Flying (Beatles instrumental): Difference between revisions
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| alt = |
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| type = [[Instrumental]] |
| type = [[Instrumental]] |
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| artist = [[ |
| artist = [[The Beatles]] |
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| EP = 'and album'' [[Magical Mystery Tour]] |
| EP = ''and album'' [[Magical Mystery Tour]] |
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| released = |
| released = |
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*27 November 1967 <small>(US) ([[Gramophone record|LP]])</small> |
*27 November 1967 <small>(US) ([[Gramophone record|LP]])</small> |
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| studio = [[Abbey Road Studios|EMI]], London |
| studio = [[Abbey Road Studios|EMI]], London |
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| venue = |
| venue = |
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| genre = {{hlist|[[Instrumental |
| genre = {{hlist|[[Instrumental rock]]|[[psychedelic music|psychedelia]]}} |
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| length = 2:17 |
| length = 2:17 |
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| label = [[Parlophone]] (UK), [[Capitol Records|Capitol]] (US) |
| label = [[Parlophone]] (UK), [[Capitol Records|Capitol]] (US) |
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| Line 30: | Line 30: | ||
| producer = [[George Martin]] |
| producer = [[George Martin]] |
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}} |
}} |
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"'''Flying'''" is an instrumental recorded by the English rock band [[ |
"'''Flying'''" is an instrumental recorded by the English rock band [[The Beatles]] which first appeared on the 1967 ''[[Magical Mystery Tour]]'' release (two [[Extended play|EP]] discs in the United Kingdom, an [[LP album|LP]] in the United States). It is one of the few songs credited to all four members of the band: [[John Lennon]], [[Paul McCartney]], [[George Harrison]] and [[Ringo Starr]]. |
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==Origins== |
==Origins== |
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The first instrumental written by |
The first instrumental written by The Beatles since "[[12-Bar Original]]" in 1965, this was also the first song to be credited as being written by all four members of the band with the writing credits of "Harrison/Lennon–McCartney/Starkey". {{sfn|Lewisohn|1988|p=123}} Like "12-Bar Original", it was based on the classic [[twelve-bar blues]] chord progression. The other two Beatles instrumentals are "[[Cayenne (instrumental)|Cayenne]]" and "[[Cry for a Shadow]]", recorded in 1960 and 1961 respectively. |
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"Flying" was recorded on 8 September 1967 with [[mellotron]], guitar, bass, maracas, drums |
"Flying" was recorded on 8 September 1967 with [[mellotron]], guitar, bass, maracas, drums and tape loop overdubs on 28 September under its original title of "Aerial Tour Instrumental". The end of the recording originally included a fast-paced traditional New Orleans jazz-influenced [[coda (music)|coda]], but this was removed and replaced with an ending featuring tape loops created by [[John Lennon]] and [[Ringo Starr]] during the 28 September session. The loops extended the song to 9 minutes 38 seconds, but the track was cut down to only 2 minutes 17 seconds. Part of the loops were used alongside an element of the ending jazz sequence to make "The Bus", an incidental piece used at various points in the [[Magical Mystery Tour (film)|TV movie]]. |
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==Recording== |
==Recording== |
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On the track, as recorded and officially released, Lennon plays the main theme on [[mellotron]], accompanied by McCartney and Harrison (both on guitars, plus a later McCartney bass overdub) and Starr (on maracas and drums). All four Beatles sing the melody without lyrics of any kind, and the track fades in an assortment of tape effects created by Lennon and Starr. This released version is identical to that heard on the soundtrack of the ''[[Magical Mystery Tour (film)|Magical Mystery Tour]]'' film; the music is accompanied in the film by |
On the track, as recorded and officially released, Lennon plays the main theme on [[mellotron]], accompanied by McCartney and Harrison (both on guitars, plus a later McCartney bass overdub) and Starr (on maracas and drums). All four Beatles sing the melody without lyrics of any kind, and the track fades in an assortment of tape effects created by Lennon and Starr. This released version is identical to that heard on the soundtrack of the ''[[Magical Mystery Tour (film)|Magical Mystery Tour]]'' film; the music is accompanied in the film by colour-altered images of landscape in [[Iceland]] taken from an aeroplane, as well as some unused footage from the 1964 [[Stanley Kubrick]] film ''[[Dr. Strangelove]]''. |
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A different version can be found on some Beatles [[Bootleg recording|bootleg]] albums (such as ''Back-track 1''), and features added [[Hammond organ]] and strange whistling noises in the early parts of the track. The jazz-influenced ending is also present on this version, which is slightly shorter, clocking in at around 2:08. This coda, which [[Mark Lewisohn]] speculated was "seemingly copied straight from an unidentifiable modern jazz record",{{sfn|Lewisohn|1988|p=123}} was in fact played on a mellotron. (In addition to the familiar samples of instruments playing single notes, mellotrons had entire banks of a pop orchestra playing popular styles of music, with optional accompaniment. The piece here was played with the [[Dixieland |
A different version can be found on some Beatles [[Bootleg recording|bootleg]] albums (such as ''Back-track 1''), and features added [[Hammond organ]] and strange whistling noises in the early parts of the track. The jazz-influenced ending is also present on this version, which is slightly shorter, clocking in at around 2:08. This coda, which [[Mark Lewisohn]] speculated was "seemingly copied straight from an unidentifiable modern jazz record",{{sfn|Lewisohn|1988|p=123}} was in fact played on a mellotron. (In addition to the familiar samples of instruments playing single notes, mellotrons had entire banks of a pop orchestra playing popular styles of music, with optional accompaniment. The piece here was played with the [[Dixieland]] Rhythm Mellotron setting.<ref>{{cite AV media |title=Mike Pinder Presents Mellotron Samples}}</ref>) |
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==Reception== |
==Reception== |
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[[Richard Goldstein (writer born 1944)|Richard Goldstein]] of ''[[The New York Times]]'' believed that the track, "as instrumental interlude, is more interesting, if only because it is more modest [than the rest of the album]".<ref>{{cite news|last1=Goldstein|first1=Richard|title=Are |
[[Richard Goldstein (writer born 1944)|Richard Goldstein]] of ''[[The New York Times]]'' believed that the track, "as instrumental interlude, is more interesting, if only because it is more modest [than the rest of the album]".<ref>{{cite news|last1=Goldstein|first1=Richard|title=Are The Beatles Waning?|url=https://archive.nytimes.com/www.nytimes.com/library/music/123167lennon-beat.html|newspaper=[[The New York Times]]|page=62|date=31 December 1967}}</ref> [[Robert Christgau]] said that the track was "just a cut above [[Paul Mauriat]], not bad but not Our Boys".<ref>{{cite web|last=Christgau|first=Robert|author-link=Robert Christgau|date=May 1968|url=http://www.robertchristgau.com/xg/bk-aow/column3.php|title=Columns: Dylan-Beatles-Stones-Donovan-Who, Dionne Warwick and Dusty Springfield, John Fred, California|publisher=robertchristgau.com|access-date=22 June 2015|archive-url=https://web.archive.org/web/20150629130741/http://www.robertchristgau.com/xg/bk-aow/column3.php|archive-date=29 June 2015|url-status=live}}</ref> [[Rex Reed]], in a highly unfavourable review of the album for ''[[Stereo Review]]'', said that it "sounds like the soundtrack of an old [[Maria Montez]] jungle movie at just about the point where she feeds the chanting populace to the cobras".<ref>[https://www.americanradiohistory.com/hd2/IDX-Audio/Archive-Stereo-Review-IDX/IDX/60s/HiFi-Stereo-Review-1968-03-OCR-Page-0113.pdf Popular Discs and Tapes], ''Stereo Review'', March 1968, p. 117.</ref> |
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==Personnel== |
==Personnel== |
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[[Category:1967 songs]] |
[[Category:1967 songs]] |
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[[Category:1960s instrumentals]] |
[[Category:1960s instrumentals]] |
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[[Category:Rock instrumentals]] |
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[[Category:The Beatles songs]] |
[[Category:The Beatles songs]] |
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[[Category:Song recordings produced by George Martin]] |
[[Category:Song recordings produced by George Martin]] |
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Latest revision as of 14:39, 10 March 2024
 | This article needs additional citations for verification. (November 2009) |
| "Flying" | |
|---|---|
 Cover of the song's sheet music | |
| Instrumental by The Beatles | |
| from the EP and album Magical Mystery Tour | |
| Released | |
| Recorded | 8 & 28 September 1967 |
| Studio | EMI, London |
| Genre | |
| Length | 2:17 |
| Label | Parlophone (UK), Capitol (US) |
| Songwriter(s) | |
| Producer(s) | George Martin |
"Flying" is an instrumental recorded by the English rock band The Beatles which first appeared on the 1967 Magical Mystery Tour release (two EP discs in the United Kingdom, an LP in the United States). It is one of the few songs credited to all four members of the band: John Lennon, Paul McCartney, George Harrison and Ringo Starr.
Origins
[edit]The first instrumental written by The Beatles since "12-Bar Original" in 1965, this was also the first song to be credited as being written by all four members of the band with the writing credits of "Harrison/Lennon–McCartney/Starkey". [1] Like "12-Bar Original", it was based on the classic twelve-bar blues chord progression. The other two Beatles instrumentals are "Cayenne" and "Cry for a Shadow", recorded in 1960 and 1961 respectively.
"Flying" was recorded on 8 September 1967 with mellotron, guitar, bass, maracas, drums and tape loop overdubs on 28 September under its original title of "Aerial Tour Instrumental". The end of the recording originally included a fast-paced traditional New Orleans jazz-influenced coda, but this was removed and replaced with an ending featuring tape loops created by John Lennon and Ringo Starr during the 28 September session. The loops extended the song to 9 minutes 38 seconds, but the track was cut down to only 2 minutes 17 seconds. Part of the loops were used alongside an element of the ending jazz sequence to make "The Bus", an incidental piece used at various points in the TV movie.
Recording
[edit]On the track, as recorded and officially released, Lennon plays the main theme on mellotron, accompanied by McCartney and Harrison (both on guitars, plus a later McCartney bass overdub) and Starr (on maracas and drums). All four Beatles sing the melody without lyrics of any kind, and the track fades in an assortment of tape effects created by Lennon and Starr. This released version is identical to that heard on the soundtrack of the Magical Mystery Tour film; the music is accompanied in the film by colour-altered images of landscape in Iceland taken from an aeroplane, as well as some unused footage from the 1964 Stanley Kubrick film Dr. Strangelove.
A different version can be found on some Beatles bootleg albums (such as Back-track 1), and features added Hammond organ and strange whistling noises in the early parts of the track. The jazz-influenced ending is also present on this version, which is slightly shorter, clocking in at around 2:08. This coda, which Mark Lewisohn speculated was "seemingly copied straight from an unidentifiable modern jazz record",[1] was in fact played on a mellotron. (In addition to the familiar samples of instruments playing single notes, mellotrons had entire banks of a pop orchestra playing popular styles of music, with optional accompaniment. The piece here was played with the Dixieland Rhythm Mellotron setting.[2])
Reception
[edit]Richard Goldstein of The New York Times believed that the track, "as instrumental interlude, is more interesting, if only because it is more modest [than the rest of the album]".[3] Robert Christgau said that the track was "just a cut above Paul Mauriat, not bad but not Our Boys".[4] Rex Reed, in a highly unfavourable review of the album for Stereo Review, said that it "sounds like the soundtrack of an old Maria Montez jungle movie at just about the point where she feeds the chanting populace to the cobras".[5]
Personnel
[edit]- John Lennon – wordless vocals, Mellotron, Hammond organ, sound effects
- Paul McCartney – wordless vocals, bass, guitar
- George Harrison – wordless vocals, guitar
- Ringo Starr – wordless vocals, drums, maracas, sound effects
Notes
[edit]- ^ a b c Lewisohn 1988, p. 123.
- ^ Mike Pinder Presents Mellotron Samples.
- ^ Goldstein, Richard (31 December 1967). "Are The Beatles Waning?". The New York Times. p. 62.
- ^ Christgau, Robert (May 1968). "Columns: Dylan-Beatles-Stones-Donovan-Who, Dionne Warwick and Dusty Springfield, John Fred, California". robertchristgau.com. Archived from the original on 29 June 2015. Retrieved 22 June 2015.
- ^ Popular Discs and Tapes, Stereo Review, March 1968, p. 117.
References
[edit]- Lewisohn, Mark (1988). The Beatles Recording Sessions. New York: Harmony Books. ISBN 0-517-57066-1.
