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* [[Patrycja Planik]] as Lillian
* [[Patrycja Planik]] as Lillian
* [[Ivan Shvedoff]] as Film Producer
* [[Ivan Shvedoff]] as Film Producer
* [[Marissa Fabri]] as Store Owner
* Marissa Fabri as Store Owner
* [[Sheila Bonifanti]] as Customer
* Sheila Bonifanti as Customer
* Chris Shaw as Redneck
* Chris Shaw as Redneck
* Albert Lee as Boyd County Sheriff
* Albert Lee as Boyd County Sheriff
* [[Dave Swallow]] as Himself
* Dave Swallow as himself


==Plot==
==Plot==
During a job interview a Russian producer of [[pornographic films]] tells Lillian he cannot hire her because she overstayed her visa, besides she does not speak English. He suggests [[Russia]] is the new Land of Opportunities and advises her to go back to her home country.
During a job interview a Russian producer of [[pornographic films]] tells Lillian he cannot hire her because she overstayed her visa, besides she does not speak English. He suggests [[Russia]] is the new Land of Opportunities and advises her to go back to her home country.


In the next scene Lillian discards her passport. She aimlessly wanders around [[New York City]] at first, reaching ever bigger highways that eventually lead her out of the metropolis.
In the next scene Lillian discards her passport. She aimlessly wanders around [[New York City]] at first, reaching ever bigger highways that eventually lead her out of the metropolis.


After Lillian finds a map of [[North America]] in an empty weekend home, her endeavor gradually takes shape. She seems determined to walk across the North American continent and to reach Russia via the [[Bering Strait]].
After Lillian finds a map of [[North America]] in an empty weekend home, her endeavor gradually takes shape. She seems determined to walk across the North American continent and to reach Russia via the [[Bering Strait]].


In what follows we witness the changing seasons and Lillian's journey through [[Pennsylvania]], [[Ohio]], [[Indiana]], [[Illinois]], [[Iowa]], [[Nebraska]], [[South Dakota]], [[North Dakota]], [[Montana]], [[Alberta]], [[British Columbia]], [[The Yukon]] and [[Alaska]]. The film's final destination is the [[Bering Strait]], the place where America and Russia almost meet.
In what follows we witness the changing seasons and Lillian's journey through [[Pennsylvania]], [[Ohio]], [[Indiana]], [[Illinois]], [[Iowa]], [[Nebraska]], [[South Dakota]], [[North Dakota]], [[Montana]], [[Alberta]], [[British Columbia]], [[The Yukon]] and [[Alaska]]. The film's final destination is the [[Bering Strait]], the place where North America and Russia almost meet.


==Background==
==Background==
The film is inspired by the true story of [[Lillian Alling]], a [[Russian]] or [[Eastern European]] immigrant to the [[United States]] who, in the 1920s, attempted a return by foot to her homeland. Starting in [[New York]], she walked across the [[United States]] and [[Canada]] trying to cross the [[Bering Strait]]. Lillian Alling disappeared and to this day it is unknown if she ever reached [[Russia]].<ref>{{Cite web|url=https://www.theglobeandmail.com/news/british-columbia/the-enigma-of-lillian-alling/article1370387/|title=«The Enigma of Lillian Alling»|website=www.theglobeandmail.com}}</ref>
The film is inspired by the true story of [[Lillian Alling]], an Eastern European immigrant to the United States who, in the 1920s, attempted a return by foot to her homeland. Starting in [[New York (state)|New York]], she walked across the United States and Canada trying to cross the [[Bering Strait]]. Alling disappeared and to this day it is unknown if she ever reached Russia.<ref>{{Cite web|url=https://www.theglobeandmail.com/news/british-columbia/the-enigma-of-lillian-alling/article1370387/|title="The Enigma of Lillian Alling"|website=www.theglobeandmail.com}}</ref>


Horvath's fictionalized version of this story is set in present-day America and, according to the director, was shot without a script over the course of roughly nine months with a minimal team traveling from [[New York City]] to [[Anchorage, Alaska]]. Principal photography in [[North America]] took place in 2016, while the final chapter of the film was shot in 2015 on the [[Russia]]n side of the [[Bering Strait]], on the [[Chukchi Peninsula]], in Eastern [[Siberia]]. Apparently most scenes were developed from chance encounters en route, with locals playing themselves, including a Nebraskan sheriff who frisks Lillian.<ref>{{Cite web|url=https://www.austrianfilms.com/interview/andreas_horvath/lillian_eng|title=«A de-accelerated road movie»|website=www.austrianfilms.com}}</ref>
Horvath's fictionalized version of this story is set in present-day America and, according to the director, was shot without a script over the course of roughly nine months with a minimal team traveling from [[New York City]] to [[Anchorage, Alaska]]. Principal photography in [[North America]] took place in 2016, while the final chapter of the film was shot in 2015 on the [[Russia]]n side of the [[Bering Strait]], on the [[Chukchi Peninsula]], in Eastern [[Siberia]]. Apparently most scenes were developed from chance encounters en route, with locals playing themselves, including a Nebraskan sheriff who frisks Lillian.<ref>{{Cite web|url=https://www.austrianfilms.com/interview/andreas_horvath/lillian_eng|title="A de-accelerated road movie"|website=www.austrianfilms.com}}</ref>


The film blends documentary and fiction elements. One episode interweaves the [[Native Americans in the United States|Native American]] uprising against the [[Dakota Access Pipeline]] at the [[Standing Rock Indian Reservation]] with the storyline.<ref>{{Cite web|url=https://filmthreat.com/reviews/lillian/2/|title=Lillian &#124; Film Threat - Part 2|date=29 January 2020}}</ref>
The film blends documentary and fiction elements. One episode interweaves the [[Native Americans in the United States|Native American]] uprising against the [[Dakota Access Pipeline]] at the [[Standing Rock Indian Reservation]] with the storyline.<ref>{{Cite web|url=https://filmthreat.com/reviews/lillian/2/|title=Lillian &#124; Film Threat - Part 2|date=29 January 2020}}</ref>


The title role is played by [[Patrycja Planik]], a Polish visual artist who had no previous acting experience.<ref>{{Cite web|url=https://closeupculture.com/2019/06/14/interview-patrycja-planik-on-her-nine-month-journey-across-america-to-make-lillian/|title=Interview: Patrycja Płanik On Her Nine Month Journey Across America To Make ‘Lillian’|first=James|last=Prestridge|date=14 June 2019|website=Close-Up Culture}}</ref>
The title role is played by [[Patrycja Planik]], a Polish visual artist who had no previous acting experience.<ref>{{Cite web|url=https://closeupculture.com/2019/06/14/interview-patrycja-planik-on-her-nine-month-journey-across-america-to-make-lillian/|title=Interview: Patrycja Płanik On Her Nine Month Journey Across America To Make ‘Lillian’|first=James|last=Prestridge|date=14 June 2019|website=Close-Up Culture}}</ref>


==Reception==
==Reception==
On the occasion of the world premiere at the [[Cannes Film Festival]] Kaleem Aftab wrote in Cineuropa: ''"The Cannes [[Directors' Fortnight]] has unearthed an absolute gem this year. Andreas Horvath’s Lillian is a road movie across America, which serves up a history lesson on Native Americans, a state-of-the-nation assessment on rural living and an otherworldly thriller with an environmental undertone."'' He continues: ''"It’s a fascinating journey with a myriad of characters that continues in the great vein of European filmmakers, from [[Bruno Dumont]] to [[Wim Wenders]], who use the road movie as a template to explore America, and especially the rural areas away from the metropolises. Where [[Michelangelo Antonioni]] was fascinated with the [[Black Panthers]] in [[Zabriskie Point]], Horvath shows the racial divide with the treatment of Native Americans and the genocide that the modern-day United States is built upon."'' <ref>{{Cite web|url=https://cineuropa.org/en/newsdetail/372673/|title=Review: Lillian|website=Cineuropa - the best of european cinema}}</ref>
On the occasion of the world premiere at the [[Cannes Film Festival]] Kaleem Aftab wrote in ''Cineuropa'': "The Cannes [[Directors' Fortnight]] has unearthed an absolute gem this year. Andreas Horvath's Lillian is a road movie across America, which serves up a history lesson on Native Americans, a state-of-the-nation assessment on rural living and an otherworldly thriller with an environmental undertone." He continues: "It's a fascinating journey with a myriad of characters that continues in the great vein of European filmmakers, from [[Bruno Dumont]] to [[Wim Wenders]], who use the road movie as a template to explore America, and especially the rural areas away from the metropolises. Where [[Michelangelo Antonioni]] was fascinated with the [[Black Panthers]] in [[Zabriskie Point]], Horvath shows the racial divide with the treatment of Native Americans and the genocide that the modern-day United States is built upon."<ref>{{Cite web|url=https://cineuropa.org/en/newsdetail/372673/|title=Review: Lillian|website=Cineuropa - the best of european cinema}}</ref>


In [[The Hollywood Reporter]] Deborah Young called Lillian ''"a fascinating walk through a mysterious land"'', adding that Andreas Horvath ''"combines his knowledge of the American Midwest and the Yukon in an enigmatic road movie — never was a term more descriptive — that is at once a portrait of female spirit and determination and a reflection on the loneliness at the heart of America today."'' <ref>{{Cite web|url=https://www.hollywoodreporter.com/review/lillian-1212964|title='Lillian': Film Review &#124; Cannes 2019 &#124; Hollywood Reporter|website=www.hollywoodreporter.com}}</ref>
In ''[[The Hollywood Reporter]]'' Deborah Young called Lillian "a fascinating walk through a mysterious land", adding that Andreas Horvath "combines his knowledge of the American Midwest and the Yukon in an enigmatic road movie — never was a term more descriptive — that is at once a portrait of female spirit and determination and a reflection on the loneliness at the heart of America today."<ref>{{Cite web|url=https://www.hollywoodreporter.com/review/lillian-1212964|title='Lillian': Film Review &#124; Cannes 2019 &#124; Hollywood Reporter|website=www.hollywoodreporter.com}}</ref>


In his mixed review for [[Variety (magazine)|Variety]] Guy Lodge stressed [[Patrycja Planik]]'s part, acknowledging that ''"what eerie charge “Lillian” does possess comes largely courtesy of its lead, Polish visual artist Patrycja Planik, who utters not one word in the film’s two-hour-plus running time, but does hold the camera with a fixed, blank-slate gaze — making her updated Lillian Alling a kind of stoic proxy for anyone who has felt isolated and voiceless in the great American vastness."'' <ref>{{Cite web|url=https://variety.com/2019/film/reviews/lillian-review-1203227609/|title=Cannes Film Review: ‘Lillian’|first1=Guy|last1=Lodge|first2=Guy|last2=Lodge|date=30 May 2019}}</ref>
In his mixed review for [[Variety (magazine)|''Variety'']] Guy Lodge stressed [[Patrycja Planik]]'s part, acknowledging that "what eerie charge 'Lillian' does possess comes largely courtesy of its lead, Polish visual artist Patrycja Planik, who utters not one word in the film's two-hour-plus running time, but does hold the camera with a fixed, blank-slate gaze — making her updated Lillian Alling a kind of stoic proxy for anyone who has felt isolated and voiceless in the great American vastness."<ref>{{Cite web|url=https://variety.com/2019/film/reviews/lillian-review-1203227609/|title=Cannes Film Review: ‘Lillian’|first1=Guy|last1=Lodge|date=30 May 2019}}</ref>


In [[Le Figaro]] French Critic Olivier Delcroix noted that the film ''"convokes [[Hitchcock]], [[Antonioni]], [[Nicolas Roeg]] and even [[Charlie Chaplin]]'s [[The Gold Rush]]."'' <ref>{{Cite web|url=https://www.lefigaro.fr/cinema/lillian-ou-la-mort-aux-trousses-20191211|title=Andreas Horvath: «Lillian est un film qui traite de la déconnexion au monde»|first=Olivier|last=Delcroix|date=11 December 2019|website=Le Figaro.fr}}</ref>
In ''[[Le Figaro]]'' French critic Olivier Delcroix noted that the film "convokes [[Hitchcock]], [[Antonioni]], [[Nicolas Roeg]] and even [[Charlie Chaplin]]'s ''[[The Gold Rush]]''."<ref>{{Cite web|url=https://www.lefigaro.fr/cinema/lillian-ou-la-mort-aux-trousses-20191211|title=Andreas Horvath: "Lillian est un film qui traite de la déconnexion au monde"|first=Olivier|last=Delcroix|date=11 December 2019|website=Le Figaro.fr}}</ref>


Jak-Luke Sharp wrote on [[Letterboxd]] that ''"Andreas Horvath's Lillian is a masterful dynamic and profound examination of modern-day America wrapped in a dark Lynchian-esque vibe to show the power of the soul and human nature."'' <ref>{{Cite web|url=https://letterboxd.com/film/lillian-2019/|title=Lillian (2019)|via=letterboxd.com}}</ref> ''"Coupled with an extraordinary central performance from Patrycja Planik, beautifully intrusive cinematography from Horvath's and a sublime emotive score from the writer-director, undeniably stands Lillian as a profound cinematic venture."'' <ref>{{Cite web|url=https://www.clapperltd.co.uk/home/lillian|title=Lillian|website=CLAPPER}}</ref>
"Coupled with an extraordinary central performance from Patrycja Planik, beautifully intrusive cinematography from Horvath's and a sublime emotive score from the writer-director, undeniably stands Lillian as a profound cinematic venture."<ref>{{Cite web|url=https://www.clapperltd.co.uk/home/lillian|title=Lillian|website=CLAPPER}}</ref>


The film holds a 75% approval rating on [[Rotten Tomatoes]].<ref>{{Cite web|url=https://www.rottentomatoes.com/m/lillian_2019|title=Lillian (2019)|via=www.rottentomatoes.com}}</ref>
The film holds {{a or an|{{RT data|score}}}} approval rating on [[Rotten Tomatoes]].<ref>{{Cite web|url=https://www.rottentomatoes.com/m/lillian_2019|title=Lillian (2019)|website=[[Rotten Tomatoes]]|publisher=[[Fandango Media|Fandango]]|access-date={{RT data|access date}}}}</ref>


==Accolades==
==Accolades==
Line 71: Line 71:
| [[Cannes Film Festival]], [[Directors' Fortnight]] || [[Camera d'Or]] ||[[Andreas Horvath]]|| {{nominated}} || <ref>{{Cite web|url=https://www.quinzaine-realisateurs.com/en/film/lillian/|title=Directors' Fortnight|website=quinzaine-realisateurs.com}}</ref>
| [[Cannes Film Festival]], [[Directors' Fortnight]] || [[Camera d'Or]] ||[[Andreas Horvath]]|| {{nominated}} || <ref>{{Cite web|url=https://www.quinzaine-realisateurs.com/en/film/lillian/|title=Directors' Fortnight|website=quinzaine-realisateurs.com}}</ref>
|-
|-
| [[Oldenburg International Film Festival]] || [[Best Actress / Seymour Cassel Award]] ||[[Patrycja Planik]]|| {{won}} || <ref>{{Cite web|url=https://www.filmfest-oldenburg.de/about/awards|title=Awards 2019|website=filmfest-oldenburg.de}}</ref>
| [[Oldenburg International Film Festival]] || Best Actress / Seymour Cassel Award ||[[Patrycja Planik]]|| {{won}} || <ref>{{Cite web|url=https://www.filmfest-oldenburg.de/about/awards|title=Awards 2019|website=filmfest-oldenburg.de}}</ref>
|-
|-
| [[Zurich Film Festival]] || [[Focus Competition]] ||[[Special Mention]]|| {{won}} || <ref>{{Cite web|url=https://zff.com/en/festival-info/news/2019/2397/awards-15th-zurich-film-festival/|title=Awards|website=zff.com}}</ref>
| [[Zurich Film Festival]] || Focus Competition || Special Mention|| {{won}} || <ref>{{Cite web|url=https://zff.com/en/festival-info/news/2019/2397/awards-15th-zurich-film-festival/|title=Awards|website=zff.com}}</ref>
|-
|-
| [[Haifa International Film Festival]] || [[Golden Anchor Award]] ||[[Best Film]]|| {{won}} || <ref>{{Cite web|url=https://www.haifaff.co.il/eng/Films/6126/Lillian|title=Lillian|website=haifaff.com}}</ref>
| [[Haifa International Film Festival]] || Golden Anchor Award || Best Film|| {{won}} || <ref>{{Cite web|url=https://www.haifaff.co.il/eng/Films/6126/Lillian|title=Lillian|website=haifaff.com}}</ref>
|-
|-
| [[Listapad]] || [[Victor Turov Memorial Award]] ||[[Best Film]]|| {{won}} || <ref>{{Cite web|url=http://listapad.com/en/awards/2019/|title=Awards 2019|website=listapad.com}}</ref>
| [[Listapad]] || Victor Turov Memorial Award || Best Film|| {{won}} || <ref name="Awards 2019">{{Cite web|url=http://listapad.com/en/awards/2019/|title=Awards 2019|website=listapad.com}}</ref>
|-
|-
| [[Listapad]] || [[FIPRESCI Jury Award]] ||[[Best Film]]|| {{won}} || <ref>{{Cite web|url=http://listapad.com/en/awards/2019/|title=Awards 2019|website=listapad.com}}</ref>
| [[Listapad]] || FIPRESCI Jury Award || Best Film|| {{won}} || <ref name="Awards 2019" />
|-
|-
| [[Gijón International Film Festival]] || Youth Jury Award ||[[Best Film]]|| {{won}} || <ref>{{Cite web|url=https://cineuropa.org/en/newsdetail/381289/|title=Gijon Awards 2019|website=cineuropa.org}}</ref>
| [[Gijón International Film Festival]] || Youth Jury Award || Best Film|| {{won}} || <ref>{{Cite web|url=https://cineuropa.org/en/newsdetail/381289/|title=Gijon Awards 2019|website=cineuropa.org}}</ref>
|-
|-
| [[Trieste Film Festival]] || [[Cineuropa Prize]] ||[[Best Film]]|| {{won}} || <ref>{{Cite web|url=http://www.triestefilmfestival.it/en/premi-tsff-2020/|title=Awards 2020|website=triestefilmfestival.it}}</ref>
| [[Trieste Film Festival]] || [[Cineuropa Prize]] || Best Film || {{won}} || <ref>{{Cite web|url=http://www.triestefilmfestival.it/en/premi-tsff-2020/|title=Awards 2020|website=triestefilmfestival.it}}</ref>
|-
|-
| [[Tromsø International Film Festival]] || [[FIPRESCI Jury Award]] ||[[Best Film]]|| {{won}} || <ref>{{Cite web|url=https://tiff.no/en/awards/fipresci|title=FIPRESCI Award|website=tiff.no}}</ref>
| [[Tromsø International Film Festival]] || FIPRESCI Jury Award || Best Film || {{won}} || <ref>{{Cite web|url=https://tiff.no/en/awards/fipresci|title=FIPRESCI Award|website=tiff.no}}</ref>
|-
|-
| [[Method Fest Independent Film Festival]] || Best Actress ||[[Patrycja Planik]]|| {{won}} || <ref>{{Cite web|url=http://methodfest.com/awards-nominations---winners|title=Awards Nominations|website=methodfest.com}}</ref>
| [[Method Fest Independent Film Festival]] || Best Actress ||[[Patrycja Planik]]|| {{won}} || <ref>{{Cite web|url=http://methodfest.com/awards-nominations---winners|title=Awards Nominations|website=methodfest.com}}</ref>
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[[Category:2019 films]]
[[Category:2019 films]]
[[Category:2019 drama films]]
[[Category:2019 drama films]]
[[Category:Austrian films]]
[[Category:Austrian drama films]]
[[Category:Austrian drama films]]
[[Category:English-language films]]
[[Category:Films about hiking]]
[[Category:2010s English-language films]]

Latest revision as of 01:58, 7 January 2024

Lillian
Film poster
Directed byAndreas Horvath
Written byAndreas Horvath
Produced byUlrich Seidl
StarringPatrycja Planik
CinematographyAndreas Horvath
Edited byMichael Palm
Andreas Horvath
Music byAndreas Horvath
Release date
  • 20 May 2019 (2019-05-20) (Cannes)
Running time
130 minutes
CountryAustria
LanguageEnglish

Lillian is a 2019 Austrian drama film directed by Andreas Horvath. It was screened in the Directors' Fortnight section at the 2019 Cannes Film Festival and was nominated for the Camera d'Or.[1][2]

Cast

[edit]
  • Patrycja Planik as Lillian
  • Ivan Shvedoff as Film Producer
  • Marissa Fabri as Store Owner
  • Sheila Bonifanti as Customer
  • Chris Shaw as Redneck
  • Albert Lee as Boyd County Sheriff
  • Dave Swallow as himself

Plot

[edit]

During a job interview a Russian producer of pornographic films tells Lillian he cannot hire her because she overstayed her visa, besides she does not speak English. He suggests Russia is the new Land of Opportunities and advises her to go back to her home country.

In the next scene Lillian discards her passport. She aimlessly wanders around New York City at first, reaching ever bigger highways that eventually lead her out of the metropolis.

After Lillian finds a map of North America in an empty weekend home, her endeavor gradually takes shape. She seems determined to walk across the North American continent and to reach Russia via the Bering Strait.

In what follows we witness the changing seasons and Lillian's journey through Pennsylvania, Ohio, Indiana, Illinois, Iowa, Nebraska, South Dakota, North Dakota, Montana, Alberta, British Columbia, The Yukon and Alaska. The film's final destination is the Bering Strait, the place where North America and Russia almost meet.

Background

[edit]

The film is inspired by the true story of Lillian Alling, an Eastern European immigrant to the United States who, in the 1920s, attempted a return by foot to her homeland. Starting in New York, she walked across the United States and Canada trying to cross the Bering Strait. Alling disappeared and to this day it is unknown if she ever reached Russia.[3]

Horvath's fictionalized version of this story is set in present-day America and, according to the director, was shot without a script over the course of roughly nine months with a minimal team traveling from New York City to Anchorage, Alaska. Principal photography in North America took place in 2016, while the final chapter of the film was shot in 2015 on the Russian side of the Bering Strait, on the Chukchi Peninsula, in Eastern Siberia. Apparently most scenes were developed from chance encounters en route, with locals playing themselves, including a Nebraskan sheriff who frisks Lillian.[4]

The film blends documentary and fiction elements. One episode interweaves the Native American uprising against the Dakota Access Pipeline at the Standing Rock Indian Reservation with the storyline.[5]

The title role is played by Patrycja Planik, a Polish visual artist who had no previous acting experience.[6]

Reception

[edit]

On the occasion of the world premiere at the Cannes Film Festival Kaleem Aftab wrote in Cineuropa: "The Cannes Directors' Fortnight has unearthed an absolute gem this year. Andreas Horvath's Lillian is a road movie across America, which serves up a history lesson on Native Americans, a state-of-the-nation assessment on rural living and an otherworldly thriller with an environmental undertone." He continues: "It's a fascinating journey with a myriad of characters that continues in the great vein of European filmmakers, from Bruno Dumont to Wim Wenders, who use the road movie as a template to explore America, and especially the rural areas away from the metropolises. Where Michelangelo Antonioni was fascinated with the Black Panthers in Zabriskie Point, Horvath shows the racial divide with the treatment of Native Americans and the genocide that the modern-day United States is built upon."[7]

In The Hollywood Reporter Deborah Young called Lillian "a fascinating walk through a mysterious land", adding that Andreas Horvath "combines his knowledge of the American Midwest and the Yukon in an enigmatic road movie — never was a term more descriptive — that is at once a portrait of female spirit and determination and a reflection on the loneliness at the heart of America today."[8]

In his mixed review for Variety Guy Lodge stressed Patrycja Planik's part, acknowledging that "what eerie charge 'Lillian' does possess comes largely courtesy of its lead, Polish visual artist Patrycja Planik, who utters not one word in the film's two-hour-plus running time, but does hold the camera with a fixed, blank-slate gaze — making her updated Lillian Alling a kind of stoic proxy for anyone who has felt isolated and voiceless in the great American vastness."[9]

In Le Figaro French critic Olivier Delcroix noted that the film "convokes Hitchcock, Antonioni, Nicolas Roeg and even Charlie Chaplin's The Gold Rush."[10]

"Coupled with an extraordinary central performance from Patrycja Planik, beautifully intrusive cinematography from Horvath's and a sublime emotive score from the writer-director, undeniably stands Lillian as a profound cinematic venture."[11]

The film holds a 75% approval rating on Rotten Tomatoes.[12]

Accolades

[edit]
Organization Category Recipients and nominees Result Citation
Cannes Film Festival, Directors' Fortnight Camera d'Or Andreas Horvath Nominated [13]
Oldenburg International Film Festival Best Actress / Seymour Cassel Award Patrycja Planik Won [14]
Zurich Film Festival Focus Competition Special Mention Won [15]
Haifa International Film Festival Golden Anchor Award Best Film Won [16]
Listapad Victor Turov Memorial Award Best Film Won [17]
Listapad FIPRESCI Jury Award Best Film Won [17]
Gijón International Film Festival Youth Jury Award Best Film Won [18]
Trieste Film Festival Cineuropa Prize Best Film Won [19]
Tromsø International Film Festival FIPRESCI Jury Award Best Film Won [20]
Method Fest Independent Film Festival Best Actress Patrycja Planik Won [21]

References

[edit]
  1. ^ Keslassy, Elsa (4 April 2019). "Cannes: Deerskin With Jean Dujardin to Open Directors' Fortnight". Variety. Retrieved 19 April 2019.
  2. ^ Goodfellow, Melanie. "Cannes Directors' Fortnight unveils genre-heavy 2019 selection". ScreenDaily. Retrieved 23 April 2019.
  3. ^ ""The Enigma of Lillian Alling"". www.theglobeandmail.com.
  4. ^ ""A de-accelerated road movie"". www.austrianfilms.com.
  5. ^ "Lillian | Film Threat - Part 2". 29 January 2020.
  6. ^ Prestridge, James (14 June 2019). "Interview: Patrycja Płanik On Her Nine Month Journey Across America To Make 'Lillian'". Close-Up Culture.
  7. ^ "Review: Lillian". Cineuropa - the best of european cinema.
  8. ^ "'Lillian': Film Review | Cannes 2019 | Hollywood Reporter". www.hollywoodreporter.com.
  9. ^ Lodge, Guy (30 May 2019). "Cannes Film Review: 'Lillian'".
  10. ^ Delcroix, Olivier (11 December 2019). "Andreas Horvath: "Lillian est un film qui traite de la déconnexion au monde"". Le Figaro.fr.
  11. ^ "Lillian". CLAPPER.
  12. ^ "Lillian (2019)". Rotten Tomatoes. Fandango. Retrieved 30 October 2021.
  13. ^ "Directors' Fortnight". quinzaine-realisateurs.com.
  14. ^ "Awards 2019". filmfest-oldenburg.de.
  15. ^ "Awards". zff.com.
  16. ^ "Lillian". haifaff.com.
  17. ^ a b "Awards 2019". listapad.com.
  18. ^ "Gijon Awards 2019". cineuropa.org.
  19. ^ "Awards 2020". triestefilmfestival.it.
  20. ^ "FIPRESCI Award". tiff.no.
  21. ^ "Awards Nominations". methodfest.com.
[edit]