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{{Infobox person |
{{Infobox person |
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| name = Patrick D. Flores |
| name = Patrick D. Flores |
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| image = Patrick_D._Flores_in_2015.png |
| image = Patrick_D._Flores_in_2015.png |
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| alt = |
| alt = |
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| caption = Patrick Flores (2015) |
| caption = Patrick Flores (2015) |
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| birth_name = |
| birth_name = |
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| birth_date = {{birth year and age|1969}} |
| birth_date = {{birth year and age|1969}} |
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| birth_place = [[ |
| birth_place = [[Iloilo, Philippines]] |
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| death_date = |
| death_date = |
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| death_place = |
| death_place = |
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| nationality = [[ |
| nationality = [[Philippines|Filipino]] |
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| other_names = |
| other_names = |
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| occupation = Art curator, critic, professor |
| occupation = Art curator, critic, professor |
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'''Patrick Duarte Flores''' ( |
'''Patrick Duarte Flores''' (Iloilo,1969) is a Filipino curator, critic, and professor.<ref>{{cite web |title=Patrick D. Flores |url=http://creativetime.org/summit/athens-2017/patrick-d-flores/ |website=Creative Time Summit |accessdate=20 May 2020}}</ref> Born in [[the Philippines]], he received degrees in humanities, art history, and Philippine studies at the [[University of the Philippines]] Diliman.<ref>{{cite web |last1=Black |first1=Kayo Chang |title=Patrick D. Flores Appointed Artistic Director of 2019 Singapore Biennale |url=http://artasiapacific.com/News/PatrickDFloresAppointedArtisticDirectorOf2019SingaporeBiennale |website=ArtAsiaPacific |date=May 7, 2018| |
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accessdate=June 11, 2020}}</ref> He is a professor of Art Studies in the Department of Art Studies at the University of the Philippines and curator of the [[Jorge B. Vargas Museum and Filipiniana Research Center|Vargas Museum]] in Manila. He was also a curator of the Arts Division, [[National Museum of the Philippines|Philippine National Museum]] and curator of the Philippine Pavilion at the [[Venice Biennale]] in 2015.<ref>{{cite web |title=Profile - Patrick D. Flores |url=https://www.jpf.go.jp/e/project/culture/archive/information/0507/patrick.html |website=Japan Foundation |accessdate=20 May 2020}}</ref><ref>{{cite magazine|last1=Tsai |first1=Sylvia |title=Salvage Operation: Patrick Flores |url=http://artasiapacific.com/Magazine/93/PatrickDFlores |magazine=[[ArtAsiaPacific]]|issue=93|date=May–June 2015| accessdate=20 May 2020}}</ref> He was the artistic director of the 2019 [[Singapore Biennale]].<ref>{{cite web |last1=Rappolt |first1=Mark |title=Singapore Biennale 2019: an interview with Patrick D. Flores |date=November 21, 2019|url=https://artreview.com/ara_winter_2019_interview_patrick_d_flores_singapore_biennale/ |website=Art Review |accessdate=June 11, 2020}}</ref> |
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==Published |
==Published works== |
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*''Painting History: Revisions in Philippine Colonial Art |
*''Painting History: Revisions in Philippine Colonial Art'' (Manila: [[University of the Philippines Press]], 1999) |
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*'' |
*''Crossings : Philippine works from the Singapore Art Museum'' ([[Singapore Art Museum]], 2004) |
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* ''Remarkable Collection: Art, History, and the National Museum'' (2006) |
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*''Past Peripheral: Curation in Southeast Asia |
*''Past Peripheral: Curation in Southeast Asia'' ([[NUS Museum]]/[[University of Michigan]], 2008) |
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*''Art After War, 1948-1969,'' (Manila: Modern Reader, 2015). |
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*''Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines |
*''Forming Lineage: The [[National Artist of the Philippines|National Artists]] for the Visual Arts of the University of the Philippines'' (Manila: University of the Philippines, 2008) |
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* ''The life and art of [[Francisco Coching]]'' (Manila: Vibal Publishing, 2010) |
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*''Crossings : Philippine works from the Singapore Art Museum,'' (Singapore Art Museum, 2004) |
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*''Art After War, 1948-1969'' (Manila: Modern Reader, 2015) |
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== References == |
== References == |
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{{DEFAULTSORT:Flores, Patrick D.}} |
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[[Category:Living people]] |
[[Category:Living people]] |
Latest revision as of 20:35, 12 September 2023
Patrick D. Flores | |
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Born | 1969 (age 54–55) |
Nationality | Filipino |
Occupation(s) | Art curator, critic, professor |
Notable work | Painting History: Revisions in Philippine Colonial Art |
Patrick Duarte Flores (Iloilo,1969) is a Filipino curator, critic, and professor.[1] Born in the Philippines, he received degrees in humanities, art history, and Philippine studies at the University of the Philippines Diliman.[2] He is a professor of Art Studies in the Department of Art Studies at the University of the Philippines and curator of the Vargas Museum in Manila. He was also a curator of the Arts Division, Philippine National Museum and curator of the Philippine Pavilion at the Venice Biennale in 2015.[3][4] He was the artistic director of the 2019 Singapore Biennale.[5]
Published works
[edit]- Painting History: Revisions in Philippine Colonial Art (Manila: University of the Philippines Press, 1999)
- Crossings : Philippine works from the Singapore Art Museum (Singapore Art Museum, 2004)
- Remarkable Collection: Art, History, and the National Museum (2006)
- Past Peripheral: Curation in Southeast Asia (NUS Museum/University of Michigan, 2008)
- Forming Lineage: The National Artists for the Visual Arts of the University of the Philippines (Manila: University of the Philippines, 2008)
- The life and art of Botong Francisco (Manila: Vibal Publishing, 2010)
- The life and art of Francisco Coching (Manila: Vibal Publishing, 2010)
- Art After War, 1948-1969 (Manila: Modern Reader, 2015)
- The Philippine Contemporary: Sa Pagitan Ng Mga Landas / To Scale the Past and the Possible (Metropolitan Museum of Manila, 2018)
References
[edit]- ^ "Patrick D. Flores". Creative Time Summit. Retrieved 20 May 2020.
- ^ Black, Kayo Chang (May 7, 2018). "Patrick D. Flores Appointed Artistic Director of 2019 Singapore Biennale". ArtAsiaPacific. Retrieved June 11, 2020.
- ^ "Profile - Patrick D. Flores". Japan Foundation. Retrieved 20 May 2020.
- ^ Tsai, Sylvia (May–June 2015). "Salvage Operation: Patrick Flores". ArtAsiaPacific. No. 93. Retrieved 20 May 2020.
- ^ Rappolt, Mark (November 21, 2019). "Singapore Biennale 2019: an interview with Patrick D. Flores". Art Review. Retrieved June 11, 2020.