The Great Speckled Bird (song): Difference between revisions
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{{Infobox song |
{{Infobox song |
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| name = The Great Speckled Bird |
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| artist = [[Roy Acuff]] |
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| recorded = 1936 |
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| writer = Charlie Swain |
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"'''The Great Speckled Bird'''" is a hymn from the |
"'''The Great Speckled Bird'''" is a hymn from the southern United States whose lyrics were written by the Reverend Guy Smith, and transcribed by singer Charlie Swain. It is an allegory referencing fundamentalist self-perception during the [[Fundamentalist–Modernist Controversy]].<ref>See [https://web.archive.org/web/20101014070325/http://www.time.com/time/magazine/article/0,9171,849198,00.html "Radio: Opry Night,"] ''Time'', Monday, Jan. 29, 1940. and Russell Moore, [http://www.russellmoore.com/files/2011/02/great-speckled-bird.mp3 The Cross and the Jukebox: The Great Speckled Bird] {{Webarchive|url=https://web.archive.org/web/20111006065046/http://www.russellmoore.com/files/2011/02/great-speckled-bird.mp3 |date=2011-10-06 }}, Feb. 5, 2011.</ref> The song is in the form of AA, with each section being eight bars in a two-beat meter (either 2/4 or 2/2), with these sixteen bars forming the musical background for each verse. It is based on [[Jeremiah]] 12:9, "Mine heritage is unto me as a speckled bird, the birds round about are against her; come ye, assemble all the beasts of the field, come to devour." It was recorded in 1936 by [[Roy Acuff]]. It was also later recorded by [[Johnny Cash]] and [[Kitty Wells]] (both in 1959), [[Pearly Brown]] (1961), [[Hank Locklin]] (1962), [[Marty Robbins]] (1966), [[Lucinda Williams]] (1978), [[Marion Williams]], and [[Jerry Lee Lewis]]. [[George Jones & The Smoky Mountain Boys]] also recorded it in the early 1970s (although that recording was not released until 2017). |
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The tune is the same apparently traditional melody used in the |
The tune is the same apparently traditional melody used in the songs "Thrills That I Can't Forget," recorded by Welby Toomey and Edgar Boaz for Gennett in 1925, and the song "[[I'm Thinking Tonight of My Blue Eyes]]," originally recorded by the [[Carter Family]] for Victor in 1929. The same melody was later used in the 1952 country hit "[[The Wild Side of Life]]," sung by [[Hank Thompson (musician)|Hank Thompson]], and the even more successful "answer song" performed by Kitty Wells called "[[It Wasn't God Who Made Honky Tonk Angels]]" in the same year. A notable instrumental version is found on the Grammy Award-Nominated album ''20th Century Gospel'' by [[Nokie Edwards]] and [[Light Crust Doughboys|The Light Crust Doughboys]] on Greenhaw Records.<ref>{{cite web|url=http://www.theconnextion.com/artgreenhaw|title=Art Greenhaw Music CD's & Cassettes|website=Theconnextion.com|access-date=12 October 2018}}</ref> |
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The connection between these songs is noted in the [[David Allan Coe]] song "If That Ain't Country" that ends with the lyrics "I'm thinking tonight of my blue eyes/ Concerning a great speckled bird/ I didn't know God made honky-tonk angels/ and went back to the wild side of life." |
The connection between these songs is noted in the [[David Allan Coe]] song "If That Ain't Country" that ends with the lyrics "I'm thinking tonight of my blue eyes/ Concerning a great speckled bird/ I didn't know God made honky-tonk angels/ and went back to the wild side of life." |
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The song is also referenced, and portions of the melody-line are used, in "When the Silver Eagle Meets the Great Speckled Bird" by [[Porter |
The song is also referenced, and portions of the melody-line are used, in "When the Silver Eagle Meets the Great Speckled Bird" by [[Porter Wagoner]]. |
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[[Billy Joe Shaver]] mentions the song in his hymn "Jesus Christ, What a Man." |
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| ⚫ | Both the song "The Great Speckled Bird" and the passage from Jeremiah may be a poetic description of [[mobbing behavior]].<ref>{{cite journal |author=JA Emerton |
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| ⚫ | Both the song "The Great Speckled Bird" and the passage from Jeremiah may be a poetic description of [[mobbing behavior]].<ref>{{cite journal |author=JA Emerton |year=1969 |title= Notes on Jeremiah 12 9 and on some suggestions of J. D. Michaelis about the Hebrew words naḥā, 'abrā, and ja jadă |journal=[[Zeitschrift für die Alttestamentliche Wissenschaft]] |volume=81 |issue=2|pages=182–191 }}</ref> |
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==Published Versions== |
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The interpretation as it was meant, is of a mobbing of the false churches against the true Church, the Bride of Christ. |
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==See Also== |
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The Great Speckled Bird in these lyrics represents the body of Christ and the song speaks of the rapture of His Church before the Great Tribulation period. |
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* [[Great Speckled Bird (band)]] |
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1.What a beautiful thought I am thinking concerning a great speckled bird Remember her name is recorded On the pages of God's Holy Word. (The Church is identified and spoke of in the Bible) |
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2. All the other birds are flocking 'round her And she is despised by the squad But the great speckled bird in the Bible Is one with the great church of God. (The true Church is badgered to leave Her doctrine and become as the others) |
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3. All the other churches are against her They envy her glory and fame They hate her because she is chosen And has not denied Jesus' name. (The false churches, the religious, who have no Oil when He comes, are jealous of the Bride) |
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4. Desiring to lower her standard They watch every move that she makes They long to find fault with her teachings But really they find no mistake. (Other birds and beasts, false churches and God-Haters, mock and tempt her to become as the number) |
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5. She is spreading her wings for a journey She's going to leave by and by When the trumpet shall sound in the morning She'll rise and go up in the sky. (There will be a meeting in the air when The Father sends Jesus to meet His Bride) |
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6. In the presence of all her despisers With a song never uttered before She will rise and be gone in a moment Till the great tribulation is o'er. (While the wicked earth suffers the Great Tribulation, the Church will be in Heaven for the wedding. Then, will return to earth with Christ for 1000 years) |
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7. I am glad I have learned of her meekness I am proud that my name is on her book For I want to be one never fearing The face of my Savior to look. ("The fear of the LORD is the beginning of knowledge", Those who are written in the Book fear Him.) |
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8. When He cometh descending from heaven On the cloud that He writes in His Word I'll be joyfully carried to meet Him On the wings of that great speckled bird. (The Church will rise up together to meet Him when he comes to rapture His Church.) |
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* March 26, 1936 [[Aurora, Missouri]] 'Advertiser' |
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* 1937 M.M. Cole Publishing Company, [[Chicago]] attributes music to Roy Acuff, words to Guy Smith.<ref>Vance Randolph, 'Ozark Folk Songs' University of Missouri Press, 1980 {{ISBN|0-8262-0297-7}} OCLC 6442634</ref> |
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==References== |
==References== |
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{{Reflist}} |
{{Reflist}} |
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{{Authority control}} |
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{{DEFAULTSORT:Great Speckled Bird, The (song)}} |
{{DEFAULTSORT:Great Speckled Bird, The (song)}} |
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[[Category:1936 songs]] |
[[Category:1936 songs]] |
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[[Category:1937 singles]] |
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[[Category:Roy Acuff songs]] |
[[Category:Roy Acuff songs]] |
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[[Category:Jean Ritchie songs]] |
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[[Category:Johnny Cash songs]] |
[[Category:Johnny Cash songs]] |
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[[Category:Hank Locklin songs]] |
[[Category:Hank Locklin songs]] |
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[[Category:Jerry Lee Lewis songs]] |
[[Category:Jerry Lee Lewis songs]] |
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[[Category: |
[[Category:Gospel songs]] |
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Latest revision as of 18:12, 13 March 2024
 | This article needs additional citations for verification. (October 2018) |
| "The Great Speckled Bird" | |
|---|---|
| Song by Roy Acuff | |
| Recorded | 1936 |
| Songwriter(s) | Charlie Swain |
"The Great Speckled Bird" is a hymn from the southern United States whose lyrics were written by the Reverend Guy Smith, and transcribed by singer Charlie Swain. It is an allegory referencing fundamentalist self-perception during the Fundamentalist–Modernist Controversy.[1] The song is in the form of AA, with each section being eight bars in a two-beat meter (either 2/4 or 2/2), with these sixteen bars forming the musical background for each verse. It is based on Jeremiah 12:9, "Mine heritage is unto me as a speckled bird, the birds round about are against her; come ye, assemble all the beasts of the field, come to devour." It was recorded in 1936 by Roy Acuff. It was also later recorded by Johnny Cash and Kitty Wells (both in 1959), Pearly Brown (1961), Hank Locklin (1962), Marty Robbins (1966), Lucinda Williams (1978), Marion Williams, and Jerry Lee Lewis. George Jones & The Smoky Mountain Boys also recorded it in the early 1970s (although that recording was not released until 2017).
The tune is the same apparently traditional melody used in the songs "Thrills That I Can't Forget," recorded by Welby Toomey and Edgar Boaz for Gennett in 1925, and the song "I'm Thinking Tonight of My Blue Eyes," originally recorded by the Carter Family for Victor in 1929. The same melody was later used in the 1952 country hit "The Wild Side of Life," sung by Hank Thompson, and the even more successful "answer song" performed by Kitty Wells called "It Wasn't God Who Made Honky Tonk Angels" in the same year. A notable instrumental version is found on the Grammy Award-Nominated album 20th Century Gospel by Nokie Edwards and The Light Crust Doughboys on Greenhaw Records.[2]
The connection between these songs is noted in the David Allan Coe song "If That Ain't Country" that ends with the lyrics "I'm thinking tonight of my blue eyes/ Concerning a great speckled bird/ I didn't know God made honky-tonk angels/ and went back to the wild side of life."
The song is also referenced, and portions of the melody-line are used, in "When the Silver Eagle Meets the Great Speckled Bird" by Porter Wagoner.
Billy Joe Shaver mentions the song in his hymn "Jesus Christ, What a Man."
"Something to Love", by Jason Isbell and the 400 Unit references the song when speaking of learning music: "They taught me how to make the chords and sing the words. I'm still singing like that great speckled bird."
Both the song "The Great Speckled Bird" and the passage from Jeremiah may be a poetic description of mobbing behavior.[3]
See Also
[edit]References
[edit]- ^ See "Radio: Opry Night," Time, Monday, Jan. 29, 1940. and Russell Moore, The Cross and the Jukebox: The Great Speckled Bird Archived 2011-10-06 at the Wayback Machine, Feb. 5, 2011.
- ^ "Art Greenhaw Music CD's & Cassettes". Theconnextion.com. Retrieved 12 October 2018.
- ^ JA Emerton (1969). "Notes on Jeremiah 12 9 and on some suggestions of J. D. Michaelis about the Hebrew words naḥā, 'abrā, and ja jadă". Zeitschrift für die Alttestamentliche Wissenschaft. 81 (2): 182–191.
