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{{short description|American academic, artist, and guitarist}}
{{Use mdy dates|date=March 2019}}
{{Infobox musical artist
{{Infobox musical artist
| name = Harry Taussig
| name = Harry Taussig
| image =
| image =
| caption =
| caption =
| image_size =
| image_size =
| birth_name = Harry Arthur Taussig
| birth_date = {{birth date and age|1941|03|31}}<ref name="Browne and Partnow, 1983">{{cite book|last1=Browne|first1=Turner|last2=Partnow|first2=Elaine|title=Macmillan biographical encyclopedia of photographic artists & innovators|date=1983|publisher=Macmillan|isbn=9780025175006|page=610|language=en}}</ref>
| background = non_vocal_instrumentalist
| birth_name = Harry Arthur Taussig
| origin = Los Angeles
| birth_date = 1941
| death_date =
| origin =
| instrument = Guitar
| genre = [[American primitive guitar]], [[Folk music|folk]]
| death_date =
| instrument = Guitar
| occupation = Professor
| years_active = 1960-67; 2012–present
| genre = [[American Primitivism]], [[Folk music|folk]]
| occupation = Professor
| label = Takoma Records, Tompkins Square
}}
| years_active = 1960-66; 2012-13
| label = Tompkins Square}}


'''Harry Arthur Taussig''' (alternately appearing as '''Harry Taussig''', '''Arthur Taussig''', or '''H. Arthur Taussig''', born 1941) is an American [[physicist]], [[collage]] artist, [[photographer]], [[motion pictures|film]] analyst and [[fingerstyle guitar]]ist.
'''Harry Arthur Taussig''' (alternately appearing as '''Harry Taussig''', '''Arthur Taussig''', or '''H. Arthur Taussig''', born March 31, 1941) is an American [[physicist]], [[biochemist]], [[collage]] artist, photographer, [[motion pictures|film]] analyst, author, academic, and [[fingerstyle guitar]]ist.


==Early life and musical career==
==Early life and musical career==
Taussig was born and raised in Los Angeles and attended school in [[Eagle Rock, California]]. In 1963, he graduated with a BS in physics from the [[University of California, Berkeley]], where he also studied anthropology and music history. Inspired by [[blues]] instrumentalist [[Elizabeth Cotten]] and [[Wolfgang Amadeus Mozart]], Taussig took up banjo and [[12-string guitar]] and performed on radio station [[KPFK]]’s ''Midnight Special'' folk music program.<ref name="His website" />


In 1964, Taussig took a job as a physicist for Ford-Aeronutronics Corporation in Orange County and began studying art and photography with John Upton at Orange Coast College. In 1965, he recorded his first solo album, ''Fate is Only Once'', under the name Harry Taussig. Played in a single 45-minute take, the record is partially improvised and, according to Taussig, full of mistakes. Issued on a private label, few copies of the original record existed, making it a collectors item for fans of what would later be called [[American primitive guitar|American primitive]] and fingerstyle guitar.<ref name=NPR>{{cite web|last=Cohen|first=Alex|title=At South By Southwest, A 71-Year-Old Guitarist Makes A Belated Debut|url=https://www.npr.org/2013/03/14/174140005/at-south-by-southwest-a-71-year-old-guitarist-makes-a-belated-debut|work=Morning Edition|publisher=NPR|accessdate=March 14, 2013}}</ref>
Taussig was born and raised in [[Los Angeles]] and attended school in [[Eagle Rock, California]]. In 1963 he graduated from the [[University of California, Berkeley]], where he also studied anthropology and music history. Inspired by [[blues]] instrumentalist [[Elizabeth Cotten]] and [[Mozart]]'s [[requiem (Mozart)|requiem]], Taussig took up banjo and [[12-string guitar]] and performed on radio station [[KPFK]]’s “Midnight Special” folk music program.<ref name="His website" />


The following year Taussig recorded two songs for the compilation ''Contemporary Guitar: Spring '67'' for [[John Fahey (musician)|John Fahey]]'s [[Takoma Records|Takoma]] label. The album featured similar [[American primitive guitar]]ists, including Fahey, [[Max Ochs]], [[Robbie Basho]] and [[Bukka White]].<ref name="Wirz: Takoma">{{cite web|last=Wirz|first=Stefan|title=Takoma Records Discography|url=http://www.wirz.de/music/takomfrm.htm|work=American Music|publisher=Stefan Wirz|accessdate=March 14, 2013|url-status=dead|archiveurl=https://web.archive.org/web/20080601051642/http://www.wirz.de/music/takomfrm.htm|archivedate=June 1, 2008}}</ref> Taussig's only live performances during this period were informal sessions for friends. He taught guitar for some years and wrote several books on guitar and [[autoharp]] instruction for Oak Publications before retiring from music altogether.<ref name=NPR />
In 1964 Taussig took a job as a physicist for Ford-Aeronutronics Corporation in Orange County and began studying art and photography with John Upton at Orange Coast College. In 1965 he recorded his first solo album, ''Fate is Only Once'', under the name Harry Taussig. Played in a single 45-minute take, the record is partially improvised and, according to Taussig, full of mistakes. Issued on a private label, few copies of the original record existed.<ref name=NPR>{{cite web|last=Cohen|first=Alex|title=At South By Southwest, A 71-Year-Old Guitarist Makes A Belated Debut|url=http://www.npr.org/2013/03/14/174140005/at-south-by-southwest-a-71-year-old-guitarist-makes-a-belated-debut|work=Morning Edition|publisher=National Public Radio|accessdate=14 March 2013}}</ref>

The following year Taussig recorded two songs for the compilation ''Contemporary Guitar: Spring '67'' for [[John Fahey (musician)|John Fahey]]'s [[Takoma Records|Takoma]] label. The album featured similar [[American primitivists]], including Fahey, [[Max Ochs]], [[Robbie Basho]] and [[Bukka White]].<ref name="Wirz: Takoma">{{cite web|last=Wirz|first=Stefan|title=Takoma Records Discography|url=http://www.wirz.de/music/takomfrm.htm|work=American Music|publisher=Stefan Wirz|accessdate=14 March 2013}}</ref> Taussig's only live performances during this period were informal sessions for friends. He taught guitar for some years and wrote a few books on guitar and [[autoharp]] instruction for Oak Publications before retiring from music altogether.<ref name=NPR />


==Art, photography and film career==
==Art, photography and film career==
Taussig spent some time working in the defense industry, but soon left due to discontent with the military-industrial complex.<ref name="NPR" /> He entered [[UCLA]] to continue his studies both at the Brain Research Institute, and also in photography with [[Robert Heinecken]] and [[Robert Fichter]]. In summers, he worked with photographers John Upton, [[Minor White]], [[Ansel Adams]], [[Paul Caponigro]], [[Oliver Gagliani]], and others. Taussig received his master's degree in [[biochemistry]] in 1969 followed by a doctorate in [[biophysics]] in 1971.<ref name="Browne and Partnow, 1983" /> He wrote his dissertation on the [[circular dichroism]] of electrical signals through various [[nucleic acid]]s.<ref name="Dissertation, 1971">{{cite book|last1=Taussig|first1=Harry Arthur|title=Conformational Analysis and Identification of Electronic Transitions in the Polyriboadenylic, Polyribouridylic and Poly (A + U) Model Nucleic Acid System by Circular Dichroism at 298 and 77K|date=1971|publisher=University of California|location=Los Angeles|language=en}}</ref> That same year, Oak Publications began to release more of Taussig's books on guitar instruction.<ref name="Open Library">{{cite web|title=Publisher: Oak Publications {{!}} Open Library|url=https://openlibrary.org/publishers/Oak_Publications|website=openlibrary.org|accessdate=January 12, 2017}}</ref>


With a degree in physics, Taussig spent some time working in the defense industry.<ref name=NPR /> Unhappy with the military-industrial complex, he entered [[UCLA]] to continue his studies both at the Brain Research Institute and in photography with [[Robert Heinecken]] and [[Robert Fichter]]. In summers, he worked with John Upton, [[Minor White]], [[Ansel Adams]], [[Paul Caponigro]], [[Oliver Gagliani]], and others. He received his master's degree in biochemistry and a doctorate in biophysics in 1971 while beginning to exhibit his photography internationally, as well as other visual mediums, including collage and film studies, which he taught at Orange Coast College under the name H. Arthur Taussig. He gradually became well known as a film analyst, curating film for the [[Orange County Museum]] and publishing the 1997 book ''Film Values/Family Values: A Parents' Guide''.<ref name="Web MD">{{cite web|title=H. Arthur Taussig, PhD|url=http://www.webmd.com/h-arthur-taussig|publisher=Web MD|accessdate=14 March 2013}}</ref> As a visual artist, Taussig has produced a series of illuminated books of classic works including [[Dante]]’s ''[[The Divine Comedy]]'', [[James Joyce]]’s ''[[Ulysses (novel)|Ulysses]]'', [[Shakespeare]]’s ''[[Hamlet]]'', among others. Taussig also creates collages based on [[Jungian Psychology]] and has published a series of his collages as a deck of [[tarot]] cards.<ref name="His website">{{cite web|last=Taussig|first=Arthur|title=Arthur Taussig|url=http://www.arthurtaussig.com|publisher=Arthur Taussig|accessdate=14 March 2013}}</ref>
While finishing his scientific studies, Taussig was also beginning to exhibit his photography internationally, as well as work in other visual mediums, including collage and film studies, which he taught at Orange Coast College under the name H. Arthur Taussig. He gradually became well known as a film analyst, curating film for the [[Orange County Museum]] and publishing the 1997 book ''Film Values/Family Values: A Parents' Guide''.<ref name="Web MD">{{cite web|title=H. Arthur Taussig, PhD|url=http://www.webmd.com/h-arthur-taussig|publisher=Web MD|accessdate=March 14, 2013}}</ref> As a visual artist, Taussig has produced a series of illuminated books of classic works including [[Dante]]’s ''[[The Divine Comedy]]'', [[James Joyce]]’s ''[[Ulysses (novel)|Ulysses]]'', [[Shakespeare]]’s ''[[Hamlet]]'', among others. Taussig also creates collages based on [[Jungian archetypes]] and has published a series of his collages as a deck of [[tarot]] cards.<ref name="His website">{{cite web|last=Taussig|first=Arthur|title=Arthur Taussig|url=http://www.arthurtaussig.com|publisher=Arthur Taussig|accessdate=March 14, 2013}}</ref>


Taussig's work has been exhibited at the [[Art Institute of Chicago]], [[Denver Museum of Art]], [[Fogg Art Museum]] of [[Harvard University]], [[Metropolitan Museum of Art]] in New York City, [[San Francisco Museum of Modern Art]], [[Portland Art Museum]], [[Seattle Art Museum]], [[New Orleans Museum of Art]], and many others. In 1982 he received the [[National Endowment of the Arts]] Visual Artist’s Grant.
Taussig's artwork has been exhibited at the [[Art Institute of Chicago]], [[Denver Museum of Art]], [[Fogg Art Museum]] of [[Harvard University]], [[Metropolitan Museum of Art]] in New York City, [[San Francisco Museum of Modern Art]], [[Portland Art Museum]], [[Seattle Art Museum]], [[New Orleans Museum of Art]], and many others. In 1982, he received the [[National Endowment of the Arts]] Visual Artist's Grant.<ref name="Book, 2015">{{cite news|last1=Book|first1=Ryan|title=7 Hit Albums We Waited More Than 10 Years For (David Bowie, Sade and D'Angelo Have Nothing on Harper Lee)|url=http://www.musictimes.com/articles/27376/20150204/7-hit-albums-waited-more-10-years-david-bowie-sade-dangelo.htm|accessdate=January 2, 2017|work=Music Times|date=February 4, 2015}}</ref>


==Musical resurgence==
==Musical resurgence==
In 2006 the label Tompkins Square Records reissued ''Fate is Only Once''—the only album Taussig had recorded to date—41 years after its original release. In 2012 Taussig put together a second album—''Fate is Only Twice''—at home on a laptop, affording him the luxury of recording the multiple takes he was denied by the 1965 recording process. In 2013 he made his public performance debut at the [[South by Southwest]] Festival in Austin, Texas where ''[[Wired Magazine]]''' listed him as one of the top 50 performances.<ref name=NPR />


In 2014 Tompkins Square released Taussig's third album, ''The Diamond of Lost Alphabets'', and in 2016 his fourth album, ''Too Late to Die Young'', in which the guitarist explored [[polyrhythm]]s and unconventional [[time signature]]s.<ref name="AG, 2016">{{cite news|title=Tompkins Square Releases New CD By American Primitive Guitarist Harry Taussig|url=http://acousticguitar.com/tompkins-square-releases-new-cd-by-american-primitive-guitarist-harry-taussig/|accessdate=January 2, 2017|work=Acoustic Guitar|date=April 27, 2016}}</ref> Tompkins Square also commissioned Brooklyn-based [[experimental music]]ian Kid Millions to remix some of Taussig's original material, and in June 2016 released ''Beyond The Confession: Kid Millions Reworks Harry Taussig''. With engineer Matthew Cullen, Millions overdubbed guitars, drums and organs onto selected tracks from Taussig's first three albums, melding Taussig's compositions into a new soundscape.<ref name="Williams/TS, 2016">{{cite web|last1=Williams|first1=Kid|title=Beyond The Confession: Kid Millions Reworks Harry Taussig, by Kid Millions|url=https://tompkinssquare.bandcamp.com/album/beyond-the-confession-kid-millions-reworks-harry-taussig|website=Tompkins Square|accessdate=January 2, 2017}}</ref>
In 2006 the label Tompkins Square Records reissued Taussig's only album, 41 years after its original release. In 2012 Taussig put together a second album—''Fate is Only Twice''—at home on a laptop, affording him the luxury of recording the multiple takes he was denied by the 1965 recording process. In 2013 he made his public performance debut at the [[South by Southwest]] Festival in Austin, Texas where Wired Magazine listed him as one of the top 50 performances.<ref name=NPR /> Tompkins Square released Taussig's third album in 2014 and a fourth in 2016.

In 2017, to commemorate the 50th anniversary of Takoma Records’ ''Contemporary Guitar: Spring '67'' album, Tompkins Square reunited Taussig with fellow fingerstylist [[Max Ochs]] for the release of the album ''Remembrance of Things Past'' featuring five songs by Taussig and three by Ochs.<ref name="Paul, 2017">{{cite news|last1=Paul|first1=John|title=Harry Taussig and Max Ochs: The Music of Harry Taussig and Max Ochs|url=http://www.popmatters.com/review/harry-taussig-max-ochs-the-music-of-harry-taussig-max-ochs/|accessdate=September 3, 2017|work=PopMatters|date=July 24, 2017}}</ref> The two musicians also made live appearances to support the release.<ref name="Gilbert, 2017">{{cite news|last1=Gilbert|first1=Andrew|title=A gig 50 years in the making: Harry Taussig meets Max Ochs in Berkeley|url=http://www.berkeleyside.com/2017/05/25/gig-50-years-making-harry-taussig-meets-max-ochs-back-room/|accessdate=September 3, 2017|work=Berkeleyside|date=May 25, 2017}}</ref>


==Recordings==
==Recordings==
* ''Fate is Only Once'' (privately issued, 1965)
* ''Fate is Only Once'' (privately issued, 1965)
* Two tracks on the compilation ''Contemporary Guitar'' ([[Takoma Records]], 1967)
* Two tracks on the compilation ''Contemporary Guitar'' ([[Takoma Records]], 1967)
* ''Fate is Only Twice'' (Tompkins Square Records, 2012)
* ''Fate is Only Twice'' ([[Tompkins Square Records]], 2012)
* ''The Diamond of Lost Alphabets'' (Tompkins Square Records, 2014)
* ''The Diamond of Lost Alphabets'' (Tompkins Square Records, 2014)
* ''Too Late to Die Young'' (Tompkins Square Records, April 22, 2016)
* ''Too Late to Die Young'' (Tompkins Square Records, April 2016)
* ''Beyond The Confession: Kid Millions Reworks Harry Taussig'' (Tompkins Square, June 2016)
* ''Remembrance of Things Past'', split LP with [[Max Ochs]] (Tompkins Square Records, April 2017)


==Books==
==Books==
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==References==
==References==
{{Reflist}}
{{Reflist}}

{{authority control}}


{{DEFAULTSORT:Taussig, Harry}}
{{DEFAULTSORT:Taussig, Harry}}
[[Category:1941 births]]
[[Category:Living people]]
[[Category:American folk guitarists]]
[[Category:American folk guitarists]]
[[Category:American male guitarists]]
[[Category:American male guitarists]]
[[Category:American photographers]]
[[Category:American photographers]]
[[Category:American film critics]]
[[Category:American film critics]]
[[Category:American academics]]
[[Category:Educators from California]]
[[Category:American artists]]
[[Category:People from Los Angeles]]
[[Category:1941 births]]
[[Category:20th-century American guitarists]]
[[Category:Living people]]
[[Category:20th-century American male musicians]]
[[Category:People from California]]

Latest revision as of 23:27, 31 March 2023

Harry Taussig
Birth nameHarry Arthur Taussig
Born (1941-03-31) March 31, 1941 (age 83)[1]
OriginLos Angeles
GenresAmerican primitive guitar, folk
OccupationProfessor
InstrumentGuitar
Years active1960-67; 2012–present
LabelsTakoma Records, Tompkins Square

Harry Arthur Taussig (alternately appearing as Harry Taussig, Arthur Taussig, or H. Arthur Taussig, born March 31, 1941) is an American physicist, biochemist, collage artist, photographer, film analyst, author, academic, and fingerstyle guitarist.

Early life and musical career

[edit]

Taussig was born and raised in Los Angeles and attended school in Eagle Rock, California. In 1963, he graduated with a BS in physics from the University of California, Berkeley, where he also studied anthropology and music history. Inspired by blues instrumentalist Elizabeth Cotten and Wolfgang Amadeus Mozart, Taussig took up banjo and 12-string guitar and performed on radio station KPFK’s Midnight Special folk music program.[2]

In 1964, Taussig took a job as a physicist for Ford-Aeronutronics Corporation in Orange County and began studying art and photography with John Upton at Orange Coast College. In 1965, he recorded his first solo album, Fate is Only Once, under the name Harry Taussig. Played in a single 45-minute take, the record is partially improvised and, according to Taussig, full of mistakes. Issued on a private label, few copies of the original record existed, making it a collectors item for fans of what would later be called American primitive and fingerstyle guitar.[3]

The following year Taussig recorded two songs for the compilation Contemporary Guitar: Spring '67 for John Fahey's Takoma label. The album featured similar American primitive guitarists, including Fahey, Max Ochs, Robbie Basho and Bukka White.[4] Taussig's only live performances during this period were informal sessions for friends. He taught guitar for some years and wrote several books on guitar and autoharp instruction for Oak Publications before retiring from music altogether.[3]

Art, photography and film career

[edit]

Taussig spent some time working in the defense industry, but soon left due to discontent with the military-industrial complex.[3] He entered UCLA to continue his studies both at the Brain Research Institute, and also in photography with Robert Heinecken and Robert Fichter. In summers, he worked with photographers John Upton, Minor White, Ansel Adams, Paul Caponigro, Oliver Gagliani, and others. Taussig received his master's degree in biochemistry in 1969 followed by a doctorate in biophysics in 1971.[1] He wrote his dissertation on the circular dichroism of electrical signals through various nucleic acids.[5] That same year, Oak Publications began to release more of Taussig's books on guitar instruction.[6]

While finishing his scientific studies, Taussig was also beginning to exhibit his photography internationally, as well as work in other visual mediums, including collage and film studies, which he taught at Orange Coast College under the name H. Arthur Taussig. He gradually became well known as a film analyst, curating film for the Orange County Museum and publishing the 1997 book Film Values/Family Values: A Parents' Guide.[7] As a visual artist, Taussig has produced a series of illuminated books of classic works including Dante’s The Divine Comedy, James Joyce’s Ulysses, Shakespeare’s Hamlet, among others. Taussig also creates collages based on Jungian archetypes and has published a series of his collages as a deck of tarot cards.[2]

Taussig's artwork has been exhibited at the Art Institute of Chicago, Denver Museum of Art, Fogg Art Museum of Harvard University, Metropolitan Museum of Art in New York City, San Francisco Museum of Modern Art, Portland Art Museum, Seattle Art Museum, New Orleans Museum of Art, and many others. In 1982, he received the National Endowment of the Arts Visual Artist's Grant.[8]

Musical resurgence

[edit]

In 2006 the label Tompkins Square Records reissued Fate is Only Once—the only album Taussig had recorded to date—41 years after its original release. In 2012 Taussig put together a second album—Fate is Only Twice—at home on a laptop, affording him the luxury of recording the multiple takes he was denied by the 1965 recording process. In 2013 he made his public performance debut at the South by Southwest Festival in Austin, Texas where Wired Magazine' listed him as one of the top 50 performances.[3]

In 2014 Tompkins Square released Taussig's third album, The Diamond of Lost Alphabets, and in 2016 his fourth album, Too Late to Die Young, in which the guitarist explored polyrhythms and unconventional time signatures.[9] Tompkins Square also commissioned Brooklyn-based experimental musician Kid Millions to remix some of Taussig's original material, and in June 2016 released Beyond The Confession: Kid Millions Reworks Harry Taussig. With engineer Matthew Cullen, Millions overdubbed guitars, drums and organs onto selected tracks from Taussig's first three albums, melding Taussig's compositions into a new soundscape.[10]

In 2017, to commemorate the 50th anniversary of Takoma Records’ Contemporary Guitar: Spring '67 album, Tompkins Square reunited Taussig with fellow fingerstylist Max Ochs for the release of the album Remembrance of Things Past featuring five songs by Taussig and three by Ochs.[11] The two musicians also made live appearances to support the release.[12]

Recordings

[edit]
  • Fate is Only Once (privately issued, 1965)
  • Two tracks on the compilation Contemporary Guitar (Takoma Records, 1967)
  • Fate is Only Twice (Tompkins Square Records, 2012)
  • The Diamond of Lost Alphabets (Tompkins Square Records, 2014)
  • Too Late to Die Young (Tompkins Square Records, April 2016)
  • Beyond The Confession: Kid Millions Reworks Harry Taussig (Tompkins Square, June 2016)
  • Remembrance of Things Past, split LP with Max Ochs (Tompkins Square Records, April 2017)

Books

[edit]
  • Folk Style Autoharp (Oak Publications, 1967)
  • Instrumental Techniques of American Folk Guitar (Oak Publications, 1968)
  • Teach Yourself Guitar (Oak Publications, 1971)
  • Folk-Style Guitar (Oak Publications, 1973)
  • Advanced Guitar (Oak Publications, 1975)
  • Photography: An Advanced Hands-on Approach, Vol. 1: Black and White (Kendall/Hunt Publishing, 1989)
  • Film Values/Family Values: A Parents' Guide (ATW Publications, 1997)
  • The Wizard of Oz: Decoding and Decyphering an Archetypal Masterpiece (ATW Publications, 1999)

References

[edit]
  1. ^ a b Browne, Turner; Partnow, Elaine (1983). Macmillan biographical encyclopedia of photographic artists & innovators. Macmillan. p. 610. ISBN 9780025175006.
  2. ^ a b Taussig, Arthur. "Arthur Taussig". Arthur Taussig. Retrieved March 14, 2013.
  3. ^ a b c d Cohen, Alex. "At South By Southwest, A 71-Year-Old Guitarist Makes A Belated Debut". Morning Edition. NPR. Retrieved March 14, 2013.
  4. ^ Wirz, Stefan. "Takoma Records Discography". American Music. Stefan Wirz. Archived from the original on June 1, 2008. Retrieved March 14, 2013.
  5. ^ Taussig, Harry Arthur (1971). Conformational Analysis and Identification of Electronic Transitions in the Polyriboadenylic, Polyribouridylic and Poly (A + U) Model Nucleic Acid System by Circular Dichroism at 298 and 77K. Los Angeles: University of California.
  6. ^ "Publisher: Oak Publications | Open Library". openlibrary.org. Retrieved January 12, 2017.
  7. ^ "H. Arthur Taussig, PhD". Web MD. Retrieved March 14, 2013.
  8. ^ Book, Ryan (February 4, 2015). "7 Hit Albums We Waited More Than 10 Years For (David Bowie, Sade and D'Angelo Have Nothing on Harper Lee)". Music Times. Retrieved January 2, 2017.
  9. ^ "Tompkins Square Releases New CD By American Primitive Guitarist Harry Taussig". Acoustic Guitar. April 27, 2016. Retrieved January 2, 2017.
  10. ^ Williams, Kid. "Beyond The Confession: Kid Millions Reworks Harry Taussig, by Kid Millions". Tompkins Square. Retrieved January 2, 2017.
  11. ^ Paul, John (July 24, 2017). "Harry Taussig and Max Ochs: The Music of Harry Taussig and Max Ochs". PopMatters. Retrieved September 3, 2017.
  12. ^ Gilbert, Andrew (May 25, 2017). "A gig 50 years in the making: Harry Taussig meets Max Ochs in Berkeley". Berkeleyside. Retrieved September 3, 2017.