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Benfo-Dutch is a cooperation betweeen the two Dutch contemporary individuals painters Ben Vollers and Fons Heijnsbroek: Benfo. Both painters do practice abstract-expressionistic painting on their own since about 1990. They both live in Amsterdam. They know each other's art since 1992 and judge and discuss their works very frequently. Since 2006 they started to paint together on one canvas: spontaneously and directly. It is like painting-jamming, as in the jazz: directly, same spot, same moment. It results in a DIALOGUE IN PAINT during the years, aside of their own individual art.
'''Benfo''' is a co-operation between two Dutch contemporary painters Ben Vollers and Fons Heijnsbroek who paint together from time to time. We both do practice '''abstract-expressionistic painting''' since 1990 and have many picture-shows together. We live and work in Amsterdam and know each other since 1992; we argue and discuss our new works frequently. Since 2006 we started to paint together on one canvas - spontaneously and directly, like jamming - in the [http://benfo-dutch.exto.org/ '''Benfo-project''']. Besides this 'paint-jamming' we make our individual paintings. And together we frequnetly discuss '''texts, movies and quotes from artists of abstract art and abstract-expressionism'''; we use them for our own discussions to understand our own art better.


'''The quotes and textes which generates from our many exchanges will be placed on the English and Dutch Wikiquote and Wikipedia ''-- Dutch Wikiquote: [http://nl.wikiquote.org/wiki/Gebruiker:Benfo-Dutch] --'' by me, Fons Heijnsbroek, under the account ''User:Benfo-Dutch''. So I hope that others will also re-discover and re-understand the typical 'kitchen' of abstract and abstract-expressionistic art; it is after all the community of artists where art grows and finds its forms!'''
Because Benfo locates their art-practice in the tradition of abstract-expressionism, they are strongly involved with the thoughts and ideas within Abstract-expressionism itself. There was a hughe discussion and exchange between the artists in that time, concerning to modernizing abstract art. It can be seen as the first necessary breakthrough in abstract art of the development of individualism, as happened also in the existential philosofy of Heidegger, Levinas, Hannah Arendt en Sartre. This meant the second wave of abstract art, after the first wave in which the creation of abstract art itself was established by Mondrian, Van Doesburg, Malevich, Kandinsky, the Cubists and all the other artists between 1900 and 1925. This is the reason why Benfo studies the thoughts and discussions of the famous American and European painters in abstract-expressionism, together with the other closely related art-styles.
My recent made abstract art you can find and see [http://heijnsbroek.exto.org/ here].



That's why the Benfo-project collects remarks and quotations of painters of the second wave of abstraction on Wikiquote; to find out and to represent the 'kitchen of abstract-expressionistic painting'. They judge such a collection of thinking in the heart of the art-making itself as a very important one, as a essential part of the tradition of painting, comparable with the old Painterbooks of the Renaissance or the Dutch Golden Age. That's why they want to trace and exhibit the roots and the history of the 'abstract and abstract-expressionistic painting' and the ideas which were exchanged between the artists. For Benfo this period of art was a breakthrough in modern times, a necessary step to open up the unknown future of mankind. It is a challenge for artists now how to use this part of art.
==Contributed Artists quotes on Wikiquote:==
(you find a link to the following artist quotes on Wikiquote at the bottom of every Wikipedia artist-page)

<blockquote align="center">
{| class="toccolours" style="margin:2 0 1em 1em; width: 95%; font-size:95%;" cellspacing="2"
|-
| style="vertical-align:top; text-align:left;" |
<table>
<tr>
<td width="41%" align="left" valign="top">
'''-- A t/m G --'''

<li>* '''[[Joseph Albers]]'''</li>
<li>* '''[[Jean Arp]]'''</li>
<li>* '''[[Giacomo Balla]]'''</li>
<li>* '''[[William Baziotes]]'''</li>
<li>* '''[[Joseph Beuys]]'''</li>
<li>* '''[[Andre Breton]]'''</li>
<li>* '''[[Georges Braque]]'''</li>
<li>* '''[[Paul Cézanne]]'''</li>
<li>* '''[[Marc Chagall]]'''</li>
<li>* '''[[Giorgio de Chirico]]'''</li>
<li>* '''[[John Constable]]'''</li>
<li>* '''[[Theo van Doesburg]]'''</li>
<li>* '''[[Jean Dubuffet]]'''</li>
<li>* '''[[Marcel Duchamp]]'''</li>
<li>* '''[[Helen Frankenthaler]]'''</li>
<li>* '''[[Arshile Gorky]]'''</li>
<li>* '''[[Adolph Gottlieb]]'''</li>
<li>* '''[[Phillip Guston]]'''</li>

&nbsp;</td>

<td width="40%" valign="top" align="left">
'''-- H t/m N --'''
<li>* '''[[Marsden Hartley]]'''</li>
<li>* '''[[Barbara Hepworth]]'''</li>
<li>* '''[[Hans Hofmann]]'''</li>
<li>* '''[[Edward Hopper]]'''</li>
<li>* '''[[Alexej von Jawlensky]]'''</li>
<li>* '''[[Jasper Johns]]'''</li>
<li>* '''[[Asger Jorn]]'''</li>
<li>* '''[[Wassily Kandinsky]]'''</li>
<li>* '''[[Yves Klein]]'''</li>
<li>* '''[[Franz Kline]]'''</li>
<li>* '''[[Paul Klee]]'''</li>
<li>* '''[[Willem de Kooning]]'''</li>
<li>* '''[[Fernand Léger]]'''</li>
<li>* '''[[Piet Mondrian]]'''</li>
<li>* '''[[Henry Moore]]'''</li>
&nbsp;</td>


<td width="48%" valign="top" align="left">
'''-- O t/m Z --'''

<li>* '''[[Georgia O'Keeffe]]'''</li>
<li>* '''[[Pablo Picasso]]'''</li>
<li>* '''[[Jackson Pollock]]'''</li>
<li>* '''[[Mark Rothko]]'''</li>
<li>* '''[[Robert Rauschenberg]]'''</li>
<li>* '''[[Michel Seuphor]]'''</li>
<li>* '''[[Clyfford Still]]'''</li>
<li>* '''[[Gino Severini]]'''</li>
<li>* '''[[Antoni Tàpies]]'''</li>
<li>* '''[[Mark Tobey]]'''</li>
<li>* '''[[Bram van Velde]]'''</li>
</td>
</tr>
</table>
|}
</blockquote>

== pseudo: Benfo-Dutch ==


== Some thoughts on ''collecting quotes of artists'' ==

'''In art there exists a special kind of thinking, of reflections, because the thoughts of artists are strongly connected with form and the materials to express them, and with the question how to built visual shapes. This connection marks very deeply the character and the intention of the ideas artists make. Also the sensitivity of the artist is strongly influenced by this relation, because it is the world with its phenomena and evolution full of its changing faces, which gives ideas to create. For instance [[Fernand Leger]] was very aware of the way riding in a car in the 1920's did influence his perception of the landscape. And some decades later it is [[Willem de Kooning]] who recognizes in the American highways a new kind of landscape, which gives him inspiration to find a new attitude to it. Even most theoretical artists as [[Joseph Beuys]] or [[Yves Klein]] are forced to go ‘down to earth’ with their speculations, as they try to connect their speculative thinkings with an image, or a sculpture or an object. Ideas in art by artists have always a kind of practical intention. Their thoughts don't come together easily in a theory or in a critic or analyses; their thoughts do not form a complete verbal 'picture', and in that way the artists themselvers feel a little uncomfortable in how to connect their ideas all together. In some way their verbal thinking is a labyrinth, but a labyrinth full of connections, associations, bridges which connect the ideas.'''
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Latest revision as of 18:58, 15 March 2024

Benfo is a co-operation between two Dutch contemporary painters Ben Vollers and Fons Heijnsbroek who paint together from time to time. We both do practice abstract-expressionistic painting since 1990 and have many picture-shows together. We live and work in Amsterdam and know each other since 1992; we argue and discuss our new works frequently. Since 2006 we started to paint together on one canvas - spontaneously and directly, like jamming - in the Benfo-project. Besides this 'paint-jamming' we make our individual paintings. And together we frequnetly discuss texts, movies and quotes from artists of abstract art and abstract-expressionism; we use them for our own discussions to understand our own art better.

The quotes and textes which generates from our many exchanges will be placed on the English and Dutch Wikiquote and Wikipedia -- Dutch Wikiquote: [1] -- by me, Fons Heijnsbroek, under the account User:Benfo-Dutch. So I hope that others will also re-discover and re-understand the typical 'kitchen' of abstract and abstract-expressionistic art; it is after all the community of artists where art grows and finds its forms! My recent made abstract art you can find and see here.


Contributed Artists quotes on Wikiquote:

[edit]

(you find a link to the following artist quotes on Wikiquote at the bottom of every Wikipedia artist-page)

-- A t/m G --

  • * Joseph Albers
  • * Jean Arp
  • * Giacomo Balla
  • * William Baziotes
  • * Joseph Beuys
  • * Andre Breton
  • * Georges Braque
  • * Paul Cézanne
  • * Marc Chagall
  • * Giorgio de Chirico
  • * John Constable
  • * Theo van Doesburg
  • * Jean Dubuffet
  • * Marcel Duchamp
  • * Helen Frankenthaler
  • * Arshile Gorky
  • * Adolph Gottlieb
  • * Phillip Guston
  •  

    -- H t/m N --

  • * Marsden Hartley
  • * Barbara Hepworth
  • * Hans Hofmann
  • * Edward Hopper
  • * Alexej von Jawlensky
  • * Jasper Johns
  • * Asger Jorn
  • * Wassily Kandinsky
  • * Yves Klein
  • * Franz Kline
  • * Paul Klee
  • * Willem de Kooning
  • * Fernand Léger
  • * Piet Mondrian
  • * Henry Moore
  •  

    -- O t/m Z --

  • * Georgia O'Keeffe
  • * Pablo Picasso
  • * Jackson Pollock
  • * Mark Rothko
  • * Robert Rauschenberg
  • * Michel Seuphor
  • * Clyfford Still
  • * Gino Severini
  • * Antoni Tàpies
  • * Mark Tobey
  • * Bram van Velde
  • pseudo: Benfo-Dutch

    [edit]

    Some thoughts on collecting quotes of artists

    [edit]

    In art there exists a special kind of thinking, of reflections, because the thoughts of artists are strongly connected with form and the materials to express them, and with the question how to built visual shapes. This connection marks very deeply the character and the intention of the ideas artists make. Also the sensitivity of the artist is strongly influenced by this relation, because it is the world with its phenomena and evolution full of its changing faces, which gives ideas to create. For instance Fernand Leger was very aware of the way riding in a car in the 1920's did influence his perception of the landscape. And some decades later it is Willem de Kooning who recognizes in the American highways a new kind of landscape, which gives him inspiration to find a new attitude to it. Even most theoretical artists as Joseph Beuys or Yves Klein are forced to go ‘down to earth’ with their speculations, as they try to connect their speculative thinkings with an image, or a sculpture or an object. Ideas in art by artists have always a kind of practical intention. Their thoughts don't come together easily in a theory or in a critic or analyses; their thoughts do not form a complete verbal 'picture', and in that way the artists themselvers feel a little uncomfortable in how to connect their ideas all together. In some way their verbal thinking is a labyrinth, but a labyrinth full of connections, associations, bridges which connect the ideas.