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{{short description|Italian painter}}
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{{Use dmy dates|date=April 2012}}

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{{Use dmy dates|date=October 2023}}
{{Infobox artist
{{Infobox artist
| bgcolour = #EEDD82
| name = Baldassare Bianchi
| name = Baldassare Bianchi
| image =
| image =
| size =
| size =
| caption =
| caption =
| birth_name =
| birth_name =
| birth_date = 1612
⚫
| birth_place = Bologna
| birth_date= 1612
⚫
| death_date = 1679
⚫
| birth_place = Bologna
⚫
| death_place = Modena
⚫
| death_date= 1679
⚫
| nationality = Italian
⚫
| death_place = Modena
| known_for = Painting and [[Engraving]]
⚫
| nationality = Italian
| field = Painting and [[Engraving]]
| movement = [[Baroque]] [[quadratura]]
| notable_works =
| movement = [[Baroque]] [[quadratura]]
| works =
}}
}}
'''Baldassare Bianchi''' ([[Bologna]], 1612–1679) was an Italian painter of the [[Baroque]] period.
'''Baldassare Bianchi''' (1612 in [[Bologna]] – 1679) was an Italian painter of the [[Baroque]] period.


==Biography==
==Biography==
He was first a pupil of [[Giovanni Paderna]], but after Paderna's death, he trained with [[Agostino Mitelli]], the pre-eminent [[quadratura]] painter from [[Bologna]]. Bianchi married Mitelli's daughter. Bianchi became a colleague of [[Giovanni Giacomo Monti]], another Mitelli pupil. This partnership also met with success particularly at [[Mantua]], where they both received regular salaries from the Ducal government. Their figure-painter was [[Giovanni Battista Caccioli]] of [[Budrio]], pupil to [[Domenico Maria Canuti]], and a good disciple of [[Carlo Cignani]].
He was first a pupil of [[Giovanni Paderna]], but after Paderna's death, he trained with [[Agostino Mitelli]], the pre-eminent [[quadratura]] painter from [[Bologna]]. Bianchi married Mitelli's daughter. Bianchi became a colleague of [[Giovanni Giacomo Monti]], another Mitelli pupil. This partnership also met with success particularly at [[Mantua]], where they both received regular salaries from the Ducal government. Their figure-painter was [[Giovanni Battista Caccioli]] of [[Budrio]], pupil to [[Domenico Maria Canuti]], and a good disciple of [[Carlo Cignani]].


With Mitelli, he painted [[quadratura]] at [[Ducal palace of Sassuolo]]. He was also long employed by the dukes of [[Modena]]. He also decorated the theatres of Mantua and Modena. He died at Modena. His daughter, Lucrezia Bianchi, was also a painter. [[Enrico Haffner]] was one of his pupils.
With Mitelli, he painted [[quadratura]] at [[Ducal palace of Sassuolo]]. He was also long employed by the dukes of [[Modena]]. He also decorated the theatres of Mantua and Modena. He died at Modena. His daughter, [[Lucrezia Bianchi]], was also a painter. [[Enrico Haffner]] was one of his pupils.


==References==
==References==
*{{cite book| first=Michael| last=Bryan| year=1886| title=Dictionary of Painters and Engravers, Biographical and Critical (Volume I: A-K)| editor = Robert Edmund Graves| pages= 124| publisher=George Bell and Sons|location=York St. No. 4, Covent Garden, London; Original from Fogg Library, Digitized 18 May 2007 |id= |url=http://books.google.com/books?id=4GYCAAAAYAAJ}}
*{{cite book| first=Michael| last=Bryan| year=1886| title=Dictionary of Painters and Engravers, Biographical and Critical |volume=I: A-K |editor=Robert Edmund Graves |page=124| publisher=George Bell and Sons|location=London |url=https://books.google.com/books?id=4GYCAAAAYAAJ}}
*{{cite book| first=Luigi| last=Lanzi|authorlink= Luigi Lanzi| year=1847| title= History of Painting in Italy; From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century (Volume III)| pages= 139| publisher=Henry G. Bohn|location=London; Original from Oxford University, Digitized January, 2007| id= |url=http://books.google.com/books?id=k0sGAAAAQAAJ }}
*{{cite book| first=Luigi| last=Lanzi|author-link= Luigi Lanzi| year=1847| title= History of Painting in Italy; From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century (Volume III)| pages= [https://archive.org/details/bub_gb_k0sGAAAAQAAJ/page/n152 139]| publisher=Henry G. Bohn|location=London |url=https://archive.org/details/bub_gb_k0sGAAAAQAAJ }}


{{Authority control}}
{{Authority control}}


{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->
| NAME = Bianchi, Baldassare
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = Italian painter
| DATE OF BIRTH = 1612
| PLACE OF BIRTH = Bologna
| DATE OF DEATH = 1679
| PLACE OF DEATH = Modena
}}
{{DEFAULTSORT:Bianchi, Baldassare}}
{{DEFAULTSORT:Bianchi, Baldassare}}
[[Category:1612 births]]
[[Category:1612 births]]
[[Category:1679 deaths]]
[[Category:1679 deaths]]
[[Category:17th-century Italian painters]]
[[Category:17th-century Italian painters]]
[[Category:Bolognese painters]]
[[Category:Italian male painters]]
[[Category:Painters from Bologna]]
[[Category:Italian Baroque painters]]
[[Category:Italian Baroque painters]]
[[Category:Quadratura painters]]
[[Category:Quadratura painters]]

Latest revision as of 10:11, 25 October 2023

Baldassare Bianchi
Born1612
Bologna
Died1679
Modena
NationalityItalian
Known forPainting and Engraving
MovementBaroque quadratura

Baldassare Bianchi (1612 in Bologna – 1679) was an Italian painter of the Baroque period.

Biography

[edit]

He was first a pupil of Giovanni Paderna, but after Paderna's death, he trained with Agostino Mitelli, the pre-eminent quadratura painter from Bologna. Bianchi married Mitelli's daughter. Bianchi became a colleague of Giovanni Giacomo Monti, another Mitelli pupil. This partnership also met with success particularly at Mantua, where they both received regular salaries from the Ducal government. Their figure-painter was Giovanni Battista Caccioli of Budrio, pupil to Domenico Maria Canuti, and a good disciple of Carlo Cignani.

With Mitelli, he painted quadratura at Ducal palace of Sassuolo. He was also long employed by the dukes of Modena. He also decorated the theatres of Mantua and Modena. He died at Modena. His daughter, Lucrezia Bianchi, was also a painter. Enrico Haffner was one of his pupils.

References

[edit]
  • Bryan, Michael (1886). Robert Edmund Graves (ed.). Dictionary of Painters and Engravers, Biographical and Critical. Vol. I: A-K. London: George Bell and Sons. p. 124.
  • Lanzi, Luigi (1847). History of Painting in Italy; From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century (Volume III). London: Henry G. Bohn. pp. 139.


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