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{{Short description|American artist, architect, and poet (1941–2014)}}
{{MOS|date=January 2014}}
{{Use mdy dates|date=October 2019}}
{{Infobox artist
{{Infobox artist
| name = Madeline Gins
|bgcolour = #6495ED
|name = Madeline Gins
| image = Madeline Gins 2009.jpg
|image = Madeline Gins 2009.jpg
| caption = Madeline Gins in 2009
| image_size =
|caption = Madeline Gins in 2009
| birth_name = Madeline Helen Gins
|image_size =
| birth_date = {{birth date|1941|11|07}}
|birth_name = Madeline Helen Gins
| birth_place = [[New York City]], U.S.
|birth_date = {{birth date|1941|11|07}}
| death_date = {{death date and age|2014|1|08|1941|11|07}}
|birth_place= [[New York City, New York]], U.S.
| death_place = New York City, U.S.
|death_date = {{death date and age|2014|1|08|1941|11|07}}
| alma_mater = [[Barnard College]]
|death_place= [[New York, New York]], U.S.
|field = [[Artist]], [[architect]], [[poet]]
| known_for = Artist, architect, poet
| spouse = [[Shusaku Arakawa]]
|website = [http://www.reversibledestiny.org www.reversibledestiny.org]}}
| website = [http://www.reversibledestiny.org www.reversibledestiny.org]
}}


'''Madeline Helen Arakawa Gins''' (November 7, 1941 – January 8, 2014) was an [[United States|American]] [[artist]], [[architect]] and [[poet]]. Gins met her partner and later husband, artist [[Shusaku Arakawa]], in 1963. One of their earlier collaborations, "The Mechanism of Meaning", was shown in its entirety at the 1997 Guggenheim exhibition, ''Arakawa/Gins – Reversible Destiny/We Have Decided Not to Die''.
'''Madeline Helen Arakawa Gins''' (November 7, 1941 – January 8, 2014) was an American artist, architect, and poet.


==Early life and education==
In 1987, as a means of financing the design and construction of works of architecture (that draw on The Mechanism of Meaning), Arakawa and Gins founded the Reversible Destiny Foundation. The Foundation actively collaborates with practitioners in a wide range of disciplines including, experimental biology, neuroscience, quantum physics, experimental phenomenology, and medicine. Their architectural projects included residences (Bioscleave House (Lifespan Extending Villa), Reversible Destiny Lofts (In memory of Helen Keller) - Mitaka, Tokyo, Japan), parks (Site of Reversible Destiny-Yoro) and plans for housing complexes and neighborhoods (Reversible Destiny Fun House, BOOM-LGBT Community, Isle of Reversible Destiny-Venice and Isle of Reversible Destiny-Fukuoka, Sensorium City, Tokyo).<ref>{{cite news|title=Procedural Architecture|url=http://www.reversibledestiny.org/reversible-destiny-healing-fun-house-%E2%96%91%E2%96%91-a-work-of-procedural-architecture/}}</ref>
Gins was born in [[New York City]], November 7, 1941, and raised on Long Island, in the village of Island Park. She studied [[physics]] and [[Eastern philosophy]] at [[Barnard College]].<ref name=telegraph>{{cite news|title=Madeline Gins – obituary|url=https://www.telegraph.co.uk/news/obituaries/10706243/Madeline-Gins-obituary.html|newspaper=The Telegraph|date=March 18, 2014}}</ref>


==Life==
==Career==
Gins met her partner and husband, artist [[Shusaku Arakawa]], in 1963, while studying painting at the [[Brooklyn Museum Art School]]. One of their earlier collaborations, "The Mechanism of Meaning", was shown in its entirety at the 1997 Guggenheim exhibition, ''Arakawa/Gins – Reversible Destiny/We Have Decided Not to Die''.
Gins was born in [[New York City]] and studied [[physics]] and [[Eastern philosophy]] at [[Barnard College]].<ref name=telegraph>{{cite news|title=Madeline Gins - obituary|url=http://www.telegraph.co.uk/news/obituaries/10706243/Madeline-Gins-obituary.html|newspaper=The Telegraph|date=18 March 2014}}</ref>


In 1987, as a means of financing the design and construction of works of architecture (that draw on The Mechanism of Meaning), Arakawa and Gins founded the Reversible Destiny Foundation. The Foundation actively collaborates with practitioners in a wide range of disciplines including, experimental biology, neuroscience, quantum physics, experimental phenomenology, and medicine. Their architectural projects included residences (Bioscleave House (Lifespan Extending Villa), Reversible Destiny Lofts (In memory of Helen Keller) – Mitaka, Tokyo, Japan), parks (Site of Reversible Destiny-Yoro) and plans for housing complexes and neighborhoods (Reversible Destiny Fun House, BOOM-LGBT Community, Isle of Reversible Destiny-Venice and Isle of Reversible Destiny-Fukuoka, Sensorium City, Tokyo).<ref>{{cite news|title=Procedural Architecture|url=http://www.reversibledestiny.org/reversible-destiny-healing-fun-house-%E2%96%91%E2%96%91-a-work-of-procedural-architecture/|url-status=dead|archive-url=https://web.archive.org/web/20140702164530/http://www.reversibledestiny.org/reversible-destiny-healing-fun-house-%E2%96%91%E2%96%91-a-work-of-procedural-architecture/|archive-date=July 2, 2014}}</ref>
She and Arakawa "lost their life savings" to the [[Bernie Madoff]] ponzi scheme.<ref name=telegraph /><ref>

She and Arakawa "lost their life savings" to the [[Madoff investment scandal|Bernie Madoff Ponzi scheme]].<ref name=telegraph /><ref>
{{cite news
{{cite news
| first = Amir
| first = Amir
| last = Efrati
| last = Efrati
| title = Couple's Dreams of Immortality at Death's Door, Thanks to Madoff: Artists Who Design Homes to Prolong Life Lost Their Life Savings; Undulating Floors
| title = Couple's Dreams of Immortality at Death's Door, Thanks to Madoff: Artists Who Design Homes to Prolong Life Lost Their Life Savings; Undulating Floors
| url = https://www.wsj.com/articles/SB123785033607519075
| url = https://www.wsj.com/articles/SB123785033607519075
| date = 24 March 2009
| date = March 24, 2009
| accessdate = 21 March 2017</ref>
| access-date = March 21, 2017}}</ref>

Arakawa and Gins cofounded the [[Reversible destiny|Reversible Destiny Foundation]], an organization dedicated to the use of architecture to extend the human lifespan. They co-authored books, including ''Reversible Destiny'', which is the catalogue of their Guggenheim exhibition, ''Architectural Body'' (University of Alabama Press, 2002), and ''Making Dying Illegal'' (New York: Roof Books, 2006), and designed and built residences and parks, including the Reversible Destiny Lofts, Bioscleave House, and the ''Site of Reversible Destiny–Yoro''. {{citation needed|date=January 2014}}


==Death==
==Death==
Line 37: Line 45:
| last = Berstein
| last = Berstein
| title = Arakawa, Whose Art Tried to Halt Aging, Dies at 73
| title = Arakawa, Whose Art Tried to Halt Aging, Dies at 73
| work = The New York Times
| url = https://nytimes.com/2010/05/20/arts/design/20arakawa.html
| url = https://nytimes.com/2010/05/20/arts/design/20arakawa.html
| date = 20 March 2010
| date = March 20, 2010
| accessdate = 21 March 2017</ref>
| access-date = March 21, 2017}}</ref>


On January 8, 2014, Gins died of cancer at age 72.<ref>[https://www.nytimes.com/2014/01/13/arts/design/madeline-arakawa-gins-visionary-architect-dies-at-72.html?_r=0 "Madeline Arakawa Gins, Visionary Architect, Dies at 72"], ''The New York Times'', January 12, 2014; accessed January 23, 2014.</ref>
On January 8, 2014, Gins died of cancer at age 72.<ref>[https://www.nytimes.com/2014/01/13/arts/design/madeline-arakawa-gins-visionary-architect-dies-at-72.html?_r=0 "Madeline Arakawa Gins, Visionary Architect, Dies at 72"], ''The New York Times'', January 12, 2014. Retrieved January 23, 2014.</ref>


==Architectural works by Arakawa and Gins==
==Reversible Destiny Foundation==
Arakawa and Gins cofounded the [[Reversible destiny|Reversible Destiny Foundation]], an organization dedicated to the use of architecture to extend the human lifespan. They have co-authored books, including Reversible Destiny, which is the catalogue of their Guggenheim exhibition, ''Architectural Body'' (University of Alabama Press, 2002), and ''Making Dying Illegal'' (New York: Roof Books, 2006), and have designed and built residences and parks, including the Reversible Destiny Lofts, Bioscleave House, and the ''Site of Reversible Destiny–Yoro''. {{citation needed|date=January 2014}}

==Works==

===Architectural works by Arakawa and Gins===
*"UBIQUITOUS SITE, NAGI'S RYOANJI, Architectural Body ([[Nagi, Okayama|Nagi, Okayama, Japan]], 1994, [[Nagi Museum Of Contemporary Art]])
*"UBIQUITOUS SITE, NAGI'S RYOANJI, Architectural Body ([[Nagi, Okayama|Nagi, Okayama, Japan]], 1994, [[Nagi Museum Of Contemporary Art]])
*"Site of Reversible Destiny - Yoro Park ([[Yōrō, Gifu|Yōrō, Gifu, Japan]], 1995)
*"Site of Reversible Destiny – Yoro Park ([[Yōrō, Gifu|Yōrō, Gifu, Japan]], 1995)
*"Shidami Resource Recycling Model House ([[Nagoya|Nagoya, Japan]], 2005)
*"Shidami Resource Recycling Model House ([[Nagoya|Nagoya, Japan]], 2005)
*"the Reversible Destiny Lofts MITAKA – In Memory of Helen Keller ([[Mitaka|Mitaka, Tokyo, Japan]] 2005)
*"the Reversible Destiny Lofts MITAKA – In Memory of Helen Keller ([[Mitaka, Tokyo|Mitaka, Tokyo, Japan]] 2005)
*"Bioscleave house - LIFESPAN EXTENDING VILLA ([[Northwest Harbor, New York|Northwest Harbor]], [[East Hampton (town), New York|East Hampton, Long Island, NY]], 2008)
*"Bioscleave house – LIFESPAN EXTENDING VILLA ([[Northwest Harbor, New York|Northwest Harbor]], [[East Hampton (town), New York|East Hampton, Long Island, NY]], 2008)
*"Biotopological Scale-Juggling Escalator (NYC, 2013/[[Dover Street Market]], New York, NY, [[Comme des Garçons]])
*"Biotopological Scale-Juggling Escalator (NYC, 2013/[[Dover Street Market]], New York, NY, [[Comme des Garçons]])


==Publications==
===Books by Arakawa and Gins===
===Books by Madeline Gins===
*''Making Dying Illegal, Architecture Against Death: Original to the 21st Century.'' (in collaboration with Arakawa). New York: Roof Books, 2006 ISBN 978-1-931824-22-4; Tokyo: Shunjusha, 2007.
*''The Saddest Thing Is That I Have Had to Use Words''. Edited by Lucy Ives. Catskill, NY: Siglio Press, 2020. {{ISBN|978-1-938221-24-8}}
*''Le Corps Architectural'' (in collaboration with Arakawa). Paris: Editions Manucius, 2005 ISBN 978-2-84578-049-1.
*''Helen Keller or Arakawa.'' Santa Fe, NM: Burning Books with East/West Cultural Studies, 1994. {{ISBN|978-0-936050-11-9}}
*''Architectural Body'' (in collaboration with Arakawa). Tuscaloosa: University of Alabama Press, 2002 ISBN 978-0-8173-1168-1.
*''Helen Keller ou Arakawa. Portrait de l'artiste en jeune aveugle.'', Paris, Hermann, 2017, trans. Marie-Dominique Garnier, pref. Jean-Michel Rabaté.
*''Reversible Destiny: We Have Decided Not to Die'' (in collaboration with Arakawa), Guggenheim Catalog, New York: Abrams, Inc. (1997) ISBN 0-8109-6902-5.
*''What the President Will Say and Do!!'' Barrytown, NY: Station Hill Press, 1984. {{ISBN|0-930794-92-3}}
*''ARCHITECTURE: Sites of Reversible Destiny'' (Architectural Experiments after Auschwitz-Hiroshima) (in collaboration with Arakawa). London: Academy Editions (1994) ISBN 1-85490-279-2.
*''Intend''. Bologna: Tau/ma, 1973.
*''Helen Keller or Arakawa.'' Santa Fe: Burning Books with East/West Cultural Studies (1994) ISBN 978-0-936050-11-9.
*''Word Rain (or A Discursive Introduction to the Philosophical Investigation of G,R,E,T,A, G,A,R,B,O, It Says)''. New York: Grossman Publishers, 1969.
*''Pour ne pas mourir. To Not To Die'' (in collaboration with Arakawa). Paris: Editions de la Différence (1987) ISBN 2-7291-0250-7.

*''What the President Will Say and Do!!'' Barrytown, NY: Station Hill Press (1984) ISBN 0-930794-92-3.

*''Mechanismus der Bedeutung. The Mechanism of Meaning'' (in collaboration with Arakawa; intro by Lawrence Alloway). Munich: Bruckmann (1971) ISBN 3-7654-1439-5; New York: Harry N. Abrams, Inc. (1979, 2nd edition) ISBN 0-8109-0667-8; New York: Abbeville Press (1988; 3rd edition) ISBN 0-89659-809-8.
===Books by Arakawa and Madeline Gins===
*''For Example (A Critique of Never)'' (in collaboration with Arakawa). Milan: Alessandra Castelli Press (1974)
*''Making Dying Illegal, Architecture Against Death: Original to the 21st Century''. New York: Roof Books, 2006 {{ISBN|978-1-931824-22-4}}; Tokyo: Shunjusha, 2007.
*''Intend''. Bologna: Tau/ma (1973)
*''Le Corps Architectural''. Paris: Editions Manucius, 2005 {{ISBN|978-2-84578-049-1}}
*''Word Rain (or A Discursive Introduction to the Philosophical Investigation of G,R,E,T,A, G,A,R,B,O, It Says)''. New York: Grossman/Viking (1969)
*''Architectural Body''. Tuscaloosa, AL: University of Alabama Press, 2002 {{ISBN|978-0-8173-1168-1}}
*''Reversible Destiny: We Have Decided Not to Die''. New York: Abrams, Inc., 1997, {{ISBN|0-8109-6902-5}}
*''ARCHITECTURE: Sites of Reversible Destiny: Architectural Experiments after Auschwitz-Hiroshima''. London: Academy Editions, 1994. {{ISBN|1-85490-279-2}}
*''Pour ne pas mourir. To Not To Die''. Paris: Editions de la différence, 1987. {{ISBN|2-7291-0250-7}}
*''Mechanismus der Bedeutung. The Mechanism of Meaning''. Introduction by Lawrence Alloway. Munich: Bruckmann, 1971 {{ISBN|3-7654-1439-5}}; New York: Harry N. Abrams, Inc., 1979, 2nd edition {{ISBN|0-8109-0667-8}}; New York: Abbeville Press, 1988, 3rd edition. {{ISBN|0-89659-809-8}}
*''For Example (A Critique of Never)''. Milan: Alessandra Castelli Press, 1974.


===Essays by Gins===
===Essays by Gins===
{{lacking ISBN|section|date=January 2014}}
{{lacking ISBN|section|date=January 2014}}
*'“The Architectural Body – Landing Sites” (in collaboration with Arakawa), ''Space in America: Theory History Culture'' (eds Benesch, Klaus; Schmidt, Kerstein; Fall 2005) ISBN 978-0-8173-1169-8
*'"The Architectural Body – Landing Sites" (in collaboration with Arakawa), ''Space in America: Theory History Culture'' (eds Benesch, Klaus; Schmidt, Kerstein; Fall 2005) {{ISBN|978-0-8173-1169-8}}
*'“LIVING BODY Museum”, ''Cities Without Citizens'' (2003), pp.&nbsp;243–57 ISBN 978-0-9714848-4-9
*'"LIVING BODY Museum", ''Cities Without Citizens'' (2003), pp.&nbsp;243–57 {{ISBN|978-0-9714848-4-9}}
*'“Gifu-Reversible Destiny” (in collaboration with Arakawa), ''Architectural Design, Games of Architecture'' (1996), pp.&nbsp;27–35
*'"Gifu-Reversible Destiny" (in collaboration with Arakawa), ''Architectural Design, Games of Architecture'' (1996), pp.&nbsp;27–35
*'“Housing Complexity” (in collaboration with Arakawa), ''Journal of Philosophy and the Visual Arts, No. 6'' (1995), pp.&nbsp;88–95
*'"Housing Complexity" (in collaboration with Arakawa), ''Journal of Philosophy and the Visual Arts, No. 6'' (1995), pp.&nbsp;88–95
*'"Landing Sites/The End of Spacetime" (in collaboration with Arakawa), ''Art and Design'' (May–June 1993)
*'"Landing Sites/The End of Spacetime" (in collaboration with Arakawa), ''Art and Design'' (May–June 1993)
*'"Person as Site in Respect to a Tentative Constructed Plan" (in collaboration with Arakawa). ''ANYWHERE (1992), pp. 54–67
*'"Person as Site in Respect to a Tentative Constructed Plan" (in collaboration with Arakawa). ''ANYWHERE (1992), pp. 54–67
Line 81: Line 91:
*'"The Process in Question," Critical Relations. Highgate Art Trust, (editor) Joan Burns, Williamstown, Massachusetts (1989)
*'"The Process in Question," Critical Relations. Highgate Art Trust, (editor) Joan Burns, Williamstown, Massachusetts (1989)
*'"To Return To!" (in collaboration with Arakawa), Marcel Duchamp and the Avant-Garde Since 1950. Köln: Ludwig Museum (1988)
*'"To Return To!" (in collaboration with Arakawa), Marcel Duchamp and the Avant-Garde Since 1950. Köln: Ludwig Museum (1988)
*'[https://books.google.com/books?id=oiRQAQAAIAAJ&q=Essay+on+Multi-Dimensional+Architecture+MADELINE+GINS&dq=Essay+on+Multi-Dimensional+Architecture+MADELINE+GINS&hl=en&sa=X&ei=2dCEVPy7OYScNqHcg-AN&ved=0CCsQ6AEwAA Essay on Multi-Dimensional Architecture]" (selections published in Boundary 2, Fall 1985/Winter 1986, and Pratt Architectural Journal, Spring 1988)
*'Essay on Multi-Dimensional Architecture" (selections published in Boundary 2, Fall 1985/Winter 1986, and Pratt Architectural Journal, Spring 1988)
*'"[https://books.google.com/books?id=s6hPAAAAMAAJ&q=Arakawa%27s+The+Sharing+of+Nameless&dq=Arakawa%27s+The+Sharing+of+Nameless&hl=en&sa=X&ei=hNCEVPTdNoGZgwTOoIPACg&ved=0CB8Q6AEwAA Forum: Arakawa's The Sharing of Nameless, 1982-83]," DRAWING, Jan.-Feb. 1985, pp.&nbsp;103–04
*'"Forum: Arakawa's The Sharing of Nameless, 1982–83," DRAWING, Jan.-Feb. 1985, pp.&nbsp;103–04




==About Arakawa and Gins==

===Books===
*''Architecture and Philosophy: New Perspectives on the Work of Arakawa & Madeline Gins.'' Architecture - Technology - Culture. Jean-Jacques Lecercle and Françoise Kral, Amsterdam: Rodopi, 2010 ISBN 978-90-420-3189-0.
*''On Architecture,'' Fred Rush, New York: Routledge, 2009., pp.&nbsp;47–52 ISBN 978-0-415-39618-9.
*''Bodies in Code: Interfaces with Digital Media,'' Mark B. N. Hansen, CRC Press, 2006. pp.&nbsp;183–191, 219-220 ISBN 978-0-203-94239-0; New York, London: Routledge, 2006 ISBN 0-415-97016-4.
*''Architectures of Poetry,'' María Eugenia Díaz Sánchez, Craig Douglas Dworkin, Rodopi, 2004, pp.&nbsp;77–89 ISBN 90-420-1892-5.
*''Reimagining Textuality: Textual Studies in the Late Age of Print,'' ed. Elizabeth Bergmann Loizeaux and Neil Fraistat. Madison, Wis.: University of Wisconsin Press, 2002, pp.&nbsp;123–48, 178-85 ISBN 0-299-17380-1.

==Reviews==
*Charles Bernstein, "What Happens When the Artists Drops Away", [http://hyperallergic.com/124845/what-happens-when-the-artist-drops-away-the-legacy-of-arakawa-and-gins/ Hyperallergic, May 11, 2014]
*Andrew Levy. "Biotopology with No Annual Fee", New York: ON: Contemporary Practice (2008), pp.&nbsp;65–77.
*[[Daniel Ross (philosopher)|Daniel Ross]], [http://reconstruction.eserver.org/112/Ross.shtml "Passages to Immortality: Arakawa and Gins, Stiegler, and September 11"], ''Reconstruction'' (November 2, 2011)
*Jean-Francois Lyotard. ''Que Peindre?'', Adami, Arakawa, Buren. Paris: Hermann Editeurs (2008)
*R. Klanten, L. Feireiss. Eds. Strike a Pose: Eccentric Architecture and Spectacular Spaces (September 2008)
*Jondi Keane and Evan Selinger. “Architecture and *'Philosophy: Refelections on Arakawa and Gins”. Footprint (Autumn 2008)
*Fred Bernstein. “A House Not for Mere Mortals”, ''New York Times'' (April 2008)
*'J. Keane. “Exert Yourself in Wholly Other Ways”, ''Kerb'' (2007–08)
*'J. Keane. “Situating Situatedness through Æffect and the Architectural Body of Arakawa and Gins”, ''Janus Head'', (Winter/Spring Issue 2007, 9.2), pp.&nbsp;437–57
*''Florentine Sack. Open House: Towards a New Architecture'' (2006), pp.&nbsp;131–43
*"Design Innovation House: Reversible Destiny Lofts", ''Archiworld'' (2006)
*Mari Hashimoto. “How to Live in Reversible Destiny Lofts with Directions for Use”, ''Casa Brutus'' (February 2006)
*'Yoshihio Sano. “The trial to cross-over”, ''Japan Architect'' (February 2006)
*Lawrence B. Nagy. “Parcours vita a domicile”, ''Le Monde'' (February 26, 2006)
*Tomoko Otake. "Home sweet: 'death-defying' condo homes", ''The Japan Times'' (January 15, 2006)
*Takeshi Matsuda. “Closeup: Building a Residence with Tubes, Spheres and Cubes”, ''Nikkei Architecture'' (May 2, 2005)
*Joel David Robinson. “From Clockwork Bodies to Reversible Destinies (On the Architectural Experiments of Arakawa and Gins)”, ''Art Papers'' (March/April 2005)
*Lisa Licitra Ponti. “Arakawa + Gins. Living Bodies”, ''Domus 879'' (March 2005)
*Susan Stewart. “On the Art of the Future.” The Chicago Review (Winter 2004-05)
*Karen MacCormack. “Mutual Labyrinth: A Proposal of Exchange”, ''Architectures of Poetry'' (eds. Dworkin, Craig Douglas; Díaz Sanchez, María Eugenia). Amsterdam: Rodopi, 2004
*'Michel Delville. “How Not to Die in Venice: The Art of Arakawa and Madeline Gins”, ''Architectures of Poetry'' (eds Dworkin, Díaz Sanchez). Amsterdam: Rodopi, 2004
*'Michelle Delville. “How Not to Die in Venice: The Art of Arakawa and Madeline Gins” Reading the Illegible (Avant-Garde and Modernism Studies (editor C. Dworkin), Northwestern University Press, Chicago, Illinois (2003)
*David Kolb. Review of Architectural Body. Continental Philosophy Review, 2003
*Patrick Pardo. “Regarding the Lives of Human Snails: Arakawa/Gins and the Architectural Body”, ''Daily NY Arts Newsletter'', May 15, 2003, p.&nbsp;1
*Aaron Kunin. “Stay Alive: Gins and Arakawa vs. The Grim Reaper”, ''The Village Voice'' (January 15–21, 2003)
*Joel David Robinson. Review of Architectural Body. ''Parachute'' (April 5, 2003)
*Geraldine McKenzie. Review of Architectural Body. ''How2'' (Spring 2003)
*Jean-Michel Rabaté, ed. “Architecture Against Death Architecture” ''Interfaces (21-22) A + G'' (Special Double Issue, Fall 2003)
*'Mary Ann Caws. “Taking Textual Time” Reimagining Textuality: Textual Studies in the Late Age of Print (ed. Loizeaux, Elizabeth Bergmann; Fraistat, Neil). University of Wisconsin Press (2002)
*Charles Bernstein. "Every Which Way But Loose" Reimagining Textuality: Textual Studies in the Late Age of Print (ed. Loizeaux, Elizabeth Bergmann; Fraistat, Neil). University of Wisconsin Press (2002)
*Arthur C. Danto. “Arakawa-Gins”, ''The Nation'' (August 11–18, 1997), pp.&nbsp;31–34; reprinted in 2000 in ''The Madonna of the Future: Essays in a Pluralistic Art World'', New York: Farrar, Straus and Giroux (2000), pp.&nbsp;265–272
*'Samira Kawash. “Bodies at Risk- The Architecture of Reversible Destiny”, ''PAJ 59'' (1998), pp.&nbsp;17–27
*'Tom McEvilley. “Arakawa and Gins at the Guggenheim Soho”, ''Art in America'' (January 1998), pp.&nbsp;100–01
*Mark Amerika. "Astrophysical Grammatology - Helen Keller or Arakawa", ''American Book Review'', February–March 1996, Vol. 17, No. 3, p.&nbsp;18
*Gendai Shiso. ''The Journal of Contemporary Thought'', Tokyo (August 1996, devoted to the work of Arakawa/Gins)
*Serge Gavronsky. “Dot Lamour”, ''Witz, A Journal of Contemporary Poetics'', Winter 1994, Volume III, No. 1
*'Mary Ann Caws. “Madeline Gins- Helen Keller or Arakawa.” Journal of Philosophy and the Visual Arts, no. 6, Complexity, 1995, p.&nbsp;96
*Charles Bernstein and Susan Bee, "Meaning the Meaning: Arakawa's Critique of Space." Content's Dream: Essays 1975-1984, Sun & Moon Press; 184-195
*'Robert Creeley. ''"Someplace Enormously Moveable" - The Collaboration of Arakawa and Madeline Gins'', ''Art Forum'', Vol. 18 (Summer 1980), pp.&nbsp;60–65.

==See also==
* [[Shusaku Arakawa]]
* [[Reversible destiny|Reversible Destiny Foundation]]
* [[Nagi Museum Of Contemporary Art]]


==References==
==References==
{{Reflist}}
{{Reflist}}

==Further reading==
*''Architecture and Philosophy: New Perspectives on the Work of Arakawa & Madeline Gins.'' Architecture – Technology – Culture. Jean-Jacques Lecercle and Françoise Kral, Amsterdam: Rodopi, 2010 {{ISBN|978-90-420-3189-0}}.
*''On Architecture,'' Fred Rush, New York: Routledge, 2009., pp.&nbsp;47–52 {{ISBN|978-0-415-39618-9}}.
*''Bodies in Code: Interfaces with Digital Media,'' Mark B. N. Hansen, CRC Press, 2006. pp.&nbsp;183–191, 219–220 {{ISBN|978-0-203-94239-0}}; New York, London: Routledge, 2006 {{ISBN|0-415-97016-4}}.
*''Architectures of Poetry,'' María Eugenia Díaz Sánchez, Craig Douglas Dworkin, Rodopi, 2004, pp.&nbsp;77–89 {{ISBN|90-420-1892-5}}.
*''Reimagining Textuality: Textual Studies in the Late Age of Print,'' ed. Elizabeth Bergmann Loizeaux and Neil Fraistat. Madison, Wis.: University of Wisconsin Press, 2002, pp.&nbsp;123–48, 178–85 {{ISBN|0-299-17380-1}}.


==External links==
==External links==
*[http://www.architizer.com/en_us/blog/dyn/48565/seeking-immortality-consult-reversible-destiny/#.UJq7QGl25wI "Seeking Immortality? Consult Reversible Destiny!"], Architizer.com; August 29, 2012; accessed January 15, 2014
*[http://www.architizer.com/en_us/blog/dyn/48565/seeking-immortality-consult-reversible-destiny/ "Seeking Immortality? Consult Reversible Destiny!"], Architizer.com; August 29, 2012. Retrieved January 15, 2014
*[http://www.reversibledestiny.org/abrf.php Reversible Destiny Foundation website]; accessed January 15, 2014
*[https://web.archive.org/web/20070731151538/http://www.reversibledestiny.org/abrf.php Reversible Destiny Foundation website]. Retrieved January 15, 2014
*[http://writing.upenn.edu/pennsound/x/Gins.php PennSound page: readings and interviews]; accessed January 15, 2014
*[http://writing.upenn.edu/pennsound/x/Gins.php PennSound page: readings and interviews]. Retrieved January 15, 2014
*[https://www.nytimes.com/2008/04/03/garden/03destiny.html?_r=2&oref=slogin&oref=slogin A House Not for Mere Mortals], ''New York Times'', April 3, 2008
*[https://www.nytimes.com/2008/04/03/garden/03destiny.html?_r=2&oref=slogin&oref=slogin A House Not for Mere Mortals], ''The New York Times'', April 3, 2008
*[http://www.yoro-park.com/e/rev/ Site of Reversible Destiny], yoro-park.com; accessed January 15, 2014.
*[https://web.archive.org/web/20070913103655/http://www.yoro-park.com/e/rev/ Site of Reversible Destiny], yoro-park.com. Retrieved January 15, 2014.
*[http://www.artnet.com/artist/18673/shusaku-arakawa.html Gallery], artnet.com; accessed January 15, 2014.
*[http://www.artnet.com/artist/18673/shusaku-arakawa.html Gallery], artnet.com. Retrieved January 15, 2014.
*[http://www.askart.com/AskART/artists/search/ArtistKeywords.aspx?searchtype=KEYWORDS&artist=78954 Facts and reference at askart.com]; accessed January 15, 2014
*[http://www.askart.com/AskART/artists/search/ArtistKeywords.aspx?searchtype=KEYWORDS&artist=78954 Facts and reference at askart.com]. Retrieved January 15, 2014
*[http://www.artfacts.net/index.php/pageType/artistInfo/artist/10549 Reference at artfacts.net]; accessed January 15, 2014
*[http://www.artfacts.net/index.php/pageType/artistInfo/artist/10549 Reference at artfacts.net]. Retrieved January 15, 2014

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Latest revision as of 19:27, 18 August 2023

Madeline Gins
Madeline Gins in 2009
Born
Madeline Helen Gins

(1941-11-07)November 7, 1941
New York City, U.S.
DiedJanuary 8, 2014(2014-01-08) (aged 72)
New York City, U.S.
Alma materBarnard College
Known forArtist, architect, poet
SpouseShusaku Arakawa
Websitewww.reversibledestiny.org

Madeline Helen Arakawa Gins (November 7, 1941 – January 8, 2014) was an American artist, architect, and poet.

Early life and education

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Gins was born in New York City, November 7, 1941, and raised on Long Island, in the village of Island Park. She studied physics and Eastern philosophy at Barnard College.[1]

Career

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Gins met her partner and husband, artist Shusaku Arakawa, in 1963, while studying painting at the Brooklyn Museum Art School. One of their earlier collaborations, "The Mechanism of Meaning", was shown in its entirety at the 1997 Guggenheim exhibition, Arakawa/Gins – Reversible Destiny/We Have Decided Not to Die.

In 1987, as a means of financing the design and construction of works of architecture (that draw on The Mechanism of Meaning), Arakawa and Gins founded the Reversible Destiny Foundation. The Foundation actively collaborates with practitioners in a wide range of disciplines including, experimental biology, neuroscience, quantum physics, experimental phenomenology, and medicine. Their architectural projects included residences (Bioscleave House (Lifespan Extending Villa), Reversible Destiny Lofts (In memory of Helen Keller) – Mitaka, Tokyo, Japan), parks (Site of Reversible Destiny-Yoro) and plans for housing complexes and neighborhoods (Reversible Destiny Fun House, BOOM-LGBT Community, Isle of Reversible Destiny-Venice and Isle of Reversible Destiny-Fukuoka, Sensorium City, Tokyo).[2]

She and Arakawa "lost their life savings" to the Bernie Madoff Ponzi scheme.[1][3]

Arakawa and Gins cofounded the Reversible Destiny Foundation, an organization dedicated to the use of architecture to extend the human lifespan. They co-authored books, including Reversible Destiny, which is the catalogue of their Guggenheim exhibition, Architectural Body (University of Alabama Press, 2002), and Making Dying Illegal (New York: Roof Books, 2006), and designed and built residences and parks, including the Reversible Destiny Lofts, Bioscleave House, and the Site of Reversible Destiny–Yoro. [citation needed]

Death

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On March 18, 2010, Arakawa died, after a week of hospitalization. Gins would not state the cause of death. "This mortality thing is bad news," she stated. She planned to redouble efforts to prove "aging can be outlawed."[4]

On January 8, 2014, Gins died of cancer at age 72.[5]

Architectural works by Arakawa and Gins

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Publications

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Books by Madeline Gins

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  • The Saddest Thing Is That I Have Had to Use Words. Edited by Lucy Ives. Catskill, NY: Siglio Press, 2020. ISBN 978-1-938221-24-8
  • Helen Keller or Arakawa. Santa Fe, NM: Burning Books with East/West Cultural Studies, 1994. ISBN 978-0-936050-11-9
  • Helen Keller ou Arakawa. Portrait de l'artiste en jeune aveugle., Paris, Hermann, 2017, trans. Marie-Dominique Garnier, pref. Jean-Michel Rabaté.
  • What the President Will Say and Do!! Barrytown, NY: Station Hill Press, 1984. ISBN 0-930794-92-3
  • Intend. Bologna: Tau/ma, 1973.
  • Word Rain (or A Discursive Introduction to the Philosophical Investigation of G,R,E,T,A, G,A,R,B,O, It Says). New York: Grossman Publishers, 1969.


Books by Arakawa and Madeline Gins

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  • Making Dying Illegal, Architecture Against Death: Original to the 21st Century. New York: Roof Books, 2006 ISBN 978-1-931824-22-4; Tokyo: Shunjusha, 2007.
  • Le Corps Architectural. Paris: Editions Manucius, 2005 ISBN 978-2-84578-049-1
  • Architectural Body. Tuscaloosa, AL: University of Alabama Press, 2002 ISBN 978-0-8173-1168-1
  • Reversible Destiny: We Have Decided Not to Die. New York: Abrams, Inc., 1997, ISBN 0-8109-6902-5
  • ARCHITECTURE: Sites of Reversible Destiny: Architectural Experiments after Auschwitz-Hiroshima. London: Academy Editions, 1994. ISBN 1-85490-279-2
  • Pour ne pas mourir. To Not To Die. Paris: Editions de la différence, 1987. ISBN 2-7291-0250-7
  • Mechanismus der Bedeutung. The Mechanism of Meaning. Introduction by Lawrence Alloway. Munich: Bruckmann, 1971 ISBN 3-7654-1439-5; New York: Harry N. Abrams, Inc., 1979, 2nd edition ISBN 0-8109-0667-8; New York: Abbeville Press, 1988, 3rd edition. ISBN 0-89659-809-8
  • For Example (A Critique of Never). Milan: Alessandra Castelli Press, 1974.

Essays by Gins

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  • '"The Architectural Body – Landing Sites" (in collaboration with Arakawa), Space in America: Theory History Culture (eds Benesch, Klaus; Schmidt, Kerstein; Fall 2005) ISBN 978-0-8173-1169-8
  • '"LIVING BODY Museum", Cities Without Citizens (2003), pp. 243–57 ISBN 978-0-9714848-4-9
  • '"Gifu-Reversible Destiny" (in collaboration with Arakawa), Architectural Design, Games of Architecture (1996), pp. 27–35
  • '"Housing Complexity" (in collaboration with Arakawa), Journal of Philosophy and the Visual Arts, No. 6 (1995), pp. 88–95
  • '"Landing Sites/The End of Spacetime" (in collaboration with Arakawa), Art and Design (May–June 1993)
  • '"Person as Site in Respect to a Tentative Constructed Plan" (in collaboration with Arakawa). ANYWHERE (1992), pp. 54–67
  • The Tentative Constructed Plan as Intervening Device for a Reversible Destiny (in collaboration with Arakawa) A+U: Architecture and Urbanism (December 1991), pp. 48–57.
  • '"The Process in Question," Critical Relations. Highgate Art Trust, (editor) Joan Burns, Williamstown, Massachusetts (1989)
  • '"To Return To!" (in collaboration with Arakawa), Marcel Duchamp and the Avant-Garde Since 1950. Köln: Ludwig Museum (1988)
  • 'Essay on Multi-Dimensional Architecture" (selections published in Boundary 2, Fall 1985/Winter 1986, and Pratt Architectural Journal, Spring 1988)
  • '"Forum: Arakawa's The Sharing of Nameless, 1982–83," DRAWING, Jan.-Feb. 1985, pp. 103–04

References

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  1. ^ a b "Madeline Gins – obituary". The Telegraph. March 18, 2014.
  2. ^ "Procedural Architecture". Archived from the original on July 2, 2014.
  3. ^ Efrati, Amir (March 24, 2009). "Couple's Dreams of Immortality at Death's Door, Thanks to Madoff: Artists Who Design Homes to Prolong Life Lost Their Life Savings; Undulating Floors". Retrieved March 21, 2017.
  4. ^ Berstein, Fred A. (March 20, 2010). "Arakawa, Whose Art Tried to Halt Aging, Dies at 73". The New York Times. Retrieved March 21, 2017.
  5. ^ "Madeline Arakawa Gins, Visionary Architect, Dies at 72", The New York Times, January 12, 2014. Retrieved January 23, 2014.

Further reading

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  • Architecture and Philosophy: New Perspectives on the Work of Arakawa & Madeline Gins. Architecture – Technology – Culture. Jean-Jacques Lecercle and Françoise Kral, Amsterdam: Rodopi, 2010 ISBN 978-90-420-3189-0.
  • On Architecture, Fred Rush, New York: Routledge, 2009., pp. 47–52 ISBN 978-0-415-39618-9.
  • Bodies in Code: Interfaces with Digital Media, Mark B. N. Hansen, CRC Press, 2006. pp. 183–191, 219–220 ISBN 978-0-203-94239-0; New York, London: Routledge, 2006 ISBN 0-415-97016-4.
  • Architectures of Poetry, María Eugenia Díaz Sánchez, Craig Douglas Dworkin, Rodopi, 2004, pp. 77–89 ISBN 90-420-1892-5.
  • Reimagining Textuality: Textual Studies in the Late Age of Print, ed. Elizabeth Bergmann Loizeaux and Neil Fraistat. Madison, Wis.: University of Wisconsin Press, 2002, pp. 123–48, 178–85 ISBN 0-299-17380-1.
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