Prince Hoare (elder): Difference between revisions
The Banner (talk | contribs) m v2.05 - Repaired 1 link to disambiguation page - (You can help) - Weston, Somerset |
|||
(27 intermediate revisions by 6 users not shown) | |||
Line 1: | Line 1: | ||
{{Short description|English sculptor}} |
{{Short description|English sculptor}} |
||
{{ |
{{About|the sculptor brother of William Hoare|William's painter and playwright son|Prince Hoare (younger)}} |
||
{{Use British English|date=August 2011}} |
{{Use British English|date=August 2011}} |
||
{{Use dmy dates|date=December 2020}} |
{{Use dmy dates|date=December 2020}} |
||
'''Prince Hoare''' ( |
'''Prince Hoare''' ({{circa|1711}} – 5 November 1769) was an English sculptor. "Prince" in this instance was a [[given name]], not a royal title. |
||
==Life== |
==Life== |
||
Possibly born near [[Eye, Suffolk]], brother of [[William Hoare]] RA, he trained under [[Peter Scheemakers]] in [[London]]. He subsequently settled in [[Bath, Somerset|Bath]] with his brother but spent much of the 1740s in [[Italy]]. He returned to Bath in 1749 and remained active as a sculptor. On 26 May 1751 he married Mary Coulthurst (1716–1751) daughter of the clothier Henry Coulthurst of Melksham with a dowry of £6,000. Despite his new found wealth he continued as a sculptor. |
Possibly born near [[Eye, Suffolk]], brother of [[William Hoare]] RA, he trained under [[Peter Scheemakers]] in [[London]]. He subsequently settled in [[Bath, Somerset|Bath]] with his brother but spent much of the 1740s in [[Italy]]. He returned to Bath in 1749 and remained active as a sculptor. On 26 May 1751 he married Mary Coulthurst (1716–1751) daughter of the clothier Henry Coulthurst of Melksham with a dowry of £6,000. Despite his new found wealth he continued as a sculptor. |
||
He died in Bath on 8 November 1769.<ref name="GAL">Newby (2006)</ref> |
|||
==Family== |
|||
In May 1751 he married Miss Mary Colthurst of the [[Colthurst baronets]] of [[Melksham]] and received a [[dowry]] of £6000 (the equivalent of £1 million in 2020).<ref>Dictionary of British Sculptors 1660-1851 by Rupert Gunnis p.204</ref> |
|||
==Works== |
==Works== |
||
*Monument to Jacob Selfe at [[Melksham]] (1730) |
|||
{| border="0" |
|||
*Memorial to Bishop [[Isaac Maddox]] in [[Worcester Cathedral]] (1743) |
|||
! Work !! Year !! Location ({{As of|2007|lc=on}}) |
|||
*Monument to Mary Hilliard at [[Kilmersdon]] (1745) |
|||
|- |
|||
*Monument to John Long at [[Heddington]] (1746) |
|||
| [[Marble]] [[Bust (sculpture)|bust]] of [[Philip Stanhope, 4th Earl of Chesterfield]]<ref name="GAL"/> |
|||
*Memorial to [[Cobb baronets|Lady Cobb]] at [[Newton St. Loe]] (1749) |
|||
| 1741 |
|||
*Monument to Jacob Barclay at [[Weston-super-Mare|Weston, Somerset]] (1750) |
|||
| [[Ranger's House]] |
|||
*Statue of [[Beau Nash|Richard Nash]] at the [[Pump Room, Bath]] (1752) |
|||
|- |
|||
*[[Marble]] [[Bust (sculpture)|bust]] of [[Philip Stanhope, 4th Earl of Chesterfield]] (1740)<ref name="GAL"/> |
|||
*Various statuary groups for Sir [[Throckmorton baronets|Robert Throckmorton]] for his houses at Buckland and [[Coughton Court|Coughton]] (1754) |
|||
|1759 |
|||
*Bust of [[Ralph Allen]] in Bath Hospital (1757) |
|||
|— |
|||
*Monument to the Eyles family in [[Devizes]] Parish Church (1757) |
|||
|- |
|||
*Monument to Thomas Dawtrey at [[Petworth]] (1758) |
|||
|Chimney-pieces<ref name="GAL"/> |
|||
*Four goddess statues at [[Stourhead]] commissioned by [[Henry Hoare]] (1759) |
|||
|1760–1762 |
|||
*Various chimey-pieces for [[Corsham Court]] (1760-1765)<ref name="GAL"/> |
|||
*Monument to Thomas Collins at St Leonard's Church in [[Exeter]] (1761) |
|||
|- |
|||
*Bust of [[Beau Nash|Richard Nash]] at the [[Guildhall, Bath]] (1761) |
|||
*Monument to [[Alexander Pope]] in St Mary's Church, [[Twickenham]] (1761)<ref name="GAL"/> |
|||
|1752 |
|||
*Monument to Anne Carey at [[Steeple Aston]] (1762) |
|||
|[[Guildhall, Bath]] |
|||
*Monument to Lord John Trevor at [[Bromham, Bedfordshire]] (1764) |
|||
|- |
|||
*Bust of [[Alexander Pope]] in Bath Art Gallery (dnk) |
|||
|1761 |
|||
|St. Mary's Church, [[Twickenham]] |
|||
|} |
|||
==Notes== |
==Notes== |
||
{{ |
{{Reflist|30em}} |
||
==Bibliography== |
==Bibliography== |
||
*{{cite journal | author=Newby, Evelyn | title=The Hoares of Bath | journal=Bath History | volume=1 | year=1986 | pages=90–127 }} {{ISBN|0-86299-294-X}} |
*{{cite journal | author=Newby, Evelyn | title=The Hoares of Bath | journal=Bath History | volume=1 | year=1986 | pages=90–127 }} {{ISBN|0-86299-294-X}} |
||
*Newby, E. (2006) "[http://www.groveart.com/shared/views/article.html?section=art.038362.3.1#art.038362.3.1 Prince Hoare I]{{dead link|date=March 2018 |bot=InternetArchiveBot |fix-attempted=yes }}", ''[[Grove Art Online]]'', Oxford University Press, retrieved 15 August 2007 (subscription required) |
*Newby, E. (2006) "[http://www.groveart.com/shared/views/article.html?section=art.038362.3.1#art.038362.3.1 Prince Hoare I]{{dead link|date=March 2018 |bot=InternetArchiveBot |fix-attempted=yes }}", ''[[Grove Art Online]]'', Oxford University Press, retrieved 15 August 2007 (subscription required) |
||
*{{cite book | author=Whinney, M. |
*{{cite book | author=Whinney, M. | editor=Physick, J. | title=Sculpture in Britain, 1530–1830 | url=https://archive.org/details/sculptureinbrita00whin | url-access=registration | edition=Pelican History of Art, rev. | year=1988 | pages=[https://archive.org/details/sculptureinbrita00whin/page/457 457], ''n.''20 | location=London | publisher=Penguin | isbn=0140561234 }} |
||
<!-- Not a stub - this is all there is!--> |
<!-- Not a stub - this is all there is!--> |
||
Line 47: | Line 50: | ||
<!-- life, death --> |
<!-- life, death --> |
||
{{ |
{{Authority control}} |
||
{{DEFAULTSORT:Hoare, Prince}} |
{{DEFAULTSORT:Hoare, Prince}} |
Latest revision as of 18:50, 3 October 2023
Prince Hoare (c. 1711 – 5 November 1769) was an English sculptor. "Prince" in this instance was a given name, not a royal title.
Life
[edit]Possibly born near Eye, Suffolk, brother of William Hoare RA, he trained under Peter Scheemakers in London. He subsequently settled in Bath with his brother but spent much of the 1740s in Italy. He returned to Bath in 1749 and remained active as a sculptor. On 26 May 1751 he married Mary Coulthurst (1716–1751) daughter of the clothier Henry Coulthurst of Melksham with a dowry of £6,000. Despite his new found wealth he continued as a sculptor.
He died in Bath on 8 November 1769.[1]
Family
[edit]In May 1751 he married Miss Mary Colthurst of the Colthurst baronets of Melksham and received a dowry of £6000 (the equivalent of £1 million in 2020).[2]
Works
[edit]- Monument to Jacob Selfe at Melksham (1730)
- Memorial to Bishop Isaac Maddox in Worcester Cathedral (1743)
- Monument to Mary Hilliard at Kilmersdon (1745)
- Monument to John Long at Heddington (1746)
- Memorial to Lady Cobb at Newton St. Loe (1749)
- Monument to Jacob Barclay at Weston, Somerset (1750)
- Statue of Richard Nash at the Pump Room, Bath (1752)
- Marble bust of Philip Stanhope, 4th Earl of Chesterfield (1740)[1]
- Various statuary groups for Sir Robert Throckmorton for his houses at Buckland and Coughton (1754)
- Bust of Ralph Allen in Bath Hospital (1757)
- Monument to the Eyles family in Devizes Parish Church (1757)
- Monument to Thomas Dawtrey at Petworth (1758)
- Four goddess statues at Stourhead commissioned by Henry Hoare (1759)
- Various chimey-pieces for Corsham Court (1760-1765)[1]
- Monument to Thomas Collins at St Leonard's Church in Exeter (1761)
- Bust of Richard Nash at the Guildhall, Bath (1761)
- Monument to Alexander Pope in St Mary's Church, Twickenham (1761)[1]
- Monument to Anne Carey at Steeple Aston (1762)
- Monument to Lord John Trevor at Bromham, Bedfordshire (1764)
- Bust of Alexander Pope in Bath Art Gallery (dnk)
Notes
[edit]Bibliography
[edit]- Newby, Evelyn (1986). "The Hoares of Bath". Bath History. 1: 90–127. ISBN 0-86299-294-X
- Newby, E. (2006) "Prince Hoare I[permanent dead link ]", Grove Art Online, Oxford University Press, retrieved 15 August 2007 (subscription required)
- Whinney, M. (1988). Physick, J. (ed.). Sculpture in Britain, 1530–1830 (Pelican History of Art, rev. ed.). London: Penguin. pp. 457, n.20. ISBN 0140561234.