Will Power (performer): Difference between revisions
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{{short description|American actor and dramatist}} |
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{{COI|date=June 2023}} |
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{{BLP sources|date=March 2016}} |
{{BLP sources|date=March 2016}} |
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[[File:Will-Power.jpg|thumb |
[[File:Will-Power.jpg|thumb]] |
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{{Infobox person |
{{Infobox person |
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| name = Will Power (Playwright |
| name = Will Power (Playwright) |
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| image = |
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| birthname = |
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| birthdate = <small> |
| birthdate = <small>June 22, 1970</small> |
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| birthplace = <small> |
| birthplace = <small>New York City</small> |
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| deathdate = |
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| deathplace = |
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| spouse = |
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| domesticpartner = |
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| website = |
| website = http://willpower.tv/ |
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| awards = |
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'''Will Power''' is an |
'''Will Power''' is an American [[playwright]], [[rapper]], [[actor]], and [[educator]]. |
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==Career== |
==Career== |
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A pioneer in the [[genre]] of [[hip hop theatre]], Power helped to create an influential new form of theater that fuses original [[music]], [[rhyme]]d [[dialogue]], and [[choreography]].<ref>{{Cite web|url=http://dcmetrotheaterarts.com/2014/10/17/playwrights-playground-legacies-storytelling-interview-playwright-will-power-fetch-clay-make-man1/|title=The Playwright's Playground: Legacies and Storytelling - An Interview with Playwright Will Power of 'Fetch Clay, Make Man' - DCMetroTheaterArts|last=Dawkins|first=Sydney-Chanele|access-date=2017-09-09}}</ref> His adaptation of the [[Greek tragedy]] ''[[Seven Against Thebes]]'', entitled ''[[The Seven (play)|The Seven]]'', had a successful [[Off-Broadway]] run at the [[New York Theatre Workshop]].<ref>{{Cite news|url=https://www.nytimes.com/2006/02/10/arts/hes-taking-aeschylus-hiphop.html|title=He's Taking Aeschylus Hip-Hop|last=Dunning|first=Jennifer|date=2006-02-10|work=The New York Times|access-date=2017-09-09|language=en-US|issn=0362-4331}}</ref> |
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Power has been a featured performer on ''[[Last Call with Carson Daly]]'' and [[Russell Simmons]]’s ''[[Def Poetry Jam]]'' on [[HBO]]. He also starred in the 1998 film ''[[Cauleen Smith#Drylongso|Drylongso]]'',<ref>{{Cite web|url=https://www.imdb.com/name/nm1721089/|title=Will Power|website=IMDb|access-date=2017-09-09}}</ref> a hit at [[Sundance Film Festival|Sundance]], as well as being featured in the [[documentary film|documentary]] ''[[All Fathers are Sons]]''. |
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Power is also the author of many well received plays. In January 2010 [[McCarter Theatre Center]] premiered ''[[Fetch Clay, Make Man]]''. The play focuses on the relationship between [[Muhammad Ali]], the famous boxer, and [[Stepin Fetchit]], an African-American actor, on the eve of Ali's 1965 defense of his heavyweight championship against [[Sonny Liston]].<ref>{{Cite web|url=http://dcmetrotheaterarts.com/2014/10/17/playwrights-playground-legacies-storytelling-interview-playwright-will-power-fetch-clay-make-man1/|title=The Playwright's Playground: Legacies and Storytelling - An Interview with Playwright Will Power of 'Fetch Clay, Make Man' - DCMetroTheaterArts|last=Dawkins|first=Sydney-Chanele|access-date=2017-09-09}}</ref> |
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In January 2010 [[McCarter Theatre Center]] premiered ''[[Fetch Clay, Make Man]]''. The play focuses on the relationship between [[Muhammad Ali]], the famous boxer, and [[Stepin Fetchit]], an African-American actor, on the eve of Ali’s 1965 defense of his heavyweight championship against [[Sonny Liston]].<ref>{{Cite web|url=http://dcmetrotheaterarts.com/2014/10/17/playwrights-playground-legacies-storytelling-interview-playwright-will-power-fetch-clay-make-man1/|title=The Playwright’s Playground: Legacies and Storytelling - An Interview with Playwright Will Power of ‘Fetch Clay, Make Man’ - DCMetroTheaterArts|last=Dawkins|first=Sydney-Chanele|access-date=2017-09-09}}</ref> |
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In 2013, Power began a three-year term as the Playwright in Residence at [[Dallas Theater Center]] through the National Playwright Residency Program, funded by the [[Andrew W. Mellon Foundation]] and administered by [[HowlRound]]. In 2016, his residency grant was renewed for another three-year term.<ref>{{Cite web|url=https://mellon.org/resources/news/articles/andrew-w-mellon-foundation-and-howlround-announce-558-million-grants-through-national-playwright-residency-program/|title=The Andrew W. Mellon Foundation and HowlRound Announce $5.58 Million in Grants through the National Playwright Residency Program|date=2016-04-05|website=mellon.org|language=en|access-date=2017-09-09}}</ref><ref>{{Cite news|url=http://howlround.com/residencies|title=Residencies|work=HowlRound|access-date=2017-09-09|language=en}}</ref> |
In 2013, Power began a three-year term as the Playwright in Residence at [[Dallas Theater Center]] through the National Playwright Residency Program, funded by the [[Andrew W. Mellon Foundation]] and administered by [[HowlRound]]. In 2016, his residency grant was renewed for another three-year term.<ref>{{Cite web|url=https://mellon.org/resources/news/articles/andrew-w-mellon-foundation-and-howlround-announce-558-million-grants-through-national-playwright-residency-program/|title=The Andrew W. Mellon Foundation and HowlRound Announce $5.58 Million in Grants through the National Playwright Residency Program|date=2016-04-05|website=mellon.org|language=en|access-date=2017-09-09}}</ref><ref>{{Cite news|url=http://howlround.com/residencies|title=Residencies|work=HowlRound|access-date=2017-09-09|language=en}}</ref> |
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His play ''Seize the King'', an adaptation of [[William Shakespeare|Shakespeare's]] ''[[Richard III (play)|Richard III]]'' premiered at [[La Jolla Playhouse]] in 2018. It was produced at the [[Alliance Theatre]] in 2020, and with the Classical Theater of Harlem, where it received strong reviews including a Critics Pick from the New York Times.<ref>{{Cite news|url=https://www.nytimes.com/2021/07/11/theater/harlem-seize-the-king-richard-iii.html |title=In ‘Seize the King’ ‘Richard III’ Goes to Harlem |
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|last=DCollins-Hughes|first=Laura|date=2021-07-11|work=The New York Times|access-date=2022-06-10|language=en-US|issn=0362-4331}}</ref> |
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Will Power's play "Detroit Red" about [[Malcolm X]] during his turbulent teenage years, played to full houses at [[ArtsEmerson]] in [[Boston]], and received five [[Elliot Norton Award]] nominations, winning two for Outstanding New Script (Will Power) and Outstanding Actor, Large Theater (Eric Berryman).<ref>{{Cite web|url=https://artsemerson.org/2020/05/12/congratulations-detroit-red-winner-of-two-elliot-norton-awards/|title=Congratulations Detroit Red, winner of TWO Elliot Norton Awards!|date=2020-05-12|website=mellon.org|language=en|access-date=2022-06-06}}</ref> |
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Power is currently a professor at [[Occidental College]] in [[Los Angeles]]. |
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==Discography== |
==Discography== |
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==Theatrical works== |
==Theatrical works== |
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'''Written and performed:''' |
'''Written and performed:''' |
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*2017, Cure No Cure (1997–98) |
*2017, ''Cure No Cure'' (1997–98) |
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*The Gathering (premiered 1999, toured through 2002) |
*''The Gathering'' (premiered 1999, toured through 2002) |
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*''Flow'' (premiered 2003, toured through 2005) |
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*Flow - Original Music composed by Will Power and Will Hammond |
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*Caliban Return |
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As a writer, performer, composer with Will Hammond Flow, Will Power has been in preview performances in 2002, premiered in 2003. Power also toured through 2005, with one performance being at the [[Sydney Festival]] in 2007. |
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'''Performed:''' |
'''Performed:''' |
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*Blessing the Boats |
*''Blessing the Boats'' |
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'''Written:''' |
'''Written:''' |
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* Detroit Red |
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*''Seize the King'' |
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*[[ |
*''[[The Seven (play)|The Seven]]'' - Composed by Will Power, Will Hammond, and Justin Ellington |
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==Film/television appearances== |
==Film/television appearances== |
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*Drylongso |
*[[Drylongso (film)]] |
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*All Men Are Sons |
*All Men Are Sons |
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*[[Carson |
*[[Carson Daly]] Show |
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*[[Bill Moyers]] on Faith and Reason on [[PBS]] |
*[[Bill Moyers]] on Faith and Reason on [[PBS]] |
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*Steven [[The Colbert Report|Colbert Report]]<ref>{{Cite web|url=https://www.playscripts.com/playwrights/bios/1580|title=Will Power {{!}} Playscripts, Inc.|website=www.playscripts.com|language=en|access-date=2017-09-09}}</ref> |
*Steven [[The Colbert Report|Colbert Report]]<ref>{{Cite web|url=https://www.playscripts.com/playwrights/bios/1580|title=Will Power {{!}} Playscripts, Inc.|website=www.playscripts.com|language=en|access-date=2017-09-09}}</ref> |
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*Five Fingers of Funk, "Fierce and True, Plays for Teen Audiences" ([[University of Minnesota]] Press, 2010) |
*Five Fingers of Funk, "Fierce and True, Plays for Teen Audiences" ([[University of Minnesota]] Press, 2010) |
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*Flow, "Plays from the Boom Box Galaxy: Theater from the Hip Hop Generation" (TCG, 2009) |
*Flow, "Plays from the Boom Box Galaxy: Theater from the Hip Hop Generation" (TCG, 2009) |
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==Awards and nominations== |
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* 2016 Doris Duke Artist Award |
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* 2015 Duke Foundation Building Demand for the Arts Exploration Grant |
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* 2013 Andrew W. Mellon Foundation Playwright in Residence |
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* 2012 TACA Donna Wilhelm New Works Family Fund |
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* 2012 NEA Arts Works Grant |
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* 2012 Fadiman Award ([[Center Theatre Group]]) |
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* 2011 Meadows Prize ([[Dallas Theater Center]]/[[Southern Methodist University]]) |
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* 2010 Aetna New Voices Fellowship (Hartford Stage) |
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* 2009 Edgerton Foundation New American Play Award |
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* 2008 United States Artists Prudential Fellow |
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* 2007 NEA/TCG Theatre Residency Program Grant for Playwrights |
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* 2006 [[Lucille Lortel Award]] (Best Musical) |
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* 2006 TCG Peter Zeisler Memorial Award |
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* 2005 [[New York Film AcademyNYFA]] Fellowship |
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* 2005 [[Joyce Carol Thomas]] Award |
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* 2004 Jury Award for Best Theatre Performance at the [[HBO US Comedy Arts Festival]] |
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* 2004 [[Drama Desk Award|Drama Desk]] Nomination for Best Solo Performance |
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* 2004 Drama League Nomination for Distinguished Performance |
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* 2004 [[AUDELCO]] award Nomination for Best Solo Performance |
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* 2002 Black Theater Network Pathfinder Award |
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* 2001 San Francisco Bay Area Theatre Critics Circle Award for Best Book |
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* Trailblazer Award from the National Black Theater Network |
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==References== |
==References== |
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| author-link = Will Power |
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| title = Official Website |
| title = Official Website |
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| last = "Fetch Clay |
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| first = Make Man" |
| first = Make Man" |
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| author-link = Fetch Clay, Make Man |
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| title = Production Website |
| title = Production Website |
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[[Category:Living people]] |
[[Category:Living people]] |
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[[Category:Place of birth missing (living people)]] |
[[Category:Place of birth missing (living people)]] |
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[[Category:21st-century African-American people]] |
Latest revision as of 21:10, 12 July 2023
A major contributor to this article appears to have a close connection with its subject. (June 2023) |
Will Power is an American playwright, rapper, actor, and educator.
Career
[edit]A pioneer in the genre of hip hop theatre, Power helped to create an influential new form of theater that fuses original music, rhymed dialogue, and choreography.[1] His adaptation of the Greek tragedy Seven Against Thebes, entitled The Seven, had a successful Off-Broadway run at the New York Theatre Workshop.[2]
Power is also the author of many well received plays. In January 2010 McCarter Theatre Center premiered Fetch Clay, Make Man. The play focuses on the relationship between Muhammad Ali, the famous boxer, and Stepin Fetchit, an African-American actor, on the eve of Ali's 1965 defense of his heavyweight championship against Sonny Liston.[3]
In 2013, Power began a three-year term as the Playwright in Residence at Dallas Theater Center through the National Playwright Residency Program, funded by the Andrew W. Mellon Foundation and administered by HowlRound. In 2016, his residency grant was renewed for another three-year term.[4][5]
His play Seize the King, an adaptation of Shakespeare's Richard III premiered at La Jolla Playhouse in 2018. It was produced at the Alliance Theatre in 2020, and with the Classical Theater of Harlem, where it received strong reviews including a Critics Pick from the New York Times.[6] Will Power's play "Detroit Red" about Malcolm X during his turbulent teenage years, played to full houses at ArtsEmerson in Boston, and received five Elliot Norton Award nominations, winning two for Outstanding New Script (Will Power) and Outstanding Actor, Large Theater (Eric Berryman).[7]
Power was a Doris Duke Foundation Resident Artist at New York Theatre Workshop, and on the Faculty at Southern Methodist University'Meadows School of the Arts.[8] Power is currently a professor at Occidental College in Los Angeles.
In addition to composing the music used in his shows, Power has also written lyrics and music heard on MTV, UPN's Moesha, and NBC's Kingpin. He was also the lead vocalist of the Omar Sosa Sextet from 1997-2000.
Power is the son of civil rights activists, Gigi Gregory and Chris Wylie, and the grandson of George Gregory, Jr.
Discography
[edit]With Midnight Voices- Albums: Dreams Keep Blowin' My Mind (1991), Late Nite at the Upper Room (1994), Howlin' at the Moon (1997)
As a member of the Omar Sosa Sextet-Free Roots (1997), Spirit of the Roots (1999), Bembón (2000), Prietos (2000).
Theatrical works
[edit]Written and performed:
- 2017, Cure No Cure (1997–98)
- The Gathering (premiered 1999, toured through 2002)
- Flow (premiered 2003, toured through 2005)
Performed:
- Blessing the Boats
Written:
- Detroit Red
- Seize the King
- Honey Bo and the Goldmine
- Fetch Clay Make Man
- Steel Hammer (with Carl Hancock Rux, Kia Corthron, Regina Taylor, and SITI Company)
- The Seven - Composed by Will Power, Will Hammond, and Justin Ellington
- Five Fingers of Funk - Composed by Will Power and Justin Ellington
- Stagger Lee - Composed by Will Power and Justin Ellington
Film/television appearances
[edit]- Drylongso (film)
- All Men Are Sons
- Carson Daly Show
- Bill Moyers on Faith and Reason on PBS
- Steven Colbert Report[9]
- Theatre Talk
Published works
[edit]- Fetch Clay Make Man (Overlook Press, 2016)
- Theater and Cultural Politics for a New World (Routledge Press, 2016)
- Steel Hammer, Humana Festival 2014: The Complete Plays (Playscripts, Inc)
- Selection from Fetch Clay, Make Man, 2014 Monologues for Actors of Color (Routledge Press)
- Selection from Fetch Clay, Make Man, "The Best Stage Monologues of 2014) (Applause)
- Five Fingers of Funk, "Fierce and True, Plays for Teen Audiences" (University of Minnesota Press, 2010)
- Flow, "Plays from the Boom Box Galaxy: Theater from the Hip Hop Generation" (TCG, 2009)
References
[edit]- ^ Dawkins, Sydney-Chanele. "The Playwright's Playground: Legacies and Storytelling - An Interview with Playwright Will Power of 'Fetch Clay, Make Man' - DCMetroTheaterArts". Retrieved 2017-09-09.
- ^ Dunning, Jennifer (2006-02-10). "He's Taking Aeschylus Hip-Hop". The New York Times. ISSN 0362-4331. Retrieved 2017-09-09.
- ^ Dawkins, Sydney-Chanele. "The Playwright's Playground: Legacies and Storytelling - An Interview with Playwright Will Power of 'Fetch Clay, Make Man' - DCMetroTheaterArts". Retrieved 2017-09-09.
- ^ "The Andrew W. Mellon Foundation and HowlRound Announce $5.58 Million in Grants through the National Playwright Residency Program". mellon.org. 2016-04-05. Retrieved 2017-09-09.
- ^ "Residencies". HowlRound. Retrieved 2017-09-09.
- ^ DCollins-Hughes, Laura (2021-07-11). "In 'Seize the King' 'Richard III' Goes to Harlem". The New York Times. ISSN 0362-4331. Retrieved 2022-06-10.
- ^ "Congratulations Detroit Red, winner of TWO Elliot Norton Awards!". mellon.org. 2020-05-12. Retrieved 2022-06-06.
- ^ "BIO". willpower.tv. Retrieved 2017-09-09.
- ^ "Will Power | Playscripts, Inc". www.playscripts.com. Retrieved 2017-09-09.
- Power, Will. "Official Website". Retrieved 2006-09-19.
- "Fetch Clay, Make Man". "Production Website". Retrieved 2015-02-17.