Lewis Hyde: Difference between revisions
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{{Short description|American writer (born 1945)}} |
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{{about||the Scottish footballer|Lewis Hyde (footballer)|the American physicist|W. Lewis Hyde}} |
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|name = Lewis Hyde |
|name = Lewis Hyde |
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|birth_date = 1945 |
|birth_date = {{birth year and age|1945}} |
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|birth_place = Boston, Massachusetts, U.S. |
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|known_for = {{ubl |
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|known_for = ''[[The Gift: Imagination and the Erotic Life of Property|The Gift]]'' <br /> ''[[Trickster Makes this World]]'' <br /> ''Common as Air: Revolution, Art, and Ownership'' |
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| ''[[The Gift: Imagination and the Erotic Life of Property|The Gift]]'' |
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|occupation = {{flatlist| |
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| ''[[Trickster Makes this World]]'' |
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* Author |
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| ''Common as Air: Revolution, Art, and Ownership'' |
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* poet |
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* scholar |
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|occupation = {{Hlist | Author | poet | scholar}} |
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| spouse = Patricia Vigderman |
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|website = {{URL|lewishyde.com}} |
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|website = [http://www.lewishyde.com/ www.lewishyde.com] |
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⚫ | '''Lewis Hyde''' (born 1945<ref>{{Cite web |url=https://lewishyde.com/bio/ |title=Bio — Lewis Hyde |accessdate=February 16, 2024 |website=Lewis Hyde — Official website}}</ref>) is a scholar, essayist, translator, cultural critic and writer whose scholarly work focuses on the nature of [[imagination]], creativity, and [[property]]. |
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==Profile== |
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⚫ | Hyde was born in [[Cambridge, |
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== Early life and education == |
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⚫ | Hyde was born in [[Cambridge, Massachusetts]]. He is the son of Elizabeth Sanford Hyde and [[Walter Lewis Hyde]]. He received an M.A. in [[comparative literature]] from the [[University of Iowa]] and a B.A. in sociology from the [[University of Minnesota]] after which there were many years of freelance work and odd jobs, before teaching writing in the 80s. |
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== Career == |
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Hyde taught writing at [[Harvard University]] (1983–1989); in his last year there, he directed the undergraduate writing program. From 1989 to 2001 he was the Luce Professor of Arts and Politics at [[Kenyon College]] in Ohio. Beginning in 2006 he served as the Richard L. Thomas Professor of Creative Writing at Kenyon, and a visiting fellow at Harvard's [[Berkman Center]]. He is also a Nonresident Fellow at the [[University of Southern California|USC]] [[Annenberg Center for Communication]]. He has since retired. |
Hyde taught writing at [[Harvard University]] (1983–1989); in his last year there, he directed the undergraduate writing program. From 1989 to 2001 he was the Luce Professor of Arts and Politics at [[Kenyon College]] in Ohio. Beginning in 2006 he served as the Richard L. Thomas Professor of Creative Writing at Kenyon, and a visiting fellow at Harvard's [[Berkman Center]]. He is also a Nonresident Fellow at the [[University of Southern California|USC]] [[Annenberg Center for Communication]]. He has since retired. |
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Hyde's popular works of scholarship, including the books ''[[The Gift: Imagination and the Erotic Life of Property|The Gift]]'' (1983) and ''[[Trickster Makes this World]]'' (1998), have been widely praised by writers of fiction, including [[Margaret Atwood]], [[Michael Chabon]], [[Jonathan Lethem]] and [[David Foster Wallace]].<ref>{{Cite book |title=A Supposedly Fun Thing I'll Never Do Again| pages=67| author=David Foster Wallace}}</ref><ref>{{cite journal|last1=Kelly|first1=Adam|title=David Foster Wallace and New Sincerity Aesthetics: A Reply to Edward Jackson and Joel Nicholson-Roberts|journal=Orbit: A Journal of American Literature|date=8 August 2017|volume=5|issue=2|page=16|doi=10.16995/orbit.224|doi-access=free}}</ref> ''The Gift'' has also been cited as the inspiration for visual artist Jim Mott's [[Itinerant Artist Project]]. Robert Darnton in ''[[The New York Times]]'' called Hyde's book, ''Common as Air: Revolution, Art and Ownership'' (Farrar, Straus & Giroux, 2010), "an eloquent and erudite plea for protecting our cultural patrimony from appropriation by commercial interests."<ref>{{Cite web |url=https://www.nytimes.com/2010/08/22/books/review/Darnton-t.html |title=A Republic of Letters |author=Robert Darnton |publisher=New York Times Sunday Book Review |date=August 20, 2010}}</ref> His latest book is ''A Primer for Forgetting: Getting Past the Past'' (Farrar, Straus and Giroux: New York, 2019). |
Hyde's popular works of scholarship, including the books ''[[The Gift: Imagination and the Erotic Life of Property|The Gift]]'' (1983) and ''[[Trickster Makes this World]]'' (1998), have been widely praised by writers of fiction, including [[Margaret Atwood]], [[Michael Chabon]], [[Jonathan Lethem]] and [[David Foster Wallace]].<ref>{{Cite book |title=A Supposedly Fun Thing I'll Never Do Again| pages=67| author=David Foster Wallace}}</ref><ref>{{cite journal|last1=Kelly|first1=Adam|title=David Foster Wallace and New Sincerity Aesthetics: A Reply to Edward Jackson and Joel Nicholson-Roberts|journal=Orbit: A Journal of American Literature|date=8 August 2017|volume=5|issue=2|page=16|doi=10.16995/orbit.224|doi-access=free}}</ref> ''The Gift'' has also been cited as the inspiration for visual artist Jim Mott's [[Itinerant Artist Project]]. Robert Darnton in ''[[The New York Times]]'' called Hyde's book, ''Common as Air: Revolution, Art and Ownership'' (Farrar, Straus & Giroux, 2010), "an eloquent and erudite plea for protecting our cultural patrimony from appropriation by commercial interests."<ref>{{Cite web |url=https://www.nytimes.com/2010/08/22/books/review/Darnton-t.html |title=A Republic of Letters |author=Robert Darnton |publisher=New York Times Sunday Book Review |date=August 20, 2010}}</ref> His latest book is ''A Primer for Forgetting: Getting Past the Past'' (Farrar, Straus and Giroux: New York, 2019). |
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==Awards== |
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Hyde's awards include an [[National Endowment for the Humanities|NEH]] Fellowship for Independent Study and Research (1979); three [[National Endowment for the Arts|NEA]] Creative Writing Fellowships (1977, 1982, 1987); a [[MacArthur Fellow]]ship (often called "the MacArthur genius grant") (1991); a residency at the [[Getty Center]], Los Angeles (1993–94); an "Osher Fellow" at the [[Exploratorium]] in San Francisco (1998);<ref>See [http://www.exploratorium.edu/memory/lewishyde.html Exploratorium Lewis Hyde biography].</ref> a Lannan Literary Fellowship (2002); an [[American Council of Learned Societies]] Fellowship (2003); a [[Guggenheim Fellowship|Guggenheim Foundation Fellowship]] (2006), and multiple [[MacDowell Colony]] Fellowships (1988, 1991, 1993, 1996, 1999, 2000, 2003, 2005, 2007, 2008, 2012, and 2018). |
Hyde's awards include an [[National Endowment for the Humanities|NEH]] Fellowship for Independent Study and Research (1979); three [[National Endowment for the Arts|NEA]] Creative Writing Fellowships (1977, 1982, 1987); a [[MacArthur Fellow]]ship (often called "the MacArthur genius grant") (1991); a residency at the [[Getty Center]], Los Angeles (1993–94); an "Osher Fellow" at the [[Exploratorium]] in San Francisco (1998);<ref>See [http://www.exploratorium.edu/memory/lewishyde.html Exploratorium Lewis Hyde biography].</ref> a Lannan Literary Fellowship (2002); an [[American Council of Learned Societies]] Fellowship (2003); a [[Guggenheim Fellowship|Guggenheim Foundation Fellowship]] (2006), and multiple [[MacDowell Colony]] Fellowships (1988, 1991, 1993, 1996, 1999, 2000, 2003, 2005, 2007, 2008, 2012, and 2018). |
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==Personal life== |
==Personal life== |
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Hyde is married to Patricia Vigderman. The couple divide their time between [[Gambier, |
Hyde is married to Patricia Vigderman. The couple divide their time between [[Gambier, Ohio]] and Cambridge. |
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== Published works == |
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==Bibliography== |
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===As author=== |
===As author=== |
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*''[[The Gift: Imagination and the Erotic Life of Property]]'' (1983) (republished in 2007 with the alternative subtitle "Creativity and the Artist in the Modern World") |
*''[[The Gift: Imagination and the Erotic Life of Property]]'' (1983) (republished in 2007 with the alternative subtitle "Creativity and the Artist in the Modern World") |
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==External links== |
==External links== |
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* |
* {{Official website|https://lewishyde.com/}} |
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*[https://ssrn.com/abstract=870073 Frames from the Framers: How America's Revolutionaries Imagined Intellectual Property] |
* [https://ssrn.com/abstract=870073 Frames from the Framers: How America's Revolutionaries Imagined Intellectual Property] |
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*[http://radioopensource.org/fuhgedaboutit/ Radio Open Source Podcast - Remember to forget!] |
* [http://radioopensource.org/fuhgedaboutit/ Radio Open Source Podcast - Remember to forget!] |
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{{Authority control}} |
{{Authority control}} |
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[[Category:MacArthur Fellows]] |
[[Category:MacArthur Fellows]] |
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[[Category:American male poets]] |
[[Category:American male poets]] |
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[[Category:Date of birth missing (living people)]] |
Latest revision as of 15:52, 16 February 2024
Lewis Hyde | |
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Born | 1945 (age 78–79) Boston, Massachusetts, U.S. |
Occupations |
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Known for |
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Spouse | Patricia Vigderman |
Website | lewishyde |
Lewis Hyde (born 1945[1]) is a scholar, essayist, translator, cultural critic and writer whose scholarly work focuses on the nature of imagination, creativity, and property.
Early life and education
[edit]Hyde was born in Cambridge, Massachusetts. He is the son of Elizabeth Sanford Hyde and Walter Lewis Hyde. He received an M.A. in comparative literature from the University of Iowa and a B.A. in sociology from the University of Minnesota after which there were many years of freelance work and odd jobs, before teaching writing in the 80s.
Career
[edit]Hyde taught writing at Harvard University (1983–1989); in his last year there, he directed the undergraduate writing program. From 1989 to 2001 he was the Luce Professor of Arts and Politics at Kenyon College in Ohio. Beginning in 2006 he served as the Richard L. Thomas Professor of Creative Writing at Kenyon, and a visiting fellow at Harvard's Berkman Center. He is also a Nonresident Fellow at the USC Annenberg Center for Communication. He has since retired.
Hyde's popular works of scholarship, including the books The Gift (1983) and Trickster Makes this World (1998), have been widely praised by writers of fiction, including Margaret Atwood, Michael Chabon, Jonathan Lethem and David Foster Wallace.[2][3] The Gift has also been cited as the inspiration for visual artist Jim Mott's Itinerant Artist Project. Robert Darnton in The New York Times called Hyde's book, Common as Air: Revolution, Art and Ownership (Farrar, Straus & Giroux, 2010), "an eloquent and erudite plea for protecting our cultural patrimony from appropriation by commercial interests."[4] His latest book is A Primer for Forgetting: Getting Past the Past (Farrar, Straus and Giroux: New York, 2019).
Awards
[edit]Hyde's awards include an NEH Fellowship for Independent Study and Research (1979); three NEA Creative Writing Fellowships (1977, 1982, 1987); a MacArthur Fellowship (often called "the MacArthur genius grant") (1991); a residency at the Getty Center, Los Angeles (1993–94); an "Osher Fellow" at the Exploratorium in San Francisco (1998);[5] a Lannan Literary Fellowship (2002); an American Council of Learned Societies Fellowship (2003); a Guggenheim Foundation Fellowship (2006), and multiple MacDowell Colony Fellowships (1988, 1991, 1993, 1996, 1999, 2000, 2003, 2005, 2007, 2008, 2012, and 2018).
Personal life
[edit]Hyde is married to Patricia Vigderman. The couple divide their time between Gambier, Ohio and Cambridge.
Published works
[edit]As author
[edit]- The Gift: Imagination and the Erotic Life of Property (1983) (republished in 2007 with the alternative subtitle "Creativity and the Artist in the Modern World")
- On the Poetry of Allen Ginsberg (Under Discussion) (1985)
- Alcohol and Poetry: John Berryman and the Booze Talking (1986)
- This Error is the Sign of Love: Poems (1988) Milkweed Editions
- "Elegy for John Cage" (1993) Kenyon Review 15 (3): 55-56
- "American Memory, American Forgetfulness + Heritage and History" (1997) Kenyon Review 19 (1): U1-U4
- "2 ACCIDENTS, REFLECTIONS ON CHANCE AND CREATIVITY" (1996) Kenyon Review 18 (3-4): 19-35
- "The Land of the Dead" (1996) Kenyon Review 18 (1): 27-34
- "Prophecy" (an excerpt from Trickster Makes This World)" (1998) American Poetry Review 27 (1): 45-55
- Created Commons (Paper Series) (1998)
- Trickster Makes This World: Mischief, Myth and Art (1998) (republished in 2008 with the alternative subtitle How Disruptive Imagination Creates Culture)
- "Henry Thoreau, John Brown, and the Problem of Prophetic Action" (excerpted from the introduction to The Essays of Henry D. Thoreau) (2002) Raritan - A Quarterly Review 22 (2): 125-144
- Posts at On The Commons blog
- Common As Air: Revolution, Art and Ownership (2010)
- A Primer for Forgetting: Getting Past the Past (2019)
As editor
[edit]- A Longing for the Light: Selected Poems of Vicente Aleixandre (1979; Copper Canyon Press, 2007)
- The Essays of Henry David Thoreau (2002)
Multiple roles
[edit]- Twenty Poems, by Vicente Aleixandre (1979). Translated by Hyde and Robert Bly. Edited by Hyde.
References
[edit]- ^ "Bio — Lewis Hyde". Lewis Hyde — Official website. Retrieved February 16, 2024.
- ^ David Foster Wallace. A Supposedly Fun Thing I'll Never Do Again. p. 67.
- ^ Kelly, Adam (8 August 2017). "David Foster Wallace and New Sincerity Aesthetics: A Reply to Edward Jackson and Joel Nicholson-Roberts". Orbit: A Journal of American Literature. 5 (2): 16. doi:10.16995/orbit.224.
- ^ Robert Darnton (August 20, 2010). "A Republic of Letters". New York Times Sunday Book Review.
- ^ See Exploratorium Lewis Hyde biography.