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{{Short description|French soprano (1733–1786)}}
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'''Marie-Jeanne Larrivée''', born '''Marie-Jeanne Lemière''' ([[Sedan, Ardennes]], 1733 – [[Paris]], 1786) was a French [[soprano]].<ref>{{Cite web|url=https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-5000902827|title=Lemière [Larrivée, L'Arrivée], Marie-Jeanne|website=Grove Music Online|year=2002|doi=10.1093/gmo/9781561592630.article.O902827|isbn=978-1561592630|last1=Weller|first1=Philip}}</ref>
Marie-Jeanne Larrivée-Lemiere ([[Sedan, Ardennes]], 1733 - [[Paris]], 1786) was a French dramatic [[soprano]].


==Biography==
Sister of a distinguished violin concerto, she was endowed with a voice of rare beauty and admirably timbre, so she was one of the most famous artists of the [[Paris Opera]], which debuted in 1750, with the name of Miss. Lemierre. After creating some roles, including those for the plays ''Enée et Lavinie'' and those for ''[[Les Fêtes de Paphos]]'', Larrivée-Lemière almost left the theater due to the difficulties he had with [[Sophie Arnould]] and who played the part, essentially of Oriane, in the work ''[[Amadis de Gaula]]'', creating some years later, with complete success, the part of Ermelinde, also of great dramatic intensity, in the opera of [[Philidor]] that bears this title.
Marie-Jeanne Larrivée was a prominent member of the [[Paris Opera]] company, where she made her debut in 1750 under the name of Mlle Lemière (also spelt Lemierre or Le Mière).<ref>(in Catalan) Enciclopèdia Espasa Volum núm. 29, p. 887 ({{ISBN|8423945294}})</ref> She was the sister of violinist Jacques Lemière and cellist Jacques-Louis Lemière both engaged at the Paris Opera in the same period. Her parents were Louis-Michel Lemière, a wig maker, and Julienne Lemière.<ref>Pougin, Arthur. Pierre Jélyotte et les chanteurs de son temps: Un ténor de l'Opéra au XVIIIe siècle. France, BnF collection ebooks, 2016.</ref><ref>Bouissou, Sylvie. Dictionnaire de l'Opéra de Paris sous l'Ancien Régime, 1669–1791: P–Z. Tome IV. France, Classiques Garnier, 2020.</ref>


After performing several light roles as a cover, at the beginning of 1752 Lemière left the theater scene. She probably intended to improve her voice, but her five-year absence from the stage was mainly related to her stormy relationship with the [[Duke of Gramont]], whose abusive behaviour, even bordering on rape, darkened this period of her life. In July 1752 she gave birth to her first daughter, Marie-Antoinette, but neither of the parents acknowledged her, and only her grandfather offered himself as godfather.<ref>According to Camille Piton she had one or two other children with the Duke (''Paris sous Louis XV : rapports des inspecteurs de police au roi publiés et annotés par Camille Piton'', Paris, Mercure de France, 1905/1914, t. 5, pp. 376–388).</ref> In 1756 she finally managed to break up with the Duke and the following year she was readmitted to the Opéra with increased salary.<ref>Bouissou, pp. 397–398.</ref>
Among the other lucky creations of the Larrivée are those of the operas ''Silvie'', ''[[Omphale]]'', ''Ovide et Julie'', ''Salimes'' and ''[[Céphale et Procris]]'' ([[Grétry]]). This artist retired from the theater in 1777. She had been married to her partner Henri Larrivée, since 1762, and had two daughters: pianist, harpsichordist and composer [[Camille Larrivée]] and violinist [[Agathe Elisabeth Henriette Larrivée]].


The parts played by Mlle Lemière included roles in the operas ''Silvie'',<ref name="auto">{{Cite web|url=http://catalogue.bnf.fr/|title=Sylvie : opéra en 3 actes avec 1 prologue / livret de Pierre Laujon ; musique de Pierre-Montan Berton et Jean-Claude Trial ; ballets de MM. Laval et fils|first1=Jean-Claude (1732–1771)|last1=Trial|first2=Pierre-Montan (1727–1780)|last2=Berton|first3=Pierre (1727–1811)|last3=Laujon|first4=Marie (1742–1802)|last4=Allard|first5=Marie Madeleine (1743–1816)|last5=Guimard|first6=Sophie (1740–1802)|last6=Arnould|first7=Joseph (1739–1793)|last7=Legros|first8=Marie-Jeanne (1733–1786)|last8=Lemière|first9=Henry (1737–1802)|last9=Larrivée|first10=Jean-Claude (1732–1771) Compositeur|last10=Trial|first11=Pierre-Montan (1727–1780) Compositeur|last11=Berton|first12=Pierre (1727–1811) Librettiste|last12=Laujon|first13=Marie (1742–1802) Danse|last13=Allard|first14=Marie Madeleine (1743–1816) Danse|last14=Guimard|first15=Sophie (1740–1802) Chant|last15=Arnould|first16=Joseph (1739–1793) Chant|last16=Legros|first17=Marie-Jeanne (1733–1786) Chant|last17=Lemière|first18=Henry (1737–1802) Chant|last18=Larrivée|date=December 4, 1766|website=catalogue.bnf.fr}}</ref> ''[[Omphale (Cardonne)]]'', ''Ovide et Julie'' (as Julie),<ref>(in French) {{cite web|url=https://operabaroque.fr/CARDONNE_OVIDE.htm |title= Ovide et Julie|website=operabaroque.fr}}</ref> ''Salimes'' and ''[[Céphale et Procris (Grétry)|Céphale et Procris]]'' ([[Grétry]]). Larrivée-Lemière retired from the theater in 1777. In 1762 she had married her partner, [[Henri Larrivée]], and had two daughters: pianist, harpsichordist and composer [[Camille Larrivée]] and violinist [[Agathe Elisabeth Henriette Larrivée]]. In 1767, the Larrivées separated.<ref>(in French) {{cite web|url=https://philidor.cmbv.fr/ark:/13681//not-233385 |title= Lemière, Marie-Jeanne, voir Larrivée (1733–1786)}}</ref> Their two daughters went on to live with their aunt and guardian, Elisabeth-Henriette Larrivée and toured through [[French provinces]] in concerts.
In 1767, the Larrivée separated, and the two daughters went on to live with their aunt and guardian Elisabeth-Henriette Larrivée, by touring through French provinces in concerts.

Marie-Jeanne Larrivée-Lemière was also considered one of the most esteemed singers of the ''[[Concert Spirituel]]'', where she regularly performed between 1750 and 1763, and then more irregularly until 1778, when she retired with a pension of 2,000 francs annually.<ref name="auto1">(in German) Großes Sängerlexikon, Volume 4, page 2617, ''Larrivée-Le Mière (Lemierre, Le Mière) Marie-Jeanne.''({{ISBN|3598115989}})</ref>

== Roles debuted ==
{| class="wikitable"
!Opera
!Composer
!Role(s)
!Date of premiere
!Location
|-
|''[[Thésée (Mondonville)]]''<ref>{{cite web|url=https://books.google.com/books?id=Kg2e8LzLFKYC&q=Mondonville+Thesee&pg=PA58 |title= (in French; 1765 libretto)''Thésée; tragédie en 5 actes''|last1= Quinault|first1= Philippe|year= 1765}}</ref>
|[[Jean-Joseph de Mondonville]]
|The high priestess, Minerva; a woman from Athens; a shepherdess, from an enchanted island
|7 November 1765
|[[Fontainebleau]]
|-
|''[[Les Paladins]]''<ref>{{Cite web|url=http://catalogue.bnf.fr/|title=Les Paladins : opéra-ballet en 3 actes / livret de Jean-François Duplat de Monticourt ; musique de Jean-Philippe Rameau|first1=Jean-Philippe (1683–1764)|last1=Rameau|first2=Sophie (1740–1802)|last2=Arnould|first3=Jean-Pierre (1733–1789?)|last3=Pillot|first4=Henry (1737–1802)|last4=Larrivée|first5=Jean Barthélemy (1718–1786)|last5=Lany|first6=Gaetano Appolino Balthasar (1729–1808)|last6=Vestris|first7=Marie-Jeanne (1733–1786)|last7=Lemière|first8=Jean-Philippe (1683–1764) Compositeur|last8=Rameau|first9=Sophie (1740–1802) Chant|last9=Arnould|first10=Jean-Pierre (1733–1789?) Chant|last10=Pillot|first11=Henry (1737–1802) Chant|last11=Larrivée|first12=Jean Barthélemy (1718–1786) Danse|last12=Lany|first13=Gaetano Appolino Balthasar (1729–1808) Danse|last13=Vestris|first14=Marie-Jeanne (1733–1786) Chant|last14=Lemière|date=December 4, 1760|website=catalogue.bnf.fr}}</ref>
|[[Rameau]]
|Nérine
|12 February 1760
|[[Paris Opera]]
|-
|''[[Canente (Dauvergne)]]''<ref>{{cite book|url=https://gallica.bnf.fr/ark:/12148/bpt6k72506b/f4.image.r=canente |title= (in French; libretto) ''Canente, tragédie''|year= 1760}}</ref>
|[[Antoine Dauvergne]]
|Canente
|11 November 1760
|[[Paris Opera]]
|-
|''[[Énée et Lavinie (Dauvergne)]]''<ref>{{Cite web|url=http://catalogue.bnf.fr/|title=Enée et Lavinie : tragédie lyrique en 5 actes / livret de Bernard le Bovier de Fontenelle, terminé par François-Augustin Paradis de Moncrif ; musique de Pascale Colasse, reprise par Antoine Dauvergne|first1=Antoine (1713–1797)|last1=Dauvergne|first2=Pascal (1649–1709)|last2=Collasse|first3=Bernard de (1657–1757)|last3=Fontenelle|first4=François-Augustin Paradis de (1687–1770)|last4=Moncrif|first5=Marie-Jeanne (1733–1786)|last5=Lemière|first6=Marie Madeleine (1743–1816)|last6=Guimard|first7=Marie (1742–1802)|last7=Allard|first8=Jean Barthélemy (1718–1786)|last8=Lany|first9=Jean (1742–1806)|last9=Dauberval|first10=Maximilien (1741–1787)|last10=Gardel|first11=Antoine (1713–1797) Compositeur|last11=Dauvergne|first12=Pascal (1649–1709) Compositeur|last12=Collasse|first13=Bernard de (1657–1757) Librettiste|last13=Fontenelle|first14=François-Augustin Paradis de (1687–1770) Librettiste|last14=Moncrif|first15=Marie-Jeanne (1733–1786) Chant|last15=Lemière|first16=Marie Madeleine (1743–1816) Danse|last16=Guimard|first17=Marie (1742–1802) Danse|last17=Allard|first18=Jean Barthélemy (1718–1786) Danse|last18=Lany|first19=Jean (1742–1806) Danse|last19=Dauberval|first20=Maximilien (1741–1787) Danse|last20=Gardel|date=December 4, 1768|website=catalogue.bnf.fr}}</ref>
|[[Antoine Dauvergne]]
|Venus; Iris<ref>{{Cite web|url=https://operabaroque.fr/COLASSE_ENEE.htm|title=Énée et Lavinie|website=operabaroque.fr}}</ref>
|14 February 1758
|[[Paris Opera]]
|-
|''[[Anacréon (Rameau, 1754)|Anacréon]]''<ref>{{Cite web|url=http://catalogue.bnf.fr/|title=Les Fêtes Lyriques (Anacréon) : ballet heroïque / livret de Louis de Cahusac ; musique de Jean-Philippe Rameau|first1=Jean-Philippe (1683–1764)|last1=Rameau|first2=Louis de (1706–1759)|last2=Cahusac|first3=Marie-Jeanne (1733–1786)|last3=Lemière|first4=Henry (1737–1802)|last4=Larrivée|first5=Joseph (1739–1793)|last5=Legros|first6=Jean (1742–1806)|last6=Dauberval|first7=Marie (1742–1802)|last7=Allard|first8=Jean-Philippe (1683–1764) Compositeur|last8=Rameau|first9=Louis de (1706–1759) Librettiste|last9=Cahusac|first10=Marie-Jeanne (1733–1786) Chant|last10=Lemière|first11=Henry (1737–1802) Chant|last11=Larrivée|first12=Joseph (1739–1793) Chant|last12=Legros|first13=Jean (1742–1806) Danse|last13=Dauberval|first14=Marie (1742–1802) Danse|last14=Allard|date=December 4, 1754|website=catalogue.bnf.fr}}</ref>
|[[Rameau]]
|Chloë
|1766
|[[Versailles]]
|-
|''[[Acante et Céphise]]''<ref>{{Cite book|url=https://gallica.bnf.fr/ark:/12148/bpt6k132214x|title=Acanthe et Cephise, ou La sympatie , pastorale héroïque, a l'occasion de la naissance de Monseigneur le duc de Bourgogne, représentée pour la premiere fois par l'Académie royale de musique, le jeudy 18 novembre 1751.|first=Jean-François (1723–1799) Auteur du texte|last=Marmontel|date=December 4, 1751|via=gallica.bnf.fr}}</ref>
|[[Rameau]]
|Un'autre bergère
|19 November 1751
|[[Paris Opera]]
|-
|''[[Les fêtes de Paphos]]''<ref>{{Cite web|url=https://operabaroque.fr/MONDONVILLE_PAPHOS.htm|title=Jean-Joseph Cassanéa de Mondonville|website=operabaroque.fr}}</ref>
|[[Jean-Joseph de Mondonville]]
|Aglaé (act 1); Amour (act 2)
|9 May 1758
|[[Paris Opera]]
|-
|''[[Sabinus (opera)]]''<ref>(in French; libretto) Michel Paul Guy de Chabanon,''Sabinus: Tragédie-lyrique en 5 act'' ({{ISBN|2019302829}})</ref>
|[[François-Joseph Gossec]]
|Éponine
|4 December 1773
|[[Versailles]]; in presence of [[King Louis XV]]
|-
|''[[Hippolyte et Aricie]] (revision of 1757)''<ref>(in French) {{cite web|url=https://operabaroque.fr/RAMEAU_HIPPOLYTE.htm |title=Hippolyte et Aricie|website=operabaroque.fr}}</ref>
|[[Rameau]]
|Une matelote, une bergère, une chasseresse
|1757
|[[Versailles]]; in presence of [[King Louis XV]]
|-
|''[[Ernelinde, princesse de Norvège]]''<ref name="auto1"/>
|[[François-André Philidor]]
|Erneline
|24 November 1767
|[[Paris Opera]]
|-
|''Théonis ou Le Toucher''<ref>{{Cite web|url=https://data.bnf.fr/en/42360762/theonis_ou_le_toucher_spectacle_1767/|title=Théonis ou Le Toucher – Performance – 1767|website=data.bnf.fr}}</ref>
|[[Jean-Claude Trial]] and [[Pierre-Montan Berton]]
|Théonis
|13 October 1767
|[[Paris Opera]]
|-
|''[[Titon et l'Aurore]]''<ref>{{Cite web|url=http://catalogue.bnf.fr/|title=Titon et l'Aurore : pastorale héroïque en 3 actes et un prologue / livret de l'abbé de Lamarre ; musique de Jean-Joseph Cassanéa de Mondonville|first1=Lamarre (Abbé|last1=de)|first2=Jean-Joseph de (1711–1772)|last2=Mondonville|first3=Henry (1737–1802)|last3=Larrivée|first4=Jean (1742–1806)|last4=Dauberval|first5=Nicolas (1726–1810)|last5=Gélin|first6=Maximilien (1741–1787)|last6=Gardel|first7=Marie (1742–1802)|last7=Allard|first8=Marie-Jeanne (1733–1786)|last8=Lemière|first9=Lamarre (Abbé de)|last9=Librettiste|first10=Jean-Joseph de (1711–1772) Compositeur|last10=Mondonville|first11=Henry (1737–1802) Chant|last11=Larrivée|first12=Jean (1742–1806) Danse|last12=Dauberval|first13=Nicolas (1726–1810) Chant|last13=Gélin|first14=Maximilien (1741–1787) Danse|last14=Gardel|first15=Marie (1742–1802) Danse|last15=Allard|first16=Marie-Jeanne (1733–1786) Chant|last16=Lemière|date=December 4, 1763|website=catalogue.bnf.fr}}</ref>
|[[Jean-Joseph de Mondonville]]
|L'Aurore
|22 February 1763
|[[Paris Opera]]
|-
|''Silvie''<ref name="auto"/>
|[[Jean-Claude Trial]] and [[Pierre-Montan Berton]]
|L'Amour
|17 October 1765
|[[Paris Opera]]
|-
|''Le Carnaval de Parnasse''<ref>{{Cite web|url=http://catalogue.bnf.fr/|title=Le Carnaval du Parnasse : ballet héroïque en 3 actes avec 1 prologue / livret de Louis Fuzelier ; musique de Jean-Joseph Cassanéa de Mondonville|first1=Jean-Joseph de (1711–1772)|last1=Mondonville|first2=Louis (1672?–1752)|last2=Fuzelier|first3=Mademoiselle (1748–1813)|last3=Beaumesnil|first4=Marie-Jeanne (1733–1786)|last4=Lemière|first5=Joseph (1739–1793)|last5=Legros|first6=Henry (1737–1802)|last6=Larrivée|first7=Marie Madeleine (1743–1816)|last7=Guimard|first8=Marie (1742–1802)|last8=Allard|first9=Maximilien (1741–1787)|last9=Gardel|first10=Jean-Joseph de (1711–1772) Compositeur|last10=Mondonville|first11=Louis (1672?–1752) Librettiste|last11=Fuzelier|first12=Mademoiselle (1748–1813) Chant|last12=Beaumesnil|first13=Marie-Jeanne (1733–1786) Chant|last13=Lemière|first14=Joseph (1739–1793) Chant|last14=Legros|first15=Henry (1737–1802) Chant|last15=Larrivée|first16=Marie Madeleine (1743–1816) Danse|last16=Guimard|first17=Marie (1742–1802) Danse|last17=Allard|first18=Maximilien (1741–1787) Danse|last18=Gardel|date=December 4, 1767|website=catalogue.bnf.fr}}</ref>
|[[Jean-Joseph de Mondonville]]
|Florine (prologue); Thalie
|23 June 1767
|[[Paris Opera]]
|-
|''Ismène''<ref>{{Cite web|url=http://catalogue.bnf.fr/|title=Ismène : pastorale héroïque en 1 acte / livret de François-Auguste Paradis de Moncrif ; musique de François Rebel et François Francœur|first1=François (1698–1787)|last1=Francoeur|first2=François (1701–1775)|last2=Rebel|first3=François-Augustin Paradis de (1687–1770)|last3=Moncrif|first4=Marie-Jeanne (1733–1786)|last4=Lemière|first5=François (1698–1787) Compositeur|last5=Francoeur|first6=François (1701–1775) Compositeur|last6=Rebel|first7=François-Augustin Paradis de (1687–1770) Librettiste|last7=Moncrif|first8=Marie-Jeanne (1733–1786) Chant|last8=Lemière|date=December 4, 1769|website=catalogue.bnf.fr}}</ref>
|[[François Rebel]] and [[François Francœur]]
|Ismène
|12 October 1769
|[[Fontainebleau]]
|}


== References ==
== References ==
{{Reflist}}
<!-- Inline citations added to your article will automatically display here. See en.wikipedia.org/wiki/WP:REFB for instructions on how to add citations. -->Enciclopèdia Espasa Volum núm. 29, pàg. 887 (ISBN 84-239-4529-4)

==References==
== Sources ==
https://data.bnf.fr/en/14810429/marie-jeanne_lemiere/
* Sylvie Bouissou, ''Larrivée, Marie-Jeanne Lemière, épouse'', in ''id.'', Pascal Denécheau e France Marchal-Ninosque (eds), ''Dictionnaire de l'Opéra de Paris sous l'Ancien Régime (1669–1791)'', Paris, Classiques Garnier, 2019, III (H–O), pp.&nbsp;397–400 {{ISBN|978-2406090656}}
* David Charlton ''Opera in the Age of Rousseau: Music, Confrontation, Realism'', Cambridge University Press, 2012. ({{ISBN| 1107504341}})
* Félix Clément and Pierre Larousse ''Dictionnaire des Opéras'', Paris, 1881. ({{ISBN|127338315X}})
* {{cite web|url=https://data.bnf.fr/en/14810429/marie-jeanne_lemiere/ |title=Marie-Jeanne Lemiere|website= [[Bibliotheque Nationale de France]]}}
* {{cite book|url=https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-5000902827 |title=Lemière [Larrivée, L'Arrivée], Marie-Jeanne|via= Oxford Grove Music Online|year=2002|doi=10.1093/gmo/9781561592630.article.O902827|isbn=978-1561592630|last1=Weller|first1=Philip}}
* [https://philidor.cmbv.fr/ark:/13681//not-233385 Lemière, Marie-Jeanne, voir Larrivée (1733–1786) / Noms / Autres index / Parcourir / Accueil – Portail Philidor]
* ''Dictionnaire de la musique en France aux XVIIe et XVIIIe siècles'', sous la direction de Marcelle Benoit, édition Fayard, 1992. ({{ISBN| 2213028249}})
* Charles Dill ''Opera Remade, 1700–1750'', University of Wisconsin, Madison, 2016. ({{ISBN| 0754629007}})

{{Authority control}}


{{DEFAULTSORT:Lemière, Marie-Jeanne Larrivée}}
{{reflist}}
[[Category:1733 births]]
[[Category:1786 deaths]]
[[Category:French operatic sopranos]]
[[Category:People from Sedan, Ardennes]]

Latest revision as of 07:29, 15 January 2024

Marie-Jeanne Larrivée, born Marie-Jeanne Lemière (Sedan, Ardennes, 1733 – Paris, 1786) was a French soprano.[1]

Biography

[edit]

Marie-Jeanne Larrivée was a prominent member of the Paris Opera company, where she made her debut in 1750 under the name of Mlle Lemière (also spelt Lemierre or Le Mière).[2] She was the sister of violinist Jacques Lemière and cellist Jacques-Louis Lemière both engaged at the Paris Opera in the same period. Her parents were Louis-Michel Lemière, a wig maker, and Julienne Lemière.[3][4]

After performing several light roles as a cover, at the beginning of 1752 Lemière left the theater scene. She probably intended to improve her voice, but her five-year absence from the stage was mainly related to her stormy relationship with the Duke of Gramont, whose abusive behaviour, even bordering on rape, darkened this period of her life. In July 1752 she gave birth to her first daughter, Marie-Antoinette, but neither of the parents acknowledged her, and only her grandfather offered himself as godfather.[5] In 1756 she finally managed to break up with the Duke and the following year she was readmitted to the Opéra with increased salary.[6]

The parts played by Mlle Lemière included roles in the operas Silvie,[7] Omphale (Cardonne), Ovide et Julie (as Julie),[8] Salimes and Céphale et Procris (Grétry). Larrivée-Lemière retired from the theater in 1777. In 1762 she had married her partner, Henri Larrivée, and had two daughters: pianist, harpsichordist and composer Camille Larrivée and violinist Agathe Elisabeth Henriette Larrivée. In 1767, the Larrivées separated.[9] Their two daughters went on to live with their aunt and guardian, Elisabeth-Henriette Larrivée and toured through French provinces in concerts.

Marie-Jeanne Larrivée-Lemière was also considered one of the most esteemed singers of the Concert Spirituel, where she regularly performed between 1750 and 1763, and then more irregularly until 1778, when she retired with a pension of 2,000 francs annually.[10]

Roles debuted

[edit]
Opera Composer Role(s) Date of premiere Location
Thésée (Mondonville)[11] Jean-Joseph de Mondonville The high priestess, Minerva; a woman from Athens; a shepherdess, from an enchanted island 7 November 1765 Fontainebleau
Les Paladins[12] Rameau Nérine 12 February 1760 Paris Opera
Canente (Dauvergne)[13] Antoine Dauvergne Canente 11 November 1760 Paris Opera
Énée et Lavinie (Dauvergne)[14] Antoine Dauvergne Venus; Iris[15] 14 February 1758 Paris Opera
Anacréon[16] Rameau Chloë 1766 Versailles
Acante et Céphise[17] Rameau Un'autre bergère 19 November 1751 Paris Opera
Les fêtes de Paphos[18] Jean-Joseph de Mondonville Aglaé (act 1); Amour (act 2) 9 May 1758 Paris Opera
Sabinus (opera)[19] François-Joseph Gossec Éponine 4 December 1773 Versailles; in presence of King Louis XV
Hippolyte et Aricie (revision of 1757)[20] Rameau Une matelote, une bergère, une chasseresse 1757 Versailles; in presence of King Louis XV
Ernelinde, princesse de Norvège[10] François-André Philidor Erneline 24 November 1767 Paris Opera
Théonis ou Le Toucher[21] Jean-Claude Trial and Pierre-Montan Berton Théonis 13 October 1767 Paris Opera
Titon et l'Aurore[22] Jean-Joseph de Mondonville L'Aurore 22 February 1763 Paris Opera
Silvie[7] Jean-Claude Trial and Pierre-Montan Berton L'Amour 17 October 1765 Paris Opera
Le Carnaval de Parnasse[23] Jean-Joseph de Mondonville Florine (prologue); Thalie 23 June 1767 Paris Opera
Ismène[24] François Rebel and François Francœur Ismène 12 October 1769 Fontainebleau

References

[edit]
  1. ^ Weller, Philip (2002). "Lemière [Larrivée, L'Arrivée], Marie-Jeanne". Grove Music Online. doi:10.1093/gmo/9781561592630.article.O902827. ISBN 978-1561592630.
  2. ^ (in Catalan) Enciclopèdia Espasa Volum núm. 29, p. 887 (ISBN 8423945294)
  3. ^ Pougin, Arthur. Pierre Jélyotte et les chanteurs de son temps: Un ténor de l'Opéra au XVIIIe siècle. France, BnF collection ebooks, 2016.
  4. ^ Bouissou, Sylvie. Dictionnaire de l'Opéra de Paris sous l'Ancien Régime, 1669–1791: P–Z. Tome IV. France, Classiques Garnier, 2020.
  5. ^ According to Camille Piton she had one or two other children with the Duke (Paris sous Louis XV : rapports des inspecteurs de police au roi publiés et annotés par Camille Piton, Paris, Mercure de France, 1905/1914, t. 5, pp. 376–388).
  6. ^ Bouissou, pp. 397–398.
  7. ^ a b Trial, Jean-Claude (1732–1771); Berton, Pierre-Montan (1727–1780); Laujon, Pierre (1727–1811); Allard, Marie (1742–1802); Guimard, Marie Madeleine (1743–1816); Arnould, Sophie (1740–1802); Legros, Joseph (1739–1793); Lemière, Marie-Jeanne (1733–1786); Larrivée, Henry (1737–1802); Trial, Jean-Claude (1732–1771) Compositeur; Berton, Pierre-Montan (1727–1780) Compositeur; Laujon, Pierre (1727–1811) Librettiste; Allard, Marie (1742–1802) Danse; Guimard, Marie Madeleine (1743–1816) Danse; Arnould, Sophie (1740–1802) Chant; Legros, Joseph (1739–1793) Chant; Lemière, Marie-Jeanne (1733–1786) Chant; Larrivée, Henry (1737–1802) Chant (December 4, 1766). "Sylvie : opéra en 3 actes avec 1 prologue / livret de Pierre Laujon ; musique de Pierre-Montan Berton et Jean-Claude Trial ; ballets de MM. Laval et fils". catalogue.bnf.fr.{{cite web}}: CS1 maint: numeric names: authors list (link)
  8. ^ (in French) "Ovide et Julie". operabaroque.fr.
  9. ^ (in French) "Lemière, Marie-Jeanne, voir Larrivée (1733–1786)".
  10. ^ a b (in German) Großes Sängerlexikon, Volume 4, page 2617, Larrivée-Le Mière (Lemierre, Le Mière) Marie-Jeanne.(ISBN 3598115989)
  11. ^ Quinault, Philippe (1765). "(in French; 1765 libretto)Thésée; tragédie en 5 actes".
  12. ^ Rameau, Jean-Philippe (1683–1764); Arnould, Sophie (1740–1802); Pillot, Jean-Pierre (1733–1789?); Larrivée, Henry (1737–1802); Lany, Jean Barthélemy (1718–1786); Vestris, Gaetano Appolino Balthasar (1729–1808); Lemière, Marie-Jeanne (1733–1786); Rameau, Jean-Philippe (1683–1764) Compositeur; Arnould, Sophie (1740–1802) Chant; Pillot, Jean-Pierre (1733–1789?) Chant; Larrivée, Henry (1737–1802) Chant; Lany, Jean Barthélemy (1718–1786) Danse; Vestris, Gaetano Appolino Balthasar (1729–1808) Danse; Lemière, Marie-Jeanne (1733–1786) Chant (December 4, 1760). "Les Paladins : opéra-ballet en 3 actes / livret de Jean-François Duplat de Monticourt ; musique de Jean-Philippe Rameau". catalogue.bnf.fr.{{cite web}}: CS1 maint: numeric names: authors list (link)
  13. ^ (in French; libretto) Canente, tragédie. 1760.
  14. ^ Dauvergne, Antoine (1713–1797); Collasse, Pascal (1649–1709); Fontenelle, Bernard de (1657–1757); Moncrif, François-Augustin Paradis de (1687–1770); Lemière, Marie-Jeanne (1733–1786); Guimard, Marie Madeleine (1743–1816); Allard, Marie (1742–1802); Lany, Jean Barthélemy (1718–1786); Dauberval, Jean (1742–1806); Gardel, Maximilien (1741–1787); Dauvergne, Antoine (1713–1797) Compositeur; Collasse, Pascal (1649–1709) Compositeur; Fontenelle, Bernard de (1657–1757) Librettiste; Moncrif, François-Augustin Paradis de (1687–1770) Librettiste; Lemière, Marie-Jeanne (1733–1786) Chant; Guimard, Marie Madeleine (1743–1816) Danse; Allard, Marie (1742–1802) Danse; Lany, Jean Barthélemy (1718–1786) Danse; Dauberval, Jean (1742–1806) Danse; Gardel, Maximilien (1741–1787) Danse (December 4, 1768). "Enée et Lavinie : tragédie lyrique en 5 actes / livret de Bernard le Bovier de Fontenelle, terminé par François-Augustin Paradis de Moncrif ; musique de Pascale Colasse, reprise par Antoine Dauvergne". catalogue.bnf.fr.{{cite web}}: CS1 maint: numeric names: authors list (link)
  15. ^ "Énée et Lavinie". operabaroque.fr.
  16. ^ Rameau, Jean-Philippe (1683–1764); Cahusac, Louis de (1706–1759); Lemière, Marie-Jeanne (1733–1786); Larrivée, Henry (1737–1802); Legros, Joseph (1739–1793); Dauberval, Jean (1742–1806); Allard, Marie (1742–1802); Rameau, Jean-Philippe (1683–1764) Compositeur; Cahusac, Louis de (1706–1759) Librettiste; Lemière, Marie-Jeanne (1733–1786) Chant; Larrivée, Henry (1737–1802) Chant; Legros, Joseph (1739–1793) Chant; Dauberval, Jean (1742–1806) Danse; Allard, Marie (1742–1802) Danse (December 4, 1754). "Les Fêtes Lyriques (Anacréon) : ballet heroïque / livret de Louis de Cahusac ; musique de Jean-Philippe Rameau". catalogue.bnf.fr.{{cite web}}: CS1 maint: numeric names: authors list (link)
  17. ^ Marmontel, Jean-François (1723–1799) Auteur du texte (December 4, 1751). Acanthe et Cephise, ou La sympatie , pastorale héroïque, a l'occasion de la naissance de Monseigneur le duc de Bourgogne, représentée pour la premiere fois par l'Académie royale de musique, le jeudy 18 novembre 1751 – via gallica.bnf.fr.{{cite book}}: CS1 maint: numeric names: authors list (link)
  18. ^ "Jean-Joseph Cassanéa de Mondonville". operabaroque.fr.
  19. ^ (in French; libretto) Michel Paul Guy de Chabanon,Sabinus: Tragédie-lyrique en 5 act (ISBN 2019302829)
  20. ^ (in French) "Hippolyte et Aricie". operabaroque.fr.
  21. ^ "Théonis ou Le Toucher – Performance – 1767". data.bnf.fr.
  22. ^ de), Lamarre (Abbé; Mondonville, Jean-Joseph de (1711–1772); Larrivée, Henry (1737–1802); Dauberval, Jean (1742–1806); Gélin, Nicolas (1726–1810); Gardel, Maximilien (1741–1787); Allard, Marie (1742–1802); Lemière, Marie-Jeanne (1733–1786); Librettiste, Lamarre (Abbé de); Mondonville, Jean-Joseph de (1711–1772) Compositeur; Larrivée, Henry (1737–1802) Chant; Dauberval, Jean (1742–1806) Danse; Gélin, Nicolas (1726–1810) Chant; Gardel, Maximilien (1741–1787) Danse; Allard, Marie (1742–1802) Danse; Lemière, Marie-Jeanne (1733–1786) Chant (December 4, 1763). "Titon et l'Aurore : pastorale héroïque en 3 actes et un prologue / livret de l'abbé de Lamarre ; musique de Jean-Joseph Cassanéa de Mondonville". catalogue.bnf.fr.{{cite web}}: CS1 maint: numeric names: authors list (link)
  23. ^ Mondonville, Jean-Joseph de (1711–1772); Fuzelier, Louis (1672?–1752); Beaumesnil, Mademoiselle (1748–1813); Lemière, Marie-Jeanne (1733–1786); Legros, Joseph (1739–1793); Larrivée, Henry (1737–1802); Guimard, Marie Madeleine (1743–1816); Allard, Marie (1742–1802); Gardel, Maximilien (1741–1787); Mondonville, Jean-Joseph de (1711–1772) Compositeur; Fuzelier, Louis (1672?–1752) Librettiste; Beaumesnil, Mademoiselle (1748–1813) Chant; Lemière, Marie-Jeanne (1733–1786) Chant; Legros, Joseph (1739–1793) Chant; Larrivée, Henry (1737–1802) Chant; Guimard, Marie Madeleine (1743–1816) Danse; Allard, Marie (1742–1802) Danse; Gardel, Maximilien (1741–1787) Danse (December 4, 1767). "Le Carnaval du Parnasse : ballet héroïque en 3 actes avec 1 prologue / livret de Louis Fuzelier ; musique de Jean-Joseph Cassanéa de Mondonville". catalogue.bnf.fr.{{cite web}}: CS1 maint: numeric names: authors list (link)
  24. ^ Francoeur, François (1698–1787); Rebel, François (1701–1775); Moncrif, François-Augustin Paradis de (1687–1770); Lemière, Marie-Jeanne (1733–1786); Francoeur, François (1698–1787) Compositeur; Rebel, François (1701–1775) Compositeur; Moncrif, François-Augustin Paradis de (1687–1770) Librettiste; Lemière, Marie-Jeanne (1733–1786) Chant (December 4, 1769). "Ismène : pastorale héroïque en 1 acte / livret de François-Auguste Paradis de Moncrif ; musique de François Rebel et François Francœur". catalogue.bnf.fr.{{cite web}}: CS1 maint: numeric names: authors list (link)

Sources

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