Jump to content

Robert Kobayashi: Difference between revisions

Edit links
From Wikipedia, the free encyclopedia
Browse history interactively
← Previous edit
Content deleted Content added
VisualWikitext
KasparBot (talk | contribs)
1,549,811 edits
Authority control moved to Wikidata
 
(15 intermediate revisions by 14 users not shown)
Line 1: Line 1:
{{Orphan|date=October 2017}}


{{Use mdy dates|date=September 2017}}
{{Use mdy dates|date=September 2017}}
Line 31: Line 30:
| module =
| module =
}}
}}
'''Robert Kobayashi''' (1925–2015) was an Hawaiian-born artist who made [[abstract expressionism|abstract expressionist]] paintings at the beginning of his career and later produced [[pointillism|pointillist]] paintings and pointillist-derived sculptures in the [[folk art]] tradition. Known for the "whimsical, childlike quality" of his work, he rarely exhibited in commercial galleries, preferring to work and display his creations in a studio called "Moe's Meat Market" that he and his wife owned in the [[NoLita]] section of [[Manhattan]].
'''Robert Kobayashi''' (1925–2015) was a Hawaiʻi-born artist who made [[abstract expressionism|abstract expressionist]] paintings at the beginning of his career and later produced [[pointillism|pointillist]] paintings and pointillist-derived sculptures in the [[folk art]] tradition. Known for the "whimsical, childlike quality" of his work, he rarely exhibited in commercial galleries, preferring to work and display his creations in a studio called "Moe's Meat Market" that he and his wife owned in the [[NoLita]] section of [[Manhattan]].


==Early life and training==
==Early life and training==


Kobayashi was born and raised in [[Honolulu]], Hawaii. His parents having divorced before he was five, he and his four sisters lived with his mother on the northern fringe of the [[Downtown Honolulu|business district]].<ref name="1930 US Census Kobayashi"/> After graduating from high school in 1946, he served in the U.S. Army until the end of World War II<ref name="Enlistment Record"/> and then enrolled in the studio school of the [[Honolulu Museum of Art School|Honolulu Art Academy]].<ref name="2015 Dec NYT"/>{{refn|group=note|The art school of the Honolulu Art Academy (later Honolulu Museum of Art) began in 1946 on the grounds of the academy.<ref name="Louis Pohl Gallery"/> A man named Bill Stamper (husband of children's book author Martha Alexander) had convinced the board of directors to provide a place for returning GIs to study art.<ref name="2006 Mar Honolulu Advertiser"/> The Honolulu Museum of Art School (formerly the Academy Art Center at Linekona) was established in 2006 and is a different institution.<ref name="Honolulu Museum of Art School"/> }} His instructors there included [[Louis Pohl]]<ref name="Louis Pohl Gallery"/> and Willson Stamper,<ref name="Jan Castro"/>{{refn|group=note|Other students at the time included [[Tadashi Sato]], Raymond Hahn, and Wally Ige.<ref name="2006 Mar Honolulu Advertiser"/> }} the latter of whom became Kobayashi's mentor.<ref name="2016 Aug Honolulu Museum of Art Blog"/> In 1949<ref name="Stigliano Gallery"/> Kobayashi moved to New York to study at the [[Brooklyn Museum Art School]] under [[John Ferren]]<ref name="2015 Dec NYT"/> and in 1950 temporarily left the school in order to spend much of the year in Paris where his sister, Fumi, was then living.<ref name="2014 Mar askanewyorker"/><ref name="1951 Return from Paris"/> In 1954 he was hired as caretaker for the [[Museum of Modern Art]]'s Japanese Exhibition House.{{refn|group=note|Although Kobayashi had never been to Japan and knew little about Japanese domestic architecture or gardens, he was able to solve problems he encountered through research in a nearby public library.<ref name="2015 Dec NYT"/> }}{{refn|group=note|The Japanese Exhibition House was built using traditional materials in a style appropriate for a scholar, government official, or priest. Known as [[Shofuso Japanese House and Garden|Shofuso]], the house was designed by [[Junzo Yoshimura]] in 1953 and assembled along with a Japanese garden, on the grounds of the Museum of Modern Art. The last of three buildings in a series called "The House in the Museum Garden," it remained in New York through 1954 and is now located in Philadelphia's West [[Fairmount Park]].<ref name="Shofuso MOMa"/> }} After the house exhibit closed, Kobayashi stayed on as a warehouse worker at the museum,<ref name="2015 Dec NYT"/> working there, with brief interruptions, until 1978.<ref name="Stigliano Gallery"/>
Kobayashi was born and raised in [[Honolulu]], Hawaii. His parents having divorced before he was five, he and his four sisters lived with his mother on the northern fringe of the [[Downtown Honolulu|business district]].<ref name="1930 US Census Kobayashi"/> After graduating from high school in 1944, he served in the U.S. Army until the end of World War II<ref name="Enlistment Record"/> and then enrolled in the studio school of the [[Honolulu Museum of Art School|Honolulu Art Academy]].<ref name="2015 Dec NYT"/>{{refn|group=note|The art school of the Honolulu Art Academy (later Honolulu Museum of Art) began in 1946 on the grounds of the academy.<ref name="Louis Pohl Gallery"/> A man named Bill Stamper (husband of children's book author Martha Alexander) had convinced the board of directors to provide a place for returning GIs to study art.<ref name="2006 Mar Honolulu Advertiser"/> The Honolulu Museum of Art School (formerly the Academy Art Center at Linekona) was established in 2006 and is a different institution.<ref name="Honolulu Museum of Art School"/> }} His instructors there included [[Louis Pohl]]<ref name="Louis Pohl Gallery"/> and Willson Stamper,<ref name="Jan Castro"/>{{refn|group=note|Other students at the time included [[Tadashi Sato]], Raymond Hahn, and Wally Ige.<ref name="2006 Mar Honolulu Advertiser"/> }} the latter of whom became Kobayashi's mentor.<ref name="2016 Aug Honolulu Museum of Art Blog"/> In 1949<ref name="Stigliano Gallery"/> Kobayashi moved to New York to study at the [[Brooklyn Museum Art School]] under [[John Ferren]]<ref name="2015 Dec NYT"/> and in 1950 temporarily left the school in order to spend much of the year in Paris where his sister, Fumi, was then living.<ref name="2014 Mar askanewyorker"/><ref name="1951 Return from Paris"/> In 1954 he was hired as caretaker for the [[Museum of Modern Art]]'s Japanese Exhibition House.{{refn|group=note|Although Kobayashi had never been to Japan and knew little about Japanese domestic architecture or gardens, he was able to solve problems he encountered through research in a nearby public library.<ref name="2015 Dec NYT"/> }}{{refn|group=note|The Japanese Exhibition House was built using traditional materials in a style appropriate for a scholar, government official, or priest. Known as [[Shofuso Japanese House and Garden|Shofuso]], the house was designed by [[Junzo Yoshimura]] in 1953 and assembled along with a Japanese garden, on the grounds of the Museum of Modern Art. The last of three buildings in a series called "The House in the Museum Garden," it remained in New York through 1954 and is now located in Philadelphia's West [[Fairmount Park]].<ref name="Shofuso MOMa"/> }} After the house exhibit closed, Kobayashi stayed on as a warehouse worker at the museum,<ref name="2015 Dec NYT"/> working there, with brief interruptions, until 1978.<ref name="Stigliano Gallery"/>


==Career==
==Career==


Before he opened his own gallery Kobayashi rarely offered his work for sale to the public. In 1950 he showed sculpture in the New York gallery owned by [[Samuel M. Kootz]].<ref name="1950 Dec NYT"/>{{refn|group=note|Other artists in this group show included [[Clement Greenberg]], [[Helen Frankenthaler]], Alice Hodges, Fred Hauck, [[Harold Shapinsky]], and [[Constantino Nivola]].<ref name="1950 Dec NYT"/> }} In the late 1950s and early 1960s he showed works in an [[artist cooperative]], the Brata Gallery.<ref name="1958 Feb NYT"/>{{refn|group=note|One of the [[East Village]]'s [[10th Street galleries]], Brata was organized by [[John Krushenick|John]] and [[Nicholas Krushenick]]<ref name="1999 Feb NYT"/> in 1957<ref name="1957 Oct NYT"/> and 17 founding members. In addition to Kobayashi they included [[Al Held]], [[Ronald Bladen]], [[George Sugarman]] and [[Yayoi Kusama]].<ref name="1999 Feb NYT"/> Nicholas Krushenick probably became acquainted with Kobayashi during the time they both worked at the Museum of Modern Art, the one in the frame shop, the other in the warehouse.<ref name="1999 Feb NYT"/> }} He was given his first solo exhibition in 1962 in a gallery called Gima's in Honolulu.<ref name="Jan Castro"/>{{refn|group=note|Located in [[Waikiki]], Gima's Art Gallery was owned by Takeo Gima. During the 1950s and 1960s, it was one of only a few commercial art galleries in Honolulu.<ref name="1956 Apr Los Angeles Times"/> }} In 1977 Kobayashi and his wife bought a building in what was then a run-down section of New York's [[Little Italy]] and turned its storefront shop into a gallery.<ref name="2009 Jan NYT"/> The storefront had been a butcher shop called Moe's Meat Market and that became the name of the gallery as well. They made living quarters and a studio upstairs and rented out apartments in the upper stories.<ref name="2014 Apr Honolulu Star"/> Kobayashi showed his own<ref name="1988 Aug NYT"/> and other artists' work intermittently during the first few years<ref name="1996 Jan NYT"/> and in 2000 his wife and curator Phyllis Stigliano opened the gallery to the public as a full-time commercial gallery devoted to his work.<ref name="2015 Dec NYT"/> Stigliano also began showing his work at her gallery in Brooklyn.<ref name="2009 Jan NYT"/>{{refn|group=note|Moe's Meat Market is located at 237 Elizabeth Street in a district that is now called [[NoLita]].<ref name="2015 Dec NYT"/> Kobayashi would change displays of his work in the storefront but not often open the shop to customers.<ref name="1988 Jul Newsday"/> }} In 1980 Kobayashi was given a solo exhibition at the Equator folk art gallery in [[SoHo]]<ref name="1980 Oct NYT"/> and in 2001 he contributed work to a group exhibition at the Luise Ross Gallery on 57th Street.<ref name="Jan Castro"/> In 2009 he showed with two friends, [[Satoru Abe]] and Harry Tsuchindana, in a multi-gallery exhibition in Honolulu's Luxury Row & Cedar Street Galleries.<ref name="2009 Nov Honolulu Star"/>
Before he opened his own gallery Kobayashi rarely offered his work for sale to the public. In 1950 he showed sculpture in the New York gallery owned by [[Samuel M. Kootz]].<ref name="1950 Dec NYT"/>{{refn|group=note|Other artists in this group show included [[Clement Greenberg]], [[Helen Frankenthaler]], Alice Hodges, Fred Hauck, [[Harold Shapinsky]], and [[Constantino Nivola]].<ref name="1950 Dec NYT"/> }} In the late 1950s and early 1960s he showed works in an [[artist cooperative]], the Brata Gallery.<ref name="1958 Feb NYT"/>{{refn|group=note|One of the [[East Village, Manhattan|East Village]]'s [[10th Street galleries]], Brata was organized by [[John Krushenick|John]] and [[Nicholas Krushenick]]<ref name="1999 Feb NYT"/> in 1957<ref name="1957 Oct NYT"/> and 17 founding members. In addition to Kobayashi they included [[Al Held]], [[Ronald Bladen]], [[George Sugarman]] and [[Yayoi Kusama]].<ref name="1999 Feb NYT"/> Nicholas Krushenick probably became acquainted with Kobayashi during the time they both worked at the Museum of Modern Art, the one in the frame shop, the other in the warehouse.<ref name="1999 Feb NYT"/> }} He was given his first solo exhibition in 1962 in a gallery called Gima's in Honolulu.<ref name="Jan Castro"/>{{refn|group=note|Located in [[Waikiki]], Gima's Art Gallery was owned by Takeo Gima. During the 1950s and 1960s, it was one of only a few commercial art galleries in Honolulu.<ref name="1956 Apr Los Angeles Times"/> }} In 1977 Kobayashi and his wife bought a building in what was then a run-down section of New York's [[Little Italy]] and turned its storefront shop into a gallery.<ref name="2009 Jan NYT"/> The storefront had been a butcher shop called Moe's Meat Market and that became the name of the gallery as well. They made living quarters and a studio upstairs and rented out apartments in the upper stories.<ref name="2014 Apr Honolulu Star"/> Kobayashi showed his own<ref name="1988 Aug NYT"/> and other artists' work intermittently during the first few years<ref name="1996 Jan NYT"/> and in 2000 his wife and curator Phyllis Stigliano opened the gallery to the public as a full-time commercial gallery devoted to his work.<ref name="2015 Dec NYT"/> Stigliano also began showing his work at her gallery in Brooklyn.<ref name="2009 Jan NYT"/>{{refn|group=note|Moe's Meat Market is located at 237 Elizabeth Street in a district that is now called [[NoLita]].<ref name="2015 Dec NYT"/> Kobayashi would change displays of his work in the storefront but not often open the shop to customers.<ref name="1988 Jul Newsday"/> }} In 1980 Kobayashi was given a solo exhibition at the Equator folk art gallery in [[SoHo]]<ref name="1980 Oct NYT"/> and in 2001 he contributed work to a group exhibition at the Luise Ross Gallery on 57th Street.<ref name="Jan Castro"/> In 2009 he showed with two friends, [[Satoru Abe]] and Harry Tsuchindana, in a multi-gallery exhibition in Honolulu's Luxury Row & Cedar Street Galleries.<ref name="2009 Nov Honolulu Star"/>


Kobayashi's appearances in exhibitions at museums and non-commercial galleries were also infrequent. As a student, in 1950, he participated in a show of 23 painters<ref name="Jan Castro"/> that his teacher John Ferren presented in New York's Argent Gallery.<ref name="1950 May NYT"/>{{refn|group=note|The Argent Gallery was run by the [[National Association of Women Artists|National Association of Women Painters and Sculptors]]. Founded in 1930, the gallery was mainly used to show work by the group's members, but in between these exhibitions it was made available for uses such as Ferren's show.<ref name="Parnassus Mar 1934"/> }} In 1952 he showed at the Honolulu Academy of Arts and a year later at Brooklyn Museum.<ref name="Jan Castro"/> In 1988, after seeing his work at Moe's Meat Market, Phyllis Stigliano put together a large exhibition of his work at the [[Nassau County Museum of Art]]<ref name="1988 Aug NYT"/> and the following year he was included in two group shows, one at the Wunsch Arts Center in Glen Cove, N.Y.,<ref name="1989 Mar NYT"/> and the other at the Museum of Modern Art.<ref name="Jan Castro"/> In 2002 he contributed works to an exhibition in the East Galleries, [[New York University]], and in 2005 he was included in a show at the [[Honolulu Museum of Art Spalding House|Contemporary Museum, Honolulu]].<ref name="Jan Castro"/>
Kobayashi's appearances in exhibitions at museums and non-commercial galleries were also infrequent. As a student, in 1950, he participated in a show of 23 painters<ref name="Jan Castro"/> that his teacher John Ferren presented in New York's Argent Gallery.<ref name="1950 May NYT"/>{{refn|group=note|The Argent Gallery was run by the [[National Association of Women Artists|National Association of Women Painters and Sculptors]]. Founded in 1930, the gallery was mainly used to show work by the group's members, but in between these exhibitions it was made available for uses such as Ferren's show.<ref name="Parnassus Mar 1934"/> }} In 1952 he showed at the Honolulu Academy of Arts and a year later at Brooklyn Museum.<ref name="Jan Castro"/> In 1988, after seeing his work at Moe's Meat Market, Phyllis Stigliano put together a large exhibition of his work at the [[Nassau County Museum of Art]]<ref name="1988 Aug NYT"/> and the following year he was included in two group shows, one at the Wunsch Arts Center in Glen Cove, N.Y.,<ref name="1989 Mar NYT"/> and the other at the Museum of Modern Art.<ref name="Jan Castro"/> In 2002 he contributed works to an exhibition in the East Galleries, [[New York University]], and in 2005 he was included in a show at the [[Honolulu Museum of Art Spalding House|Contemporary Museum, Honolulu]].<ref name="Jan Castro"/>
Line 49: Line 48:
Until the mid-1960s Kobayashi made paintings and sculptures in an abstract expressionist style.<ref name="2014 Mar askanewyorker"/> In 1950 Stuart Preston of ''The New York Times'' described a sculpture of his as a "restless and urgent abstract."<ref name="1950 Dec NYT"/> A few years later another critic said his works were "based on a wiry, expansive imagery composed of tensile lines vibrating from central axes."<ref name="1958 Feb NYT"/> From the mid-1960s to the mid-1980s he made pointillist paintings, some of them in a [[surrealism|surrealist]] style.<ref name="2015 Dec NYT"/> His painting, "Seascape" was completed toward the end of this period. In a surrealist manner it shows a sandy shore on which the waves have cast up a button, a pocket watch, a lock, and a fork. As one critic noted, its technique is pointillist and its style draws on folk and native art.<ref name="1988 Jul Newsday"/>
Until the mid-1960s Kobayashi made paintings and sculptures in an abstract expressionist style.<ref name="2014 Mar askanewyorker"/> In 1950 Stuart Preston of ''The New York Times'' described a sculpture of his as a "restless and urgent abstract."<ref name="1950 Dec NYT"/> A few years later another critic said his works were "based on a wiry, expansive imagery composed of tensile lines vibrating from central axes."<ref name="1958 Feb NYT"/> From the mid-1960s to the mid-1980s he made pointillist paintings, some of them in a [[surrealism|surrealist]] style.<ref name="2015 Dec NYT"/> His painting, "Seascape" was completed toward the end of this period. In a surrealist manner it shows a sandy shore on which the waves have cast up a button, a pocket watch, a lock, and a fork. As one critic noted, its technique is pointillist and its style draws on folk and native art.<ref name="1988 Jul Newsday"/>
[[File:Robert Kobayashi Nine White Flowers.jpg|right|thumb|Robert Kobayashi, "Nine White Flowers," 2013, ceiling tin and shaped metal with paint and nails on wood, 15.5 x 13.5 inches]]
[[File:Robert Kobayashi Nine White Flowers.jpg|right|thumb|Robert Kobayashi, "Nine White Flowers," 2013, ceiling tin and shaped metal with paint and nails on wood, 15.5 x 13.5 inches]]
After he moved into the building that contained Moe's Meat Market, he began to work in sheet metal, making portraits and still lifes using metal obtained from discarded stamped ceiling tin and cans that had held olive oil, beer, or ground coffee.<ref name="1980 Oct NYT"/> These pieces, which a critic dubbed "clouages,"<ref name="Jan Castro"/> were nailed into a wood frames and contained decorative patterns made of many tiny nails.<ref name="1988 Jul Newsday"/> Critics saw them as strange and whimsical,<ref name="1988 Jul Newsday"/> a kind of ideosyncratic folk art having a childlike quality.<ref name="2015 Dec NYT"/> One late piece in this style is "Nine White Flowers" of 2013. A critic noted that "despite the coldness one would expect from the medium of tin, Kobi’s work subtly suggests a gentle wit and a delicate touch. The rigid nature of the metal is softened into a suppleness of shape and color. The chill warms with the nimble diligence of his fingers guided with the expressiveness of his affectionate mind."<ref name="2014 Mar askanewyorker"/>
After he moved into the building that contained Moe's Meat Market, he began to work in sheet metal, making portraits and still lifes using metal obtained from discarded stamped ceiling tin and cans that had held olive oil, beer, or ground coffee.<ref name="1980 Oct NYT"/> These pieces, which a critic dubbed "clouages,"<ref name="Jan Castro"/> were nailed into a wood frames and contained decorative patterns made of many tiny nails.<ref name="1988 Jul Newsday"/> Critics saw them as strange and whimsical,<ref name="1988 Jul Newsday"/> a kind of idiosyncratic folk art having a childlike quality.<ref name="2015 Dec NYT"/> One late piece in this style is "Nine White Flowers" of 2013. A critic noted that "despite the coldness one would expect from the medium of tin, Kobi’s work subtly suggests a gentle wit and a delicate touch. The rigid nature of the metal is softened into a suppleness of shape and color. The chill warms with the nimble diligence of his fingers guided with the expressiveness of his affectionate mind."<ref name="2014 Mar askanewyorker"/>
[[File:Robert Kobayashi Flowers Seeking Attention.jpg|left|thumb|Robert Kobayashi, "Flowers Seeking Affection," 2002, ceiling tin and shaped metal with paint and nails on wood, 20 x 22 inches]]
[[File:Robert Kobayashi Flowers Seeking Attention.jpg|left|thumb|Robert Kobayashi, "Flowers Seeking Affection," 2002, ceiling tin and shaped metal with paint and nails on wood, 20 x 22 inches]]
Throughout his career Kobayashi made free-standing sculptures as well as wall-mounted works. Some of these were toy-like objects such as a cat in a four-poster bed fashioned out of an old radio, a stool with sneakers on its four legs, and wooden puppets.<ref name="1988 Jul Newsday"/> Others were more tradionally artistic, such as portraits of friends and relatives or flower arrangements. "Flowers Seeking Affection" (2002) is an example of the last named. A critic said, "within these flowers there is the charm in the uniqueness of each bloom gesturing with personality."
Throughout his career Kobayashi made free-standing sculptures as well as wall-mounted works. Some of these were toy-like objects such as a cat in a four-poster bed fashioned out of an old radio, a stool with sneakers on its four legs, and wooden puppets.<ref name="1988 Jul Newsday"/> Others were more traditionally artistic, such as portraits of friends and relatives or flower arrangements. "Flowers Seeking Affection" (2002) is an example of the last named. A critic said, "within these flowers there is the charm in the uniqueness of each bloom gesturing with personality."


==Personal life and family==
==Personal life and family==
Line 71: Line 70:
|refs=
|refs=


<ref name="Parnassus Mar 1934">{{cite journal |journal=Parnassus |author= |title=A Descriptive Calendar of the New York Galleries |volume=6 |issue=5 |date=March 1934 |pages=26–33 |url=http://www.jstor.org/stable/770969 |jstor=770969 |publisher=Stanley Lewis |place=New York |ISSN= |format=PDF |accessdate=2016-04-21 |quote=Five shows are held yearly, including two new membership Jury Shows. The balance of the season is filled with one-man shows by both men and women. }}</ref>
<ref name="Parnassus Mar 1934">{{cite journal |journal=Parnassus |title=A Descriptive Calendar of the New York Galleries |volume=6 |issue=5 |date=March 1934 |pages=26–33 |jstor=770969 |publisher=Stanley Lewis |doi=10.1080/15436314.1934.11466516 |s2cid=254667506 |place=New York |quote=Five shows are held yearly, including two new membership Jury Shows. The balance of the season is filled with one-man shows by both men and women. }}</ref>


<ref name="Honolulu Obituaries">{{cite web |url=http://obits.staradvertiser.com/2016/01/14/robert-kobayashi/ |title=Robert Kobayashi « Honolulu Hawaii Obituaries - Hawaii Newspaper Obituaries |format= |work= |accessdate=2017-09-26}}</ref>
<ref name="Honolulu Obituaries">{{cite web |url=http://obits.staradvertiser.com/2016/01/14/robert-kobayashi/ |title=Robert Kobayashi « Honolulu Hawaii Obituaries - Hawaii Newspaper Obituaries |access-date=2017-09-26}}</ref>


<ref name="Shofuso MOMa">{{cite web |url=http://www.japanesehouse.org/about-us/sub-2/ |title=History – Shofuso Japanese House and Garden |format= |work=Japan America Society of Greater Philadelphia |accessdate=2017-10-01}}</ref>
<ref name="Shofuso MOMa">{{cite web |url=http://www.japanesehouse.org/about-us/sub-2/ |title=History – Shofuso Japanese House and Garden |work=Japan America Society of Greater Philadelphia |access-date=2017-10-01}}</ref>


<ref name="Satoru Abe MidWeek Kauai">{{cite web |url=http://www.midweekkauai.com/kauai-coverstory/satoru-abe-godfather-of-honolulus-art-scene/ |title=Satoru Abe: Godfather of Honolulu’s Art Scene - MidWeek Kaua'i |date=2013-03-20 |author=Rasa Fournier |accessdate=2017-10-07}}</ref>
<ref name="Satoru Abe MidWeek Kauai">{{cite web |url=http://www.midweekkauai.com/kauai-coverstory/satoru-abe-godfather-of-honolulus-art-scene/ |title=Satoru Abe: Godfather of Honolulu's Art Scene - MidWeek Kaua'i |date=2013-03-20 |author=Rasa Fournier |access-date=2017-10-07}}</ref>


<ref name="Real Estate Prices Curbed NY">{{cite web |url=https://ny.curbed.com/2015/6/2/9954250/tracking-new-york-rents-and-asking-prices-over-a-century |title=Tracking New York Rents and Asking Prices Over a Century - Curbed NY |format= |author=Jonathan Miller |date=2015-06-02 |work= |accessdate=2017-10-07}}</ref>
<ref name="Real Estate Prices Curbed NY">{{cite web |url=https://ny.curbed.com/2015/6/2/9954250/tracking-new-york-rents-and-asking-prices-over-a-century |title=Tracking New York Rents and Asking Prices Over a Century - Curbed NY |author=Jonathan Miller |date=2015-06-02 |access-date=2017-10-07}}</ref>


<ref name="Albanese Meats">{{cite web |url=https://cityseeker.com/new-york/831591-albanese-meats-poultry |title=Albanese Meats & Poultry, New York |format= |work=Cityseeker (blog) |accessdate=2017-10-07}}</ref>
<ref name="Albanese Meats">{{cite web |url=https://cityseeker.com/new-york/831591-albanese-meats-poultry |title=Albanese Meats & Poultry, New York |work=Cityseeker (blog) |access-date=2017-10-07}}</ref>


<ref name="Moe the Butcher">{{cite web |url=https://www.foodsofny.com/uncategorized/sausage-series-spotlight-on-albanese-meats-and-poultry-aka-moe-the-butcher/?PageSpeed=noscript |title=SAUSAGE SERIES: SPOTLIGHT ON ALBANESE MEATS AND POULTRY aka Moe the Butcher - Foods of NY Tours |date=2015-08-26 |format= |work= |accessdate=2017-10-07}}</ref>
<ref name="Moe the Butcher">{{cite web |url=https://www.foodsofny.com/uncategorized/sausage-series-spotlight-on-albanese-meats-and-poultry-aka-moe-the-butcher/?PageSpeed=noscript |title=SAUSAGE SERIES: SPOTLIGHT ON ALBANESE MEATS AND POULTRY aka Moe the Butcher - Foods of NY Tours |date=2015-08-26 |access-date=2017-10-07}}</ref>


<ref name="2014 Mar askanewyorker">{{cite web |url=http://www.askanewyorker.com/garrett-robinson/robert-kobayashi-angel-elizabeth-prince/ |title=Robert Kobayashi, the Angel at Elizabeth and Prince |author=Garrett Buhl Robinson |work=AskANewYorker (blog) |date=2014-03-04 |accessdate=2017-10-10}}</ref>
<ref name="2014 Mar askanewyorker">{{cite web |url=http://www.askanewyorker.com/garrett-robinson/robert-kobayashi-angel-elizabeth-prince/ |title=Robert Kobayashi, the Angel at Elizabeth and Prince |author=Garrett Buhl Robinson |work=AskANewYorker (blog) |date=2014-03-04 |access-date=2017-10-10}}</ref>


<ref name="2016 Aug Honolulu Museum of Art Blog">{{cite web |url=http://blog.honoluluacademy.org/art-event-benefit-sale-of-the-late-revered-robert-kobayashis-work-happens-feb-4/ |title=Art event: Benefit sale of the late, revered Robert Kobayashi’s work happens Feb 4 &#124; Honolulu Museum of Art Blog |date=2016-01-30 |work= |accessdate=2017-09-26}}</ref>
<ref name="2016 Aug Honolulu Museum of Art Blog">{{cite web |url=http://blog.honoluluacademy.org/art-event-benefit-sale-of-the-late-revered-robert-kobayashis-work-happens-feb-4/ |title=Art event: Benefit sale of the late, revered Robert Kobayashi's work happens Feb 4 &#124; Honolulu Museum of Art Blog |date=2016-01-30 |access-date=2017-09-26}}</ref>


<ref name="Honolulu Museum of Art School">{{cite web |url=https://honolulumuseum.org/11984-art_school |title=Honolulu Museum of Art » Honolulu Museum of Art School |format= |work= |accessdate=2017-09-27}}</ref>
<ref name="Honolulu Museum of Art School">{{cite web |url=https://honolulumuseum.org/11984-art_school |title=Honolulu Museum of Art » Honolulu Museum of Art School |access-date=2017-09-27}}</ref>


<ref name="Louis Pohl Gallery">{{cite web |url=http://www.louispohlgallery.com/louis-pohl.html |title=Louis Pohl ... An Artists' Artist |work=Louis Pohl Gallery |accessdate=2017-09-27}}</ref>
<ref name="Louis Pohl Gallery">{{cite web |url=http://www.louispohlgallery.com/louis-pohl.html |title=Louis Pohl ... An Artists' Artist |work=Louis Pohl Gallery |access-date=2017-09-27}}</ref>


<ref name="Jan Castro">{{cite web |url=http://www.jancastro.com/_Pdf%27s/JGC/castro%20essay%20on%20Robert%20Kobayashi.pdf |format=PDF |title=Robert Kobayashi: Seeing and Being |work= |author=Jan Garden Castro |year=2011 |accessdate=2017-09-24}}</ref>
<ref name="Jan Castro">{{cite web |url=http://www.jancastro.com/_Pdf%27s/JGC/castro%20essay%20on%20Robert%20Kobayashi.pdf |title=Robert Kobayashi: Seeing and Being |author=Jan Garden Castro |year=2011 |access-date=2017-09-24}}</ref>


<ref name="Stigliano Gallery">{{cite web |url=http://www.phyllisstigliano.com/?Robert_Kobayashi |title=Robert Kobayashi |format= |publisher=Phyllis Stigliano Gallery |accessdate=2017-09-24}}</ref>
<ref name="Stigliano Gallery">{{cite web |url=http://www.phyllisstigliano.com/?Robert_Kobayashi |title=Robert Kobayashi |publisher=Phyllis Stigliano Gallery |access-date=2017-09-24}}</ref>


<ref name="1918 marriage Yoshimi">{{cite web |url=https://familysearch.org/ark:/61903/1:1:FWZB-GJY |title=Shiroshi Kobayashi and Yoshimi Kusaka, 08 May 1918; citing Honolulu, Honolulu, Hawaii, United States, Hawaii State Department of Health, Honolulu |format= |work="Hawaii, Marriages, 1826-1954," database, FamilySearch;citing Honolulu, Honolulu, Hawaii, United States, Hawaii State Department of Health, Honolulu; FHL microfilm 1,711,738 |quote= |accessdate=2017-09-09}}</ref>
<ref name="1918 marriage Yoshimi">{{cite web |url=https://familysearch.org/ark:/61903/1:1:FWZB-GJY |title=Shiroshi Kobayashi and Yoshimi Kusaka, 08 May 1918; citing Honolulu, Honolulu, Hawaii, United States, Hawaii State Department of Health, Honolulu |work="Hawaii, Marriages, 1826-1954," database, FamilySearch;citing Honolulu, Honolulu, Hawaii, United States, Hawaii State Department of Health, Honolulu; FHL microfilm 1,711,738 |access-date=2017-09-09}}</ref>


<ref name="1920 US Census Kobayashi">{{cite web |url=https://familysearch.org/ark:/61903/1:1:SP82-8SG |title= Keiko Kobayashi in household of Hiroshi Kobayashi, Honolulu, Honolulu, Hawaii, United States |format= |work="United States Census, 1920," database with images, FamilySearch; citing ED 23, sheet 28A, line , family 345, NARA microfilm publication T625 (Washington D.C.: National Archives and Records Administration, 1992), roll 2035; FHL microfilm 1,822,035 |quote= |accessdate=2017-09-19}}</ref>
<ref name="1920 US Census Kobayashi">{{cite web |url=https://familysearch.org/ark:/61903/1:1:SP82-8SG |title= Keiko Kobayashi in household of Hiroshi Kobayashi, Honolulu, Honolulu, Hawaii, United States |work="United States Census, 1920," database with images, FamilySearch; citing ED 23, sheet 28A, line , family 345, NARA microfilm publication T625 (Washington D.C.: National Archives and Records Administration, 1992), roll 2035; FHL microfilm 1,822,035 |access-date=2017-09-19}}</ref>


<ref name="1930 US Census Kobayashi">{{cite web |url=https://familysearch.org/ark:/61903/1:1:XH1N-LSD |title= Fumi Kobayashi in household of Yoshimi Kobayashi, Honolulu, Honolulu, Hawaii, United States |format= |work="United States Census, 1930," database with images, FamilySearch; citing enumeration district (ED) ED 20, sheet 10A, line 27, family 190, NARA microfilm publication T626 (Washington D.C.: National Archives and Records Administration, 2002), roll 2633; FHL microfilm 2,342,367 |quote= |accessdate=2017-09-19}}</ref>
<ref name="1930 US Census Kobayashi">{{cite web |url=https://familysearch.org/ark:/61903/1:1:XH1N-LSD |title= Fumi Kobayashi in household of Yoshimi Kobayashi, Honolulu, Honolulu, Hawaii, United States |work="United States Census, 1930," database with images, FamilySearch; citing enumeration district (ED) ED 20, sheet 10A, line 27, family 190, NARA microfilm publication T626 (Washington D.C.: National Archives and Records Administration, 2002), roll 2633; FHL microfilm 2,342,367 |access-date=2017-09-19}}</ref>


<ref name="1940 US Census Kobayashi">{{cite web |url=https://familysearch.org/ark:/61903/1:1:VB9X-YH2 |title= Robert Kobayashi in household of Yoshima Kobayashi, Tract 24, Honolulu Judicial District, Representative District 4, Honolulu, Hawaii Territory, United States |format= |work="United States Census, 1940," database with images, FamilySearch; citing enumeration district (ED) 2-56, sheet 10A, line 25, family 230, Sixteenth Census of the United States, 1940, NARA digital publication T627. Records of the Bureau of the Census, 1790 - 2007, RG 29. Washington, D.C.: National Archives and Records Administration, 2012, roll 4585 |quote= |accessdate=2017-09-19}}</ref>
<ref name="1940 US Census Kobayashi">{{cite web |url=https://familysearch.org/ark:/61903/1:1:VB9X-YH2 |title= Robert Kobayashi in household of Yoshima Kobayashi, Tract 24, Honolulu Judicial District, Representative District 4, Honolulu, Hawaii Territory, United States |work="United States Census, 1940," database with images, FamilySearch; citing enumeration district (ED) 2-56, sheet 10A, line 25, family 230, Sixteenth Census of the United States, 1940, NARA digital publication T627. Records of the Bureau of the Census, 1790 - 2007, RG 29. Washington, D.C.: National Archives and Records Administration, 2012, roll 4585 |access-date=2017-09-19}}</ref>


<ref name="Enlistment Record">{{cite web |url=https://aad.archives.gov/aad/record-detail.jsp?dt=893&mtch=2&tf=F&q=kobayashi+robert&bc=&rpp=10&pg=1&rid=2140242&rlst=7730934,2140242 |title=NARA - AAD - Display Full Records - Electronic Army Serial Number Merged File, ca. 1938 - 1946 (Enlistment Records) |format= |work=United States National Archives and Records Administration |accessdate=2017-09-28}}</ref>
<ref name="Enlistment Record">{{cite web |url=https://aad.archives.gov/aad/record-detail.jsp?dt=893&mtch=2&tf=F&q=kobayashi+robert&bc=&rpp=10&pg=1&rid=2140242&rlst=7730934,2140242 |title=NARA - AAD - Display Full Records - Electronic Army Serial Number Merged File, ca. 1938 - 1946 (Enlistment Records) |work=United States National Archives and Records Administration |access-date=2017-09-28}}</ref>


<ref name="1951 Return from Paris">{{cite web |url=https://familysearch.org/ark:/61903/1:1:24BC-J9L |title=Hiroshi Kobayashi, 1951 |format= |work="New York, New York Passenger and Crew Lists, 1909, 1925-1957," database with images, FamilySearch; citing Immigration, New York City, New York, United States, NARA microfilm publication T715 (Washington, D.C.: National Archives and Records Administration, n.d. |quote= |accessdate=2017-09-19}}</ref>
<ref name="1951 Return from Paris">{{cite web |url=https://familysearch.org/ark:/61903/1:1:24BC-J9L |title=Hiroshi Kobayashi, 1951 |work="New York, New York Passenger and Crew Lists, 1909, 1925-1957," database with images, FamilySearch; citing Immigration, New York City, New York, United States, NARA microfilm publication T715 (Washington, D.C.: National Archives and Records Administration, n.d. |access-date=2017-09-19}}</ref>


<ref name="1950 May NYT">{{cite news |title=NEW ART OFFERINGS IN GALLERIES HERE: Wildenstein's Summer Display Bows Wednesday--One-Man Exhibitions Hold Interest |author= |newspaper=New York Times |location= |page=15 |url= |date=1950-05-15 |accessdate=2017-10-04 |quote= }}</ref>
<ref name="1950 May NYT">{{cite news |title=NEW ART OFFERINGS IN GALLERIES HERE: Wildenstein's Summer Display Bows Wednesday--One-Man Exhibitions Hold Interest |newspaper=New York Times |page=15 |date=1950-05-15 }}</ref>
<ref name="1950 Dec NYT">{{cite news |title=DIVERSE GROUPS: Drawings by Old Masters --Phases of Modernism Artists of Promise |author=Stuart Preston |newspaper=New York Times |location= |page=X14 |url= |date=1950-12-10 |accessdate=2017-10-02 |quote= }}</ref>
<ref name="1950 Dec NYT">{{cite news |title=DIVERSE GROUPS: Drawings by Old Masters --Phases of Modernism Artists of Promise |author=Stuart Preston |newspaper=New York Times |page=X14 |date=1950-12-10 }}</ref>
<ref name="1956 Apr Los Angeles Times">{{cite news |title=Hawaii Finds a World of Bright |author= |newspaper=Los Angeles Times |location= |page=246 |url= |date=1956-04-01 |accessdate=2017-10-03 |quote= }}</ref>
<ref name="1956 Apr Los Angeles Times">{{cite news |title=Hawaii Finds a World of Bright |newspaper=Los Angeles Times |page=246 |date=1956-04-01 }}</ref>
<ref name="1957 Oct NYT">{{cite news |title=Art: At a New Gallery: Group Show by 17 Painters and Sculptors Is Opening Display at the Brata |author= |newspaper=New York Times |location= |page= 36 |url= |date=1957-10-31 |accessdate=2017-10-04 |quote= }}</ref>
<ref name="1957 Oct NYT">{{cite news |title=Art: At a New Gallery: Group Show by 17 Painters and Sculptors Is Opening Display at the Brata |newspaper=New York Times |page= 36 |date=1957-10-31 }}</ref>
<ref name="1958 Feb NYT">{{cite news |title=Art: A Stroll Downtown: Group Shows and One-Man Exhibitions Offer Various Rewards in Painting |author=Dore Ashton |newspaper=New York Times |location= |page=22 |url= |date=1958-02-24 |accessdate=2017-10-03 |quote= }}</ref>
<ref name="1958 Feb NYT">{{cite news |title=Art: A Stroll Downtown: Group Shows and One-Man Exhibitions Offer Various Rewards in Painting |author=Dore Ashton |newspaper=New York Times |page=22 |date=1958-02-24 }}</ref>
<ref name="1980 Oct NYT">{{cite news |title=Kobi, Tin Man |author= |newspaper=New York Times |location= |page=C3 |url= |date=1980-10-09 |accessdate=2017-10-03 |quote= }}</ref>
<ref name="1980 Oct NYT">{{cite news |title=Kobi, Tin Man |newspaper=New York Times |page=C3 |date=1980-10-09 }}</ref>
<ref name="1988 Jul Newsday">{{cite news |title=A Multimedia Mystery Man |author=Karin Lipson |newspaper=Newsday |location=Long Island, N.Y. |page=21 |url= |date=1988-07-01 |accessdate=2017-09-09 |quote= }}</ref>
<ref name="1988 Jul Newsday">{{cite news |title=A Multimedia Mystery Man |author=Karin Lipson |newspaper=Newsday |location=Long Island, N.Y. |page=21 |date=1988-07-01 }}</ref>
<ref name="1988 Aug NYT">{{cite news |title=On Long Island: Provocative Exhibitions at Museums and Galleries That Are Near New York City |author=Roberta Smith |newspaper=New York Times |location= |page=C22 |url= |date= 2008-08-05 |accessdate=2017-09-20 |quote= }}</ref>
<ref name="1988 Aug NYT">{{cite news |title=On Long Island: Provocative Exhibitions at Museums and Galleries That Are Near New York City |author=Roberta Smith |newspaper=New York Times |page=C22 |date= 2008-08-05 }}</ref>
<ref name="1989 Mar NYT">{{cite news |title=Exhibition Continues the Spirit of Valentine's Day |author=Helen A. Harrison |newspaper=New York Times |location= |page=LI.13 |url= |date=1989-03-05 |accessdate=2017-09-20 |quote= }}</ref>
<ref name="1989 Mar NYT">{{cite news |title=Exhibition Continues the Spirit of Valentine's Day |author=Helen A. Harrison |newspaper=New York Times |page=LI.13 |date=1989-03-05 }}</ref>
<ref name="1991 Aug Newsday">{{cite news |title=CHILDREN'S BOOKS Pork Chops, Gorillas and Uptown Cats |author=Suzanne Curley |newspaper=Newsday |location=Long Island, N.Y. |page=36 |url= |date=1991-08-18 |accessdate=2017-09-20 |quote= }}</ref>
<ref name="1991 Aug Newsday">{{cite news |title=CHILDREN'S BOOKS Pork Chops, Gorillas and Uptown Cats |author=Suzanne Curley |newspaper=Newsday |location=Long Island, N.Y. |page=36 |date=1991-08-18 }}</ref>
<ref name="1996 Jan NYT">{{cite news |title=Also of Note |author=Pepe Karmel |newspaper=New York Times |location= |page=C18 |url= |date=1996-01-19 |accessdate=2017-10-02 |quote= }}</ref>
<ref name="1996 Jan NYT">{{cite news |title=Also of Note |author=Pepe Karmel |newspaper=New York Times |page=C18 |date=1996-01-19 }}</ref>
<ref name="1999 Feb NYT">{{cite news |title=Nicholas Krushenick, 70, Abstract and Pop Artist: [Obituary] |author=Roberta Smith |newspaper=New York Times |location= |page= 50 |url= |date=1999-02-07 |accessdate=2017-10-03 |quote= }}</ref>
<ref name="1999 Feb NYT">{{cite news |title=Nicholas Krushenick, 70, Abstract and Pop Artist: [Obituary] |author=Roberta Smith |newspaper=New York Times |page= 50 |date=1999-02-07 }}</ref>
Nicholas Krushenick, 70, Abstract and Pop Artist: [Obituary (Obit
Nicholas Krushenick, 70, Abstract and Pop Artist: [Obituary (Obit
<ref name="2006 Mar Honolulu Advertiser">{{cite news |title=Books for Keiki |author=Jolie Jean Cotton |newspaper=Honolulu Advertiser |location=Honolulu, Hawaii |page=D.3 |url= |date=2006-03-05 |accessdate=2017-09-27 |quote= }}</ref>
<ref name="2006 Mar Honolulu Advertiser">{{cite news |title=Books for Keiki |author=Jolie Jean Cotton |newspaper=Honolulu Advertiser |location=Honolulu, Hawaii |page=D.3 |date=2006-03-05 }}</ref>
<ref name="2009 Jan NYT">{{cite news |title=An Artist of the Street And Quiet Reticence: [Metropolitan Desk] |author=Lily Koppel |newspaper=New York Times |location= |page=A.30 |url= |date=2009-01-20 |accessdate=2017-09-09 |quote= }}</ref>
<ref name="2009 Jan NYT">{{cite news |title=An Artist of the Street And Quiet Reticence: [Metropolitan Desk] |author=Lily Koppel |newspaper=New York Times |page=A.30 |date=2009-01-20 }}</ref>
<ref name="2009 Nov Honolulu Star">{{cite news |title=Art pieces given luxurious accommodations in Waikiki |author=Ben Wood |newspaper=Honolulu Star |location=Honolulu, Hawaii |page= |url= |date=2009-11-14 |accessdate=2017-09-09 |quote= }}</ref>
<ref name="2009 Nov Honolulu Star">{{cite news |title=Art pieces given luxurious accommodations in Waikiki |author=Ben Wood |newspaper=Honolulu Star |location=Honolulu, Hawaii |date=2009-11-14 }}</ref>
<ref name="2012 Oct Los Angeles Times">{{cite news |title=Fourth-grade author uses 'Magic Book' to inspire |author= Britney Barnes |newspaper=Los Angeles Times |location= |page= |url=http://www.latimes.com/tn-dpt-1011-grace-20121010-story,amp.html |date=2012-10-10 |accessdate=2017-10-06 |quote= }}</ref>
<ref name="2012 Oct Los Angeles Times">{{cite news |title=Fourth-grade author uses 'Magic Book' to inspire |author= Britney Barnes |newspaper=Los Angeles Times |url=http://www.latimes.com/tn-dpt-1011-grace-20121010-story,amp.html |date=2012-10-10 |access-date=2017-10-06 }}</ref>
<ref name="2014 Apr Honolulu Star">{{cite news |title=Metal Magician |author=Steven Mark |newspaper=Honolulu Star |location=Honolulu, Hawaii |page= |url= |date=2014-04-27 |accessdate=2017-09-09 |quote= }}</ref>
<ref name="2014 Apr Honolulu Star">{{cite news |title=Metal Magician |author=Steven Mark |newspaper=Honolulu Star |location=Honolulu, Hawaii |date=2014-04-27 }}</ref>
<ref name="2015 Dec NYT">{{cite news |title=Robert Kobayashi, 90, Artist of Whimsy: [Obituary] |author=William Grimes |newspaper=New York Times |location= |page= B.15 |url= |date=2015-12-22 |accessdate=2017-09-19 |quote= }}</ref>
<ref name="2015 Dec NYT">{{cite news |title=Robert Kobayashi, 90, Artist of Whimsy: [Obituary] |author=William Grimes |newspaper=New York Times |page= B.15 |date=2015-12-22 }}</ref>


}}
}}
Line 133: Line 132:
{{Authority control}}
{{Authority control}}


{{DEFAULTSORT:Kobayashi, Robert}}
[[Category:1925 births]]
[[Category:1925 births]]
[[Category:2015 deaths]]
[[Category:2015 deaths]]
[[Category:People from the Territory of Hawaii]]
[[Category:20th-century American artists]]
[[Category:20th-century American artists]]
[[Category:21st-century American artists]]
[[Category:21st-century American artists]]

Latest revision as of 20:57, 15 January 2024

Robert Kobayashi
Robert Kobayashi
Robert Kobayashi
Born
Robert Hiroshi Kobayashi

(1925-05-05)May 5, 1925
Territory of Hawaii
DiedDecember 14, 2015(2015-12-14) (aged 90)
NationalityU. S. citizen

Robert Kobayashi (1925–2015) was a Hawaiʻi-born artist who made abstract expressionist paintings at the beginning of his career and later produced pointillist paintings and pointillist-derived sculptures in the folk art tradition. Known for the "whimsical, childlike quality" of his work, he rarely exhibited in commercial galleries, preferring to work and display his creations in a studio called "Moe's Meat Market" that he and his wife owned in the NoLita section of Manhattan.

Early life and training

[edit]

Kobayashi was born and raised in Honolulu, Hawaii. His parents having divorced before he was five, he and his four sisters lived with his mother on the northern fringe of the business district.[1] After graduating from high school in 1944, he served in the U.S. Army until the end of World War II[2] and then enrolled in the studio school of the Honolulu Art Academy.[3][note 1] His instructors there included Louis Pohl[4] and Willson Stamper,[7][note 2] the latter of whom became Kobayashi's mentor.[8] In 1949[9] Kobayashi moved to New York to study at the Brooklyn Museum Art School under John Ferren[3] and in 1950 temporarily left the school in order to spend much of the year in Paris where his sister, Fumi, was then living.[10][11] In 1954 he was hired as caretaker for the Museum of Modern Art's Japanese Exhibition House.[note 3][note 4] After the house exhibit closed, Kobayashi stayed on as a warehouse worker at the museum,[3] working there, with brief interruptions, until 1978.[9]

Career

[edit]

Before he opened his own gallery Kobayashi rarely offered his work for sale to the public. In 1950 he showed sculpture in the New York gallery owned by Samuel M. Kootz.[13][note 5] In the late 1950s and early 1960s he showed works in an artist cooperative, the Brata Gallery.[14][note 6] He was given his first solo exhibition in 1962 in a gallery called Gima's in Honolulu.[7][note 7] In 1977 Kobayashi and his wife bought a building in what was then a run-down section of New York's Little Italy and turned its storefront shop into a gallery.[18] The storefront had been a butcher shop called Moe's Meat Market and that became the name of the gallery as well. They made living quarters and a studio upstairs and rented out apartments in the upper stories.[19] Kobayashi showed his own[20] and other artists' work intermittently during the first few years[21] and in 2000 his wife and curator Phyllis Stigliano opened the gallery to the public as a full-time commercial gallery devoted to his work.[3] Stigliano also began showing his work at her gallery in Brooklyn.[18][note 8] In 1980 Kobayashi was given a solo exhibition at the Equator folk art gallery in SoHo[23] and in 2001 he contributed work to a group exhibition at the Luise Ross Gallery on 57th Street.[7] In 2009 he showed with two friends, Satoru Abe and Harry Tsuchindana, in a multi-gallery exhibition in Honolulu's Luxury Row & Cedar Street Galleries.[24]

Kobayashi's appearances in exhibitions at museums and non-commercial galleries were also infrequent. As a student, in 1950, he participated in a show of 23 painters[7] that his teacher John Ferren presented in New York's Argent Gallery.[25][note 9] In 1952 he showed at the Honolulu Academy of Arts and a year later at Brooklyn Museum.[7] In 1988, after seeing his work at Moe's Meat Market, Phyllis Stigliano put together a large exhibition of his work at the Nassau County Museum of Art[20] and the following year he was included in two group shows, one at the Wunsch Arts Center in Glen Cove, N.Y.,[27] and the other at the Museum of Modern Art.[7] In 2002 he contributed works to an exhibition in the East Galleries, New York University, and in 2005 he was included in a show at the Contemporary Museum, Honolulu.[7]

On two occasions Kobayashi contributed drawings to publications. In 1991 he wrote and illustrated Maria Mazaretti Loves Spaghetti (Alfred A. Knopf, N.Y.). The book consists of two short stories, both of them based on the habits of his neighbor across the street, Mary Albanese. Writing in Newsday, a reviewer said "Kobayashi's full-page illustrations here are ebullient and his text has that special kind of simple, gentle humor that signifies a classic."[28] He also made illustrations for a book written by a second grade student at Mariners Elementary School in Newport Beach, California and produced in a self-publishing house by her father: Annie and the Magic Book by Grace Vaughan (27 pages, AuthorHouse, Bloomington, Indiana, 2012).[29]

Artistic style

[edit]
Robert Kobayashi, "Seascape," 1981, oil on canvas, 42.5 x 42.5 inches

Until the mid-1960s Kobayashi made paintings and sculptures in an abstract expressionist style.[10] In 1950 Stuart Preston of The New York Times described a sculpture of his as a "restless and urgent abstract."[13] A few years later another critic said his works were "based on a wiry, expansive imagery composed of tensile lines vibrating from central axes."[14] From the mid-1960s to the mid-1980s he made pointillist paintings, some of them in a surrealist style.[3] His painting, "Seascape" was completed toward the end of this period. In a surrealist manner it shows a sandy shore on which the waves have cast up a button, a pocket watch, a lock, and a fork. As one critic noted, its technique is pointillist and its style draws on folk and native art.[22]

Robert Kobayashi, "Nine White Flowers," 2013, ceiling tin and shaped metal with paint and nails on wood, 15.5 x 13.5 inches

After he moved into the building that contained Moe's Meat Market, he began to work in sheet metal, making portraits and still lifes using metal obtained from discarded stamped ceiling tin and cans that had held olive oil, beer, or ground coffee.[23] These pieces, which a critic dubbed "clouages,"[7] were nailed into a wood frames and contained decorative patterns made of many tiny nails.[22] Critics saw them as strange and whimsical,[22] a kind of idiosyncratic folk art having a childlike quality.[3] One late piece in this style is "Nine White Flowers" of 2013. A critic noted that "despite the coldness one would expect from the medium of tin, Kobi’s work subtly suggests a gentle wit and a delicate touch. The rigid nature of the metal is softened into a suppleness of shape and color. The chill warms with the nimble diligence of his fingers guided with the expressiveness of his affectionate mind."[10]

Robert Kobayashi, "Flowers Seeking Affection," 2002, ceiling tin and shaped metal with paint and nails on wood, 20 x 22 inches

Throughout his career Kobayashi made free-standing sculptures as well as wall-mounted works. Some of these were toy-like objects such as a cat in a four-poster bed fashioned out of an old radio, a stool with sneakers on its four legs, and wooden puppets.[22] Others were more traditionally artistic, such as portraits of friends and relatives or flower arrangements. "Flowers Seeking Affection" (2002) is an example of the last named. A critic said, "within these flowers there is the charm in the uniqueness of each bloom gesturing with personality."

Personal life and family

[edit]

Kobayashi was born on May 5, 1925.[3] His father, Hiroshi Kobayashi, was a post office clerk, born in Hawaii Territory in 1896.[30] Having obtained a divorce in the early 1920s,[1] Kobayashi's mother, Yoshimi Kusaka Kobayashi, had full responsibility for raising him and his four sisters.[3][31][note 10][note 11] Kobayashi attended local schools in Honolulu and graduated in 1945 from McKinley High School.[19][note 12] He joined the U.S. Army in April 1945, served as a private with an Army tank battalion in Germany,[3] and was discharged not long after the war came to a close.[2]

In 1946, at the urging of his sister Fumi (or Peggy), he used the G.I. Bill to attend art school, first in Honolulu and then in New York.[9][note 13] He spend about a year in Paris[7] and in the mid-1950s obtained work first as a gardener and later as part of the warehouse staff at the Museum of Modern Art.[3] He left the museum in 1978 having bought the building that contained Moe's Meat Market the year before.[9][note 14] Some years after Moe's Meat Market was transformed into a full-time gallery, Kobayashi's health began to fail.[19] He and his wife then returned to Honolulu, and bought a home in the Manoa neighborhood where he died on December 14, 2015.[37]

Other names used

Kobayashi used the nickname Kobi, as in Kobi Kobayashi.[19] In the United States Census of 1930 his given name appears as Hiroshi.[1] In the Census of 1940 it appears as Robert.[32] His obituary in the New York Times gives his full name as Robert Hiroshi Kobayashi.[3]

Notes

[edit]
  1. ^ The art school of the Honolulu Art Academy (later Honolulu Museum of Art) began in 1946 on the grounds of the academy.[4] A man named Bill Stamper (husband of children's book author Martha Alexander) had convinced the board of directors to provide a place for returning GIs to study art.[5] The Honolulu Museum of Art School (formerly the Academy Art Center at Linekona) was established in 2006 and is a different institution.[6]
  2. ^ Other students at the time included Tadashi Sato, Raymond Hahn, and Wally Ige.[5]
  3. ^ Although Kobayashi had never been to Japan and knew little about Japanese domestic architecture or gardens, he was able to solve problems he encountered through research in a nearby public library.[3]
  4. ^ The Japanese Exhibition House was built using traditional materials in a style appropriate for a scholar, government official, or priest. Known as Shofuso, the house was designed by Junzo Yoshimura in 1953 and assembled along with a Japanese garden, on the grounds of the Museum of Modern Art. The last of three buildings in a series called "The House in the Museum Garden," it remained in New York through 1954 and is now located in Philadelphia's West Fairmount Park.[12]
  5. ^ Other artists in this group show included Clement Greenberg, Helen Frankenthaler, Alice Hodges, Fred Hauck, Harold Shapinsky, and Constantino Nivola.[13]
  6. ^ One of the East Village's 10th Street galleries, Brata was organized by John and Nicholas Krushenick[15] in 1957[16] and 17 founding members. In addition to Kobayashi they included Al Held, Ronald Bladen, George Sugarman and Yayoi Kusama.[15] Nicholas Krushenick probably became acquainted with Kobayashi during the time they both worked at the Museum of Modern Art, the one in the frame shop, the other in the warehouse.[15]
  7. ^ Located in Waikiki, Gima's Art Gallery was owned by Takeo Gima. During the 1950s and 1960s, it was one of only a few commercial art galleries in Honolulu.[17]
  8. ^ Moe's Meat Market is located at 237 Elizabeth Street in a district that is now called NoLita.[3] Kobayashi would change displays of his work in the storefront but not often open the shop to customers.[22]
  9. ^ The Argent Gallery was run by the National Association of Women Painters and Sculptors. Founded in 1930, the gallery was mainly used to show work by the group's members, but in between these exhibitions it was made available for uses such as Ferren's show.[26]
  10. ^ Hiroshi and Yoshimi were married in Honolulu on May 18, 1918. His parents were Fujitoro Kobayashi and Tsugi Hokajima. Her parents were Kikujiro (also known as George) and Hana Kusaka. The marriage record lists Hiroshi's name as Shiroshi.[31]
  11. ^ His sisters were Keiko (also known as Betty), eight years older; Fumi (also known as Peggy), six years older; Hiroko (also known as Ruby), three years older; and Tasako (also known as Lillian), two years younger.[1][32] At the time of his death only Lillian was still living.[3] By 1940, with the five children all still living at home, his mother was working in a canning factory, two sisters were maids in private households, and one was a secretary.[32]
  12. ^ An artist friend of Kobayashi's, the sculptor Satoru Abe, also attended McKinley, and, like Kobayashi, moved to New York after World War II.[33]
  13. ^ He credited Fumi with encouraging him to pursue art before he graduated from high school, for pointing out the advantages of study under the G.I. Bill, and for getting him to move to New York (where she, then a student at Barnard College, was already living).[10]
  14. ^ Kobayashi and his wife bought 237 Elizabeth Street in 1977. Even though local drug dealing kept prices down at that time, they considered the amount they paid to be unusually reasonable.[18] Soon after they moved in, and for the next 40 years, prices rose dramatically.[34] A butcher shop had existed there since the 1940s. Run by Vincenzo Albanese, it was named after his son, Moe. By the time Kobayashi and his wife bought the building the business had moved across to 238 Elizabeth Street .[10] The shop sign, "Moe's Meat Market," remained, however, and they did not replace it. The butcher shop across the street was named Albanese Meats and Poultry. A native Italian, Vincenzo was not comfortable speaking English to his customers, and his wife, Mary, who had been born and raised in the neighborhood, dealt with customers. In time, she and Kobayashi became friends and his book, Maria Mazaretti Loves Spaghetti is a fictionalized description of her neighborly ways.[35] When Vincenzo retired, his son Moe took over the store and, in consequence, the Albanese butcher shop is sometimes called Moe's Meat Market.[36]

References

[edit]
  1. ^ a b c d "Fumi Kobayashi in household of Yoshimi Kobayashi, Honolulu, Honolulu, Hawaii, United States". "United States Census, 1930," database with images, FamilySearch; citing enumeration district (ED) ED 20, sheet 10A, line 27, family 190, NARA microfilm publication T626 (Washington D.C.: National Archives and Records Administration, 2002), roll 2633; FHL microfilm 2,342,367. Retrieved September 19, 2017.
  2. ^ a b "NARA - AAD - Display Full Records - Electronic Army Serial Number Merged File, ca. 1938 - 1946 (Enlistment Records)". United States National Archives and Records Administration. Retrieved September 28, 2017.
  3. ^ a b c d e f g h i j k l m n William Grimes (December 22, 2015). "Robert Kobayashi, 90, Artist of Whimsy: [Obituary]". New York Times. p. B.15.
  4. ^ a b Jolie Jean Cotton (March 5, 2006). "Books for Keiki". Honolulu Advertiser. Honolulu, Hawaii. p. D.3.
  5. ^ "Honolulu Museum of Art » Honolulu Museum of Art School". Retrieved September 27, 2017.
  6. ^ a b c d e f g h i Jan Garden Castro (2011). "Robert Kobayashi: Seeing and Being" (PDF). Retrieved September 24, 2017.
  7. ^ "Art event: Benefit sale of the late, revered Robert Kobayashi's work happens Feb 4 | Honolulu Museum of Art Blog". January 30, 2016. Retrieved September 26, 2017.
  8. ^ a b c d e Garrett Buhl Robinson (March 4, 2014). "Robert Kobayashi, the Angel at Elizabeth and Prince". AskANewYorker (blog). Retrieved October 10, 2017.
  9. ^ "Hiroshi Kobayashi, 1951". "New York, New York Passenger and Crew Lists, 1909, 1925-1957," database with images, FamilySearch; citing Immigration, New York City, New York, United States, NARA microfilm publication T715 (Washington, D.C.: National Archives and Records Administration, n.d. Retrieved September 19, 2017.
  10. ^ "History – Shofuso Japanese House and Garden". Japan America Society of Greater Philadelphia. Retrieved October 1, 2017.
  11. ^ a b c Stuart Preston (December 10, 1950). "DIVERSE GROUPS: Drawings by Old Masters --Phases of Modernism Artists of Promise". New York Times. p. X14.
  12. ^ a b Dore Ashton (February 24, 1958). "Art: A Stroll Downtown: Group Shows and One-Man Exhibitions Offer Various Rewards in Painting". New York Times. p. 22.
  13. ^ a b c Roberta Smith (February 7, 1999). "Nicholas Krushenick, 70, Abstract and Pop Artist: [Obituary]". New York Times. p. 50.
  14. ^ "Art: At a New Gallery: Group Show by 17 Painters and Sculptors Is Opening Display at the Brata". New York Times. October 31, 1957. p. 36.
  15. ^ "Hawaii Finds a World of Bright". Los Angeles Times. April 1, 1956. p. 246.
  16. ^ a b c Lily Koppel (January 20, 2009). "An Artist of the Street And Quiet Reticence: [Metropolitan Desk]". New York Times. p. A.30.
  17. ^ a b c d Steven Mark (April 27, 2014). "Metal Magician". Honolulu Star. Honolulu, Hawaii.
  18. ^ a b Roberta Smith (August 5, 2008). "On Long Island: Provocative Exhibitions at Museums and Galleries That Are Near New York City". New York Times. p. C22.
  19. ^ Pepe Karmel (January 19, 1996). "Also of Note". New York Times. p. C18.
  20. ^ a b c d e Karin Lipson (July 1, 1988). "A Multimedia Mystery Man". Newsday. Long Island, N.Y. p. 21.
  21. ^ a b "Kobi, Tin Man". New York Times. October 9, 1980. p. C3.
  22. ^ Ben Wood (November 14, 2009). "Art pieces given luxurious accommodations in Waikiki". Honolulu Star. Honolulu, Hawaii.
  23. ^ "NEW ART OFFERINGS IN GALLERIES HERE: Wildenstein's Summer Display Bows Wednesday--One-Man Exhibitions Hold Interest". New York Times. May 15, 1950. p. 15.
  24. ^ "A Descriptive Calendar of the New York Galleries". Parnassus. 6 (5). New York: Stanley Lewis: 26–33. March 1934. doi:10.1080/15436314.1934.11466516. JSTOR 770969. S2CID 254667506. Five shows are held yearly, including two new membership Jury Shows. The balance of the season is filled with one-man shows by both men and women.
  25. ^ Helen A. Harrison (March 5, 1989). "Exhibition Continues the Spirit of Valentine's Day". New York Times. p. LI.13.
  26. ^ Suzanne Curley (August 18, 1991). "CHILDREN'S BOOKS Pork Chops, Gorillas and Uptown Cats". Newsday. Long Island, N.Y. p. 36.
  27. ^ Britney Barnes (October 10, 2012). "Fourth-grade author uses 'Magic Book' to inspire". Los Angeles Times. Retrieved October 6, 2017.
  28. ^ "Keiko Kobayashi in household of Hiroshi Kobayashi, Honolulu, Honolulu, Hawaii, United States". "United States Census, 1920," database with images, FamilySearch; citing ED 23, sheet 28A, line , family 345, NARA microfilm publication T625 (Washington D.C.: National Archives and Records Administration, 1992), roll 2035; FHL microfilm 1,822,035. Retrieved September 19, 2017.
  29. ^ a b "Shiroshi Kobayashi and Yoshimi Kusaka, 08 May 1918; citing Honolulu, Honolulu, Hawaii, United States, Hawaii State Department of Health, Honolulu". "Hawaii, Marriages, 1826-1954," database, FamilySearch;citing Honolulu, Honolulu, Hawaii, United States, Hawaii State Department of Health, Honolulu; FHL microfilm 1,711,738. Retrieved September 9, 2017.
  30. ^ a b c "Robert Kobayashi in household of Yoshima Kobayashi, Tract 24, Honolulu Judicial District, Representative District 4, Honolulu, Hawaii Territory, United States". "United States Census, 1940," database with images, FamilySearch; citing enumeration district (ED) 2-56, sheet 10A, line 25, family 230, Sixteenth Census of the United States, 1940, NARA digital publication T627. Records of the Bureau of the Census, 1790 - 2007, RG 29. Washington, D.C.: National Archives and Records Administration, 2012, roll 4585. Retrieved September 19, 2017.
  31. ^ Rasa Fournier (March 20, 2013). "Satoru Abe: Godfather of Honolulu's Art Scene - MidWeek Kaua'i". Retrieved October 7, 2017.
  32. ^ Jonathan Miller (June 2, 2015). "Tracking New York Rents and Asking Prices Over a Century - Curbed NY". Retrieved October 7, 2017.
  33. ^ "SAUSAGE SERIES: SPOTLIGHT ON ALBANESE MEATS AND POULTRY aka Moe the Butcher - Foods of NY Tours". August 26, 2015. Retrieved October 7, 2017.
  34. ^ "Albanese Meats & Poultry, New York". Cityseeker (blog). Retrieved October 7, 2017.
  35. ^ "Robert Kobayashi « Honolulu Hawaii Obituaries - Hawaii Newspaper Obituaries". Retrieved September 26, 2017.
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Robert_Kobayashi&oldid=1195929455"