Garifuna music: Difference between revisions
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{{short description|Ethnic music from Central America}} |
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'''Garifuna music''' is an ethnic music and dance with African and Arawak elements, originated by an Afro Indigenous group known as the [[Garifuna]] people, pre to their exile to [[Central America]] from [[Saint Vincent And The Grenadines]]. It represents and belongs to the Garifuna community. |
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{{More citations needed|date=April 2022}} |
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{{Infobox intangible heritage |
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|Name = Language, dance and music of the Garifuna <!-- or " | ICH = " --> |
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|Countries = Belize, Guatemala, Honduras, and Nicaragua <!-- or " | Countries = " or " | State Party = " --> |
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|ID = 00001 <!-- or " | Link = " --> |
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|Year = 2001 |
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|Session = 2008 |
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| ⚫ | '''Garifuna music''' is an ethnic music and dance with African, [[Arawak]], and [[Kalinago]] elements, originating with the Afro-Indigenous [[Garifuna]] people from [[Central America]] and [[Saint Vincent and the Grenadines]]. In 2001, Garifuna music, dance, and language were collectively proclaimed as a [[Masterpiece of the Oral and Intangible Heritage of Humanity]] by [[UNESCO]].<ref name=garifuna>{{cite web| title= Language, Dance and Music of the Garifuna |url= http://www.unesco.org/culture/ich/index.php?RL=08 |publisher=UNESCO Culture Sector |access-date=7 September 2009}}</ref> |
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==Nonsecular music== |
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{{More citations needed|section|date=April 2022}} |
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===Genres=== |
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Nonsecular musical genres within the Garifuna culture stem from a fusion of West African ancestral worship and [[Amerindian race|Amerindian]] shamanism.{{Citation needed|date=April 2022}} Examples of Garifuna music rituals include ''Adügürühani'' (also known as ''dügü''), a healing ceremony; ''Arairaguni'', an invocation to determine illness; ''Amuyadahani'', a ritual in which family members make offerings to their ancestors; and ''Achuguhani'' (Chugú), "feeding the dead".{{Citation needed|date=April 2022}} |
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===''Dügü'' (Feeding the Dead)=== |
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The Garifuna tradition of ''Adügürühani'' is a ritual that takes place when a Garifuna individual becomes ill and must consult a shaman in the hopes of restoring their health.{{Citation needed|date=April 2022}} The shaman will consult with the ancestral spirits (''gubida'') that have inflicted the illness upon the individual.{{Citation needed|date=April 2022}} Drums are played during the ''dügü'', which is thought to have a calming effect on the individual who is possessed by the ''gubida''.{{Citation needed|date=April 2022}} The drumming is performed in [[Triple metre|triple meter]] and is accompanied by song and dance. Often there are two to three drums, and the ensemble of drummers is called ''dangbu''.{{Citation needed|date=April 2022}} The drums are constructed using mahogany or mayflower wood and animal skins (usually deer, goat, or peccary).{{Citation needed|date=April 2022}} During construction, the drums are rubbed with a [[cassava]] wine and then subsequently blessed with the smoke of buwe—a sacred herb.{{Citation needed|date=April 2022}} These techniques suggest the presence of both African and Amerindian influences in drum construction, indicative of a fusion of African and Amerindian culture in Garifuna sacred music.{{Citation needed|date=April 2022}} |
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The gender roles documented in the musical performances of ''dügü'' suggest that traditional Garifuna society emphasizes [[matrilineality]] and [[matrifocality]].{{Citation needed|date=April 2022}} "The texts of most ''dügü'' songs refer to ancestors as female (grandmother or great-grandmother, even if the ''dügü'' is being given in honor of a man)… It may also be a reflection of gender-based empowerment, because older women predominate as organizers, ritual participants, and composers of ritual songs."<ref>Olsen, D. A., & Sheehy, D. E. (1998). South America, Mexico, Central America, and the Caribbean. Garland Publishing, Inc. pg. 669 https://archive.org/details/garlandencyclope0002unse/page/677/mode/1up</ref> Gender roles are often portrayed in music. "Music performance can and often does play an important role in inter-gender relations, for the inequalities or asymmetries perceived in such relations may be protested, mediated, reversed, and transformed, or confined through various social/musical strategies."<ref>Koskoff, Ellen ''An Introduction to Women, Music, and Culture'' 1987, p. 10</ref> The matrilineatlity demonstrated in the Garifuna ''dügü'' ritual demonstrates an authentic (non-westernized) aspect of West African and/or Amerindian culture, which remained unaffected by Spanish (and subsequently, British) colonization. |
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| ⚫ | In 2001, Garifuna music, dance, and language |
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==Secular music== |
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===Genres=== |
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===Instruments=== |
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| ⚫ | The main traditional instruments are drums and [[maraca]]s.<ref name=ngcb>{{cite web|url=http://ngcbelize.org/content/view/40/169/|title=Garifuna Music and Dance|publisher=National Garifuna Council of Belize|access-date=8 February 2015|url-status=dead|archive-url=https://web.archive.org/web/20151113223540/http://ngcbelize.org/content/view/40/169|archive-date=13 November 2015}}</ref> |
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==Notable performers== |
==Notable performers== |
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*[[Sofía Blanco]] |
* [[Sofía Blanco]] |
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*[[Pen Cayetano]] |
* [[Pen Cayetano]] |
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*[[Paul Nabor]] |
* [[Paul Nabor]] |
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*[[Aurelio Martínez]] |
* [[Aurelio Martínez]] |
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*[[Andy Palacio]] |
* [[Andy Palacio]] |
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*[[Umalali]] |
* [[Umalali]] |
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*Seinsuman |
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==See also== |
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* [[Garifuna language]] |
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==References== |
==References== |
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Latest revision as of 16:53, 6 December 2023
 | This article needs additional citations for verification. (April 2022) |
| Language, dance and music of the Garifuna | |
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| Country | Belize, Guatemala, Honduras, and Nicaragua |
| Reference | 00001 |
| Inscription history | |
| Inscription | 2001 (2008 session) |
Garifuna music is an ethnic music and dance with African, Arawak, and Kalinago elements, originating with the Afro-Indigenous Garifuna people from Central America and Saint Vincent and the Grenadines. In 2001, Garifuna music, dance, and language were collectively proclaimed as a Masterpiece of the Oral and Intangible Heritage of Humanity by UNESCO.[1]
Nonsecular music
[edit] | This section needs additional citations for verification. (April 2022) |
Genres
[edit]Nonsecular musical genres within the Garifuna culture stem from a fusion of West African ancestral worship and Amerindian shamanism.[citation needed] Examples of Garifuna music rituals include Adügürühani (also known as dügü), a healing ceremony; Arairaguni, an invocation to determine illness; Amuyadahani, a ritual in which family members make offerings to their ancestors; and Achuguhani (Chugú), "feeding the dead".[citation needed]
Dügü (Feeding the Dead)
[edit]The Garifuna tradition of Adügürühani is a ritual that takes place when a Garifuna individual becomes ill and must consult a shaman in the hopes of restoring their health.[citation needed] The shaman will consult with the ancestral spirits (gubida) that have inflicted the illness upon the individual.[citation needed] Drums are played during the dügü, which is thought to have a calming effect on the individual who is possessed by the gubida.[citation needed] The drumming is performed in triple meter and is accompanied by song and dance. Often there are two to three drums, and the ensemble of drummers is called dangbu.[citation needed] The drums are constructed using mahogany or mayflower wood and animal skins (usually deer, goat, or peccary).[citation needed] During construction, the drums are rubbed with a cassava wine and then subsequently blessed with the smoke of buwe—a sacred herb.[citation needed] These techniques suggest the presence of both African and Amerindian influences in drum construction, indicative of a fusion of African and Amerindian culture in Garifuna sacred music.[citation needed]
The gender roles documented in the musical performances of dügü suggest that traditional Garifuna society emphasizes matrilineality and matrifocality.[citation needed] "The texts of most dügü songs refer to ancestors as female (grandmother or great-grandmother, even if the dügü is being given in honor of a man)… It may also be a reflection of gender-based empowerment, because older women predominate as organizers, ritual participants, and composers of ritual songs."[2] Gender roles are often portrayed in music. "Music performance can and often does play an important role in inter-gender relations, for the inequalities or asymmetries perceived in such relations may be protested, mediated, reversed, and transformed, or confined through various social/musical strategies."[3] The matrilineatlity demonstrated in the Garifuna dügü ritual demonstrates an authentic (non-westernized) aspect of West African and/or Amerindian culture, which remained unaffected by Spanish (and subsequently, British) colonization.
Secular music
[edit]Genres
[edit]Garifuna genres include punta, paranda, and punta rock.[4]
There are different types of songs, some of which are associated with work, some with play, some with dance, and some that are reserved for prayer or ritual use.[5]
Instruments
[edit]The main traditional instruments are drums and maracas.[5]
Drums play an important role in Garifuna music. The main drum is the Segunda (bass drum). The drums are normally made by hollowing out logs and stretching antelope skin over them.[5]
Notable performers
[edit]See also
[edit]References
[edit]- ^ "Language, Dance and Music of the Garifuna". UNESCO Culture Sector. Retrieved 7 September 2009.
- ^ Olsen, D. A., & Sheehy, D. E. (1998). South America, Mexico, Central America, and the Caribbean. Garland Publishing, Inc. pg. 669 https://archive.org/details/garlandencyclope0002unse/page/677/mode/1up
- ^ Koskoff, Ellen An Introduction to Women, Music, and Culture 1987, p. 10
- ^ Michael Stone. "400 years of fury, 400 years of sound". Roots World. Retrieved 2 November 2014.
- ^ a b c "Garifuna Music and Dance". National Garifuna Council of Belize. Archived from the original on 13 November 2015. Retrieved 8 February 2015.
