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{{short description|Dutch painter}}

{{Infobox artist
{{Infobox artist
| name = Adriaen van de Venne
| name = Adriaen van de Venne
Line 8: Line 10:
| death_date = {{death date and age|1662|11|12|1589|6|1|df=y}}
| death_date = {{death date and age|1662|11|12|1589|6|1|df=y}}
| death_place = [[The Hague]]
| death_place = [[The Hague]]
| nationality = [[Netherlands]]
| nationality = Dutch
| field = [[Painting]], [[Engraving]], [[Emblem book]]s
| field = [[Painting]], [[Engraving]], [[Emblem book]]s
| movement = [[Baroque]]
| movement = [[Baroque]]
Line 14: Line 16:
}}
}}


'''Adriaen Pietersz van de Venne''' (1589 – 12 November 1662), was a versatile [[Dutch Golden Age]] painter of allegories, genre subjects and portraits, as well as a miniaturist, book-illustrator and designer of political satires and a versifier.
'''Adriaen Pietersz van de Venne''' (1589 – 12 November 1662), was a versatile [[Dutch Golden Age]] painter of allegories, genre subjects, and portraits, as well as a miniaturist, book illustrator, designer of political satires, and versifier.


==Biography==
==Biography==
⚫
[[File:Adriaen van de Venne (Dutch - A Jeu de Paume Before a Country Palace - Google Art Project.jpg|thumbnail|left|''Before a Country Palace'']]
⚫
Van de Venne was born in [[Delft]]. According to Houbraken he learned Latin in [[Leiden]]. He learned to paint from the master goldsmith and painter Simon de Valk, and afterwards learned engraving from Jeronimus van Diest, a good painter of grisailles.<ref>Cornelis de Bie, ''[[Het Gulden Cabinet]]'' 1661, p 235</ref><ref>{{Link language|nl|Middle Dutch}} [http://www.dbnl.org/tekst/houb005groo01_01/houb005groo01_01_0061.htm Adriaan van de Venne biography] in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by [[Arnold Houbraken]], courtesy of the [[Digital library for Dutch literature]]</ref> He then moved to [[Middelburg]] in 1614 where he was influenced by [[Jan Brueghel the Elder]] and [[Pieter Brueghel the Elder]]. His political painting ''Fishers of men'', 1614, is an ironic commentary on the Catholic and Protestant troubles of the [[Eighty Years War]] that split the border between the Northern from the Southern Netherlands along the [[Schelde]] river, very close to his home in Middleburg. When he painted this picture, the [[Twelve Years' Truce]] was in effect since 1609. The influence of Jan Brueghel the Elder is particularly evident in this allegory of religious fanaticism.<ref>Noted, for instance, by Martin Royalton-Kisch, reviewing ''Adriaen Pietersz. Van de Venne (1589-1662), de grisailles met spreukbanden'' by Annelies Plokker (Leuven 1982), in ''The Burlington Magazine'' '''128''', No. 995 (February 1986:152.</ref>
⚫
[[File:Adriaen van de Venne (Dutch - A Jeu de Paume Before a Country Palace - Google Art Project.jpg|thumbnail| left|Before a Country Palace]]
⚫
From 1620 until his death van de Venne made many grisailles and [[engraving]]s of [[Genre|genre subject]]s, featuring peasants, beggars, thieves and fools as illustrations of current proverbs and sayings, mostly by [[Jacob Cats]].<ref>Noted in the preface by K. Porteman to Annelies Plokker, ''Adriaen Pietersz. Van de Venne (1589-1662), de grisailles met spreukbanden'' (1984).</ref> This work made him famous during his lifetime, and remained popular throughout the 18th century after his death.


⚫
Van de Venne was born in [[Delft]]. According to Houbraken he learned Latin in [[Leiden]]. He learned to paint from the master goldsmith and painter Simon de Valk, and afterwards learned engraving from Jeronimus van Diest, a good painter of [[grisaille]]s.<ref>Cornelis de Bie, ''[[Het Gulden Cabinet]]'' 1661, p 235</ref><ref>{{in lang|nl}}<!--Middle Dutch--> [http://www.dbnl.org/tekst/houb005groo01_01/houb005groo01_01_0061.htm Adriaan van de Venne biography] in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by [[Arnold Houbraken]], courtesy of the [[Digital library for Dutch literature]]</ref> He then moved to [[Middelburg, Zeeland|Middelburg]] in 1614 where he was influenced by [[Jan Brueghel the Elder]] and [[Pieter Brueghel the Elder]]. His political painting ''[[Fishing for Souls]]'', 1614, is an ironic commentary on the Catholic and Protestant troubles of the [[Eighty Years War]] that split the border between the Northern from the Southern Netherlands along the [[Schelde]] river, very close to his home in Middleburg. When he painted this picture, the [[Twelve Years' Truce]] was in effect since 1609. The influence of Jan Brueghel the Elder is particularly evident in this allegory of religious fanaticism.<ref>Noted, for instance, by Martin Royalton-Kisch, reviewing ''Adriaen Pietersz. Van de Venne (1589-1662), de grisailles met spreukbanden'' by Annelies Plokker (Leuven 1982), in ''The Burlington Magazine'' '''128''', No. 995 (February 1986:152.</ref>
⚫
Van de Venne also worked as a book illustrator and print designer. Van de Venne moved to [[The Hague]] and joined the [[Guild of Saint Luke]] in 1625, taking the position of dean in 1637. He was a founding member of ''[[Confrerie Pictura]]'', a group bent on improving the independent status and social position of the artist in Dutch society by encouraging a more academic approach to the arts. He died in The Hague.


⚫
From 1620 until his death van de Venne made many grisailles and [[engraving]]s of [[Genre|genre subject]]s, featuring peasants, beggars, thieves and fools as illustrations of current proverbs and sayings, mostly by [[Jacob Cats]].<ref>Noted in the preface by K. Porteman to Annelies Plokker, ''Adriaen Pietersz. Van de Venne (1589-1662), de grisailles met spreukbanden'' (1984).</ref> This work made him famous during his lifetime, and remained popular throughout the 18th century after his death.
⚫
[[File:Adriaen van de Venne (Dutch - A Merry Company in an Arbor - Google Art Project.jpg|thumbnail| A Merry Company in an Arbor ]]


⚫
Van de Venne also worked as a book illustrator and print designer. Van de Venne moved to [[The Hague]] and joined the [[Guild of Saint Luke]] in 1625, taking the position of dean in 1637. He was a founding member of [[Confrerie Pictura]], a group bent on improving the independent status and social position of the artist in Dutch society by encouraging a more academic approach to the arts. He died in The Hague.
==Gallery==
⚫
<gallery>
⚫
File:De zielenvisserij - Fishing for souls (Adriaen Pietersz. van de Venne).jpg|''Fishing for Souls'' (''Zielenvisserij''), 1614, a satirical allegory of Protestant-Catholic struggles for souls during the [[Dutch Revolt]] ([[Rijksmuseum]])


<gallery widths="154px" heights="200px" perrow="4" caption="Gallery">
⚫
File:Adriaen Pietersz. van de Venne - Landschap met figuren en een dorpskermis (Rijksmuseum).jpg|''Landscape with figures
File:1614 van de Venne Winter anagoria.JPG| Winter
File:Van den Venne dodo.jpg|''A Dodo'' (1626)
File:Adriaen van de Venne - Woman and a jester - M.Ob.1720 MNW - National Museum in Warsaw.jpg|''Woman and a jester.'' (1630s)
File:Adriaen Pietersz. van de Venne - An Amorous Peasant Couple Conversing - WGA24547.jpg|''An Amorous Peasant Couple Conversing'' (1631)
File:Adriaen Pietersz. van de Venne - A Cavalier at His Dressing Table - WGA24549.jpg|''A Cavalier at His Dressing Table'' (1631)
⚫
</gallery>

<gallery widths="154px" heights="200px" perrow="6" caption="Gallery">
⚫
File:Adriaen van de Venne (Dutch - A Merry Company in an Arbor - Google Art Project.jpg|''A Merry Company in an Arbor''
File:Adriaen Pietersz. van de Venne - Fools Have the Most Fun - WGA24552.jpg|''Fools Have the Most Fun''
File:Adriaen Pietersz. van de Venne - "Where There Are People Money May Be Made" - WGA24557.jpg|''Where There Are People Money May Be Made'', 1652 ([[private collection]])
File:Adriaen Pietersz. van de Venne - "Where There Are People Money May Be Made" - WGA24557.jpg|''Where There Are People Money May Be Made'', 1652 ([[private collection]])
⚫
File:De zielenvisserij - Fishing for souls (Adriaen Pietersz. van de Venne).jpg|''[[Fishing for Souls]]'' (''Zielenvisserij''), 1614, a satirical allegory of Protestant-Catholic struggles for souls during the [[Dutch Revolt]] ([[Rijksmuseum]])
⚫
File:Adriaen Pietersz. van de Venne - Landschap met figuren en een dorpskermis (Rijksmuseum).jpg|''Landscape with figures
File:1614 van de Venne Winter anagoria.JPG|''Winter''
</gallery>
</gallery>


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==References==
==References==
* [[Laurens J. Bol]], series of articles on van de Venne in ''Tableau'', 1982-84.
* [[Laurens J. Bol]], series of articles on van de Venne in ''Tableau'', 1982–84.
* [[Filippo Baldinucci]]'s [[Artists in biographies by Filippo Baldinucci]], 1610–1670, p.&nbsp;198 [http://books.google.com/books?id=zVQGAAAAQAAJ&pg=PA1&dq=baldinucci#PPA198,M1 Google books]
* [[Filippo Baldinucci]]'s [[Artists in biographies by Filippo Baldinucci]], 1610–1670, p.&nbsp;198 [https://books.google.com/books?id=zVQGAAAAQAAJ&pg=PA1&dq=baldinucci#PPA198,M1 Google books]


==External links==
==External links==
{{Commons category|Adriaen Pietersz. van de Venne}}
{{Commons-inline|Paintings by Adriaen van de Venne}}
*[http://wwar.com/masters/v/venne-adriaen_van_de.html Adriaen Van De Venne]
*[https://archive.today/20130209141446/http://wwar.com/masters/v/venne-adriaen_van_de.html Adriaen Van De Venne]
*[http://www.rkd.nl/rkddb/dispatcher.aspx?action=search&database=ChoiceArtists&search=priref=79989 Adriaen van de Venne] at the Netherlands Institute for Art History
*[https://rkd.nl/en/explore/artists/79989 Adriaen van de Venne] at the Netherlands Institute for Art History
*[http://www.pubhist.com/person/199/adriaen-van-de-venne Works and literature on Adriaen van de Venne]
*[http://www.pubhist.com/person/199/adriaen-van-de-venne Works and literature on Adriaen van de Venne]
*[http://libmma.contentdm.oclc.org/cdm/compoundobject/collection/p15324coll10/id/65202/rec/17 Vermeer and The Delft School], a full text exhibition catalog from The Metropolitan Museum of Art, which contains material on Adriaen van de Venne
*[http://libmma.contentdm.oclc.org/cdm/compoundobject/collection/p15324coll10/id/65202/rec/17 ''Vermeer and The Delft School''], a full text exhibition catalog from The Metropolitan Museum of Art, which contains material on Adriaen van de Venne

{{Authority control (arts)}}


{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->
| NAME =Venne, Adriaen Van De
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = Dutch painter
| DATE OF BIRTH =1 June 1580
| PLACE OF BIRTH =[[Delft]]
| DATE OF DEATH =12 November 1662
| PLACE OF DEATH =[[The Hague]]
}}
{{DEFAULTSORT:Venne, Adriaen Van De}}
{{DEFAULTSORT:Venne, Adriaen Van De}}
[[Category:1580 births]]
[[Category:1580s births]]
[[Category:1662 deaths]]
[[Category:1662 deaths]]
[[Category:Dutch Golden Age painters]]
[[Category:Dutch Golden Age painters]]
[[Category:People from Delft]]
[[Category:Dutch male painters]]
[[Category:Members of the The Hague Guild of Saint Luke]]
[[Category:Painters from Delft]]
[[Category:Painters from The Hague]]

Latest revision as of 09:37, 2 February 2024

Adriaen van de Venne
Self-portrait engraved by Wenceslas Hollar.
Born
Adriaen van de Venne

1589
Delft
Died12 November 1662(1662-11-12) (aged 73)
The Hague
NationalityDutch
Known forPainting, Engraving, Emblem books
MovementBaroque

Adriaen Pietersz van de Venne (1589 – 12 November 1662), was a versatile Dutch Golden Age painter of allegories, genre subjects, and portraits, as well as a miniaturist, book illustrator, designer of political satires, and versifier.

Biography

[edit]
Before a Country Palace

Van de Venne was born in Delft. According to Houbraken he learned Latin in Leiden. He learned to paint from the master goldsmith and painter Simon de Valk, and afterwards learned engraving from Jeronimus van Diest, a good painter of grisailles.[1][2] He then moved to Middelburg in 1614 where he was influenced by Jan Brueghel the Elder and Pieter Brueghel the Elder. His political painting Fishing for Souls, 1614, is an ironic commentary on the Catholic and Protestant troubles of the Eighty Years War that split the border between the Northern from the Southern Netherlands along the Schelde river, very close to his home in Middleburg. When he painted this picture, the Twelve Years' Truce was in effect since 1609. The influence of Jan Brueghel the Elder is particularly evident in this allegory of religious fanaticism.[3]

From 1620 until his death van de Venne made many grisailles and engravings of genre subjects, featuring peasants, beggars, thieves and fools as illustrations of current proverbs and sayings, mostly by Jacob Cats.[4] This work made him famous during his lifetime, and remained popular throughout the 18th century after his death.

Van de Venne also worked as a book illustrator and print designer. Van de Venne moved to The Hague and joined the Guild of Saint Luke in 1625, taking the position of dean in 1637. He was a founding member of Confrerie Pictura, a group bent on improving the independent status and social position of the artist in Dutch society by encouraging a more academic approach to the arts. He died in The Hague.

  • Gallery
  • A Dodo (1626)
    A Dodo (1626)
  • Woman and a jester. (1630s)
    Woman and a jester. (1630s)
  • An Amorous Peasant Couple Conversing (1631)
    An Amorous Peasant Couple Conversing (1631)
  • A Cavalier at His Dressing Table (1631)
    A Cavalier at His Dressing Table (1631)
  • Gallery
  • A Merry Company in an Arbor
    A Merry Company in an Arbor
  • Fools Have the Most Fun
    Fools Have the Most Fun
  • Where There Are People Money May Be Made, 1652 (private collection)
    Where There Are People Money May Be Made, 1652 (private collection)
  • Fishing for Souls (Zielenvisserij), 1614, a satirical allegory of Protestant-Catholic struggles for souls during the Dutch Revolt (Rijksmuseum)
    Fishing for Souls (Zielenvisserij), 1614, a satirical allegory of Protestant-Catholic struggles for souls during the Dutch Revolt (Rijksmuseum)
  • Landscape with figures
    Landscape with figures
  • Winter
    Winter

Notes

[edit]
  1. ^ Cornelis de Bie, Het Gulden Cabinet 1661, p 235
  2. ^ (in Dutch) Adriaan van de Venne biography in De groote schouburgh der Nederlantsche konstschilders en schilderessen (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature
  3. ^ Noted, for instance, by Martin Royalton-Kisch, reviewing Adriaen Pietersz. Van de Venne (1589-1662), de grisailles met spreukbanden by Annelies Plokker (Leuven 1982), in The Burlington Magazine 128, No. 995 (February 1986:152.
  4. ^ Noted in the preface by K. Porteman to Annelies Plokker, Adriaen Pietersz. Van de Venne (1589-1662), de grisailles met spreukbanden (1984).

References

[edit]
[edit]

Media related to Paintings by Adriaen van de Venne at Wikimedia Commons

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