Lyse Charny: Difference between revisions
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{{short description|French opera singer}} |
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{{Orphan|date=August 2023}} |
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[[File:Charny Lyse 1916.jpg|thumb|Lyse Charny]] |
[[File:Charny Lyse 1916.jpg|thumb|Lyse Charny]] |
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'''Lyse Charny''' (1890–1950)<ref>{{cite web|url=https://data.bnf.fr/fr/14033280/lyse_charny/|title=Lyse Charny (1890-1950) |publisher=BnF| |
'''Lyse Charny''' (1890–1950)<ref name=bnf>{{cite web|url=https://data.bnf.fr/fr/14033280/lyse_charny/|title=Lyse Charny (1890-1950) |publisher=BnF|access-date=25 June 2019 |language=fr}}</ref> was a French [[contralto]] [[opera singer]] who made her début at the [[Paris Opera]] in 1910 in the ballet ''Les Bacchantes''.<ref name="KutschRiemens2012">{{cite book|last1=Kutsch|first1=Karl-Josef|last2=Riemens|first2=Leo|title=Großes Sängerlexikon|url=https://books.google.com/books?id=dsfq_5dFeL0C&pg=PA490|year=2012|publisher=Walter de Gruyter|language=de|isbn=978-3-598-44088-5|pages=808–}}</ref><ref>{{cite journal|title=On Ballet at the Opéra, 1909—14, and ''La fête chez Thérèse''|journal = Journal of the Royal Musical Association|volume = 133|issue = 2|pages = 220–269|author=Caddy, Davinia|publisher=Journal of the Royal Musical Association, 133 no.2, 220-269|year=2008|jstor = 30158779}}</ref> |
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She went on to become a celebrated performer there, playing Erda in [[Wagner]]'s ''[[Der Ring des Nibelungen|Niebelungenring]]'' and Uta in [[Ernest Reyer]]'s ''[[Sigurd (opera)|Sigurd]]''.<ref name=codp>{{cite web|url=https://www.artlyriquefr.fr/dicos/Opera%20Cantatrices.html|title=Cantatrices de l'Opéra de Paris|publisher=Association l'Art Lyrique Français| |
She went on to become a celebrated performer there, playing Erda in [[Wagner]]'s ''[[Der Ring des Nibelungen|Niebelungenring]]'' and Uta in [[Ernest Reyer]]'s ''[[Sigurd (opera)|Sigurd]]''.<ref name=codp>{{cite web|url=https://www.artlyriquefr.fr/dicos/Opera%20Cantatrices.html|title=Cantatrices de l'Opéra de Paris|publisher=Association l'Art Lyrique Français|access-date=26 June 2019 |language=fr}}</ref> She also appeared at the [[Opéra-Comique]] where she first performed as ''[[Carmen]]'' in July 1919.<ref name=coc>{{cite web|url=https://www.artlyriquefr.fr/dicos/Opera-Comique%20Cantatrices.html#CABEL|title=Cantatrices de lÓéra-Comique|publisher=Association l'Art Lyrique Français|access-date=25 June 2019 |language=fr}}</ref> |
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==Biography== |
==Biography== |
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Charny made her début at the Paris Opera in 1910, performing in the vocal part of ''Les Bacchantes''. She remained there for many years, taking roles such as Erda in the ''Nibelungenring'', Uta in [[Ernest Reyer]]'s ''[[Sigurd (opera)|Sigurd]], the Queen in [[Ambroise Thomas]]' ''[[Hamlet (Thomas)|Hamlet]]'', Magdalene in ''[[Die Meistersinger von Nürnberg]]'', Emilia in [[Verdi]]'s ''[[Otello]]'', Amneris in ''[[Aida]]'', Dalida in [[Saint-Saëns]]' |
Charny made her début at the [[Paris Opera]] in 1910, performing in the vocal part of ''Les Bacchantes''. She remained there for many years, taking roles such as Erda in the ''Nibelungenring'', Uta in [[Ernest Reyer]]'s ''[[Sigurd (opera)|Sigurd]]'', the Queen in [[Ambroise Thomas]]' ''[[Hamlet (Thomas)|Hamlet]]'', Magdalene in ''[[Die Meistersinger von Nürnberg]]'', Emilia in [[Verdi]]'s ''[[Otello]]'', Amneris in ''[[Aida]]'', Dalida in [[Saint-Saëns]]' ''[[Samson et Dalila]]'' and the title role in [[Jules Massenet]]'s ''[[Hérodiade]]''. In 1923, she played Marthe in the French première of [[Mussorgsky]]'s ''[[Khovanshchina]]''.<ref name="KutschRiemens2012"/><ref name=codp/> |
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She first played at the Opéra-Comique in July 1919 as ''[[Carmen]]'' and went on to play Charlotte in Massenet's ''Werther'', Taven in [[Gounod]]'s ''[[Mireille (opera)|Mireille]]'' and Marceline in [[Alfred Bruneau]]'s ''[[L'attaque du moulin]]''.<ref name="KutschRiemens2012"/> On 10 May 1922, she created the roles of Kallista and Julie in the première of [[Henri Busser]]'s ''Les noces corinthiennes''.<ref>{{cite web|url=https://data.bnf.fr/fr/14817107/henri_busser_les_noces_corinthiennes/|title=Les noces corinthiennes|publisher=BnF|access-date=28 June 2019 |language=fr}}</ref><ref name=coc/> She appeared in Brussels at the [[La Monnaie|Théâtre de la Monnaie]] in 1913 and 1924 and at Rome's [[Teatro Costanzi]] in 1916 as Dalida.<ref name="KutschRiemens2012"/> |
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Lyse Charny died in 1950.<ref name=bnf/> Her voice has been favourably compared to that of her predecessor [[Marie Delna]].<ref name="KutschRiemens2012"/> |
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==References== |
==References== |
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{{DEFAULTSORT:Charny, Lyse}} |
{{DEFAULTSORT:Charny, Lyse}} |
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[[Category:1890 births]] |
[[Category:1890 births]] |
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[[Category:1950 deaths]] |
[[Category:1950 deaths]] |
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[[Category:French contraltos]] |
[[Category:French contraltos]] |
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[[Category:French opera singers]] |
[[Category:20th-century French women opera singers]] |
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Latest revision as of 21:54, 14 August 2023
Lyse Charny (1890–1950)[1] was a French contralto opera singer who made her début at the Paris Opera in 1910 in the ballet Les Bacchantes.[2][3] She went on to become a celebrated performer there, playing Erda in Wagner's Niebelungenring and Uta in Ernest Reyer's Sigurd.[4] She also appeared at the Opéra-Comique where she first performed as Carmen in July 1919.[5]
Biography
[edit]Charny made her début at the Paris Opera in 1910, performing in the vocal part of Les Bacchantes. She remained there for many years, taking roles such as Erda in the Nibelungenring, Uta in Ernest Reyer's Sigurd, the Queen in Ambroise Thomas' Hamlet, Magdalene in Die Meistersinger von Nürnberg, Emilia in Verdi's Otello, Amneris in Aida, Dalida in Saint-Saëns' Samson et Dalila and the title role in Jules Massenet's Hérodiade. In 1923, she played Marthe in the French première of Mussorgsky's Khovanshchina.[2][4]
She first played at the Opéra-Comique in July 1919 as Carmen and went on to play Charlotte in Massenet's Werther, Taven in Gounod's Mireille and Marceline in Alfred Bruneau's L'attaque du moulin.[2] On 10 May 1922, she created the roles of Kallista and Julie in the première of Henri Busser's Les noces corinthiennes.[6][5] She appeared in Brussels at the Théâtre de la Monnaie in 1913 and 1924 and at Rome's Teatro Costanzi in 1916 as Dalida.[2]
Lyse Charny died in 1950.[1] Her voice has been favourably compared to that of her predecessor Marie Delna.[2]
References
[edit]- ^ a b "Lyse Charny (1890-1950)" (in French). BnF. Retrieved 25 June 2019.
- ^ a b c d e Kutsch, Karl-Josef; Riemens, Leo (2012). Großes Sängerlexikon (in German). Walter de Gruyter. pp. 808–. ISBN 978-3-598-44088-5.
- ^ Caddy, Davinia (2008). "On Ballet at the Opéra, 1909—14, and La fête chez Thérèse". Journal of the Royal Musical Association. 133 (2). Journal of the Royal Musical Association, 133 no.2, 220-269: 220–269. JSTOR 30158779.
- ^ a b "Cantatrices de l'Opéra de Paris" (in French). Association l'Art Lyrique Français. Retrieved 26 June 2019.
- ^ a b "Cantatrices de lÓéra-Comique" (in French). Association l'Art Lyrique Français. Retrieved 25 June 2019.
- ^ "Les noces corinthiennes" (in French). BnF. Retrieved 28 June 2019.
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