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{{Short description|Madrigal comedy}}
{{underlinked|date=November 2015}}
{{no footnotes|date=January 2017}}
{{more footnotes|date=January 2017}}

{{Italic title}}
{{Italic title}}
[[File:Amfiparnaso Orazio Vecchi Venice 1597 prologue stage.jpg|thumb|Woodcut of an actor delivering the prologue of ''L'Amfiparnaso'', Venice 1597]]
'''''L'Amfiparnaso''''' is a [[madrigal comedy]]<ref>William R. Martin, "Orazio Vecchi," The New Grove Dictionary of Music and Musicians, vol. 19 (New York: Macmillan Publishers Limited, 1980), 585.</ref> by composer [[Orazio Vecchi]]. It was published in [[Venice]] in 1597.


== Composition history ==
'''L'Amfiparnaso''' is a [[madrigal comedy]] by composer [[Orazio Vecchi]]. It was composed in [[Italy]] in 1594.
Madrigal comedy, or Commedia harmonica (as known in the 16th century Italian vernacular) was a genre that flourished briefly from 1590 for about twenty years, previous to the first [[opera]]s. Some of them were collections of pieces, while others used [[commedia dell'arte]] characters and told a full story through the medium of three or five-voice ensemble. The two principal composers were [[Adriano Banchieri]] and [[Orazio Vecchi]], both contemporaries of [[Claudio Monteverdi]].


== Composition History ==
== Performance history ==
Although in the dedication Vecchi describes the dedicatee, Alessandro D'Este, as having heard a performance of ''L'Amfiparnaso'', the date of the premiere is unknown. In 1844 historian [[François-Joseph Fétis]] proposed a date of 1594 for the work's premiere, but this was based on incorrect assumptions about the early history of opera and Vecchi's place in it.<ref>Paul Schleuse, "A Tale Completed in the Mind: Genre and Imitation in ''L'Amfiparnaso'' (1597)," ''Journal of Musicology'' 29 (2012) pp. 108-115. http://www.jstor.org/stable/10.1525/jm.2012.29.2.101</ref>
Madrigal comedy, or Commedia harmonica (as known in the 16th century Italian vernacular) was a genre that flourished briefly from 1590 for about twenty years, previous to the first [[Opera|operas]]. Some of them were collections of pieces, while others used [[commedia dell'arte]] characters and told a full story through the medium of three or five-voice ensemble. The two principal composers were [[Adriano Banchieri]] and [[Orazio Vecchi]], both contemporaries of [[Monteverdi]].

== Performance History ==
Premiered in 1594.


==Characters==
==Characters==
Line 20: Line 21:
== Synopsis ==
== Synopsis ==


'''Synopsis'''<br />
'''Act 1'''<br />
'''Act 1'''<br />
''Scene 1.'' Pantalone is smitten by the charms of the courtesan Hortensia, but the ungrateful woman is not interested in the old man's affections.<br />
'''Scene 1'''<br />
Pantalone is smitten by the charms of the courtesan Hortensia, but the ungrateful woman is not interested in the old man's affections.<br />
''Scene 2.'' Lelio is doubtful about the feelings of his beloved Nisa, and concludes from her present of a flower that there is little love in her for him.<br />
''Scene 3.'' Pantalone promises his daughter Isabella to doctor Gratiano, because he likes the clumsy fellow, who answers badly and listens even worse.<br />
'''Scene 2'''<br />
Lelio is doubtful about the feelings of his beloved Nisa, and concludes from her present of a flower that there is little love in her for him.<br />
'''Scene 3'''<br />
Pantalone promises his daughter Isabella to doctor Gratiano, because he likes the clumsy fellow, who answers badly and listens even worse.<br />
'''Act 2'''<br />
'''Act 2'''<br />
''Scene 1.'' Because he believes that his beloved Isabella is in love with Captain Cardone, in utter jealousy Lucio announces he will jump into the abyss.<br />
'''Scene 1'''<br />
''Scene 2.'' Cardone quarrels with Zane, because after many hints he won't understand him, but he rather confuses him so that his answers are strange. Nevertheless, eventually he knocks on Isabella's door.<br />
Because he believes that his beloved Isabella is in love with Captain Cardone, in utter jealousy Lucio announces to jump in the abyss.<br />
''Scene 3.'' Isabella pretends to be in love with the Spanish Captain, so that when she dies she would more hurt his insatiable desires.<br />
'''Scene 2'''<br />
''Scene 4.'' As soon as the Captain is gone Isabella bursts out lamenting for Lucio. She courageously draws a dagger to depart from life.<br />
Cardone quarrels with Zane, because after many hints he won't understand him, but he rather confuses him so that his answers are strange. Nevertheless, eventually he knocks on Isabella's door.<br />
''Scene 5.'' Frulla persuades Isabella not to thrust the dagger by telling her that her lover Lucio is still alive.<br />
'''Scene 3'''<br />
Isabella pretends to be in love with the Spanish Captain, so that when she dies she would more hurt his insatiable desires.<br />
'''Scene 4'''<br />
As soon as the Captain is gone Isabella bursts out lamenting for Lucio. She draws courageously a dagger to depart from life.<br />
'''Scene 5'''<br />
Frulla persuades Isabella not to thrust the dagger by announcing her that her lover Lucio is still alive.<br />
'''Act 3'''<br />
'''Act 3'''<br />
''Scene 1.'' As the wedding contract between Pantalone and Gratiano has been agreed upon, they joyfully start planning festivities.<br />
'''Scene 1'''<br />
''Scene 2.'' With a melting and enamoured voice the Doctor sings a gracious madrigal under the balcony of his lovely bride.<br />
As the wedding contract between Pantalone and Gratiano has been agreed now, they joyfully start planning the festivities.<br />
''Scene 3.'' Francatrippa goes to the Jews to pawn a hangmat. He knocks at the door and a noise is heard of many voices in different languages.<br />
'''Scene 2'''<br />
''Scene 4.'' From a distance the faithful lovers meet rejoicing in their presence, pledging to be true till death.<br />
With a melting and enamoured voice the Doctor sings a gracious madrigal under the balcony of his lovely bride.<br />
''Scene 5.'' Everybody is now content and happy. Isabella and Lucio are wed and a great exchange of valuable gifts is displayed.
'''Scene 3'''<br />
Francatrippa goes to the Jews to pawn a hangmat. He knocks at the door and a noise is heard of many voices in unspeakable languages.<br />
'''Scene 4'''<br />
From a distance the faithful lovers meet rejoicing in their presence, pledging to be true till death.<br />
'''Scene 5'''<br />
Everybody is now content and happy. Isabella and Lucio are wed and a great exchange of valuable gifts is displayed.<br />


== Recordings ==
== Recordings ==
Many recordings of L'amfiparaso exist with a variety of performance style choices. A 2003 DVD recording by [[I Fagiolini]], directed by [[Robert Hollingworth]], chooses to forego any text or scene, but does however introduce each piece with an English introduction narrated by [[Simon Callow]]. Numerous recordings exist using multiple numbers of singers and drastically different choices of accompaniment.
Many recordings of ''L'Amfiparnaso'' exist with a variety of performance style choices. A 2003 DVD recording by [[I Fagiolini]], directed by Robert Hollingworth, chooses to forgo any text or scene, but does however introduce each piece with an English introduction narrated by [[Simon Callow]]. Numerous recordings exist using multiple numbers of singers and drastically different choices of accompaniment.


== References ==
== References ==
{{reflist}}
{{Reflist}}
* "L'Amfiparnaso (1597) (The Twin Peaks of Parnassus)". DVD 2004.
* "L'Amfiparnaso (1597) (The Twin Peaks of Parnassus)". DVD 2004.


==External links==
==External links==
*[https://books.google.com/books?id=6xG4GmX-o0YC&dq=l'amfiparnaso&pg=PA1 First edition from Google Books (Italian)]
*{{ChoralWiki|L'Amfiparnaso (Orazio Vecchi)|L'Amfiparnaso|prep=of}}
*{{ChoralWiki|L'Amfiparnaso (Orazio Vecchi)|L'Amfiparnaso|prep=of}}
*{{IMSLP|id=Vecchi%2C_Orazio|cname=Orazio Vecchi}}
*{{IMSLP|id=Vecchi%2C_Orazio|cname=Orazio Vecchi}}


{{Authority control}}
[[Category:1594 compositions]]

{{DEFAULTSORT:Amfiparnaso, L'}}
[[Category:Italian-language works]]
[[Category:Italian-language works]]
[[Category:Madrigals]]
[[Category:Madrigals]]

Latest revision as of 17:41, 4 August 2023

Woodcut of an actor delivering the prologue of L'Amfiparnaso, Venice 1597

L'Amfiparnaso is a madrigal comedy[1] by composer Orazio Vecchi. It was published in Venice in 1597.

Composition history

[edit]

Madrigal comedy, or Commedia harmonica (as known in the 16th century Italian vernacular) was a genre that flourished briefly from 1590 for about twenty years, previous to the first operas. Some of them were collections of pieces, while others used commedia dell'arte characters and told a full story through the medium of three or five-voice ensemble. The two principal composers were Adriano Banchieri and Orazio Vecchi, both contemporaries of Claudio Monteverdi.

Performance history

[edit]

Although in the dedication Vecchi describes the dedicatee, Alessandro D'Este, as having heard a performance of L'Amfiparnaso, the date of the premiere is unknown. In 1844 historian François-Joseph Fétis proposed a date of 1594 for the work's premiere, but this was based on incorrect assumptions about the early history of opera and Vecchi's place in it.[2]

Characters

[edit]

Pantalone - central figure of Commedia dell'arte Doctor Gratiano - the old man Captain Cardon Lovers - Isabella, Lucio, Lelio, Nisa The Zanni - Pedrolino, Zanni, Francatrippa, Frulla

Synopsis

[edit]

Act 1
Scene 1. Pantalone is smitten by the charms of the courtesan Hortensia, but the ungrateful woman is not interested in the old man's affections.
Scene 2. Lelio is doubtful about the feelings of his beloved Nisa, and concludes from her present of a flower that there is little love in her for him.
Scene 3. Pantalone promises his daughter Isabella to doctor Gratiano, because he likes the clumsy fellow, who answers badly and listens even worse.
Act 2
Scene 1. Because he believes that his beloved Isabella is in love with Captain Cardone, in utter jealousy Lucio announces he will jump into the abyss.
Scene 2. Cardone quarrels with Zane, because after many hints he won't understand him, but he rather confuses him so that his answers are strange. Nevertheless, eventually he knocks on Isabella's door.
Scene 3. Isabella pretends to be in love with the Spanish Captain, so that when she dies she would more hurt his insatiable desires.
Scene 4. As soon as the Captain is gone Isabella bursts out lamenting for Lucio. She courageously draws a dagger to depart from life.
Scene 5. Frulla persuades Isabella not to thrust the dagger by telling her that her lover Lucio is still alive.
Act 3
Scene 1. As the wedding contract between Pantalone and Gratiano has been agreed upon, they joyfully start planning festivities.
Scene 2. With a melting and enamoured voice the Doctor sings a gracious madrigal under the balcony of his lovely bride.
Scene 3. Francatrippa goes to the Jews to pawn a hangmat. He knocks at the door and a noise is heard of many voices in different languages.
Scene 4. From a distance the faithful lovers meet rejoicing in their presence, pledging to be true till death.
Scene 5. Everybody is now content and happy. Isabella and Lucio are wed and a great exchange of valuable gifts is displayed.

Recordings

[edit]

Many recordings of L'Amfiparnaso exist with a variety of performance style choices. A 2003 DVD recording by I Fagiolini, directed by Robert Hollingworth, chooses to forgo any text or scene, but does however introduce each piece with an English introduction narrated by Simon Callow. Numerous recordings exist using multiple numbers of singers and drastically different choices of accompaniment.

References

[edit]
  1. ^ William R. Martin, "Orazio Vecchi," The New Grove Dictionary of Music and Musicians, vol. 19 (New York: Macmillan Publishers Limited, 1980), 585.
  2. ^ Paul Schleuse, "A Tale Completed in the Mind: Genre and Imitation in L'Amfiparnaso (1597)," Journal of Musicology 29 (2012) pp. 108-115. http://www.jstor.org/stable/10.1525/jm.2012.29.2.101
  • "L'Amfiparnaso (1597) (The Twin Peaks of Parnassus)". DVD 2004.
[edit]