Jump to content

Robert Munford: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
add hatnote
CS1 errors: format without URL
 
(24 intermediate revisions by 14 users not shown)
Line 1: Line 1:
{{short description|American artist}}
{{for|the American dramatist|Robert Munford III}}
{{for|the American dramatist|Robert Munford III}}
{{Infobox artist
{{Infobox artist
| name = Robert Munford
| name = Robert Watson Munford
| image =
| image =
| image_size =
| image_size =
Line 8: Line 9:
| birth_name =
| birth_name =
| birth_date = {{birth date|1925|6|22}}
| birth_date = {{birth date|1925|6|22}}
| birth_place = Worcester, Massachusetts
| birth_place = [[Worcester, Massachusetts]]
| death_date = {{dda|1991|5|28|1925|6|22}}
| death_date = {{death date and age|1991|5|28|1925|6|22}}
| death_place = Water Mill, New York
| death_place = [[Water Mill, New York]]
| nationality = American
| nationality = American
| movement =
| spouse =
| spouse =
| awards =
| elected =
| patrons =
| website =
| field = Painting; Printmaking; Illustration; Art Education
| field = Painting; Printmaking; Illustration; Art Education
| training =
| training =
| movement =
| works =
| works =
| patrons =
| influenced by =
| influenced by =
| influenced =
| influenced =
| awards =
| elected =
| website =
| bgcolour =
| bgcolour =
}}
}}


'''Robert Watson Munford''' (June 22, 1925 – May 28, 1991) was an American artist, educator, and founding member of the artist group [[:de:Grupo Ibiza 59|Grupo Ibiza 59]] in Spain. His artwork is in the permanent collections of the Hirshhorn Museum and Sculpture Garden (Washington, DC), the Museum of Modern Art (New York), the New York Public Library, and the Parrish Art Museum (Southampton, New York). He was a [[pop art]] pioneer.
'''Robert Watson Munford''' (June 22, 1925 – May 28, 1991) was an American artist, educator, and founding member of the artist group [[:de:Grupo Ibiza 59|Grupo Ibiza 59]] in Spain. His artwork is in the permanent collections of the [[Hirshhorn Museum and Sculpture Garden]] ([[Washington, D.C.|Washington]], DC), the [[Museum of Modern Art]] (New York), and the Städtische Galerie Wolfsburg (Germany). He was a [[pop art]] pioneer.


==Biography==
==Biography==


===Early life and career===
===Early life and career===
Munford was born in Worcester, Massachusetts on June 22, 1925 to Camille Watson Munford and Walter F. Munford, president of the [[US Steel|United States Steel Corporation]].
Munford was born in Worcester, Massachusetts, on June 22, 1925, to Camille Watson Munford and Walter F. Munford, president of the [[US Steel|United States Steel Corporation]].


He attended [[Worcester Academy]] (Worcester, Massachusetts) and later joined the U.S. Army Air Corps during the Second World War. Munford decided to pursue a career in art and following the war, he studied in a number of places including Ohio State University (1946–1947), the Cleveland Institute of Art (1947–1949), the University of Bellas Artes, San Miguel de Allende, Mexico (1947), and the Art Students League of New York (1949–1951). Around 1951, he relocated to [[Provincetown, Massachusetts]]. While there, Munford exhibited at the Sun Gallery and the Babcock Gallery in New York City. He also worked as a freelance illustrator for ''Fortune Magazine'', ''Esquire'', and ''Harper’s Magazine''.
He attended [[Worcester Academy]] (Worcester, Massachusetts) and later joined the U.S. Army Air Corps during the Second World War. Munford decided to pursue a career in art and following the war, he studied in a number of places including Ohio State University (1946–1947), the Cleveland Institute of Art (1947–1949), the University of Bellas Artes, San Miguel de Allende, Mexico (1947), and the Art Students League of New York (1949–1951). Around 1951, he relocated to [[Provincetown, Massachusetts]]. While there, Munford exhibited at the Sun Gallery and the Babcock Gallery in New York City. He also worked as a freelance illustrator for ''Fortune Magazine'', ''Esquire'', and ''Harper's Magazine''.


===Europe===
===Europe===
Line 40: Line 41:
While on Ibiza, Munford helped found Grupo Ibiza 59, an artist group that included [[:de:Erwin Bechtold|Erwin Bechtold]], Erwin Broner, [[:de:Hans Laabs|Hans Laabs]], Katja Meirowsky, Egon Neubauer, Antonio Ruiz, [[:de:Bertil Sjöberg|Bertil Sjöberg]], and [[:de:Heinz Trökes|Heinz Trökes]]. The Spanish sculptor [[:es:Carlos Sansegundo|Carlos Sansegundo]] and African-American painter [[Bob Thompson (painter)|Bob Thompson]] later joined the group.
While on Ibiza, Munford helped found Grupo Ibiza 59, an artist group that included [[:de:Erwin Bechtold|Erwin Bechtold]], Erwin Broner, [[:de:Hans Laabs|Hans Laabs]], Katja Meirowsky, Egon Neubauer, Antonio Ruiz, [[:de:Bertil Sjöberg|Bertil Sjöberg]], and [[:de:Heinz Trökes|Heinz Trökes]]. The Spanish sculptor [[:es:Carlos Sansegundo|Carlos Sansegundo]] and African-American painter [[Bob Thompson (painter)|Bob Thompson]] later joined the group.


Prior to 1957, Munford had painted in an abstract expressionist style. His work, ''La Vigie'', featured in Munford's 1960 Paris show at the Galerie Lara Vincy, is an example of this period of production.<ref>{{cite book|last=Galerie Lara Vincy|title=Munford|date=April 1960|publisher=Galerie Lara Vincy|location=Paris|pages=3–4|language=French|format=Exhibition Catalog}}</ref> Between the years 1957 and 1964, Munford, in a series of gouache and oil paintings, moved towards a distinctive proto-pop style, his work of this period now being characterized by the use of cloudy atmospheres, silhouetted figures, and pop art elements, such as handwriting, numbers, diagrams, repetitive stamped images, and photographic transfers. Examples of this style can be seen in ''Hocus Pocus'' (1961), ''And Then There Were None'' (1964) and ''Pedigree'' (1963),<ref>{{cite book|last=Galerie Brusberg|title=Robert Munford|year=1964|publisher=Galerie Brusberg|location=Hannover, Germany|format=Clippings from Exhibition Catalog}}</ref><ref>{{cite book|last=Galerie Brueberg|title=Robert W. Munford: Bilder und Gouachen|year=1962|publisher=Galerie Brueberg|location=Hannover, Germany|language=German|format=Exhibition Catalog}}</ref><ref>{{cite book|last=Pelligrini|first=Aldo|title=New Tendencies in Art|year=1966|publisher=Crown Publisher|location=New York|pages=207}}</ref>
Prior to 1957, Munford had painted in an abstract expressionist style. His work, ''La Vigie'', featured in Munford's 1960 Paris show at the Galerie Lara Vincy, is an example of this period of production.<ref>{{cite book|last=Galerie Lara Vincy|title=Munford|date=April 1960|publisher=Galerie Lara Vincy|location=Paris|pages=3–4|language=French|type=Exhibition Catalog}}</ref> Between the years 1957 and 1964, Munford, in a series of [[gouache]] and [[oil paintings]], moved towards a distinctive proto-pop style, his work of this period now being characterized by the use of cloudy atmospheres, silhouetted figures, and pop art elements, such as handwriting, numbers, diagrams, repetitive stamped images, and photographic transfers. Examples of this style can be seen in ''Hocus Pocus'' (1961), ''And Then There Were None'' (1964) and ''Pedigree'' (1963).<ref>{{cite book|last=Galerie Brusberg|title=Robert Munford|year=1964|publisher=Galerie Brusberg|location=Hannover, Germany|type=Clippings from Exhibition Catalog}}</ref><ref>{{cite book|last=Galerie Brusberg|title=Robert W. Munford: Bilder und Gouachen|year=1962|publisher=Galerie Brueberg|location=Hannover, Germany|language=German|type=Exhibition Catalog}}</ref><ref>{{cite book|last=Pelligrini|first=Aldo|title=New Tendencies in Art|year=1966|publisher=Crown Publisher|location=New York|pages=207}}</ref>


Munford’s work was exhibited throughout Europe in such venues as Galerie Lara Vincy (Paris), Salon des Réalités Nouvelles (Paris), Galerie Brusberg (Hannover, Germany), Galerie Springer (Berlin), [[Leicester Galleries]] (London), Galeria Ivan Spence (Ibiza), and Galerie Handschin (Basel). In the 1963 Paris edition of the ''New York Herald Tribune'', then art critic John Ashbery reviewed Munford’s Galerie Lara Vincy show, citing Munford as an early pop art practitioner.<ref>{{cite news|last=Ashbery|first=John|title=What's Happened to Chauvinism|newspaper=New York Herald Tribune / Paris Edition|date=18 Dec 1963|page=6}}</ref> In his book ''New Tendencies in Art'' (1966), the critic Aldo Pelligrini classified Munford as part of a group of “neo-figurative artists” whose work blended pop art imagery. Pelligrini listed [[Larry Rivers]], [[R.B. Kitaj]], [[Peter Saul]], and Harold Stevenson among Munford's stylistic contemporaries.<ref>{{cite book|last=Pelligrini|first=Aldo|title=New Tendencies in Art|year=1966|publisher=Crown Publisher|location=New York|pages=197}}</ref>
Munford's work was exhibited throughout Europe in such venues as Galerie Lara Vincy (Paris), Salon des Réalités Nouvelles (Paris), Galerie Brusberg (Hannover, Germany), [[:de:Rudolf Springer (Galerist)|Galerie Springer]] (Berlin), [[Leicester Galleries]] (London), Galeria Ivan Spence (Ibiza), and Galerie Handschin (Basel). In the 1963 Paris edition of the ''New York Herald Tribune'', then art critic John Ashbery reviewed Munford's Galerie Lara Vincy show, citing Munford as an early pop art practitioner.<ref>{{cite news|last=Ashbery|first=John|title=What's Happened to Chauvinism|newspaper=New York Herald Tribune / Paris Edition|date=18 Dec 1963|page=6}}</ref> In his book ''New Tendencies in Art'' (1966), the critic Aldo Pellegrini classified Munford as part of a group of "neo-figurative artists" whose work blended pop art imagery. Pellegrini listed [[Larry Rivers]], [[R.B. Kitaj]], [[Peter Saul]], and Harold Stevenson among Munford's stylistic contemporaries.<ref>{{cite book|last=Pelligrini|first=Aldo|title=New Tendencies in Art|year=1966|publisher=Crown Publisher|location=New York|pages=197}}</ref>


From 1962 to 1965, Munford was involved with the Druckwerkstatt art school at the Schloss Wolfburg (Wolfsburg, Germany). While at the Druckwerkstatt, Munford lectured on lithography and created a series of lithographs in his distinct proto-pop style. The Museum of Modern Art (New York) owns a lithograph from the Druckwerkstatt series.
From 1962 to 1965, Munford was involved with the Druckwerkstatt art school at the Schloss Wolfsburg ([[Wolfsburg]], Germany). While at the Druckwerkstatt, Munford lectured on [[lithography]] and created a series of lithographs in his distinct proto-pop style. The [[Museum of Modern Art]] (New York) owns a lithograph from the Druckwerkstatt series.


===New York===
===New York===
In 1966, Munford returned to the United States to work in New York City. Between 1968 and 1970, Munford designed stage sets for the Michael Abrams Gothic Art Theater, the [[Brooklyn Academy of Music]], the Elliot Feld American Ballet Company, and the [[New York City Center]]. In 1970, he was commissioned by Great American Editions to create a series of silkscreen prints depicting circus scenes. From 1970 to 1971, these images were exhibited in several locations, including Carlow College (Pittsburgh, Pennsylvania), the Westmoreland Museum (Greensburg, Pennsylvania), the Sunrise Museum (Charleston, West Virginia), the National Art Museum of Sport, Madison Square Garden (New York), and the Parrish Art Museum (Southampton, New York).
In 1966, Munford returned to the United States to work in New York City. Between 1968 and 1970, Munford designed stage sets for the Michael Abrams Gothic Art Theater, the [[Brooklyn Academy of Music]], the Elliot Feld American Ballet Company, and the [[New York City Center]]. In 1970, he was commissioned by Great American Editions to create a series of silkscreen prints depicting circus scenes. From 1970 to 1971, these images were exhibited in several locations, including Carlow College (Pittsburgh, Pennsylvania), the Westmoreland Museum (Greensburg, Pennsylvania), the Sunrise Museum (Charleston, West Virginia), the National Art Museum of Sport, Madison Square Garden (New York), and the Parrish Art Museum (Southampton, New York).


In 1971, Munford joined the art faculty of the [[Long Island University]], Southampton Campus, where he taught art for the next twenty years. Munford died on May 28, 1991 in Water Mill, Long Island, New York.
In 1971, Munford joined the art faculty of the [[Long Island University]], Southampton Campus, where he taught art for the next twenty years. Munford died on May 28, 1991, in Water Mill, Long Island, New York.


==Notes==
==Notes==
Line 62: Line 63:
* Galerie Lara Vincy. ''Munford''. (1960). Paris: Galerie Lara Vincy. Exhibition catalog.
* Galerie Lara Vincy. ''Munford''. (1960). Paris: Galerie Lara Vincy. Exhibition catalog.
* Long Island University, Southampton Campus. ''Sabbatical Exhibition: Robert W. Munford'', September 8 -October 4, 1998. (1998). Southampton, NY: Long Island University, Southampton Campus. Exhibition catalog.
* Long Island University, Southampton Campus. ''Sabbatical Exhibition: Robert W. Munford'', September 8 -October 4, 1998. (1998). Southampton, NY: Long Island University, Southampton Campus. Exhibition catalog.
* Munford Family Archives. Private Collection. Dennysville, Maine.
* Munford, R., ''Autobiographical Statement and Curriculum Vitae''. (ca. 1970). Typewritten biographical statement and curriculum vitae by Robert W. Munford. Munford Family Archives, Dennysville, Maine.
* Munford, R. ''Curriculum Vitae''. (1989). Typewritten curriculum vitae for Robert W. Munford. Munford Family Archives, Dennysville, Maine.
* Museu d'Art Contemporani d'Eivissa. ''Eivissa, Anys 60: El Naixement de Babel'': [exposicio al M.A.C., Estiu de 1998]. (1998). Eivissa (Ibiza): Museu d'Art Contemporani d'Eivissa. Exhibition catalog.
* Museu d'Art Contemporani d'Eivissa. ''Eivissa, Anys 60: El Naixement de Babel'': [exposicio al M.A.C., Estiu de 1998]. (1998). Eivissa (Ibiza): Museu d'Art Contemporani d'Eivissa. Exhibition catalog.
* Pellegrini, A. (1966). ''New Tendencies in Art''. New York: Crown Publishers.
* Pellegrini, A. (1966). ''New Tendencies in Art''. New York: Crown Publishers.
Line 71: Line 69:


==External links==
==External links==
* Robert Munford Catalogue Raisonné (http://www.robertmunfordcatalogue.org).
* Robert Munford Catalogue Raisonné (http://www.robertmunfordcatalogue.org). (Dead)
* Robert Munford Catalogue Raisonné (Memento from 2019) (https://web.archive.org/web/20190124065324/http://www.robertmunfordcatalogue.org/) (Internet-Archives)


{{Authority control}}
{{Authority control}}
Line 77: Line 76:
{{DEFAULTSORT:Munford, Robert}}
{{DEFAULTSORT:Munford, Robert}}
[[Category:20th-century American painters]]
[[Category:20th-century American painters]]
[[Category:American male painters]]
[[Category:1925 births]]
[[Category:1925 births]]
[[Category:1991 deaths]]
[[Category:1991 deaths]]
[[Category:People from Ibiza]]
[[Category:People from Ibiza]]
[[Category:People from Worcester, Massachusetts]]
[[Category:Artists from Worcester, Massachusetts]]
[[Category:Painters from Massachusetts]]
[[Category:Painters from Massachusetts]]
[[Category:American expatriates in Spain]]
[[Category:American expatriates in Spain]]
[[Category:American military personnel of World War II]]
[[Category:United States Army Air Forces personnel of World War II]]
[[Category:Pop artists]]
[[Category:American pop artists]]
[[Category:American printmakers]]
[[Category:Ohio State University alumni]]
[[Category:Ohio State University alumni]]
[[Category:Cleveland Institute of Art alumni]]
[[Category:Cleveland Institute of Art alumni]]
Line 91: Line 90:
[[Category:American magazine illustrators]]
[[Category:American magazine illustrators]]
[[Category:Long Island University faculty]]
[[Category:Long Island University faculty]]
[[Category:20th-century American printmakers]]
[[Category:20th-century American male artists]]

Latest revision as of 03:31, 26 October 2023

Robert Watson Munford
Born(1925-06-22)June 22, 1925
DiedMay 28, 1991(1991-05-28) (aged 65)
NationalityAmerican
Known forPainting; Printmaking; Illustration; Art Education

Robert Watson Munford (June 22, 1925 – May 28, 1991) was an American artist, educator, and founding member of the artist group Grupo Ibiza 59 in Spain. His artwork is in the permanent collections of the Hirshhorn Museum and Sculpture Garden (Washington, DC), the Museum of Modern Art (New York), and the Städtische Galerie Wolfsburg (Germany). He was a pop art pioneer.

Biography

[edit]

Early life and career

[edit]

Munford was born in Worcester, Massachusetts, on June 22, 1925, to Camille Watson Munford and Walter F. Munford, president of the United States Steel Corporation.

He attended Worcester Academy (Worcester, Massachusetts) and later joined the U.S. Army Air Corps during the Second World War. Munford decided to pursue a career in art and following the war, he studied in a number of places including Ohio State University (1946–1947), the Cleveland Institute of Art (1947–1949), the University of Bellas Artes, San Miguel de Allende, Mexico (1947), and the Art Students League of New York (1949–1951). Around 1951, he relocated to Provincetown, Massachusetts. While there, Munford exhibited at the Sun Gallery and the Babcock Gallery in New York City. He also worked as a freelance illustrator for Fortune Magazine, Esquire, and Harper's Magazine.

Europe

[edit]

In 1956, Munford moved to the Balearic Islands in Spain, first to the island of Formentera and subsequently to the island of Ibiza. From 1957 to 1966, he resided in the Ibizan town of Santa Eulària. At that time, Ibiza was home to a colony of artists, writers, and expatriates predominantly from Europe and North America.

While on Ibiza, Munford helped found Grupo Ibiza 59, an artist group that included Erwin Bechtold, Erwin Broner, Hans Laabs, Katja Meirowsky, Egon Neubauer, Antonio Ruiz, Bertil Sjöberg, and Heinz Trökes. The Spanish sculptor Carlos Sansegundo and African-American painter Bob Thompson later joined the group.

Prior to 1957, Munford had painted in an abstract expressionist style. His work, La Vigie, featured in Munford's 1960 Paris show at the Galerie Lara Vincy, is an example of this period of production.[1] Between the years 1957 and 1964, Munford, in a series of gouache and oil paintings, moved towards a distinctive proto-pop style, his work of this period now being characterized by the use of cloudy atmospheres, silhouetted figures, and pop art elements, such as handwriting, numbers, diagrams, repetitive stamped images, and photographic transfers. Examples of this style can be seen in Hocus Pocus (1961), And Then There Were None (1964) and Pedigree (1963).[2][3][4]

Munford's work was exhibited throughout Europe in such venues as Galerie Lara Vincy (Paris), Salon des Réalités Nouvelles (Paris), Galerie Brusberg (Hannover, Germany), Galerie Springer (Berlin), Leicester Galleries (London), Galeria Ivan Spence (Ibiza), and Galerie Handschin (Basel). In the 1963 Paris edition of the New York Herald Tribune, then art critic John Ashbery reviewed Munford's Galerie Lara Vincy show, citing Munford as an early pop art practitioner.[5] In his book New Tendencies in Art (1966), the critic Aldo Pellegrini classified Munford as part of a group of "neo-figurative artists" whose work blended pop art imagery. Pellegrini listed Larry Rivers, R.B. Kitaj, Peter Saul, and Harold Stevenson among Munford's stylistic contemporaries.[6]

From 1962 to 1965, Munford was involved with the Druckwerkstatt art school at the Schloss Wolfsburg (Wolfsburg, Germany). While at the Druckwerkstatt, Munford lectured on lithography and created a series of lithographs in his distinct proto-pop style. The Museum of Modern Art (New York) owns a lithograph from the Druckwerkstatt series.

New York

[edit]

In 1966, Munford returned to the United States to work in New York City. Between 1968 and 1970, Munford designed stage sets for the Michael Abrams Gothic Art Theater, the Brooklyn Academy of Music, the Elliot Feld American Ballet Company, and the New York City Center. In 1970, he was commissioned by Great American Editions to create a series of silkscreen prints depicting circus scenes. From 1970 to 1971, these images were exhibited in several locations, including Carlow College (Pittsburgh, Pennsylvania), the Westmoreland Museum (Greensburg, Pennsylvania), the Sunrise Museum (Charleston, West Virginia), the National Art Museum of Sport, Madison Square Garden (New York), and the Parrish Art Museum (Southampton, New York).

In 1971, Munford joined the art faculty of the Long Island University, Southampton Campus, where he taught art for the next twenty years. Munford died on May 28, 1991, in Water Mill, Long Island, New York.

Notes

[edit]
  1. ^ Galerie Lara Vincy (April 1960). Munford (Exhibition Catalog) (in French). Paris: Galerie Lara Vincy. pp. 3–4.
  2. ^ Galerie Brusberg (1964). Robert Munford (Clippings from Exhibition Catalog). Hannover, Germany: Galerie Brusberg.
  3. ^ Galerie Brusberg (1962). Robert W. Munford: Bilder und Gouachen (Exhibition Catalog) (in German). Hannover, Germany: Galerie Brueberg.
  4. ^ Pelligrini, Aldo (1966). New Tendencies in Art. New York: Crown Publisher. p. 207.
  5. ^ Ashbery, John (18 Dec 1963). "What's Happened to Chauvinism". New York Herald Tribune / Paris Edition. p. 6.
  6. ^ Pelligrini, Aldo (1966). New Tendencies in Art. New York: Crown Publisher. p. 197.

References

[edit]
  • Ashbery, J. (1963, December 18). "What's Happened to Chauvinism". The New York Herald Tribune, p. 6.
  • Grupo Ibiza 59: Passat i Present. (1992). Eivissa (Ibiza): Museu d'Art Contemporani d'Eivissa. Exhibition catalog.
  • Galerie Brusberg. Robert Munford. (1964). Hannover, Germany: Galerie Brusberg. Exhibition catalog.
  • Galerie Brusberg. Robert W. Munford, Bilder und Gouachen. (1962). Hannover, Germany: Galerie Brusberg. Exhibition catalog.
  • Galerie Lara Vincy. Munford. (1960). Paris: Galerie Lara Vincy. Exhibition catalog.
  • Long Island University, Southampton Campus. Sabbatical Exhibition: Robert W. Munford, September 8 -October 4, 1998. (1998). Southampton, NY: Long Island University, Southampton Campus. Exhibition catalog.
  • Museu d'Art Contemporani d'Eivissa. Eivissa, Anys 60: El Naixement de Babel: [exposicio al M.A.C., Estiu de 1998]. (1998). Eivissa (Ibiza): Museu d'Art Contemporani d'Eivissa. Exhibition catalog.
  • Pellegrini, A. (1966). New Tendencies in Art. New York: Crown Publishers.
  • Sansegundo, S. (1991, August 6). '"Obituaries: Robert Munford". The East Hampton Star.
  • Städtische Galerie Wolfsburg. Druck – 50 Jahre Druckwerkstatt im Schloss Wolfsburg. (2011). Wolfsburg, Germany: Städtische Galerie Wolfsburg. Exhibition catalog.
[edit]