian Studio Potters Collection |url=https://commons.wikimedia.org/wiki/File:Joyce_Scott,_SA_Studio_Potters_Collection_Record.jpg }}</ref>
* South Australian Studio Potters Collection <ref>{{cite web |title=Record of Joyce Scott artwork held in the South Australian Studio Potters Collection |url=https://commons.wikimedia.org/wiki/File:Joyce_Scott,_SA_Studio_Potters_Collection_Record.jpg |access-date=7 October 2014 |archive-date=13 October 2014 |archive-url=https://web.archive.org/web/20141013025227/https://commons.wikimedia.org/wiki/File:Joyce_Scott,_SA_Studio_Potters_Collection_Record.jpg |url-status=live }}</ref>
* [[Jupiters Hotel and Casino]]
* [[Jupiters Hotel and Casino]]
* Hyatt Regency, Adelaide <ref>{{cite web |title=Acquisition Receipt, Adelaide Hyatt Regency, 1988 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Adelaide_Hyatt_Regency,_Acquisition_Receipt,_1988.jpeg }}</ref>
* Hyatt Regency, Adelaide <ref>{{cite web |title=Acquisition Receipt, Adelaide Hyatt Regency, 1988 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Adelaide_Hyatt_Regency,_Acquisition_Receipt,_1988.jpeg |access-date=28 July 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812072043/https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Adelaide_Hyatt_Regency,_Acquisition_Receipt,_1988.jpeg |url-status=live }}</ref>
* And private collections in Australia, the United Kingdom, New Zealand, Italy, Japan and the United States.
* And private collections in Australia, the United Kingdom, New Zealand, Italy, Japan and the United States.


==Exhibitions==
==Exhibitions==




===Independent===
===Independent===
Between 1974 and 1993, Scott held nine ceramics exhibitions:
Between 1974 and 1993, Scott held nine ceramics exhibitions:
* Greenhill Galleries, SA, 1974 <ref name=TheAdvertiserPOTTERYISEXITING/><ref>{{cite web |title=Exhibition Invitation Card, Greenhill Galleries, SA, 1974 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Greenhill_Gallery_SA,_1974,_Exhibition_Invitation.jpeg }}</ref><ref name=GreenhillGalleriesSA>{{cite web |title= Greenhill Galleries, Adelaide, South Australia |url=http://www.greenhillgalleries.com/ }}</ref>
* Greenhill Galleries, SA, 1974 <ref name=TheAdvertiserPOTTERYISEXITING/><ref>{{cite web |title=Exhibition Invitation Card, Greenhill Galleries, SA, 1974 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Greenhill_Gallery_SA,_1974,_Exhibition_Invitation.jpeg |access-date=26 July 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812060236/https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Greenhill_Gallery_SA,_1974,_Exhibition_Invitation.jpeg |url-status=live }}</ref><ref name=GreenhillGalleriesSA>{{cite web |title= Greenhill Galleries, Adelaide, South Australia |url= http://www.greenhillgalleries.com/ |access-date= 14 July 2014 |archive-date= 26 June 2014 |archive-url= https://web.archive.org/web/20140626105802/http://www.greenhillgalleries.com/ |url-status= live }}</ref>
* Greenhill Galleries, SA, 1976 <ref>{{Citation |newspaper=The Advertiser |title=Inspired by the French Revolution |first=Nigel |last=Murray-Harvey |date=22 March 1976 |publisher=News Ltd |issn=1039-4192}}</ref><ref>{{cite web |title=Greenhill Galleries Exhibitions, National Gallery of Australia Research Library |url=http://www.worldcat.org/title/greenhill-galleries-australian-gallery-file/oclc/271079265 }}</ref>
* Greenhill Galleries, SA, 1976 <ref>{{Citation |newspaper=The Advertiser |title=Inspired by the French Revolution |first=Nigel |last=Murray-Harvey |date=22 March 1976 |publisher=News Ltd |issn=1039-4192}}</ref><ref>{{cite book |title=Greenhill Galleries Exhibitions, National Gallery of Australia Research Library |oclc=271079265 }}</ref>
* Solander Galleries, ACT, 1978 <ref name=PotteryInAustSolander/><ref>{{Citation |newspaper=The Canberra Times |title=With inner strength |first=Meredith |last=Hinchliffe |date=September 1978 |publisher=FairFax Media |issn=0157-6925}}</ref><ref>{{cite web |title= Solander Galleries, Yarralumla, Australian Capital Territory, Australia |url=http://www.whereis.com/act/yarralumla/yellowId-13521156 }}</ref>
* Solander Galleries, ACT, 1978 <ref name=PotteryInAustSolander/><ref>{{Citation |newspaper=The Canberra Times |title=With inner strength |first=Meredith |last=Hinchliffe |date=September 1978 |publisher=FairFax Media |issn=0157-6925}}</ref><ref>{{cite web |title= Solander Galleries, Yarralumla, Australian Capital Territory, Australia |url= http://www.whereis.com/act/yarralumla/yellowId-13521156 |access-date= 14 July 2014 |archive-date= 14 July 2014 |archive-url= https://web.archive.org/web/20140714121318/http://www.whereis.com/act/yarralumla/yellowId-13521156 |url-status= live }}</ref>
* Greenhill Galleries, SA, 1980, Opened by Dr Gregor Ramsey, Director, ACAE <ref>{{cite web |title=Art Exhibitions and Collections, Fringe Vault, 1980, Adelaide Fringe Inc |url=http://www.fringevault.com.au/mini_sites/event/1980?eid=1637 }}</ref><ref>{{cite web |title=Exhibition Pamphlet, Greenhill Galleries, SA, 1980 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Greenhill_Galleries,_Adelaide_Festival_of_Arts,_Pamphlet,_1980.jpg }}</ref>
* Greenhill Galleries, SA, 1980, Opened by Dr Gregor Ramsey, Director, ACAE <ref>{{cite web |title=Art Exhibitions and Collections, Fringe Vault, 1980, Adelaide Fringe Inc |url=http://www.fringevault.com.au/mini_sites/event/1980?eid=1637 |access-date=19 July 2014 |archive-date=24 September 2015 |archive-url=https://web.archive.org/web/20150924015630/http://www.fringevault.com.au/mini_sites/event/1980?eid=1637 |url-status=live }}</ref><ref>{{cite web |title=Exhibition Pamphlet, Greenhill Galleries, SA, 1980 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Greenhill_Galleries,_Adelaide_Festival_of_Arts,_Pamphlet,_1980.jpg |access-date=26 July 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812060355/https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Greenhill_Galleries,_Adelaide_Festival_of_Arts,_Pamphlet,_1980.jpg |url-status=live }}</ref>
* [[Bonython Gallery, Adelaide|Bonython Gallery]], SA, 1983, Opened by the [[John Bannon|Hon. John Bannon]], Premier, SA <ref name=ExhibitionInvitationCard_BonythonGallery/>
* [[Bonython Gallery, Adelaide|Bonython Gallery]], SA, 1983, Opened by the [[John Bannon|Hon. John Bannon]], Premier, SA <ref name=ExhibitionInvitationCard_BonythonGallery/>
* Holdsworth Gallery, NSW, 1986 <ref>{{cite web |title= See Box 137, Records of Holdsworth Galleries, National Library of Australia |url=http://www.nla.gov.au/ms/findaids/9153.html }}</ref><ref>{{cite web |title= Holdsworth Gallery, Sydney, New South Wales, Australia |url=http://www.printsandprintmaking.gov.au/galleries/895/ }}</ref>
* Holdsworth Gallery, NSW, 1986 <ref>{{cite web |title= See Box 137, Records of Holdsworth Galleries, National Library of Australia |url= http://www.nla.gov.au/ms/findaids/9153.html |access-date= 19 July 2014 |archive-date= 4 March 2016 |archive-url= https://web.archive.org/web/20160304071201/http://www.nla.gov.au/ms/findaids/9153.html |url-status= live }}</ref><ref>{{cite web |title= Holdsworth Gallery, Sydney, New South Wales, Australia |url= http://www.printsandprintmaking.gov.au/galleries/895/ |access-date= 14 July 2014 |archive-date= 14 July 2014 |archive-url= https://web.archive.org/web/20140714171434/http://www.printsandprintmaking.gov.au/galleries/895/ |url-status= live }}</ref>
* Greenhill Galleries, WA, 1987 <ref>{{cite web |title=Exhibition Poster, Greenhill Galleries, WA, 1987 |url=https://commons.wikimedia.org/wiki/File:Joyce_Scott,_Greenhill_Gallery_WA,_1987,_Exhibition_Poster.JPG }}</ref><ref>{{cite web |title= Greenhill Galleries, Claremont, Western Australia, Australia |url=http://www.whereis.com/wa/claremont/yellowId-13874534 }}</ref>
* Greenhill Galleries, WA, 1987 <ref>{{cite web |title=Exhibition Poster, Greenhill Galleries, WA, 1987 |url=https://commons.wikimedia.org/wiki/File:Joyce_Scott,_Greenhill_Gallery_WA,_1987,_Exhibition_Poster.JPG |access-date=26 July 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812060312/https://commons.wikimedia.org/wiki/File:Joyce_Scott,_Greenhill_Gallery_WA,_1987,_Exhibition_Poster.JPG |url-status=live }}</ref><ref>{{cite web |title= Greenhill Galleries, Claremont, Western Australia, Australia |url= http://www.whereis.com/wa/claremont/yellowId-13874534 |access-date= 14 July 2014 |archive-date= 14 July 2014 |archive-url= https://web.archive.org/web/20140714171725/http://www.whereis.com/wa/claremont/yellowId-13874534 |url-status= live }}</ref>
* Greenhill Galleries, SA, 1988, Opened by [[Rupert Hamer|Sir Rupert Hamer]], KCMG <ref>{{cite web |title= Photograph of the Artist, 1988, Messenger Press Collection, State Library, South Australia, B70869 945 |url=http://images.slsa.sa.gov.au/mpcimg/71000/B70869_945.htm }}</ref><ref>{{cite web |title= Photograph of the Artist, 1988, Messenger Press Collection, State Library, South Australia, B70869 944 |url=http://images.slsa.sa.gov.au/mpcimg/71000/B70869_944.htm }}</ref><ref>{{cite web |title=Exhibition Invitation Card, Greenhill Galleries, SA, 1988 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Greenhill_Galleries,_Adelaide_Festival,_Exhibition_Invitation,_1988.jpg }}</ref><ref>{{cite web |title=Art Exhibitions and Collections, Fringe Vault, 1988, Adelaide Fringe Inc |url=http://www.fringevault.com.au/mini_sites/event/1988?eid=5698 }}</ref>
* Greenhill Galleries, SA, 1988, Opened by [[Rupert Hamer|Sir Rupert Hamer]], KCMG <ref>{{cite web |title= Photograph of the Artist, 1988, Messenger Press Collection, State Library, South Australia, B70869 945 |url= http://images.slsa.sa.gov.au/mpcimg/71000/B70869_945.htm |access-date= 23 July 2014 |archive-date= 27 March 2023 |archive-url= https://web.archive.org/web/20230327011330/https://collections.slsa.sa.gov.au/resource/B+70869/945 |url-status= live }}</ref><ref>{{cite web |title= Photograph of the Artist, 1988, Messenger Press Collection, State Library, South Australia, B70869 944 |url= http://images.slsa.sa.gov.au/mpcimg/71000/B70869_944.htm |access-date= 19 July 2014 |archive-date= 27 March 2023 |archive-url= https://web.archive.org/web/20230327011330/https://collections.slsa.sa.gov.au/resource/B+70869/944 |url-status= live }}</ref><ref>{{cite web |title=Exhibition Invitation Card, Greenhill Galleries, SA, 1988 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Greenhill_Galleries,_Adelaide_Festival,_Exhibition_Invitation,_1988.jpg |access-date=26 July 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812060437/https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Greenhill_Galleries,_Adelaide_Festival,_Exhibition_Invitation,_1988.jpg |url-status=live }}</ref><ref>{{cite web |title=Art Exhibitions and Collections, Fringe Vault, 1988, Adelaide Fringe Inc |url=http://www.fringevault.com.au/mini_sites/event/1988?eid=5698 |access-date=19 July 2014 |archive-date=24 July 2014 |archive-url=https://web.archive.org/web/20140724002052/http://www.fringevault.com.au/mini_sites/event/1988?eid=5698 |url-status=live }}</ref>
* Kensington Gallery, SA, 1993, Opened by [[Patti Warashina]], USA Artist <ref>{{Citation |newspaper=The Advertiser |title=Searching the human state |first=Noris |last=Ioannou |date=17 July 1993 |publisher=News Ltd |issn=1039-4192}}</ref><ref>{{cite web |title=Exhibition Invitation, Kensington Gallery, SA, 1993 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Kensington_Gallery,_Invitation_Card,_1993.jpg
* Kensington Gallery, SA, 1993, Opened by [[Patti Warashina]], USA Artist <ref>{{Citation |newspaper=The Advertiser |title=Searching the human state |first=Noris |last=Ioannou |date=17 July 1993 |publisher=News Ltd |issn=1039-4192}}</ref><ref>{{cite web |title=Exhibition Invitation, Kensington Gallery, SA, 1993 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Kensington_Gallery,_Invitation_Card,_1993.jpg |access-date=28 July 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812072002/https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Kensington_Gallery,_Invitation_Card,_1993.jpg |url-status=live }}</ref><ref>{{cite web |title=Exhibition Poster, Kensington Gallery, SA, 1993 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Kensington_Gallery_SA,_1993_Exhibition_Invitation.jpg |access-date=26 July 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812060245/https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Kensington_Gallery_SA,_1993_Exhibition_Invitation.jpg |url-status=live }}</ref>
}}</ref><ref>{{cite web |title=Exhibition Poster, Kensington Gallery, SA, 1993 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Kensington_Gallery_SA,_1993_Exhibition_Invitation.jpg }}</ref>


In 1985 she presented ''<span style="color:#2B705D">Wild Grass</span>'',<ref name=TheAdvertiser_Anotedarchitecturalpresence/><ref>{{cite web |title=Exhibition Invitation Card, Greenhill Galleries, SA, 1985 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Greenhill_Galleries,_Invitation_Card,_1985.jpg }}</ref> an exhibition of drawing at Greenhill Galleries, SA, opened by Dr John Skull, Dean, SACAE.
In 1985 she presented ''<span style="color:#2B705D">Wild Grass</span>'',<ref name=TheAdvertiser_Anotedarchitecturalpresence/><ref>{{cite web |title=Exhibition Invitation Card, Greenhill Galleries, SA, 1985 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Greenhill_Galleries,_Invitation_Card,_1985.jpg |access-date=28 July 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812072039/https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Greenhill_Galleries,_Invitation_Card,_1985.jpg |url-status=live }}</ref> an exhibition of drawing at Greenhill Galleries, SA, opened by Dr John Skull, Dean, SACAE.


===Group===
===Group===


Joyce Scott has exhibited in numerous invitation exhibitions in all Australian States. These include:
Joyce Scott has exhibited in numerous invitation exhibitions in all Australian States. These include:
* Mitchell Regional Art Gallery, Bathurst, New South Wales, 1974 <ref name=WesternAdvocatePotteryGrowingFast/></li>
* Mitchell Regional Art Gallery, Bathurst, New South Wales, 1974 <ref name=WesternAdvocatePotteryGrowingFast/>
* ''[[International Women’s Year]]'', Festival Theatre, Adelaide, South Australia, 1975</li>
* ''[[International Women’s Year]]'', Festival Theatre, Adelaide, South Australia, 1975
* ''<span style="color:#2B705D">The International Bendigo Award</span>'', Victoria, 1976</li>
* ''<span style="color:#2B705D">The International Bendigo Award</span>'', Victoria, 1976
* ''<span style="color:#2B705D">Fringe Festival</span>'', [[Michael Danby|Halmaag Gallery]], 1976 <ref>{{cite web |title=Art Exhibitions and Collections, Fringe Vault, 1976, Adelaide Fringe Inc |url=http://www.fringevault.com.au/mini_sites/event/1976?eid=1259 }}</ref></li>
* ''<span style="color:#2B705D">Fringe Festival</span>'', [[Michael Danby|Halmaag Gallery]], 1976 <ref>{{cite web |title=Art Exhibitions and Collections, Fringe Vault, 1976, Adelaide Fringe Inc |url=http://www.fringevault.com.au/mini_sites/event/1976?eid=1259 |access-date=22 July 2014 |archive-date=25 April 2018 |archive-url=https://web.archive.org/web/20180425063720/http://fringevault.com.au/mini_sites/event/1976?eid=1259 |url-status=live }}</ref>
* ''<span style="color:#2B705D">Australian Craft</span>'', touring Australia and abroad,1978 <ref name=AustralianCrafts/>
* ''<span style="color:#2B705D">Australian Craft</span>'', touring Australia and abroad, 1978 <ref name=AustralianCrafts/>
* ''<span style="color:#2B705D">Twelve South Australian Potters</span>'', Potters Society, Sydney, New South Wales, 1978
* ''<span style="color:#2B705D">Twelve South Australian Potters</span>'', Potters Society, Sydney, New South Wales, 1978
* ''<span style="color:#2B705D">Ceramics Conference Exhibition</span>'', Sydney, New South Wales,1978
* ''<span style="color:#2B705D">Ceramics Conference Exhibition</span>'', Sydney, New South Wales, 1978
* ''<span style="color:#2B705D">Modern Masters Caltex Award</span>'', Royal Society of Arts, Adelaide, South Australia, 1978
* ''<span style="color:#2B705D">Modern Masters Caltex Award</span>'', Royal Society of Arts, Adelaide, South Australia, 1978
* ''<span style="color:#2B705D">Festival Craft Exhibition</span>'', [[Queen Victoria Museum and Art Gallery]], Tasmania, 1981 <ref name=PotteryInAustralia_21_2>{{Citation |journal=Pottery in Australia |title=Joyce Scott, Festival Craft Exhibition, Queen Victoria Museum & Art Gallery, Tasmania, |volume=21 |issue=2 |date=November–December 1982 |pages=56 |publisher=The Potters' Society of Australia |issn=0048-4954}}</ref>
* ''<span style="color:#2B705D">Festival Craft Exhibition</span>'', [[Queen Victoria Museum and Art Gallery]], Tasmania, 1981 <ref name=PotteryInAustralia_21_2>{{Citation |journal=Pottery in Australia |title=Joyce Scott, Festival Craft Exhibition, Queen Victoria Museum & Art Gallery, Tasmania |volume=21 |issue=2 |date=November–December 1982 |pages=56 |publisher=The Potters' Society of Australia |issn=0048-4954}}</ref>
* ''<span style="color:#2B705D">10th Anniversary Exhibition</span>'', Greenhill Galleries, 1982 <ref>{{cite web |title=Exhibition Invitation Card, Greenhill Galleries, SA, 1982 |url=https://commons.wikimedia.org/wiki/File:Greenhill_Galleries,_10th_Anniversary_Exhibition,_Invitation_Card,_1982.jpg }}</ref>
* ''<span style="color:#2B705D">10th Anniversary Exhibition</span>'', Greenhill Galleries, 1982 <ref>{{cite web |title=Exhibition Invitation Card, Greenhill Galleries, SA, 1982 |url=https://commons.wikimedia.org/wiki/File:Greenhill_Galleries,_10th_Anniversary_Exhibition,_Invitation_Card,_1982.jpg |access-date=28 July 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812072139/https://commons.wikimedia.org/wiki/File:Greenhill_Galleries,_10th_Anniversary_Exhibition,_Invitation_Card,_1982.jpg |url-status=live }}</ref>
* ''<span style="color:#2B705D">National Ceramics Conference Exhibition</span>'', Greenhill Galleries, Adelaide, South Australia, 1983
* ''<span style="color:#2B705D">National Ceramics Conference Exhibition</span>'', Greenhill Galleries, Adelaide, South Australia, 1983
* ''<span style="color:#2B705D">Darling Downs National Ceramics Award</span>'', Queensland, 1984 <ref>{{cite web |title=Letter confirming participation in the Darling Downs National Ceramics Award, 1984 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Darling_Downs_1st_National_Acquisitive_Ceramics_Award,_Letter,_1984.jpeg }}</ref>
* ''<span style="color:#2B705D">Darling Downs National Ceramics Award</span>'', Queensland, 1984 <ref>{{cite web |title=Letter confirming participation in the Darling Downs National Ceramics Award, 1984 |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Darling_Downs_1st_National_Acquisitive_Ceramics_Award,_Letter,_1984.jpeg |access-date=28 July 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812071932/https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Darling_Downs_1st_National_Acquisitive_Ceramics_Award,_Letter,_1984.jpeg |url-status=live }}</ref>
* ''<span style="color:#2B705D">Autumn Drift</span>'', [[Museum and Art Gallery of the Northern Territory]], 1984 <ref>{{cite web |title=Letter from Exhibition Patron, Museum and Art Gallery of the Northern Territory |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Northern_Territory_Museum_of_Arts_and_Sciences,_Exhibition_Patron_Letter,_1984.jpeg
* ''<span style="color:#2B705D">Autumn Drift</span>'', [[Museum and Art Gallery of the Northern Territory]], 1984 <ref>{{cite web |title=Letter from Exhibition Patron, Museum and Art Gallery of the Northern Territory |url=https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Northern_Territory_Museum_of_Arts_and_Sciences,_Exhibition_Patron_Letter,_1984.jpeg |access-date=29 July 2014 |archive-date=12 August 2014 |archive-url=https://web.archive.org/web/20140812084425/https://commons.wikimedia.org/wiki/File:Joyce_Ellen_Scott,_Northern_Territory_Museum_of_Arts_and_Sciences,_Exhibition_Patron_Letter,_1984.jpeg |url-status=live }}</ref>
}}</ref>
* Kensington Gallery, South Australia, mixed media exhibition, 1990
* Kensington Gallery, South Australia, mixed media exhibition, 1990
* ''<span style="color:#2B705D">Adelaide Festival of Arts</span>'', Kensington Gallery, South Australia, 1998
* ''<span style="color:#2B705D">Adelaide Festival of Arts</span>'', Kensington Gallery, South Australia, 1998
* <span style="color:#994c00">An Old Salt</span>, <span style="color:#8c8c8c">Oil painting</span>; &nbsp;''<span style="color:#2B705D">Salt of the Earth</span>'', [[South Australian Living Artists Festival|SALA Festival]]<ref name= SALAFestival>{{cite web |title=South Australian Living Artists Festival |url=https://www.salafestival.com }}</ref> and the [[South Australian Society of Arts|Royal South Australian Society of Arts]],<ref name=RoyalSouthAustralianSocietyofArts/> Winter 2015 <ref>Salt of the Earth, 2015, Royal South Australian Society of Arts (RSASA) Members' Winter Exhibition held in conjunction with South Australian Living Artists Festival (SALA).</ref>
* <span style="color:#994c00">An Old Salt</span>, <span style="color:#8c8c8c">Oil painting</span>; &nbsp;''<span style="color:#2B705D">Salt of the Earth</span>'', [[South Australian Living Artists Festival|SALA Festival]]<ref name= SALAFestival>{{cite web |title=South Australian Living Artists Festival |url=https://www.salafestival.com/ |access-date=26 August 2016 |archive-date=29 August 2016 |archive-url=https://web.archive.org/web/20160829002323/https://www.salafestival.com/ |url-status=live }}</ref> and the [[South Australian Society of Arts|Royal South Australian Society of Arts]],<ref name=RoyalSouthAustralianSocietyofArts/> Winter 2015 <ref>Salt of the Earth, 2015, Royal South Australian Society of Arts (RSASA) Members' Winter Exhibition held in conjunction with South Australian Living Artists Festival (SALA).</ref>
* <span style="color:#994c00">The Innocent</span>, <span style="color:#8c8c8c">Oil painting</span>; &nbsp;''<span style="color:#2B705D">Point of View</span>'', [[South Australian Society of Arts|Royal South Australian Society of Arts]] <ref name=RoyalSouthAustralianSocietyofArts/> Gallery, Spring 2015 <ref>Point of View, 2015, Royal South Australian Society of Arts (RSASA) Fellows' Spring Exhibition, 25 Oct to 15 Nov.</ref>
* <span style="color:#994c00">The Innocent</span>, <span style="color:#8c8c8c">Oil painting</span>; &nbsp;''<span style="color:#2B705D">Point of View</span>'', [[South Australian Society of Arts|Royal South Australian Society of Arts]]<ref name=RoyalSouthAustralianSocietyofArts/> Gallery, Spring 2015 <ref>Point of View, 2015, Royal South Australian Society of Arts (RSASA) Fellows' Spring Exhibition, 25 Oct to 15 Nov.</ref>
* <span style="color:#994c00">Sounds of Silence</span>, <span style="color:#8c8c8c">Pencil on cartridge</span>; &nbsp;''<span style="color:#2B705D">Monochromatic</span>'', [[South Australian Society of Arts|Royal South Australian Society of Arts]] <ref name=RoyalSouthAustralianSocietyofArts/> Gallery, Summer 2015/16 <ref>Monochromatic, 2016, Royal South Australian Society of Arts (RSASA) Fellows' Summer Exhibition, 11 Dec to 10 Jan.</ref>
* <span style="color:#994c00">Sounds of Silence</span>, <span style="color:#8c8c8c">Pencil on cartridge</span>; &nbsp;''<span style="color:#2B705D">Monochromatic</span>'', [[South Australian Society of Arts|Royal South Australian Society of Arts]]<ref name=RoyalSouthAustralianSocietyofArts/> Gallery, Summer 2015/16 <ref>Monochromatic, 2016, Royal South Australian Society of Arts (RSASA) Fellows' Summer Exhibition, 11 Dec to 10 Jan.</ref>
* <span style="color:#994c00">Sheppie on a Persian Rug</span>, <span style="color:#8c8c8c">Oil painting</span>; &nbsp;''<span style="color:#2B705D">Out of the Box</span>'', [[South Australian Society of Arts|Royal South Australian Society of Arts]] <ref name=RoyalSouthAustralianSocietyofArts/> Gallery, Fringe/Autumn 2016 <ref>Out of the Box, 2016, Royal South Australian Society of Arts (RSASA) Members' Autumn Exhibition, 14 Feb to 13 Mar.</ref>
* <span style="color:#994c00">Sheppie on a Persian Rug</span>, <span style="color:#8c8c8c">Oil painting</span>; &nbsp;''<span style="color:#2B705D">Out of the Box</span>'', [[South Australian Society of Arts|Royal South Australian Society of Arts]]<ref name=RoyalSouthAustralianSocietyofArts/> Gallery, Fringe/Autumn 2016 <ref>Out of the Box, 2016, Royal South Australian Society of Arts (RSASA) Members' Autumn Exhibition, 14 Feb to 13 Mar.</ref>
* <span style="color:#994c00">Let's Go</span>, <span style="color:#8c8c8c">Oil painting</span>; &nbsp;''<span style="color:#2B705D">Rainy Days</span>'', [[South Australian Society of Arts|Royal South Australian Society of Arts]] <ref name=RoyalSouthAustralianSocietyofArts/> Gallery, Autumn 2016 <ref>Rainy Days, 2016, Royal South Australian Society of Arts (RSASA) Members' Autumn Exhibition, 15 May to 5 June.</ref>
* <span style="color:#994c00">Let's Go</span>, <span style="color:#8c8c8c">Oil painting</span>; &nbsp;''<span style="color:#2B705D">Rainy Days</span>'', [[South Australian Society of Arts|Royal South Australian Society of Arts]]<ref name=RoyalSouthAustralianSocietyofArts/> Gallery, Autumn 2016 <ref>Rainy Days, 2016, Royal South Australian Society of Arts (RSASA) Members' Autumn Exhibition, 15 May to 5 June.</ref>
* <span style="color:#994c00">Memories</span>, <span style="color:#8c8c8c">Oil painting</span>; &nbsp;''<span style="color:#2B705D">Captured Moments</span>'', [[South Australian Living Artists Festival|SALA Festival]]<ref name= SALAFestival /> and the [[South Australian Society of Arts|Royal South Australian Society of Arts]],<ref name=RoyalSouthAustralianSocietyofArts/> Spring 2016 <ref>Captured Moments, 2016, Royal South Australian Society of Arts (RSASA) Members' Spring Exhibition held in conjunction with South Australian Living Artists Festival (SALA), 31 July to 28 August.</ref>
* <span style="color:#994c00">Memories</span>, <span style="color:#8c8c8c">Oil painting</span>; &nbsp;''<span style="color:#2B705D">Captured Moments</span>'', [[South Australian Living Artists Festival|SALA Festival]]<ref name= SALAFestival /> and the [[South Australian Society of Arts|Royal South Australian Society of Arts]],<ref name=RoyalSouthAustralianSocietyofArts/> Spring 2016 <ref>Captured Moments, 2016, Royal South Australian Society of Arts (RSASA) Members' Spring Exhibition held in conjunction with South Australian Living Artists Festival (SALA), 31 July to 28 August.</ref>
* <span style="color:#994c00">Premonition</span>, <span style="color:#8c8c8c">Oil painting</span>; &nbsp;''<span style="color:#2B705D">Caring For Our Planet</span>'', 7th Solar Art Prize, [[South Australian Society of Arts|Royal South Australian Society of Arts]],<ref name=RoyalSouthAustralianSocietyofArts/> 2016 <ref>Caring For Our Planet, 7th Solar Art Prize, 2016, Royal South Australian Society of Arts (RSASA), 2 October to 23 October.</ref>
* <span style="color:#994c00">Premonition</span>, <span style="color:#8c8c8c">Oil painting</span>; &nbsp;''<span style="color:#2B705D">Caring For Our Planet</span>'', 7th Solar Art Prize, [[South Australian Society of Arts|Royal South Australian Society of Arts]],<ref name=RoyalSouthAustralianSocietyofArts/> 2016 <ref>Caring For Our Planet, 7th Solar Art Prize, 2016, Royal South Australian Society of Arts (RSASA), 2 October to 23 October.</ref>
Line 175: Line 165:


===International===
===International===




* ''<span style="color:#2B705D">The Masters of Modern Ceramics 1986</span>'', Faenza, Italy <ref>{{Citation |journal=The Masters of Modern Ceramics 1986 |title=Parched Earth |year=1986 |publisher=Faenza Editrice S.p.A. |place=Faenza, Italy |issn=0392-8225}}</ref>
* ''<span style="color:#2B705D">The Masters of Modern Ceramics 1986</span>'', Faenza, Italy <ref>{{Citation |journal=The Masters of Modern Ceramics 1986 |title=Parched Earth |year=1986 |publisher=Faenza Editrice S.p.A. |place=Faenza, Italy |issn=0392-8225}}</ref>
* ''<span style="color:#2B705D">La Ceramica Moderna</span>'', Italy, 1987 <ref>{{Citation |journal=La Ceramica Moderna |title=Parched Earth |volume=10 |date=December 1987 |pages=front page |place=Faenza, Italy |issn=0392-8225}}</ref>
* ''<span style="color:#2B705D">La Ceramica Moderna</span>'', Italy, 1987 <ref>{{Citation |journal=La Ceramica Moderna |title=Parched Earth |volume=10 |date=December 1987 |pages=front page |place=Faenza, Italy |issn=0392-8225}}</ref>
* Heat Wave, ''<span style="color:#2B705D">ʼ88 International Pottery Exhibition, Tokyo</span>'' <ref>{{Citation |journal=ʼ88 International Pottery Exhibition |title=Heat-Wave |date=June 1988 |pages=28 |publisher=The Ceramics Arts Association of Japan |place=Tokyo, Japan }}</ref>
* Heat Wave, ''<span style="color:#2B705D">ʼ88 International Pottery Exhibition, Tokyo</span>'' <ref>{{Citation |journal=ʼ88 International Pottery Exhibition |title=Heat-Wave |date=June 1988 |pages=28 |publisher=The Ceramics Arts Association of Japan |place=Tokyo, Japan }}</ref>
* ''<span style="color:#2B705D">2<sup>a</sup> Biennale Internazionale Di Ceramica Contemporanae</span>'' <ref>{{Citation |journal=2<sup>a</sup> Biennale Internazionale Di Ceramica Contemporanae |title=Joyce Scott |date=September 1989 |publisher=dal Diagramma/Studioeffe di Grottaglie |place=Grottaglie, Italy }}</ref>
* ''<span style="color:#2B705D">2<sup>a</sup> Biennale Internazionale Di Ceramica Contemporanae</span>'' <ref>{{Citation |journal=2<sup>a</sup> Biennale Internazionale di Ceramica Contemporanae |title=Joyce Scott |date=September 1989 |publisher=dal Diagramma/Studioeffe di Grottaglie |place=Grottaglie, Italy }}</ref>
* Ceramic Landscapes, ''<span style="color:#2B705D">Crafts Arts International</span>'', 1989 <ref name=CraftsArtsInternational_CeramicLandscapes/><ref>{{cite web |title=Craft Arts International, Issue 16 Contents (Under Scot, tJoyce) |url=http://www.craftarts.com.au/eshopping/shop/IssueDetail.asp?ID=18 }}</ref>
* Ceramic Landscapes, ''<span style="color:#2B705D">Crafts Arts International</span>'', 1989 <ref name=CraftsArtsInternational_CeramicLandscapes/><ref>{{cite web |title=Craft Arts International, Issue 16 Contents (Under Scot, tJoyce) |url=http://www.craftarts.com.au/eshopping/shop/IssueDetail.asp?ID=18 |access-date=19 July 2014 |archive-date=3 June 2014 |archive-url=https://web.archive.org/web/20140603071310/http://www.craftarts.com.au/eshopping/shop/IssueDetail.asp?ID=18 |url-status=live }}</ref>
* Whirl Wind, ''<span style="color:#2B705D">2nd International Ceramics Competition, Mino, Japan</span>'', 1989 <ref>{{Citation |journal=The 2nd International Ceramics Competition, Mino, Japan |title=Whirl Wind |date=October 1989 |pages=119 |place=Tajimi City Special Exhibition Hall, Mino, Japan }}</ref>
* Whirl Wind, ''<span style="color:#2B705D">2nd International Ceramics Competition, Mino, Japan</span>'', 1989 <ref>{{Citation |journal=The 2nd International Ceramics Competition, Mino, Japan |title=Whirl Wind |date=October 1989 |pages=119 |place=Tajimi City Special Exhibition Hall, Mino, Japan }}</ref>
* Eye of the Sun, ''<span style="color:#2B705D">Crafts Arts International</span>'', 1995 <ref name=CraftsArtsInternational_EyeoftheSun/><ref>{{cite web |title=Craft Arts International, Issue 34 Contents |url=http://www.craftarts.com.au/eshopping/shop/IssueDetail.asp?ID=36 }}</ref>
* Eye of the Sun, ''<span style="color:#2B705D">Crafts Arts International</span>'', 1995 <ref name=CraftsArtsInternational_EyeoftheSun/><ref>{{cite web |title=Craft Arts International, Issue 34 Contents |url=http://www.craftarts.com.au/eshopping/shop/IssueDetail.asp?ID=36 |access-date=19 July 2014 |archive-date=3 June 2014 |archive-url=https://web.archive.org/web/20140603074005/http://www.craftarts.com.au/eshopping/shop/IssueDetail.asp?ID=36 |url-status=live }}</ref>


===Australian===
===Australian===
Line 205: Line 193:
* Cameo Reflections, ''<span style="color:#2B705D">S.A. Crafts</span>'', 1983 <ref name=SACrafts_SpecialCeramicsConferenceEdition/>
* Cameo Reflections, ''<span style="color:#2B705D">S.A. Crafts</span>'', 1983 <ref name=SACrafts_SpecialCeramicsConferenceEdition/>
* ''<span style="color:#2B705D">Clay Statements, Australian Contemporary Ceramics</span>'', 1985 <ref>{{Citation |journal=Australian Contemporary Ceramics |title=Clay Statements |first=Bruce |last=Anderson |first2=John |last2=Hoare |year= 1985 |pages=84–85 |publisher=Darling Downs Institute Press |isbn=0949414042}}</ref>
* ''<span style="color:#2B705D">Clay Statements, Australian Contemporary Ceramics</span>'', 1985 <ref>{{Citation |journal=Australian Contemporary Ceramics |title=Clay Statements |first=Bruce |last=Anderson |first2=John |last2=Hoare |year= 1985 |pages=84–85 |publisher=Darling Downs Institute Press |isbn=0949414042}}</ref>
* ''<span style="color:#2B705D">Craft Australia: year book 1984</span>'' <ref>{{Citation |title=Craft Australia: year book 1984 |first=Ken |last=Lockwood |year=1984 |pages= |publisher=Crafts Council of Australia |issn=0311-046X }}</ref> <!--missing page reference-->
* ''<span style="color:#2B705D">Craft Australia: year book 1984</span>'' <ref>{{Citation |title=Craft Australia: year book 1984 |first=Ken |last=Lockwood |year=1984 |publisher=Crafts Council of Australia |issn=0311-046X }}</ref> <!--missing page reference-->
* ''<span style="color:#2B705D">Ceramics in South Australia 1836-1986, from Folk to Studio Pottery</span>'', 1986<ref>{{Citation |title=Ceramics in South Australia 1836-1986 from Folk to Studio Pottery |first=Noris |last=Dr Ioannou |year=1986 |pages=345 |publisher=Fine Art Publishing |isbn=0949268704 }}</ref>
* ''<span style="color:#2B705D">Ceramics in South Australia 1836-1986, from Folk to Studio Pottery</span>'', 1986<ref>{{Citation |title=Ceramics in South Australia 1836-1986 from Folk to Studio Pottery |first=Noris |last=Dr Ioannou |year=1986 |pages=345 |publisher=Fine Art Publishing |isbn=0949268704 }}</ref>
<!--* Selected Australian Crafts, 1985-->
<!--* Selected Australian Crafts, 1985-->
* Adelaide Festival of Arts ʼ88, ''<span style="color:#2B705D">Art and Australia</span>'', 1987 <ref>{{Citation |journal=Art and Australia |title=Adelaide Festival of Arts ʼ88 |volume=25 |issue=2 |date=Summer 1987 |pages=172 |publisher=The Fine Arts Press |issn=0004-301X}}</ref>
* Adelaide Festival of Arts ʼ88, ''<span style="color:#2B705D">Art and Australia</span>'', 1987 <ref>{{Citation |journal=Art and Australia |title=Adelaide Festival of Arts ʼ88 |volume=25 |issue=2 |date=Summer 1987 |pages=172 |publisher=The Fine Arts Press |issn=0004-301X}}</ref>
* International Mino Exhibition, Japan, ''<span style="color:#2B705D">Craft Australia</span>'', 1987 <ref>{{Citation |journal=Craft Australia, The Australian Craft Magazine |title=Joyce Scott, Olive Earth, Honourable mention for outstanding achievement in 1st International Mino Exhibition, Japan, 1986 |issue=2 |date=Winter 1987 |pages=16 |publisher=Crafts Council of Australia |issn=0311-046X}}</ref>
* International Mino Exhibition, Japan, ''<span style="color:#2B705D">Craft Australia</span>'', 1987 <ref>{{Citation |journal=Craft Australia, the Australian Craft Magazine |title=Joyce Scott, Olive Earth, Honourable mention for outstanding achievement in 1st International Mino Exhibition, Japan, 1986 |issue=2 |date=Winter 1987 |pages=16 |publisher=Crafts Council of Australia |issn=0311-046X}}</ref>
* ''<span style="color:#2B705D">South Australian Ceramic Inglewood Award 1988</span>'' <ref>{{Citation |title=South Australian Ceramic Inglewood Award 1988 |date=March 1988 |publisher=Inglewood Brick Co Ltd }}</ref>
* ''<span style="color:#2B705D">South Australian Ceramic Inglewood Award 1988</span>'' <ref>{{Citation |title=South Australian Ceramic Inglewood Award 1988 |date=March 1988 |publisher=Inglewood Brick Co Ltd }}</ref>
<!--* ''<span style="color:#2B705D">A Dictionary of Women Artists of Australia</span>'', 1991 <ref>{{Citation |title=A Dictionary of Women Artists of Australia |first=Max |last=Germaine |year=1991 |pages= |publisher=Craftsman House |isbn= 9768097132}}</ref> --><!-- awaiting verification -->
<!--* ''<span style="color:#2B705D">A Dictionary of Women Artists of Australia</span>'', 1991 <ref>{{Citation |title=A Dictionary of Women Artists of Australia |first=Max |last=Germaine |year=1991 |publisher=Craftsman House |isbn= 9768097132}}</ref> --><!-- awaiting verification -->
* ''<span style="color:#2B705D">Craft Arts Maganize</span>, Annual Buyers' Guide Supplement 1988-89'' <ref>{{Citation |journal=Craft Arts Maganize |title=Annual Buyers' Guide Supplement 1988-89 |issue=14 |year=1988–1989 |pages=100 |publisher=Crafts Council of Australia |isbn=0-9471-8658-1}}</ref>
* ''<span style="color:#2B705D">Craft Arts Maganize</span>, Annual Buyers' Guide Supplement 1988-89'' <ref>{{Citation |journal=Craft Arts Maganize |title=Annual Buyers' Guide Supplement 1988-89 |issue=14 |year=1988–1989 |pages=100 |publisher=Crafts Council of Australia |isbn=0-9471-8658-1}}</ref>
* ''<span style="color:#2B705D">Artfile</span>'', 1992 <ref>{{Citation |title= Artfile, Artists and Designers, Makers of Australia |first=Ken |last=Lockwood |date=Summer 1992 |pages=192–193 |publisher=Craft Arts International |isbn=0-9471-8658-1}}</ref>
* ''<span style="color:#2B705D">Artfile</span>'', 1992 <ref>{{Citation |title= Artfile, Artists and Designers, Makers of Australia |first=Ken |last=Lockwood |date=Summer 1992 |pages=192–193 |publisher=Craft Arts International |isbn=0-9471-8658-1}}</ref>
* ''<span style="color:#2B705D">Kalori, [[South Australian Society of Arts|Royal South Australian Society of Arts]]</span>'', 2016, Cover page and feature article <ref>{{Citation |title= Kalori, Quadrennial Newsletter |date=May 2016 |pages=1, 4, 5 |publisher=Royal South Australian Society of Arts }}</ref><ref>{{cite web |title=Kalori Archive, Royal South Australian Society of Arts |url=http://www.rsasarts.com.au/kalori-archive/ }}</ref>
* ''<span style="color:#2B705D">Kalori, [[South Australian Society of Arts|Royal South Australian Society of Arts]]</span>'', 2016, Cover page and feature article <ref>{{Citation |title= Kalori, Quadrennial Newsletter |date=May 2016 |pages=1, 4, 5 |publisher=Royal South Australian Society of Arts }}</ref><ref>{{cite web |title=Kalori Archive, Royal South Australian Society of Arts |url=http://www.rsasarts.com.au/kalori-archive/ |access-date=7 June 2016 |archive-date=3 July 2016 |archive-url=https://web.archive.org/web/20160703051109/http://www.rsasarts.com.au/kalori-archive/ |url-status=live }}</ref>
* ''<span style="color:#2B705D">Members Sketchbook II, [[South Australian Society of Arts|Royal South Australian Society of Arts]]</span>'', 2016, Two page survey <ref>{{Citation |title= RSASA, Members Sketchbook II |date=2016 |pages=53, 54 |publisher=Royal South Australian Society of Arts }}</ref>
* ''<span style="color:#2B705D">Members Sketchbook II, [[South Australian Society of Arts|Royal South Australian Society of Arts]]</span>'', 2016, Two page survey <ref>{{Citation |title= RSASA, Members Sketchbook II |date=2016 |pages=53, 54 |publisher=Royal South Australian Society of Arts }}</ref>
* ''<span style="color:#2B705D">A Visual History: The Royal South Australian Society of Arts, 1856-2016, Volume One</span>'' <ref>{{Citation |last=Dutkiewicz |first=Adam |title=A Visual History: The Royal South Australian Society of Arts, 1856-2016, Volume One |year=2016 |pages=418 |publisher=Royal South Australian Society of Arts Inc |isbn=9780994648006}}</ref><ref>{{cite web |title=''A Visual History: The Royal South Australian Society of Arts, Volume One, 1856-2016'', '''Trove Catalogue, National Library of Australia''' |url=http://trove.nla.gov.au/work/210431153?selectedversion=NBD57900202 }}</ref>
* ''<span style="color:#2B705D">A Visual History: The Royal South Australian Society of Arts, 1856-2016, Volume One</span>'' <ref>{{Citation |last=Dutkiewicz |first=Adam |title=A Visual History: The Royal South Australian Society of Arts, 1856-2016, Volume One |year=2016 |pages=418 |publisher=Royal South Australian Society of Arts Inc |isbn=9780994648006}}</ref><ref>{{cite book|title = ''A Visual History: The Royal South Australian Society of Arts, Volume One, 1856-2016'', '''Trove Catalogue, National Library of Australia'''|url = http://trove.nla.gov.au/work/210431153?selectedversion=NBD57900202|isbn = 9780994648006|publisher = Adelaide, SA : Royal South Australian Society of Arts|year = 2016|access-date = 28 November 2016|archive-date = 28 November 2016|archive-url = https://web.archive.org/web/20161128195917/http://trove.nla.gov.au/work/210431153?selectedversion=NBD57900202|url-status = live}}</ref>
* ''<span style="color:#2B705D">A Visual History: The Royal South Australian Society of Arts, 1856-2016, Volume Two</span>'', Two page entry <ref>{{Citation |last=Dutkiewicz |first=Adam |title=A Visual History: The Royal South Australian Society of Arts, 1856-2016, Volume Two |year=2017 |pages=234, 270, 271, |publisher=Royal South Australian Society of Arts Inc |isbn=9780994648013}}</ref><ref>{{cite web |title=''A Visual History: The Royal South Australian Society of Arts, Volume Two, 1856-2016'', '''Trove Catalogue, National Library of Australia''' |url=http://trove.nla.gov.au/work/210431153?selectedversion=NBD57900202&q&versionId=249628511 }}</ref>
* ''<span style="color:#2B705D">A Visual History: The Royal South Australian Society of Arts, 1856-2016, Volume Two</span>'', Two page entry <ref>{{Citation |last=Dutkiewicz |first=Adam |title=A Visual History: The Royal South Australian Society of Arts, 1856-2016, Volume Two |year=2017 |pages=234, 270, 271 |publisher=Royal South Australian Society of Arts Inc |isbn=9780994648013}}</ref><ref>{{cite book|title = ''A Visual History: The Royal South Australian Society of Arts, Volume Two, 1856-2016'', '''Trove Catalogue, National Library of Australia'''|url = http://trove.nla.gov.au/work/210431153?selectedversion=NBD57900202&q&versionId=249628511|isbn = 9780994648013|publisher = Adelaide, SA : Royal South Australian Society of Arts|year = 2017|access-date = 13 May 2018|archive-date = 13 May 2018|archive-url = https://web.archive.org/web/20180513224153/https://trove.nla.gov.au/work/210431153?selectedversion=NBD57900202&q&versionId=249628511|url-status = live}}</ref>


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==References==
==References==
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{{DEFAULTSORT:Scott, Joyce}}
{{DEFAULTSORT:Scott, Joyce}}
[[Category:1942 births]]
[[Category:1938 births]]
[[Category:People from Poynton]]
[[Category:People from Poynton]]
[[Category:Australian ceramists]]
[[Category:Australian ceramicists]]
[[Category:Australian potters]]
[[Category:Australian potters]]
[[Category:Living people]]
[[Category:Living people]]
[[Category:Women potters]]
[[Category:Women potters]]
[[Category:Australian women ceramicists]]

Latest revision as of 01:15, 27 March 2023

Joyce Scott
FRSASA
Born
Joyce Ellen Mottershead

(1938-12-04)4 December 1938
NationalityAustralian
EducationBEd, GradDipEd(Art), DipDesign(Ceramics)
Notable workIn the National Gallery of Australia Collection
Awards3 International, 2 Australian

Joyce Scott FRSASA[1] 'is an Australian artist working in drawing, oil painting and ceramics.'[2] 'She has held ten independent exhibitions, is represented internationally and has received five awards.'[2] 'Scott, née Mottershead, was born in Poynton, Cheshire, England in 1938 and migrated with her family to Adelaide, South Australia in 1951.'[2]

Highlights

[edit]

Joyce Scott studied ceramics ‘in the early 1970s under the tutelage of Milton Moon, a dynamic teacher’.[3] She '... received a Diploma of Design, Ceramics and a Graduate Diploma of Education (Art) from the Adelaide College of Art, and later qualified for a Bachelor of Education from the South Australian College of Advanced Education.'[2] In 1976, Scott was made a Fellow of the Royal South Australian Society of Arts.[4]

'A long-running relationship between the artist and Greenhill Galleries commenced with her first exhibition in 1974.'[2] Art Critic Ivor Frances reported in a newspaper review, Pottery is Exciting, that ‘The [exhibition] pottery is large and sculptural, subtly coloured in harmonious glazes .. Joyce Scott has overcome many of the firing problems which occur in making large, light ceramic articles .. [and] the glazes crawl and break into fractured earth colours, browns and greens, all over the surface.’[5]

'In awarding ... [Scott] first prize for the 1974 Carillion City Festival Ceramics Award, judge Kenneth Hood, then Curator of Decorative Arts and Senior Curator at the National Gallery of Victoria, described her entry as of "exceptional quality" and said: "Joyce Scott was clearly a potter of major talent ... [who] manages to combine a feeling of massiveness with a sense of lightness, even elegance, and the combination of the two is exceedingly satisfying .. The pot springs up from its small base and its almost circular contour is modified and altered in one or two places in the most subtle way. The whole pot was covered with a glaze which has considerable variation of tone and colour".'[2][6]

As a young artist and teacher, Scott was engaged in the political transformations of the 1970s. The United Nations declared 1975 to be International Women’s Year, with conferences and celebrations held worldwide, including a broad programme of events in Adelaide, South Australia. As part those activities, Scott participated in an exhibition of women artists held at the Adelaide Festival Centre.

Later that year, Scott took part in a delegation of Australian potters[7] as guests of the People's Republic of China. The party of 10, led by Australian Potter Ivan McMeekin[8] and accompanied by Diplomat Geoffrey Marginson, spent 35 days studying pottery techniques in urban and regional settings. This delegation formed part of cultural exchanges consequent to the opening of diplomatic relations between the two countries in 1972.

Scott held her first major exhibition outside her home state at Solander Gallery, Canberra, Australian Capital Territory. Rowland Richardson, Head, North Adelaide School of Art, reviewed the opening in the Spring 1978 edition of Pottery in Australia. He wrote that ‘The forms are mainly hand built with dry or matt "earth" glazes sprayed on. The sun, usually seen as a negative form, is often surrounded with a lattice of clay depicting the shimmering, radiating heat. A sun which bakes dry the landscape, but is still very much at the centre of it. However, the more recent work has a totemic feel to it. It is stronger, more geometric, and is decorated with a formal engobe pattern. [Joyce Scott] is a thoroughly professional artist, sketching a lot, determinedly independent and unaffected by fashions. I believe she is one of the few ceramic artists who have been able to imbue their work with a uniquely Australian feel.’[9]

'As part of an ongoing relationship with the political left, in the early 1980s Scott donated artwork to exhibition fundraisers of the Australian Labor Party.'[2] A personal letter of appreciation[10] from the then Leader of the Opposition, John Bannon, records her contribution.

Subsequently, '... in 1983, the late John Bannon, then Premier of South Australia, opened an exhibition of Scott’s ceramics at Bonython Art Gallery.'[2][11] 'The exhibition was reviewed by Stephen Skillitzi in the Spring 1983 edition of S.A. Crafts. Skillitzi, then Lecturer in Charge of Ceramics at the South Australia School of Art, praised the 'intrinsic warmth and richness of clay, amber and black oxides, and white glaze are fused into composites that are bold in their simplicity and yet rich in their delicate detail of applied brushed and incised textural patterns and line and soft torn clay slab additions.’[2][12] After surveying a number of individual artworks, Skillitzi concluded ‘These strongly conceived yet delicately executed and cogent statements in stoneware underline Joyce Scott’s gradual refinement and maturation into a ceramic artist with significant vision.’[12]

Wild Grass was the title of Scott’s first drawing exhibition. A review of the exhibition by the prominent art critic Neville Weston in The Advertiser newspaper said ‘Joyce Scott’s [1985 drawing] exhibition at Greenhill Galleries .. suggests that the landscape feel, which has always been a strong feature of her ceramics, is no longer pot bound … it is an exciting exhibition.’[13] In correspondence to the artist about the exhibits, Australian painter and 'master of contemporary landscape'[14] Geoff Wilson[15] magnanimously observed 'you show the same fascinating ease with your drawings as with your ceramics. I wouldn't dare tackle such complex subjects.'[16] He further commended Scott on the 'rewarding success' of selling all exhibited works.

'During the late 1980s and early 1990s Scott lectured in the School of Art and Design Education at the University of South Australia.'[2][17] 'She coordinated Units in Sculpture, Clay, Glaze Technology, Visual Research and Core Studies across all years of the Graduate Programme.'[2][18]

‘In 1986 and ’89 her work gained international recognition, and among her achievements she received two Honourable Mentions in the form of certificates presented for outstanding achievement at [both] the First and Second International Ceramics Contests in Nagoya, [Mino], Japan. Her work has since been acquired by a number of state and international art museums’ said Dr Noris Ioannou.[19] 'Japanese pottery and porcelain is acknowledged as the world’s finest and Scott amplified her international recognition with an Honorable Certificate, Silver Prize[20] at the 1988 International Pottery Exhibition of The Japanese Pottery Association, Tokyo.'[2]

The August 1989 edition of Craft Arts International was fronted by Scott’s work and carried a four-page feature article on her ceramics by Dr Doug Boughton, the then Head of the School of Art and Design Education, South Australian College of Advanced Education. Boughton described ‘Each piece [as] uncompromising in its "earthiness", a feeling created through the glowing warmth of the earth reds, burnt oranges, and yellow ochres which appear to shimmer across the surfaces almost like the illusion of a mirage on a desert landscape. Stain and glaze are used on clay with a sensitivity and authority that would seem to be more the province of a painter than a ceramist. It is not a surprise that Joyce Scott regards the flat areas of her pieces as a "canvas of clay" on which she works her magic with variations of tone and intensity of hue.’[3] Boughton quoted the artist as saying: "I am endeavouring to produce a series of forms and images influenced and inspired by the Australian landscape. I want to celebrate the vitality of the land, and uncover a different reality. This involves a two-way vision, looking outward, and looking inward at the essence of life.’’’

The artist's graphical signature incised into clay
Joyce Ellen Scott's potter's mark

The 1995 edition of Craft Arts International published a second feature article on Scott by historian and freelance writer Dr Noris Ioannou. In this article, entitled Eye of the Sun, Dr Ioannou said ‘Scott‘s work is a joyous celebration of sun, life and the fecundity of the South Australian Landscape. Her large, abstracted, slab-built vessels seem to rise from a primeval base to suggest stylised natural terrain; alternatively, the forms suggest microcosmic views of the placental womb. Whatever the imagery implies, the central idea is that of birth, regeneration, and fertility.’[19] He continued ‘Underpinning her evocative imagery is the concept of containment, as symbolised by the principal form of her work, the vessel. For Scott, the vessel represents the earth, the timelessness of nature and the heavens. The metaphor of the vessel as the earth also extends to its representation of human life, both individual and collective. Earth, material culture, and human life are therefore interlinked and symbolised through the fired clay vessel. As such, Scott, through her ceramic sculptures, is essentially exploring the universal human condition. Above all, however, it is the balance of this fragile planet — both the life on it, as well as the inner equilibrium which each and every person seeks to achieve - that she especially seeks to symbolise in her new sculptures.’

Awards

[edit]
1974 First prize Adelaide University Union Bookshop
1974 First prize [6][21] Bathurst Carillion City Festival, NSW
1986 Honorable Mention [22] for outstanding achievement First International Ceramics Contest, Mino, Japan [23]
1988 Honorable Certificate, Silver Prize [20] and plague [24] 1988 International Pottery Exhibition,
The Japanese Pottery Association, Tokyo
1989 Honorable Mention [25] for outstanding achievement Second International Ceramics Competition, Mino, Japan [23]

Represented

[edit]

Scott's work is represented in the:

Exhibitions

[edit]

Independent

[edit]

Between 1974 and 1993, Scott held nine ceramics exhibitions:

In 1985 she presented Wild Grass,[13][59] an exhibition of drawing at Greenhill Galleries, SA, opened by Dr John Skull, Dean, SACAE.

Group

[edit]

Joyce Scott has exhibited in numerous invitation exhibitions in all Australian States. These include:

Publications

[edit]

International

[edit]
  • The Masters of Modern Ceramics 1986, Faenza, Italy [82]
  • La Ceramica Moderna, Italy, 1987 [83]
  • Heat Wave, ʼ88 International Pottery Exhibition, Tokyo [84]
  • 2a Biennale Internazionale Di Ceramica Contemporanae [85]
  • Ceramic Landscapes, Crafts Arts International, 1989 [3][86]
  • Whirl Wind, 2nd International Ceramics Competition, Mino, Japan, 1989 [87]
  • Eye of the Sun, Crafts Arts International, 1995 [19][88]

Australian

[edit]
  • Pottery in Australia:
    • Greenhill Galleries, 1974 [89]
    • Festival of Arts Exhibition, 1976 [90]
    • Solandar Gallery, 1978 [9]
    • Night Eclipse, 1980 [91]
    • Daybreak, 1980 [92]
    • Festival Craft Exhibition, 1982 [61]
    • Bonython Exhibition, 1983 [93]
    • Olive Earth, 1987 [94]
    • Greenhill Galleries, 1987 [95]
    • Capturing the Wonder of Nature's Lifecycle, 1995 [96]
  • Force Intensified, Australian Crafts, 1977 [28]
  • Artists and Galleries of Australia and New Zealand, 1979 [97]
  • Potters' Directory & Information Book, 1981 [98]
  • Cameo Reflections, S.A. Crafts, 1983 [12]
  • Clay Statements, Australian Contemporary Ceramics, 1985 [99]
  • Craft Australia: year book 1984 [100]
  • Ceramics in South Australia 1836-1986, from Folk to Studio Pottery, 1986[101]
  • Adelaide Festival of Arts ʼ88, Art and Australia, 1987 [102]
  • International Mino Exhibition, Japan, Craft Australia, 1987 [103]
  • South Australian Ceramic Inglewood Award 1988 [104]
  • Craft Arts Maganize, Annual Buyers' Guide Supplement 1988-89 [105]
  • Artfile, 1992 [106]
  • Kalori, Royal South Australian Society of Arts, 2016, Cover page and feature article [107][108]
  • Members Sketchbook II, Royal South Australian Society of Arts, 2016, Two page survey [109]
  • A Visual History: The Royal South Australian Society of Arts, 1856-2016, Volume One [110][111]
  • A Visual History: The Royal South Australian Society of Arts, 1856-2016, Volume Two, Two page entry [112][113]


[edit]

References

[edit]
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  2. ^ a b c d e f g h i j k l Dutkiewicz, Adam (2017), A Visual History: The Royal South Australian Society of Arts, 1856-2016, Volume Two, Royal South Australian Society of Arts Inc, p. 271, ISBN 9780994648013
  3. ^ a b c Dr Boughton, Doug (August–October 1989), "Ceramic Landscapes", Crafts Arts International, 16, Craft-Art Pty Ltd: front page, 65–68, ISSN 1038-846X
  4. ^ a b c d e f g h "Royal South Australian Society of Arts". Archived from the original on 17 May 2019. Retrieved 15 July 2014.
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  8. ^ "Ivan McMeekin, Design & Art Australia Online". Archived from the original on 6 March 2016. Retrieved 27 August 2015.
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  13. ^ a b Western, Neville (23 July 1985), "A noted architectural presence", The Advertiser, News Ltd, ISSN 1039-4192
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  16. ^ "Geoff Wilson correspondence, 1985". Archived from the original on 17 November 2015. Retrieved 11 August 2015.
  17. ^ The South Australian College of Advanced Education became the University of South Australia during this period. Scott lectured at both.
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  19. ^ a b c Dr Ioannou, Noris (1995), "Eye of the Sun", Crafts Arts International, 34, Craft-Art Pty Ltd: 44–46, ISSN 1038-846X
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  25. ^ "Honorable Mention, 2nd International Ceramics Competition, Mino, Japan, 1989". Archived from the original on 12 August 2014. Retrieved 2 August 2014.
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  29. ^ The Australian Craft Board touring exhibition, Australian Crafts, was acquired by the National Gallery of Australia in 1980
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  66. ^ Salt of the Earth, 2015, Royal South Australian Society of Arts (RSASA) Members' Winter Exhibition held in conjunction with South Australian Living Artists Festival (SALA).
  67. ^ Point of View, 2015, Royal South Australian Society of Arts (RSASA) Fellows' Spring Exhibition, 25 Oct to 15 Nov.
  68. ^ Monochromatic, 2016, Royal South Australian Society of Arts (RSASA) Fellows' Summer Exhibition, 11 Dec to 10 Jan.
  69. ^ Out of the Box, 2016, Royal South Australian Society of Arts (RSASA) Members' Autumn Exhibition, 14 Feb to 13 Mar.
  70. ^ Rainy Days, 2016, Royal South Australian Society of Arts (RSASA) Members' Autumn Exhibition, 15 May to 5 June.
  71. ^ Captured Moments, 2016, Royal South Australian Society of Arts (RSASA) Members' Spring Exhibition held in conjunction with South Australian Living Artists Festival (SALA), 31 July to 28 August.
  72. ^ Caring For Our Planet, 7th Solar Art Prize, 2016, Royal South Australian Society of Arts (RSASA), 2 October to 23 October.
  73. ^ Proud To Be 160, Royal South Australian Society of Arts (RSASA) Anniversary Exhibition, Artworks by Significant Past Members, 2016, 28 October to 4 December.
  74. ^ Authentic Adelaide, 1 December 2016 to 15 January 2017; Presented by the Royal South Australian Society of Arts and supported by the Adelaide Town Hall; Celebrating the RSASA's 160th Anniversary and the Adelaide Town Hall's 150th Anniversary.
  75. ^ Imagine, 9 December 2016 to 15 January 2017; Presented by the Royal South Australian Society of Arts, RSA Gallery
  76. ^ Winds of Change, 19 February 2017 to 12 March 2017; Presented by the Royal South Australian Society of Arts, RSA Gallery
  77. ^ Wet, Wild & Woolly, 11 June 2017 to 2 July 2017; Presented by the Royal South Australian Society of Arts, RSA Gallery
  78. ^ New Life, 3 September 2017 to 24 September 2017; Presented by the Royal South Australian Society of Arts, RSA Gallery
  79. ^ 50cm urn inspired by the garden of Charles Windsor, Prince of Wales.
  80. ^ A Family Affair, 1 October 2017 to 22 October 2017; Presented by the Royal South Australian Society of Arts, RSA Gallery
  81. ^ A Walk in the Park, 3 December 2017 to 14 January 2018; Presented by the Royal South Australian Society of Arts, RSA Gallery
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