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{{Short description|Métis Canadian artist}}
{{Infobox artist
{{Infobox artist
| name = David Hannan
| name = David Hannan
| birth_date = 1971
| birth_date = {{birth year and age|1971}}
| birth_place = Ottawa, Canada
| birth_place = [[Ottawa]], [[Ontario]], Canada
| known_for = Painting, sculpting, mixed media arts, installation
| known_for = Painter, sculptor, mixed media artist, installation artist
| nationality = Canadian/Métis
| nationality = Métis
| education = Ontario College of Art
| education = Ontario College of Art
}}
}}'''David Hannan''' (born 1971) is a [[Métis]] [[Canadians|Canadian]] who is a painter, sculptor, filmmaker, and a [[mixed media]] artist and currently lives in [[Toronto]], [[Canada]].<ref name=":0">{{Cite book|last=Everett, Deborah, 1951-|url=https://www.worldcat.org/oclc/328280157|title=Encyclopedia of Native American artists|date=2008|publisher=Greenwood Press|others=Zorn, Elayne.|isbn=978-0-313-08061-6|location=Westport, Conn.|oclc=328280157}}</ref> He graduated from the [[Ontario College of Art]] with a diploma in 1995.<ref name=":0" /><ref name=":1">{{Cite web|url=https://g101.ca/artists/david-hannan|title=David Hannan {{!}} www.g101.ca|website=g101.ca|access-date=2020-02-18}}</ref> Most of Hannan's work have been based around his cultural heritage, the history and events of indigenous rights, and the ideas change and metamorphosis.<ref name=":0" /><ref name=":2">{{Cite web|url=https://g101.ca/exhibits/allcreatures|title=ALLcreatures {{!}} www.g101.ca|website=g101.ca|access-date=2020-02-20}}</ref>
'''David Hannan''' (born 1971) is a [[Métis]] Canadian who is a painter, sculptor, filmmaker, and a [[mixed media]] artist and currently lives in [[Toronto]], [[Ontario]].<ref name=":0">{{Cite book|last=Everett, Deborah, 1951-|url=https://www.worldcat.org/oclc/328280157|title=Encyclopedia of Native American artists|date=2008|publisher=Greenwood Press|others=Zorn, Elayne.|isbn=978-0-313-08061-6|location=Westport, Conn.|oclc=328280157}}</ref> He graduated from the [[Ontario College of Art]] with a diploma in 1995.<ref name=":0" /><ref name=":1">{{Cite web|url=https://g101.ca/artists/david-hannan|title=David Hannan {{!}} www.g101.ca|website=g101.ca|access-date=2020-02-18}}</ref> Most of Hannan's work have been based around his cultural heritage, the history and events of indigenous rights, and the ideas change and metamorphosis.<ref name=":0" /><ref name=":2">{{Cite web|url=https://g101.ca/exhibits/allcreatures|title=ALLcreatures {{!}} www.g101.ca|website=g101.ca|access-date=2020-02-20}}</ref>


== Early Life and Education ==
== Early life and education ==
Hannan was born on the year 1971 in [[Ottawa]], [[Ontario]] to a mother with [[Miꞌkmaq]] and [[Algonquin people|Algonquin]] ancestry from and to a non-native father.<ref name=":0" /><ref name=":3">{{Cite web|url=https://ammsa.com/publications/ontario-birchbark/artist-says-no-life-it|title=Artist says no life like it|website=Ammsa.com|language=en|access-date=2020-03-03}}</ref> His maternal grandmother was a Mik'maq from [[Richibucto]], [[New Brunswick]], while his maternal grandfather was an Algonquin from [[northeastern Ontario]] who had once worked as a [[vaudeville]] performer.<ref name=":3" /> Due to his father's work at a survey company, he often stayed with his maternal grandmother for months intermittently who encouraged his interest in art and provided him the supplies and drawing materials.<ref name=":0" /> Hannan has a brother who works in the computer field but was a former photographer.<ref name=":3" />
Hannan was born in 1971 in [[Ottawa]], [[Ontario]], to a mother with [[Miꞌkmaq]] and [[Algonquin people|Algonquin]] ancestry from and to a non-native father.<ref name=":0" /><ref name=":3">{{Cite web|url=https://ammsa.com/publications/ontario-birchbark/artist-says-no-life-it|title=Artist says no life like it|website=Ammsa.com|language=en|access-date=2020-03-03}}</ref> His maternal grandmother was a Mik'maq from [[Richibucto]], [[New Brunswick]], while his maternal grandfather was an Algonquin from [[northeastern Ontario]] who had once worked as a [[vaudeville]] performer.<ref name=":3" /> Due to his father's work at a survey company, he often stayed with his maternal grandmother for months intermittently who encouraged his interest in art and provided him the supplies and drawing materials.<ref name=":0" /> Hannan has a brother who works in the computer field but was a former photographer.<ref name=":3" />


=== Education ===
=== Education ===
Line 16: Line 18:
== Career ==
== Career ==


=== Early Paintings ===
=== Early paintings ===
Shortly after receiving his degree, Hannan became a painter and created images with the style of a collage making use of family photos in his work. His early work in this style suggested one of two themes, two of his works, ''Camping Stories'' and ''At the Cottage,'' suggest a more happy and relaxing time, two other images on the other hand, ''Broken Man'' and ''Untitled (Crossfire)'', represent times of hardship.<ref name=":0" /> Most of Hannan's paintings are multi-media works incorporate his Métis background by containing pieces of Melton cloth, a material with significant ties to the first contact between Europeans and First Nations peoples.<ref name=":0" /><ref>{{Cite web|url=http://www.textilemuseum.ca/exhibitions/past-exhibitions/comfort-zones-textiles-in-the-canadian-landscape|title=TMC Past Exhibitions|website=Textile Museum of Canada|access-date=2020-02-18}}</ref> In 2000 Hannan created works based on [[Louis Riel]],<ref name=":0" /> a controversial historical figure in Canada due to his actions during the [[Red River Rebellion]] and [[North-West Rebellion]].
Shortly after receiving his degree, Hannan became a painter and created images with the style of a collage making use of family photos in his work. His early work in this style suggested one of two themes, two of his works, ''Camping Stories'' and ''At the Cottage,'' suggest a more happy and relaxing time, two other images on the other hand, ''Broken Man'' and ''Untitled (Crossfire)'', represent times of hardship.<ref name=":0" /> Most of Hannan's paintings are multi-media works incorporate his Métis background by containing pieces of Melton cloth, a material with significant ties to the first contact between Europeans and First Nations peoples.<ref name=":0" /><ref>{{Cite web|url=http://www.textilemuseum.ca/exhibitions/past-exhibitions/comfort-zones-textiles-in-the-canadian-landscape|title=TMC Past Exhibitions|website=Textile Museum of Canada|access-date=2020-02-18}}</ref> In 2000 Hannan created works based on [[Louis Riel]],<ref name=":0" /> a controversial historical figure in Canada due to his actions during the [[Red River Rebellion]] and [[North-West Rebellion]].


Line 23: Line 25:


=== Puppeteer ===
=== Puppeteer ===
Hannan was employed by Waterwood Theater Projects based in Toronto some time in 2003. Hannan and Dan Wood (A long time collaborator with Waterwood Theater Proejects) worked together to write, build, rehearsed and preformed a puppet show which did not carry any of Hannan's previous themes from his culture.<ref name=":3" /> Hannan, during an interview in 2003, believed that he did not need to be pegged down to having to work strictly on Native themes as a Native artist.<ref name=":3" />
Hannan was employed by Waterwood Theater Projects based in Toronto some time in 2003. Hannan and Dan Wood (A long time collaborator with Waterwood Theater Projects) worked together to write, build, rehearsed and performed a puppet show which did not carry any of Hannan's previous themes from his culture.<ref name=":3" /> Hannan, during an interview in 2003, believed that he did not need to be pegged down to having to work strictly on Native themes as a Native artist.<ref name=":3" />


== Artworks/Exhibitions ==
== Artworks and exhibitions ==


=== 50 Cents - Return to Batoche ===
=== 50 Cents - Return to Batoche ===
In 2003 Hannan had designed a new sterling silver 50-cent coin for Canada and was engraved by Hannan, [[Dora de Pedery-Hunt|Dora de Pédery Hunt]], and Stan Witten.<ref name=":4">{{Cite web|url=https://en.numista.com/catalogue/pieces167497.html|title=50 Cents - Return to Batoche Saskatchewan|last=|first=|date=|website=Numista|url-status=live|archive-url=|archive-date=|access-date=2020-03-03}}</ref> The coin was revealed in the summer in [[Batoche, Saskatchewan|Batoche]] of that year to the public and was made to honor the Métis festival which was held in Batoche every year.<ref>{{Cite web|url=https://ammsa.com/publications/saskatchewan-sage/coin-celebrates-festival|title=Coin celebrates festival|website=Ammsa.com|language=en|access-date=2020-03-03}}</ref> The obverse side of the coin featured an engraving of [[Elizabeth II]] with the word Canada at the top, Elizabeth II at the bottom, and to the side of the engraving of Elizabeth II said 50 cents.<ref name=":4" /> The reverse side had the lettering, [[Saskatchewan]] 2003 Saskatchewan.<ref name=":4" />
In 2003 Hannan had designed a new sterling silver 50-cent coin for Canada and was engraved by Hannan, [[Dora de Pedery-Hunt|Dora de Pédery Hunt]], and [[Stan Witten]].<ref name=":4">{{Cite web|url=https://en.numista.com/catalogue/pieces167497.html|title=50 Cents - Return to Batoche Saskatchewan|last=|first=|date=|website=Numista|archive-url=|archive-date=|access-date=2020-03-03}}</ref> The coin was revealed in the summer in [[Batoche, Saskatchewan|Batoche]] of that year to the public and was made to honor the Métis festival which was held in Batoche every year.<ref>{{Cite web|url=https://ammsa.com/publications/saskatchewan-sage/coin-celebrates-festival|title=Coin celebrates festival|website=Ammsa.com|language=en|access-date=2020-03-03}}</ref> The obverse side of the coin featured an engraving of [[Elizabeth II]] with the word Canada at the top, Elizabeth II at the bottom, and to the side of the engraving of Elizabeth II said 50 cents.<ref name=":4" /> The reverse side had the lettering, [[Saskatchewan]] 2003 Saskatchewan.<ref name=":4" />


=== ''ALL''creatures ===
=== ''ALL''creatures ===
One of Hannan's exhibitions which opened in October 19, 2006 to November 18, 2006 in Ottawa, Canada at Artists' Centre D'Artistes Ottawa Inc.(Gallery 101) called ''ALLcreatures.'' It had featured a [[taxidermy]] like installation sculpture called ''Hunt and the hunted'',<ref name=":0" /><ref name=":2" /> made using packing tape and created life sized deer and coyotes that were hollow, which were attached to one another and were suspended from a ceiling with a light emanating from the center of the ceiling where the sculpture was suspended from causing the coyotes and deer to look see through. The installation artwork Hannan created deals with the ideas of death and transcendence with how the piece hangs from the ceiling with hollow and see through animals.<ref name=":2" />
One of Hannan's exhibitions which opened in October 19, 2006, to November 18, 2006, in Ottawa, Canada at Artists' Centre D'Artistes Ottawa Inc.(Gallery 101) called ''ALLcreatures.'' It had featured a [[taxidermy]] like installation sculpture called ''Hunt and the hunted'',<ref name=":0" /><ref name=":2" /> made using packing tape and created life sized deer and coyotes that were hollow, which were attached to one another and were suspended from a ceiling with a light emanating from the center of the ceiling where the sculpture was suspended from causing the coyotes and deer to look see through. The installation artwork Hannan created deals with the ideas of death and transcendence with how the piece hangs from the ceiling with hollow and see through animals.<ref name=":2" />


=== ''Faunamorphic'' ===
=== ''Faunamorphic'' ===
''Faunamorphic'' was one of Hannan's exhibitions which was open from July 3 to August 15, 2019 in the [[Art Gallery of Southwestern Manitoba]], in [[Brandon, Manitoba]].<ref name=":5">{{Cite web|url=https://www.gallerieswest.ca/reviews/david-hannan%2C-%22faunamorphic%2C%22-july-3-to-august-15%2C-2009%2C-art-gallery-of-southwestern-manitoba%2C-brandon/|title=DAVID HANNAN, "Faunamorphic," July 3 to August 15, 2009, Art Gallery of Southwestern Manitoba, Brandon|last=Nelson|first=Diane|date=2009-04-30|website=Galleries West|language=en-ca|access-date=2020-03-03}}</ref> The pieces displayed in ''Faunamorphic'' were either sculptures or paintings of animals with contorted or distorted features.<ref name=":5" /> A wolves thigh of one of the pieces displayed is detailed well with its muscle tone however, the thigh is distorted and entwines upwards and transforms into something that is neither human or animal.<ref name=":5" /> Hannan mentioned that the artworks deal with his traditional heritage with the perspective of his urban sensibility, however he does not know what exactly his works are transforming into, it was also his first work that used wolves, in past works he had generally only used deer and coyotes which are more prevalent in Toronto.<ref name=":5" />
''Faunamorphic'' was one of Hannan's exhibitions which was open from July 3 to August 15, 2019, in the [[Art Gallery of Southwestern Manitoba]], in [[Brandon, Manitoba]].<ref name=":5">{{Cite web|url=https://www.gallerieswest.ca/reviews/david-hannan%2C-%22faunamorphic%2C%22-july-3-to-august-15%2C-2009%2C-art-gallery-of-southwestern-manitoba%2C-brandon/|title=DAVID HANNAN, "Faunamorphic," July 3 to August 15, 2009, Art Gallery of Southwestern Manitoba, Brandon|last=Nelson|first=Diane|date=2009-04-30|website=Galleries West|language=en-ca|access-date=2020-03-03}}</ref> The pieces displayed in ''Faunamorphic'' were either sculptures or paintings of animals with contorted or distorted features.<ref name=":5" /> A wolves thigh of one of the pieces displayed is detailed well with its muscle tone however, the thigh is distorted and entwines upwards and transforms into something that is neither human or animal.<ref name=":5" /> Hannan mentioned that the artworks deal with his traditional heritage with the perspective of his urban sensibility, however he does not know what exactly his works are transforming into, it was also his first work that used wolves, in past works he had generally only used deer and coyotes which are more prevalent in Toronto.<ref name=":5" />


==== ''Untitled, 2004'' and ''Untitled, 2009'' ====
==== ''Untitled, 2004'' and ''Untitled, 2009'' ====
Line 40: Line 42:


==== ''Pile, 2009'' ====
==== ''Pile, 2009'' ====
''Pile,'' featured in ''Faunamorphic'', uses taxidermy deer-head forms that had been aged and arranged into a delicate stack, the outside of the artificial heads have corrosion while in the inside there is small green stems on the inside referencing the idea of outside decay and internal .<ref name=":5" />
''Pile,'' featured in ''Faunamorphic'', uses taxidermy deer-head forms that had been aged and arranged into a delicate stack, the outside of the artificial heads have corrosion while in the inside there is small green stems on the inside referencing the idea of outside decay and internal.<ref name=":5" />


== List of Exhibitions ==
== List of exhibitions ==


====== Solo Exhibitions ======
=== Solo exhibitions ===
"DOUBLEcurve", [[Thunder Bay Art Gallery]], [[Thunder Bay]], 2005 <ref name=":1" />
"DOUBLEcurve", [[Thunder Bay Art Gallery]], [[Thunder Bay]], 2005 <ref name=":1" />


Line 55: Line 57:
"Hidden Heroes", Gallery 101, [[Ottawa]], 1998.<ref name=":1" />
"Hidden Heroes", Gallery 101, [[Ottawa]], 1998.<ref name=":1" />


====== Group Exhibitions ======
=== Group exhibitions ===
"Remix: New Modernities in a Post Indian World", Heard Museum, Phoenix, 2007 <ref name=":1" />
"Remix: New Modernities in a Post Indian World", [[Heard Museum]], [[Phoenix, Arizona|Phoenix]], 2007 <ref name=":1" />


"Everyday Light", Thunder Bay Art Gallery, Thunder Bay, 2005 <ref name=":1" />
"Everyday Light", [[Thunder Bay Art Gallery]], [[Thunder Bay]], 2005 <ref name=":1" />


"Transitions", Taipei Fine Arts Museum, 1999, Waikato Museum of Art, Hamilton, New Zealand, 1997, and the Canadian Cultural Centre at the Canadian Embassy, Paris, 1997 <ref name=":1" />
"Transitions", Taipei Fine Arts Museum, 1999, [[Waikato Museum|Waikato Museum of Art]], [[Hamilton, New Zealand|Hamilton]], [[New Zealand]], 1997, and the Canadian Cultural Centre at the Canadian Embassy, [[Paris]], 1997 <ref name=":1" />


"Traces of Colour", McMichael Canadian Art Collection, Kleinburg, 2001 <ref name=":1" />
"Traces of Colour", [[McMichael Canadian Art Collection]], [[Kleinburg]], 2001 <ref name=":1" />


"Comfort Zones: textiles in the Canadian landscape", Textile Museum of Canada, Toronto, 2001 <ref name=":1" />
"Comfort Zones: textiles in the Canadian landscape", [[Textile Museum of Canada]], [[Toronto]], 2001 <ref name=":1" />


"Rielisms", The Winnipeg Art Gallery, Winnipeg, and The Dunlop Gallery, Regina, 2001.<ref name=":1" />
"Rielisms", The Winnipeg Art Gallery, [[Winnipeg]], and The Dunlop Gallery, [[Regina, Saskatchewan|Regina]], 2001.<ref name=":1" />

⚫
== References ==
{{Reflist}}


== External links ==
== External links ==

* [http://www.davidhannan.ca/ Official Website]
* [http://www.davidhannan.ca/ Official Website]


{{DEFAULTSORT:Hannan, David}}
⚫
== References ==
[[Category:1971 births]]
<references />
[[Category:Living people]]

[[Category:Artists from Ottawa]]
{{Uncategorized|date=March 2020}}
[[Category:Artists from Toronto]]
[[Category:Canadian male painters]]
[[Category:Canadian male sculptors]]
[[Category:Canadian multimedia artists]]
[[Category:Canadian video artists]]
[[Category:Métis sculptors]]
[[Category:OCAD University alumni]]
[[Category:20th-century Canadian painters]]
[[Category:20th-century Canadian sculptors]]
[[Category:20th-century Canadian male artists]]
[[Category:21st-century Canadian painters]]
[[Category:21st-century Canadian sculptors]]
[[Category:21st-century Canadian male artists]]
[[Category:Métis painters]]

Latest revision as of 08:14, 27 September 2023

David Hannan
Born1971 (age 53–54)
Ottawa, Ontario, Canada
NationalityMétis
EducationOntario College of Art
Known forPainter, sculptor, mixed media artist, installation artist

David Hannan (born 1971) is a Métis Canadian who is a painter, sculptor, filmmaker, and a mixed media artist and currently lives in Toronto, Ontario.[1] He graduated from the Ontario College of Art with a diploma in 1995.[1][2] Most of Hannan's work have been based around his cultural heritage, the history and events of indigenous rights, and the ideas change and metamorphosis.[1][3]

Early life and education

[edit]

Hannan was born in 1971 in Ottawa, Ontario, to a mother with Miꞌkmaq and Algonquin ancestry from and to a non-native father.[1][4] His maternal grandmother was a Mik'maq from Richibucto, New Brunswick, while his maternal grandfather was an Algonquin from northeastern Ontario who had once worked as a vaudeville performer.[4] Due to his father's work at a survey company, he often stayed with his maternal grandmother for months intermittently who encouraged his interest in art and provided him the supplies and drawing materials.[1] Hannan has a brother who works in the computer field but was a former photographer.[4]

Education

[edit]

When Hannan was in elementary school, he was put into a special education class until eighth grade when his family moved to Thailand for his father's work for three years where he learned how to speak Thai in the first six months.[1][4] Hannan stayed in Bangkok and attended an international school there where he met and befriended Robert Gutowski, an art teacher at his school.[1] In 1988 Hannan then returned to Ottawa and went to high school there at the Canterbury High School for the Arts[1][2] and graduated in 1991 he then later moved to Toronto to attend the Ontario College of Art where he received numerous awards, scholarships, and his diploma in 1995.[1][2] Hannan's parents had supported him in his pursuit in becoming an artist.[4]

Career

[edit]

Early paintings

[edit]

Shortly after receiving his degree, Hannan became a painter and created images with the style of a collage making use of family photos in his work. His early work in this style suggested one of two themes, two of his works, Camping Stories and At the Cottage, suggest a more happy and relaxing time, two other images on the other hand, Broken Man and Untitled (Crossfire), represent times of hardship.[1] Most of Hannan's paintings are multi-media works incorporate his Métis background by containing pieces of Melton cloth, a material with significant ties to the first contact between Europeans and First Nations peoples.[1][5] In 2000 Hannan created works based on Louis Riel,[1] a controversial historical figure in Canada due to his actions during the Red River Rebellion and North-West Rebellion.

Sculpting

[edit]

In 2001, Hannan had extended his skills into sculpting and installation art.[1] His works at the time such as Invaded Wilderness and Copper Land both featured the usage of copper in both works encroaching on the environment as a reference to Canada being the 5th largest producer of copper at the time.[1] Hannan had reached a point where commissions mainly came to him in 2003 however he describes his own life in the art field as tough due to difficulty to pay bills and the talent required to remain in it.[4]

Puppeteer

[edit]

Hannan was employed by Waterwood Theater Projects based in Toronto some time in 2003. Hannan and Dan Wood (A long time collaborator with Waterwood Theater Projects) worked together to write, build, rehearsed and performed a puppet show which did not carry any of Hannan's previous themes from his culture.[4] Hannan, during an interview in 2003, believed that he did not need to be pegged down to having to work strictly on Native themes as a Native artist.[4]

Artworks and exhibitions

[edit]

50 Cents - Return to Batoche

[edit]

In 2003 Hannan had designed a new sterling silver 50-cent coin for Canada and was engraved by Hannan, Dora de Pédery Hunt, and Stan Witten.[6] The coin was revealed in the summer in Batoche of that year to the public and was made to honor the Métis festival which was held in Batoche every year.[7] The obverse side of the coin featured an engraving of Elizabeth II with the word Canada at the top, Elizabeth II at the bottom, and to the side of the engraving of Elizabeth II said 50 cents.[6] The reverse side had the lettering, Saskatchewan 2003 Saskatchewan.[6]

ALLcreatures

[edit]

One of Hannan's exhibitions which opened in October 19, 2006, to November 18, 2006, in Ottawa, Canada at Artists' Centre D'Artistes Ottawa Inc.(Gallery 101) called ALLcreatures. It had featured a taxidermy like installation sculpture called Hunt and the hunted,[1][3] made using packing tape and created life sized deer and coyotes that were hollow, which were attached to one another and were suspended from a ceiling with a light emanating from the center of the ceiling where the sculpture was suspended from causing the coyotes and deer to look see through. The installation artwork Hannan created deals with the ideas of death and transcendence with how the piece hangs from the ceiling with hollow and see through animals.[3]

Faunamorphic

[edit]

Faunamorphic was one of Hannan's exhibitions which was open from July 3 to August 15, 2019, in the Art Gallery of Southwestern Manitoba, in Brandon, Manitoba.[8] The pieces displayed in Faunamorphic were either sculptures or paintings of animals with contorted or distorted features.[8] A wolves thigh of one of the pieces displayed is detailed well with its muscle tone however, the thigh is distorted and entwines upwards and transforms into something that is neither human or animal.[8] Hannan mentioned that the artworks deal with his traditional heritage with the perspective of his urban sensibility, however he does not know what exactly his works are transforming into, it was also his first work that used wolves, in past works he had generally only used deer and coyotes which are more prevalent in Toronto.[8]

Untitled, 2004 and Untitled, 2009

[edit]

The two works featured in this Faunamorphic, Untitled, 2004 and Untitled, 2009, were sculpted as isolated limbs or bodies and reference vulnerability.[8]

Pile, 2009

[edit]

Pile, featured in Faunamorphic, uses taxidermy deer-head forms that had been aged and arranged into a delicate stack, the outside of the artificial heads have corrosion while in the inside there is small green stems on the inside referencing the idea of outside decay and internal.[8]

List of exhibitions

[edit]

Solo exhibitions

[edit]

"DOUBLEcurve", Thunder Bay Art Gallery, Thunder Bay, 2005 [2]

"WILDness", The Station Gallery, Whitby, 2004 [2]

"David Hannan new works", Galerie St. Laurent+Hill, Ottawa, 2004 [2]

"Cross Fire", Indian and Inuit Art Gallery, Gatineau, and Urban Shaman Gallery, Winnipeg, 2000 [2]

"Hidden Heroes", Gallery 101, Ottawa, 1998.[2]

Group exhibitions

[edit]

"Remix: New Modernities in a Post Indian World", Heard Museum, Phoenix, 2007 [2]

"Everyday Light", Thunder Bay Art Gallery, Thunder Bay, 2005 [2]

"Transitions", Taipei Fine Arts Museum, 1999, Waikato Museum of Art, Hamilton, New Zealand, 1997, and the Canadian Cultural Centre at the Canadian Embassy, Paris, 1997 [2]

"Traces of Colour", McMichael Canadian Art Collection, Kleinburg, 2001 [2]

"Comfort Zones: textiles in the Canadian landscape", Textile Museum of Canada, Toronto, 2001 [2]

"Rielisms", The Winnipeg Art Gallery, Winnipeg, and The Dunlop Gallery, Regina, 2001.[2]

References

[edit]
  1. ^ a b c d e f g h i j k l m n o Everett, Deborah, 1951- (2008). Encyclopedia of Native American artists. Zorn, Elayne. Westport, Conn.: Greenwood Press. ISBN 978-0-313-08061-6. OCLC 328280157.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  2. ^ a b c d e f g h i j k l m n "David Hannan | www.g101.ca". g101.ca. Retrieved 2020-02-18.
  3. ^ a b c "ALLcreatures | www.g101.ca". g101.ca. Retrieved 2020-02-20.
  4. ^ a b c d e f g h "Artist says no life like it". Ammsa.com. Retrieved 2020-03-03.
  5. ^ "TMC Past Exhibitions". Textile Museum of Canada. Retrieved 2020-02-18.
  6. ^ a b c "50 Cents - Return to Batoche Saskatchewan". Numista. Retrieved 2020-03-03.
  7. ^ "Coin celebrates festival". Ammsa.com. Retrieved 2020-03-03.
  8. ^ a b c d e f Nelson, Diane (2009-04-30). "DAVID HANNAN, "Faunamorphic," July 3 to August 15, 2009, Art Gallery of Southwestern Manitoba, Brandon". Galleries West. Retrieved 2020-03-03.
[edit]
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