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{{Use dmy dates|date=April 2014}}
[[File:Christian Friedrich Hunold.jpg|thumb|Christian Friedrich Hunold.]]
[[File:Christian Friedrich Hunold.jpg|thumb|Christian Friedrich Hunold.]]
'''Christian Friedrich Hunold''' (born 29 September 1680 in [[Wandersleben]] near [[Gotha (town)|Gotha]], died 16 August 1721 in [[Halle (Saale)|Halle]]) was a German author who wrote under the pseudonym '''Menantes'''.
'''Christian Friedrich Hunold''' (born 29 September 1680 in [[Wandersleben]] near [[Gotha (town)|Gotha]], died 16 August 1721 in [[Halle (Saale)|Halle]]) was a German author who wrote under the pseudonym '''Menantes'''.
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Hunold wrote the [[libretto]] ''Der blutige und sterbende Jesus'' (The bleeding and dying Jesus), set by [[Reinhard Keiser]] in 1704, an early [[Protestant]] [[Passion (music)|Passion oratorio]].
Hunold wrote the [[libretto]] ''Der blutige und sterbende Jesus'' (The bleeding and dying Jesus), set by [[Reinhard Keiser]] in 1704, an early [[Protestant]] [[Passion (music)|Passion oratorio]].


Hunold appears to have known Bach,<ref name="Mincham">{{cite web | url=http://www.jsbachcantatas.com/documents/chapter-102-bwv-204.htm | title=Chapter 102 BWV 204 | accessdate=5 March 2014 | author=Mincham, Julian | website=The Cantatas of Johann Sebastian Bach | date=2010-12}}</ref> and in Halle he wrote texts for [[Bach cantata]]s which were performed at the court of [[Leopold, Prince of Anhalt-Köthen]]. With the partial exception of [[Lobet den Herrn, alle seine Heerscharen, BWV Anh5|''Lobet den Herrn, alle seine Heerscharen'', BWV Anh5]] (which uses religious themes), these were secular works, written especially for occasions such as birthdays. This collaboration between Bach and Hunold lasted from 1718 to 1720 after which year the composer found another librettist for his continuing series of congratulatory cantatas.
Hunold appears to have known Bach,<ref name="Mincham">{{cite web | url=http://www.jsbachcantatas.com/documents/chapter-102-bwv-204.htm | title=Chapter 102 BWV 204 | accessdate=5 March 2014 | author=Mincham, Julian | website=The Cantatas of Johann Sebastian Bach | date=December 2010 | archive-date=1 February 2014 | archive-url=https://web.archive.org/web/20140201212830/http://www.jsbachcantatas.com/documents/chapter-102-bwv-204.htm | url-status=dead }}</ref> and in Halle he wrote texts for [[Bach cantata]]s which were performed at the court of [[Leopold, Prince of Anhalt-Köthen]]. With the partial exception of [[Lobet den Herrn, alle seine Heerscharen, BWV Anh. 5|''Lobet den Herrn, alle seine Heerscharen'', BWV Anh. 5]], which uses religious themes, these were secular works, written especially for occasions such as birthdays. This collaboration between Bach and Hunold lasted from 1718 to 1720 after which year the composer found another librettist for his continuing series of congratulatory cantatas.
After the poet had died Bach returned to his work as the basis for the cantata [[Ich bin in mir vergnügt, BWV 204|''Ich bin in mir vergnügt'']].<ref name="Mincham"></ref>
After the poet had died Bach returned to his work as the basis for the cantata [[Ich bin in mir vergnügt, BWV 204|''Ich bin in mir vergnügt'']].<ref name="Mincham" />


== Selected works ==
== Selected works ==
* ''Die verliebte und galante Welt'', Hamburg: Liebernickel, 1700 (reprint of the 1707 edition Hans Wagener: Bern 1988)
* ''Die verliebte und galante Welt'', Hamburg: Liebernickel, 1700 (reprint of the 1707 edition Hans Wagener: Bern 1988)
* ''Der Europäischen Höfe Liebes- und Helden-Geschichte'', Hamburg: Gottfried Liebernickel, 1705 (reprint Hans Wagener and Eli Sobel: Bern 1978)
* ''Der Europäischen Höfe Liebes- und Helden-Geschichte'', Hamburg: Gottfried Liebernickel, 1705 (reprint Hans Wagener and Eli Sobel: Bern 1978)
* ''Satyrischer Roman der galanten Welt zur vergnügten Curiosite, ans Licht gestellt von Menantes'', Hamburg: B. Wedel, 1706 (reprint Hans Wagener: Frankfurt am Main 2005, ISBN 3-86598-219-0; online: [http://www.pierre-marteau.com/library/g-1705-0002.html Editions Marteau])
* ''Satyrischer Roman der galanten Welt zur vergnügten Curiosite, ans Licht gestellt von Menantes'', Hamburg: B. Wedel, 1706 (reprint Hans Wagener: Frankfurt am Main 2005, {{ISBN|3-86598-219-0}}; online: [http://www.pierre-marteau.com/library/g-1705-0002.html Editions Marteau])


== References ==
== References ==
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{{reflist}}
{{reflist}}


== Literature ==
== Sources ==
* Benjamin Wedel: ''Geheime Nachrichten und Briefe von Herrn Menantes Leben und Schriften.'' Cöln 1731 (reprint Zentralantiquariat der DDR, Leipzig 1977)
* Benjamin Wedel: ''Geheime Nachrichten und Briefe von Herrn Menantes Leben und Schriften.'' Cöln 1731 (reprint Zentralantiquariat der DDR, Leipzig 1977)
* Hans Schröder: ''Lexikon der hamburgischen Schriftsteller bis zur Gegenwart''. 8 volumes. Perthes-Besser u. Mauke, Hamburg 1851-1883
* Hans Schröder: ''Lexikon der hamburgischen Schriftsteller bis zur Gegenwart''. 8 volumes. Perthes-Besser u. Mauke, Hamburg 1851–1883
* Herbert Singer: ''Der galante Roman''. Metzler, Stuttgart 1961.
* Herbert Singer: ''Der galante Roman''. Metzler, Stuttgart 1961.
* Herbert Singer: ''Der deutsche Roman zwischen Barock und Rokoko''. Böhlau, Köln 1963
* Herbert Singer: ''Der deutsche Roman zwischen Barock und Rokoko''. Böhlau, Köln 1963
* Hans Wagener, ''Die Komposition der Romane Christian Friedrich Hunolds'', University of California Publications in Modern Philology, 94 (Berkeley/ Los Angeles, 1969)
* Hans Wagener, ''Die Komposition der Romane Christian Friedrich Hunolds'', University of California Publications in Modern Philology, 94 (Berkeley/ Los Angeles, 1969)
* [[Gerhard Dünnhaupt]]: „Christian Friedrich Hunold (1681-1721)“, in: ''Personalbibliographien zu den Drucken des Barock''. Band 3. Hiersemann, Stuttgart 1990, ISBN 3-7772-9105-6, p.&nbsp;2184-2213 (works and literature)
* [[Gerhard Dünnhaupt]]: "Christian Friedrich Hunold (1681–1721)", in: ''Personalbibliographien zu den Drucken des Barock''. Band 3. Hiersemann, Stuttgart 1990, {{ISBN|3-7772-9105-6}}, p.&nbsp;2184–2213 (works and literature)
* Jens-Fietje Dwars: ''Leben und Werk des vormals berühmten Christian Friedrich Hunold alias Menantes''. quartus-Verlag, Bucha 2005, ISBN 3-931505-74-X
* Jens-Fietje Dwars: ''Leben und Werk des vormals berühmten Christian Friedrich Hunold alias Menantes''. quartus-Verlag, Bucha 2005, {{ISBN|3-931505-74-X}}
* Cornelia Hobohm (editor.): ''Menantes. Ein Dichterleben zwischen Barock und Aufklärung''. Jena: Quartus Verlag, 2006)
* Cornelia Hobohm (editor.): ''Menantes. Ein Dichterleben zwischen Barock und Aufklärung''. Jena: Quartus Verlag, 2006)
* Jörn Steigerwald: ''Höfliches Lachen: Die distinguierende Komik der höfischen Gesellschaft (am Beispiel von Christian Friedrich Hunolds 'Satyrischem Roman' '', in: ''Anthropologie und Medialität des Komischen im 17. Jahrhundert (1580-1730)''. editor Stefanie Arend et al. Amsterdam / New York 2008, p.&nbsp;325-355.
* Jörn Steigerwald: ''Höfliches Lachen: Die distinguierende Komik der höfischen Gesellschaft (am Beispiel von Christian Friedrich Hunolds 'Satyrischem Roman' '', in: ''Anthropologie und Medialität des Komischen im 17. Jahrhundert (1580–1730)''. editor Stefanie Arend et al. Amsterdam / New York 2008, p.&nbsp;325–355.


== External links ==
== External links ==
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* [http://gutenberg.spiegel.de/autoren/hunold.htm Hunold's works at Gutenberg] (in German)
* [http://gutenberg.spiegel.de/autoren/hunold.htm Hunold's works at Gutenberg] (in German)


{{Authority control|PND=118554840|LCCN=n/85/373166|VIAF=54190484}}
{{Authority control}}


{{Persondata
|NAME=Hunold, Christian Friedrich
|ALTERNATIV NAMES=Menantes
|SHORT DESCRIPTION=German poet
|DATE OF BIRTH=29 September 1680
|PLACE OF BIRTH=Wandersleben
|DATE OF DEATH=16 August 1721
|PLACE OF DEATH=Halle
}}
{{DEFAULTSORT:Hunold, Christian Friedrich}}
{{DEFAULTSORT:Hunold, Christian Friedrich}}
[[Category:1680 births]]
[[Category:1680 births]]
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[[Category:People from Gotha (district)]]
[[Category:People from Gotha (district)]]
[[Category:Pseudonymous writers]]
[[Category:Pseudonymous writers]]
[[Category:German writers]]
[[Category:German-language poets]]
[[Category:German cantata librettists]]
[[Category:German cantata librettists]]
[[Category:German oratorio and passion librettists]]
[[Category:German oratorio and passion librettists]]
[[Category:German male poets]]

{{Link GA|de}}

Latest revision as of 16:12, 6 December 2023

Christian Friedrich Hunold.

Christian Friedrich Hunold (born 29 September 1680 in Wandersleben near Gotha, died 16 August 1721 in Halle) was a German author who wrote under the pseudonym Menantes.

Biography

[edit]

Hunold went to school in Arnstadt and continued in 1691 at the Gymnasium Illustre Augusteum in Weißenfels until 1698. From 1698 until winter 1699/1700 he studied law and languages at the University of Jena.

His first novel, Die Verliebte und Galante Welt (Hamburg: Liebernickel, 1700), was an instant success. The publication of his novel Satyrischer Roman (Satyrical Novel) in 1706 caused a scandal.

Hunold moved to Halle and held private seminars. The second part of Satyrischer Roman was published in Stade by Hinrich Brummer in 1710. Hunold continued his own studies and graduated in 1714 in law.

He died 6 August 1721 in Halle of tuberculosis.

A biography of him by Benjamin Wedel was published in 1731 including some of his letters.

Libretti

[edit]

Hunold wrote the libretto Der blutige und sterbende Jesus (The bleeding and dying Jesus), set by Reinhard Keiser in 1704, an early Protestant Passion oratorio.

Hunold appears to have known Bach,[1] and in Halle he wrote texts for Bach cantatas which were performed at the court of Leopold, Prince of Anhalt-Köthen. With the partial exception of Lobet den Herrn, alle seine Heerscharen, BWV Anh. 5, which uses religious themes, these were secular works, written especially for occasions such as birthdays. This collaboration between Bach and Hunold lasted from 1718 to 1720 after which year the composer found another librettist for his continuing series of congratulatory cantatas. After the poet had died Bach returned to his work as the basis for the cantata Ich bin in mir vergnügt.[1]

Selected works

[edit]
  • Die verliebte und galante Welt, Hamburg: Liebernickel, 1700 (reprint of the 1707 edition Hans Wagener: Bern 1988)
  • Der Europäischen Höfe Liebes- und Helden-Geschichte, Hamburg: Gottfried Liebernickel, 1705 (reprint Hans Wagener and Eli Sobel: Bern 1978)
  • Satyrischer Roman der galanten Welt zur vergnügten Curiosite, ans Licht gestellt von Menantes, Hamburg: B. Wedel, 1706 (reprint Hans Wagener: Frankfurt am Main 2005, ISBN 3-86598-219-0; online: Editions Marteau)

References

[edit]
  1. ^ a b Mincham, Julian (December 2010). "Chapter 102 BWV 204". The Cantatas of Johann Sebastian Bach. Archived from the original on 1 February 2014. Retrieved 5 March 2014.

Sources

[edit]
  • Benjamin Wedel: Geheime Nachrichten und Briefe von Herrn Menantes Leben und Schriften. Cöln 1731 (reprint Zentralantiquariat der DDR, Leipzig 1977)
  • Hans Schröder: Lexikon der hamburgischen Schriftsteller bis zur Gegenwart. 8 volumes. Perthes-Besser u. Mauke, Hamburg 1851–1883
  • Herbert Singer: Der galante Roman. Metzler, Stuttgart 1961.
  • Herbert Singer: Der deutsche Roman zwischen Barock und Rokoko. Böhlau, Köln 1963
  • Hans Wagener, Die Komposition der Romane Christian Friedrich Hunolds, University of California Publications in Modern Philology, 94 (Berkeley/ Los Angeles, 1969)
  • Gerhard Dünnhaupt: "Christian Friedrich Hunold (1681–1721)", in: Personalbibliographien zu den Drucken des Barock. Band 3. Hiersemann, Stuttgart 1990, ISBN 3-7772-9105-6, p. 2184–2213 (works and literature)
  • Jens-Fietje Dwars: Leben und Werk des vormals berühmten Christian Friedrich Hunold alias Menantes. quartus-Verlag, Bucha 2005, ISBN 3-931505-74-X
  • Cornelia Hobohm (editor.): Menantes. Ein Dichterleben zwischen Barock und Aufklärung. Jena: Quartus Verlag, 2006)
  • Jörn Steigerwald: Höfliches Lachen: Die distinguierende Komik der höfischen Gesellschaft (am Beispiel von Christian Friedrich Hunolds 'Satyrischem Roman' , in: Anthropologie und Medialität des Komischen im 17. Jahrhundert (1580–1730). editor Stefanie Arend et al. Amsterdam / New York 2008, p. 325–355.
[edit]
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