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{{short description|Opera by Antonio Salieri}}
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{{Use dmy dates|date=May 2013}}

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{{Salieri operas}}'''''La scuola de' gelosi''''' (''The School of Jealousy'')<ref>V. Elena Biggi Parodi, "Catalogo tematico delle opere teatrali di Antonio Salieri", Lim, Lucca 2005, p. CLVIII, 957.</ref> is a ''[[dramma giocoso]]'' in two acts by [[Antonio Salieri]], set to a [[libretto]] by [[Caterino Mazzolà]].
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{{Use dmy dates|date=November 2022}}
{{Infobox opera
| name = {{lang|it|La scuola de' gelosi}}
| type = [[Dramma giocoso]]
| composer = [[Antonio Salieri]]
| image = Salieri La scuola de' gelosi.jpg
| image_upright =
| alt =
| caption = Production of the Bampton Classical Opera in 2017
| translated_name =
| librettist = [[Caterino Mazzolà]]
| language = Italian
| based_on =
| premiere_date = {{Start date|1778|12|27|df=y}}
| premiere_location = [[Teatro San Moisè]], Venice
}}
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'''{{lang|it|La scuola de' gelosi}}''' (''The School of the Jealous'')<ref>{{cite book |last1=Boggi Parodi |first1=Elena |title=Catalogo tematico delle opere teatrali di Antonio Salieri |date=2005 |publisher=Lim |location=Lucca |page=CLVIII, 957|author1-link=:it:Elena Biggi Parodi }}</ref> is a ''[[dramma giocoso]]'' in two acts by [[Antonio Salieri]], set to a [[libretto]] by [[Caterino Mazzolà]].


==Performance history==
==Performance history==


It was first performed at the [[Teatro San Moisè]] in [[Venice]] on 27 December 1778.<ref>V. Elena Biggi Parodi, "La fortuna della musica di Salieri in ITalia ai tempi di Mozart" in "Da Beaumarcais a Da Ponte", ed. Elena Biggi Parodi and Rudolph Angermüller, Torino, 1996, p. 41-51.</ref> In 1783 it was given in [[Vienna]], to inaugurate the reestablishment of the Italian Opera troupe. Salieri revised the score for the 1783 performances, creating new arias and expanding the role of woodwinds and brass in the scoring of the work. The cast including [[Francesco Benucci]] as Blasio and [[Nancy Storace]] as the countess, the original Figaro and Susanna in [[Mozart]]'s [[The Marriage of Figaro]]. It reached London in 1786, where, as in many other European cities, it enjoyed great success. [[Franz Joseph Haydn]] composed two insertion arias for the work, one lost, the surviving aria, Dice benissimo, for bass & orchestra, H. 24b/5.
It was first performed at the [[Teatro San Moisè]] in Venice on 27 December 1778.<ref>Elena Biggi Parodi, "La fortuna della musica di Salieri in Italia ai tempi di Mozart" in ''Da Beaumarcais a Da Ponte'', ed. Elena Biggi Parodi and [[Rudolph Angermüller]], Torino, 1996, pp. 41–51.</ref> In 1783 it was given at the [[Burgtheater#History|Burgtheater]] in Vienna to inaugurate the reestablishment of the Italian opera troupe. Salieri revised the score for the 1783 performances, creating new arias and expanding the role of woodwinds and brass in the scoring of the work. The cast included [[Francesco Benucci]] as Blasio and [[Nancy Storace]] as the countess, the original Figaro and Susanna in [[Mozart]]'s ''[[The Marriage of Figaro]]''. It reached London in 1786, where, as in many other European cities, it enjoyed great success. [[Joseph Haydn]] composed two [[insertion aria]]s for the work, one lost, the surviving aria, "Dice benissimo", for the bass role Lumaca and orchestra, H. 24b/5.

Among the many admirers of the opera was [[Johann Wolfgang von Goethe]], who wrote to [[Charlotte von Stein]] in a letter dated 28 August 1784:

{{Blockquote
|text=Yesterday’s opera was charming, and well executed, it was the Scuola de Gelosi, Music by Salieri, opera favourite of the public, and the public is right. There is an astonishing richness, variety, and everything is treated with a very delicate taste. My heart was moved by every tune, especially the finales and quintets which are admirable.{{efn|"L’Opera d’hier etoit charmant, et bien executé, c’etoit la Scuola de Gelosi, Musique de Salieri, opera favori du public, et le public a raison. Il y a une richesse, une varieté etonnantes, et le tout est traité avec un gout tres delicat. Mon coeur t’appelloit a chaque air, surtout au finales et au quintets qui sont admirables." ''Goethes Briefe an Frau Von Stein'', edited Adolf Schöll and Wilhelm Fielick, Literarische Anhalt, Frankfurt am Main, 1885, p211}}
}}

On 28 August 1784, Goethe was in [[Braunschweig]].<ref>{{cite web|url=http://www.zeno.org/Literatur/M/Goethe,+Johann+Wolfgang/Briefe/1784|title=Goethe, Johann Wolfgang – Briefe – 1784|accessdate=2 June 2020}}</ref><ref>{{cite book|title=Goethes Musiktheater: Singspiele, Opern, Festspiele, "Faust"|author=Tina Hartmann|year=2004|page=151|doi=10.1515/9783110942729|isbn=9783111874142}}</ref> A production of the opera there in 1782 has been recorded.<ref>{{cite web|url=https://www.loc.gov/item/2010663824/|title=Die Schule der Eifersüchtigen : eine scherzhafte musikalische Operette aufgeführt auf dem Fürstlichen kleinen Theater zu Braunschweig| website=[[Library of Congress]] |accessdate=2 June 2020}}</ref>

The first modern revival was in concert in [[Leverkusen]] in 2015 (with recording).<ref name="pregliasco">Valeria Pregliasco. Report from Turin. Opera, September 2022, Vol.73 No.9, p1122.</ref> A production opened in Legnano, Italy (Salieri's birthplace) late in 2016 and subsequently toured to Jesi and Florence. A further new production created by the [https://www.theater-wien.at/de/programm/production/224/Die-Schule-der-Eifersucht Theater an der Wien] opened at the Kammeropera, Vienna in May 2017<ref>{{cite web|url=https://www.theater-wien.at/de/programm/production/224/Die-Schule-der-Eifersucht|title=Die Schule der Eifersucht La scuola de´gelosi|publisher=Theater an der Wien|accessdate=3 June 2020}}</ref><ref>{{cite web|url=https://christof-cremer.com/en/?product=la-scuola-degelosi-2|title=La scuola de´gelosi Dramma giocoso in two acts|publisher=atelier christof cremer|accessdate=3 June 2020}}</ref> and transferred to Cologne in 2019.<ref>{{cite web|url=https://www.ksta.de/kultur/-la-scuola---de--gelosi--temporeicher-klamauk-an-der-koelner-oper-32309568|title="La scuola de' gelosi" Temporeicher Klamauk an der Kölner Oper|date=April 2019|accessdate=3 June 2020}}</ref> [[Bampton Classical Opera]] presented the UK modern première in 2017.<ref>{{cite web|last= Seymour| first= Claire|url=http://www.operatoday.com/content/2017/09/the_school_of_j.php|title= ''The School of Jealousy'': Bampton Classical Opera bring Salieri to London|date= 13 September 2017|publisher= Opera Today|accessdate=14 May 2020}}</ref> In 2022 a production at the [[Teatro Regio (Turin)|Teatro Regio]] in Turin used an edition with four arias added for the 1783 Vienna performances.<ref name="pregliasco"/>

The North and South American première was given in 2017 in [[Montevideo]] by Ópera Joven ('Youth Opera') of [[Uruguay]], in a co-production with [[SODRE|Sodre]], the public broadcasting organisation of Uruguay.<ref>{{cite web|url=http://sodre.gub.uy/espectaculos/espectaculo/1821|title=Ópera Joven. "La Scuola de' gelosi"|accessdate=2 June 2020}}</ref> A video of the production is available on YouTube.<ref>{{YouTube|3qWPlVm-K5s|La Scuola de' gelosi}}</ref>


== Roles ==
== Roles ==


{| class="wikitable"
{| class="wikitable"
⚫
|-
!Cast
!Cast
!Voice type
![[Voice type]]
!Premiere, 27 December 1778<br>(Conductor: - )
!Premiere, 27 December 1778<br />(Conductor: – )
|-
|-
|Count Bandiera
|Count Bandiera
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|
|
|-
|-
|Blasio, ''a grain dealer''
|Blasio, ''a grain dealer''
|[[bass (vocal range)|bass]]
|[[bass (voice type)|bass]]
|
|
|-
|-
|Ernestina, ''his wife''
|Ernestina, ''his wife''
|soprano
|soprano
|
|
|-
|-
|Lumaca, ''Blasio's servant''
|Lumaca, ''Blasio's servant''
|bass
|bass
|
|
|-
|-
|Carlotta, ''a chambermaid''
|Carlotta, ''a chambermaid''
|soprano
|soprano
|
|
Line 40: Line 70:
|tenor
|tenor
|
|
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|-
|}
|}


==Synopsis==
==Synopsis==


The plot of the [[opera]] involves love intrigues, attempted seductions and provocations to jealousy between members of the three different social strata: the aristocracy, the bourgeoisie and the working class. The role of the Lieutenant is a close parallel to that of Don Alfonso in Mozart's [[Così fan tutte]].
The plot of the [[opera]] involves love intrigues, attempted seductions and provocations to jealousy between members of the three different social strata: the aristocracy, the bourgeoisie and the working class. The role of the Lieutenant is a close parallel to that of Don Alfonso in Mozart's ''[[Così fan tutte]]''.

==Recordings==
==Recordings==
Salieri: La scuola de' gelosi Emiliano d’Aguanno, Francesca Lombardi Mazzulli, Federico Sacchi, Roberta Mameli, Florian Gotz, Milena Storti, Patrick Vogel L`arte del mondo, Werner Ehrhardt DHM 2016
* Salieri: ''La scuola de' gelosi'', Emiliano d'Aguanno, Francesca Lombardi Mazzulli, Federico Sacchi, Roberta Mameli, Florian Gotz, Milena Storti, [[Patrick Vogel]]; L`arte del mondo, {{ill|Werner Ehrhardt|de|Werner Ehrhardt (Dirigent)}} DHM 2016<ref>{{cite journal|url=https://www.theguardian.com/music/2016/dec/08/salieri-la-scuola-de-gelosi-cd-review-premiere-recording-deutsche-harmonia-mundi|title=Salieri: La Scuola de' Gelosi CD review – spirit and poise from a much maligned musician|journal=The Guardian|date=8 December 2016|accessdate=3 June 2020}}</ref>

==Notes==
{{notelist}}


==References==
==References==
{{Reflist}}
{{Reflist}}

⚫
* Rice, John A.: "La scuola de' gelosi", ''[[Grove Music Online]]'' ed L. Macy (accessed 4 May 2007), [http://www.grovemusic.com/ grovemusic.com], subscription access.
==Further reading==
⚫
* Rice, John A.: ''La scuola de' gelosi'' in 'The [[New Grove Dictionary of Opera]]', ed. Stanley Sadie (London, 1992) {{ISBN|0-333-73432-7}}
{{commons category}}
⚫
* [[John A. Rice (musicologist)|Rice, John A.]]: "''La scuola de' gelosi''", ''[[Grove Music Online]]'' ed L. Macy (accessed 4 May 2007), [http://www.grovemusic.com/ grovemusic.com] {{Webarchive|url=https://web.archive.org/web/20080516041031/http://www.grovemusic.com/ |date=16 May 2008 }}, subscription access.
⚫
* Rice, John A.: "''La scuola de' gelosi''" in ''[[The New Grove Dictionary of Opera]]'', ed. [[Stanley Sadie]] (London, 1992) {{ISBN|0-333-73432-7}}


{{Antonio Salieri|state=collapsed}}
{{Antonio Salieri|state=collapsed}}
{{Portal bar|Opera}}
{{authority control}}
{{authority control}}


{{DEFAULTSORT:Scuola de' gelosi, La}}
{{DEFAULTSORT:Scuola de gelosi, La}}
[[Category:Drammi giocosi]]
[[Category:Drammi giocosi]]
[[Category:Operas by Antonio Salieri]]
[[Category:Operas by Antonio Salieri]]
[[Category:1778 operas]]
[[Category:1778 operas]]
[[Category:Italian-language operas]]
[[Category:Operas]]
[[Category:Operas]]

Latest revision as of 12:18, 31 May 2023

La scuola de' gelosi
Dramma giocoso by Antonio Salieri
Production of the Bampton Classical Opera in 2017
LibrettistCaterino Mazzolà
LanguageItalian
Premiere
27 December 1778 (1778-12-27)
Teatro San Moisè, Venice

La scuola de' gelosi (The School of the Jealous)[1] is a dramma giocoso in two acts by Antonio Salieri, set to a libretto by Caterino Mazzolà.

Performance history

[edit]

It was first performed at the Teatro San Moisè in Venice on 27 December 1778.[2] In 1783 it was given at the Burgtheater in Vienna to inaugurate the reestablishment of the Italian opera troupe. Salieri revised the score for the 1783 performances, creating new arias and expanding the role of woodwinds and brass in the scoring of the work. The cast included Francesco Benucci as Blasio and Nancy Storace as the countess, the original Figaro and Susanna in Mozart's The Marriage of Figaro. It reached London in 1786, where, as in many other European cities, it enjoyed great success. Joseph Haydn composed two insertion arias for the work, one lost, the surviving aria, "Dice benissimo", for the bass role Lumaca and orchestra, H. 24b/5.

Among the many admirers of the opera was Johann Wolfgang von Goethe, who wrote to Charlotte von Stein in a letter dated 28 August 1784:

Yesterday’s opera was charming, and well executed, it was the Scuola de Gelosi, Music by Salieri, opera favourite of the public, and the public is right. There is an astonishing richness, variety, and everything is treated with a very delicate taste. My heart was moved by every tune, especially the finales and quintets which are admirable.[a]

On 28 August 1784, Goethe was in Braunschweig.[3][4] A production of the opera there in 1782 has been recorded.[5]

The first modern revival was in concert in Leverkusen in 2015 (with recording).[6] A production opened in Legnano, Italy (Salieri's birthplace) late in 2016 and subsequently toured to Jesi and Florence. A further new production created by the Theater an der Wien opened at the Kammeropera, Vienna in May 2017[7][8] and transferred to Cologne in 2019.[9] Bampton Classical Opera presented the UK modern première in 2017.[10] In 2022 a production at the Teatro Regio in Turin used an edition with four arias added for the 1783 Vienna performances.[6]

The North and South American première was given in 2017 in Montevideo by Ópera Joven ('Youth Opera') of Uruguay, in a co-production with Sodre, the public broadcasting organisation of Uruguay.[11] A video of the production is available on YouTube.[12]

Roles

[edit]
Cast Voice type Premiere, 27 December 1778
(Conductor: – )
Count Bandiera tenor
Countess Bandiera soprano
Blasio, a grain dealer bass
Ernestina, his wife soprano
Lumaca, Blasio's servant bass
Carlotta, a chambermaid soprano
The Lieutenant, Blasio's cousin and a friend of the count tenor

Synopsis

[edit]

The plot of the opera involves love intrigues, attempted seductions and provocations to jealousy between members of the three different social strata: the aristocracy, the bourgeoisie and the working class. The role of the Lieutenant is a close parallel to that of Don Alfonso in Mozart's Così fan tutte.

Recordings

[edit]
  • Salieri: La scuola de' gelosi, Emiliano d'Aguanno, Francesca Lombardi Mazzulli, Federico Sacchi, Roberta Mameli, Florian Gotz, Milena Storti, Patrick Vogel; L`arte del mondo, Werner Ehrhardt [de] DHM 2016[13]

Notes

[edit]
  1. ^ "L’Opera d’hier etoit charmant, et bien executé, c’etoit la Scuola de Gelosi, Musique de Salieri, opera favori du public, et le public a raison. Il y a une richesse, une varieté etonnantes, et le tout est traité avec un gout tres delicat. Mon coeur t’appelloit a chaque air, surtout au finales et au quintets qui sont admirables." Goethes Briefe an Frau Von Stein, edited Adolf Schöll and Wilhelm Fielick, Literarische Anhalt, Frankfurt am Main, 1885, p211

References

[edit]
  1. ^ Boggi Parodi, Elena [in Italian] (2005). Catalogo tematico delle opere teatrali di Antonio Salieri. Lucca: Lim. p. CLVIII, 957.
  2. ^ Elena Biggi Parodi, "La fortuna della musica di Salieri in Italia ai tempi di Mozart" in Da Beaumarcais a Da Ponte, ed. Elena Biggi Parodi and Rudolph Angermüller, Torino, 1996, pp. 41–51.
  3. ^ "Goethe, Johann Wolfgang – Briefe – 1784". Retrieved 2 June 2020.
  4. ^ Tina Hartmann (2004). Goethes Musiktheater: Singspiele, Opern, Festspiele, "Faust". p. 151. doi:10.1515/9783110942729. ISBN 9783111874142.
  5. ^ "Die Schule der Eifersüchtigen : eine scherzhafte musikalische Operette aufgeführt auf dem Fürstlichen kleinen Theater zu Braunschweig". Library of Congress. Retrieved 2 June 2020.
  6. ^ a b Valeria Pregliasco. Report from Turin. Opera, September 2022, Vol.73 No.9, p1122.
  7. ^ "Die Schule der Eifersucht La scuola de´gelosi". Theater an der Wien. Retrieved 3 June 2020.
  8. ^ "La scuola de´gelosi Dramma giocoso in two acts". atelier christof cremer. Retrieved 3 June 2020.
  9. ^ ""La scuola de' gelosi" Temporeicher Klamauk an der Kölner Oper". April 2019. Retrieved 3 June 2020.
  10. ^ Seymour, Claire (13 September 2017). "The School of Jealousy: Bampton Classical Opera bring Salieri to London". Opera Today. Retrieved 14 May 2020.
  11. ^ "Ópera Joven. "La Scuola de' gelosi"". Retrieved 2 June 2020.
  12. ^ La Scuola de' gelosi on YouTube
  13. ^ "Salieri: La Scuola de' Gelosi CD review – spirit and poise from a much maligned musician". The Guardian. 8 December 2016. Retrieved 3 June 2020.

Further reading

[edit]
Wikimedia Commons has media related to La scuola de' gelosi.
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