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{{short description|Australian architect, artist, and academic}}
{{Use dmy dates|date=May 2014}}
{{Use dmy dates|date=May 2014}}
{{Use Australian English|date=May 2014}}
{{Use Australian English|date=May 2014}}
{{Infobox architect
{{Orphan|date=June 2013}}
| name = Matthew Bird
'''Matthew David Bird''' (born 18 March 1980) is an experimental [[architect]] and lecturer from Melbourne, Australia. He is a non-traditional architect with [[experimental architecture]] projects manifesting as interior decoration, set-design, sculpture, [[installation art]] and land art. He is well known for his guerrilla-style installations, notably Alphaomega Apartment (2008) where he theatrically transformed a tiny rental apartment unbeknown to the owners.<ref>{{cite journal|last=Weis|first=Lou|title=Dystopia|journal=(inside) Interior Design Review|year=2008|issue=52|pages=72–77|url=http://www.australiandesignreview.com/features/1687-interview-matthew-bird|accessdate=16 January 2013}}</ref> Bird studied architecture at [[RMIT University]] in Melbourne where he graduated in 2005.<ref>{{cite book|last=van Schaik|first=Leon|title=Momentum New Victorian Architecture|year=2012|publisher=The Miegunyah Press, The Office of the Victorian Government Architect|location=Carlton|isbn=9780522859829|pages=42–49}}</ref> He commenced his career under the mentorship by Australia's controversial 'wonder-kid' architect [[Cassandra Fahey]] helping realise a number of her award-winning projects including New Gold Mountain and The Smith Great Aussie Home.<ref>{{cite web|last=Robledo|first=Domingo Antonio|title=Matthew Bird|url=http://www.australiandesignreview.com/features/1687-interview-matthew-bird|publisher=Architecture Media|accessdate=16 January 2013}}</ref>
| image =
| caption = Bird in 2015
| birth_date =
| birth_place = Melbourne
| nationality = Australian
| alma_mater = RMIT University
| practice = Studiobird
}}
'''Matthew David Bird''' is an [[architect]], artist and academic from Melbourne, Australia. He practices across a range of disciplines including interior design, set-design, sculpture, [[installation art]] and architecture. He is well known for his guerrilla-style installations, notably Alphaomega Apartment (2008) where he theatrically transformed a tiny rental apartment with reimagined prosaic materials and unbeknown to the owners.<ref>{{cite journal|last=Weis|first=Lou|title=Dystopia|journal=(inside) Interior Design Review|year=2008|issue=52|pages=72–77|url=http://www.australiandesignreview.com/features/1687-interview-matthew-bird|accessdate=16 January 2013}}</ref>


Bird studied architecture at RMIT University and developed professionally in Melbourne’s ‘ideas-lead’ architectural scene of [[Cassandra Fahey]] and [[ARM Architecture (Ashton Raggatt McDougall)|ARM Architecture]]. Both were environments where research, creative thinking and what-if design established his interests in the unorthodox, pursing speculative and culturally symbolic ideas.<ref>{{Cite news|url=https://architectureau.com/articles/matthew-bird-studiobird-melbourne/|title=Matthew Bird, Studiobird, Melbourne|work=ArchitectureAU|access-date=2018-11-04|language=en-AU}}</ref> In 2008 Bird started his own practice Studiobird and completed a series of self-initiated ‘guerrilla’ interior installations made from reimagined prosaic materials. Supervised by Leon van Schaik His practice-based [[Doctor of Philosophy|PhD]] by Project at [[RMIT University]] (2008-12) generated a series of speculative projects including installation, scenography and sculpture that advanced his practice by examining his methodologies, motivations and fuelled his emergent interdisciplinary practice ambitions.
Bird studied architecture at RMIT University and developed professionally in Melbourne's ‘ideas-lead’ architectural scene of [[Cassandra Fahey]] and [[ARM Architecture (Ashton Raggatt McDougall)|ARM Architecture]]. Both were environments where research, creative thinking and what-if design established his interests in the unorthodox, pursuing speculative and culturally symbolic ideas.<ref>{{Cite news|url=https://architectureau.com/articles/matthew-bird-studiobird-melbourne/|title=Matthew Bird, Studiobird, Melbourne|work=ArchitectureAU|access-date=2018-11-04|language=en-AU}}</ref> In 2008 Bird started his practice Studiobird and commenced a practice-based [[Doctor of Philosophy|PhD]] at [[RMIT University]] under the supervision of Professor Leon van Schaik AO. Over the next four years Bird undertook a series of practice-based research projects including installation, scenography and sculpture that examined his methodologies, motivations and fuelled his emergent interdisciplinary practice ambitions.


In recent years Bird has expanded his practice incorporating photography, performance, video art, interactive sculpture and architecture and has presented works at international festivals, galleries and museums both nationally and internationally. Bird has exhibited commissioned works at the [[National Gallery of Victoria]], Melbourne Festival, [[Museum of Old and New Art]] (MONA), and the Venice Architecture Biennale. His practice is recognised with numerous honours including a [[Green Room Awards|Green Room Award]], Australian Interior Design Award and an [[Australian Institute of Architects]] VIC Award.<ref>{{Cite web|url=https://www.monash.edu/mada/about-us/people/academic-staff/matthew-bird|title=Dr Matthew Bird|website=Art Design & Architecture|language=en|access-date=2018-11-04}}</ref>[[File:Matthew Bird Portrait by 3Deep Design.jpg|thumb|Matthew Bird by 3Deep]]
In recent years Bird has expanded his practice incorporating photography, performance, video art, interactive sculpture and architecture and has presented works at international festivals, galleries and museums both nationally and internationally. Bird has exhibited commissioned works at the [[National Gallery of Victoria]], Melbourne Festival, [[Museum of Old and New Art]] (MONA), and the Venice Architecture Biennale. His practice is recognised with numerous honours including a [[Green Room Awards|Green Room Award]], Australian Interior Design Award and an [[Australian Institute of Architects]] VIC Award.<ref>{{Cite web|url=https://www.monash.edu/mada/about-us/people/academic-staff/matthew-bird|title=Dr Matthew Bird|website=Art Design & Architecture|language=en|access-date=2018-11-04}}</ref>


==Publications==
==Select Projects==

*Schaik, L. v. (2012). ''Tides Of Ambition: Who Architects Design For, And Who They Are When They Design''. Momentum. The Miegunyah Press, The Office of the Victorian Government Architect. pp42–49.
'''Afterlife (2017)''' was specially designed for [[Office for Metropolitan Architecture]]'s 2017 [[MPavilion]] to transform the interior into an interactive installation that invited audiences to experience an immersive and performative encounter with the afterlife. The installation was composed of a celestial field of reimagined jerrycans that produced chance and compositional harmonies via playful audience manipulation, and a series of commissioned performances in collaboration with composer Daniel Von Jenatsch, choreographic artist Phillip Adams and fashion designer Pia Interlandi.<ref>{{Cite web|url=https://www.theage.com.au/entertainment/mpavilion-becomes-a-gateway-to-the-afterlife-20171204-gzy5qr.html|title=MPavilion becomes a gateway to the afterlife|last=Francis|first=Hannah|date=2017-12-04|website=The Age|language=en|access-date=2018-11-04}}</ref>
*Kalms, N. (2012). ''Aviary''. Artichoke, Issue 39, pp114–117.
[[File:D layout.jpg|thumb|Dormitorium, 2017]]
*Kiely, A. (2011). ''Out of the Ordinary''. Vogue Living, Mar/ Apr, pp29–30.
'''Dormitorium (2017)''' was an interactive installation exhibited at [[McClelland Sculpture Park and Gallery|McClelland Gallery]] + Sculpture Park ([[Langwarrin]]). The rotating work is presented as a communal sleep chamber and exploratory environment that encourages audiences to engage with a complexity of sensory propositions, from textures and materials to the immersive effects of moving light and sound technologies. Bird's research led to an extensive exploration in the changing traditions of bedchamber aesthetics and the potential these spaces have to profoundly affect the way we rest and rejuvenate.<ref>{{Cite news|url=https://artguide.com.au/matthew-bird-considers-communal-sleep|title=Matthew Bird considers communal sleep — Art Guide Australia|date=2017-03-03|work=Art Guide Australia|access-date=2018-11-04|language=en-US}}</ref>
*Robledo, D.A. (2010) ''Matthew Bird''. (inside) Interior Design Review, Issue 63, pp36–38.
[[File:TT layout.jpg|thumb|Theodore Treehouse, 2016<ref>{{Cite news|url=https://architectureau.com/articles/2016-aida-winners-residential-decoration/|title=2016 Australian Interior Design Awards: Residential Decoration|work=ArchitectureAU|access-date=2018-11-04|language=en-AU}}</ref>]]
*Butler, K. (2010). ''Domed''. Houses, Issue 76, p138.
'''Theodore Treehouse (2016)''', an apartment fit-out in Melbourne features pop references and pushes the boundaries of decoration for a residential space. The spaces within the home are innovative and theatrical, while also inviting, incredibly crafted and utterly bespoke. With each room curated in equal measure as part installation exhibit, part stage, the interior contains a touch of the "whimsical voyeur," leaving us wanting to peep a little further. Theodore Treehouse uses a non-traditional delivery strategy. The impeccable execution and playful experimentation of this project contributes in an extremely positive and joyous way to contemporary decoration practice.<ref>{{Cite news|url=https://architectureau.com/articles/2016-aida-winners-residential-decoration/|title=2016 Australian Interior Design Awards: Residential Decoration|work=ArchitectureAU|access-date=2018-11-04|language=en-AU}}</ref>
*Kiely, A. (2009). ''Bowerbird''. Vogue Living, Mar/Apr Issue, pp76–80.
[[File:S layout3.jpg|thumb|Sarcophagus, 2015<ref>{{Cite news|url=https://www.designboom.com/art/studiobird-sarcophagus-australia-08-22-2016/|title=studiobird present futuristic sarcophagus coffin at the venice architecture biennale|date=2016-08-22|work=designboom {{!}} architecture & design magazine|access-date=2018-11-04|language=en-US}}</ref>]]
*Weis, L. (2008). ''Dystopia''. (inside) Interior Design Review, Issue 52, pp72–77.
'''Sarcophagus (2016)''', exhibited at the 15th [[Venice Biennale of Architecture|Venice Architecture Biennale]] invited audiences to experience an immersive environment of simulated sleep-states. This multidimensional architectural installation renders creative curiosities of biological and induced respite, challenging a range of aesthetic, cultural and behavioural concerns. Users are invited to physically occupy the installation offering an unusual interactive experience. The environment is dynamic with the interior transforming with the aid of a multichannel film, filling the intimate chamber with abstract cinematic and meditative sound and imagery.<ref>{{Cite news|url=https://architectureau.com/articles/australian-and-new-zealand-architects-chosen-for-venice-biennale-exhibition/|title=Time Space Existence down under|work=ArchitectureAU|access-date=2018-11-04|language=en-AU}}</ref>
[[File:H layout.jpg|thumb|Hydronaut, 2015<ref>{{Cite news|url=https://www.designboom.com/art/studiobird-sarcophagus-australia-08-22-2016/|title=studiobird present futuristic sarcophagus coffin at the venice architecture biennale|date=2016-08-22|work=designboom {{!}} architecture & design magazine|access-date=2018-11-04|language=en-US}}</ref>]]
'''Hydronaut (2015)''' by Matthew Bird & Mark Richardson Designer/ Maker is a semi-permanent, demountable structure housing an armament of security staff at the northwest edge of [[Monash University]]’s Caulfield campus. The building occupies five parking bays on the ground level of an existing car-park and provides a panopticonic point-of-presence in a location known for its security challenges.<ref>{{Cite web|url=https://greenmagazine.com.au/watch-out/|title=Watch Out {{!}} Green Magazine|website=greenmagazine.com.au|access-date=2018-11-04}}</ref>
[[File:AP layout.jpg|thumb|Aviary, 2011<ref>{{Cite news|url=https://www.designboom.com/art/studiobird-sarcophagus-australia-08-22-2016/|title=studiobird present futuristic sarcophagus coffin at the venice architecture biennale|date=2016-08-22|work=designboom {{!}} architecture & design magazine|access-date=2018-11-04|language=en-US}}</ref>]]
'''Aviary (2011)''' was a set design for Phillip Adams Balletlab. The project premiered at [[Melbourne International Arts Festival|Melbourne Festival]], [[Arts House]] North Melbourne Town Hall 2011 and later toured at MONA FOMA, [[Theatre Royal, Hobart|Theatre Royal Hobart]] in 2012 and [[Teo Otto Theater]] Remscheid Germany in 2014.<ref>{{Cite news|url=https://architectureau.com/articles/aviary/|title=Aviary|work=ArchitectureAU|access-date=2018-11-04|language=en-AU}}</ref>
[[File:AA layout4.jpg|thumb|Alphaomega Apartment, 2008<ref>{{Cite news|url=https://www.designboom.com/art/studiobird-sarcophagus-australia-08-22-2016/|title=studiobird present futuristic sarcophagus coffin at the venice architecture biennale|date=2016-08-22|work=designboom {{!}} architecture & design magazine|access-date=2018-11-04|language=en-US}}</ref>]]
'''Alphaomega Apartment (2008)''' transformed an ordinary Melbourne CBD rental apartment into a client-specific and personalised surreal escape. Drawing from an extreme range of references, from Michelangelo to the Aussie red kangaroo, a domestic retreat materialised.<ref>{{Cite web|url=https://www.australiandesignreview.com/interiors/dystopia/|title=Dystopia {{!}} Australian Design Review|website=www.australiandesignreview.com|language=en-US|access-date=2018-11-04}}</ref>

==Awards==
2016 Australian Interior Design Award: Winner for Theodore Treehouse<ref>{{Cite news|url=https://architectureau.com/articles/2016-aida-winners-residential-decoration/|title=2016 Australian Interior Design Awards: Residential Decoration|work=ArchitectureAU|access-date=2018-11-04|language=en-AU}}</ref>

2016 Interior Design Excellence Award (IDEA): Highly Commended for Theodore Treehouse<ref>{{Cite web|url=https://www.australiandesignreview.com/news/twenty-sixteen-idea-winners-revealed/|title=2016 IDEA winners revealed {{!}} Australian Design Review|website=www.australiandesignreview.com|language=en-US|access-date=2018-11-04}}</ref>

2015 The Australian Institute of Architects Victorian Award: Winner for Hydronaut (w/ M. Richardson)<ref>{{Cite news|url=http://wp.architecture.com.au/news-media/2015-victorian-architecture-award-winners-announced/|title=2015 Victorian Architecture Award Winners Announced - News & media|date=2015-06-28|work=News & media|access-date=2018-11-04|language=en-US}}</ref>

2015 The Australian Institute of Architects Victorian Award: Shortlist for Napoleon Perdis Chapel<ref>{{Cite news|url=https://architectureau.com/articles/2015-victorian-architecture-awards-shortlist/|title=2015 Victorian Architecture Awards shortlist|work=ArchitectureAU|access-date=2018-11-04|language=en-AU}}</ref>

2015 Interior Design Excellence Award (IDEA): Highly Commended for Hydronaut (w/ M. Richardson)<ref>{{Cite web|url=https://www.australiandesignreview.com/news/interior-design-excellence-awards-winners-2015-revealed/|title=2015 Interior Design Excellence Awards winners revealed {{!}} Australian Design Review|website=www.australiandesignreview.com|language=en-US|access-date=2018-11-04}}</ref>

2015 The Interior Design Excellence Award (IDEA): Shortlist for Napoleon Perdis Chapel<ref>{{Cite web|url=https://www.australiandesignreview.com/interiors/interior-design-excellence-awards-idea-shortlist-2015/|title=Interior Design Excellence Awards (IDEA) shortlist 2015 {{!}} Australian Design Review|website=www.australiandesignreview.com|language=en-US|access-date=2018-11-04}}</ref>

2015 Good Design Australia Award: Good Design Selection for Hydronaut (w/ M. Richardson)<ref>{{Cite news|url=https://issuu.com/gooddesignaustralia/docs/gda_2015_yearbook|title=2015 Good Design Awards Yearbook|work=Issuu|access-date=2018-11-04|language=en}}</ref>

2012 Green Room Award: 1st Place, Design In Dance for Aviary (w/ T. Maticevski, R. Nylon, P. Adams, G. Brown)<ref>{{Cite news|url=https://aussietheatre.com.au/news/green-room-award-winners|title=Green Room Award Winners {{!}} News|date=2012-03-18|work=AussieTheatre.com|access-date=2018-11-04|language=en-US}}</ref>


==References==
==References==
Line 22: Line 56:
==External links==
==External links==
* [http://www.studiobird.com.au Studiobird.com.au]
* [http://www.studiobird.com.au Studiobird.com.au]
* [http://www.artdes.monash.edu.au/architecture/people.php# Artdes.monash.edu.au]
* [https://web.archive.org/web/20150228023608/http://artdes.monash.edu.au/architecture/people.php Artdes.monash.edu.au]
* [http://www.australiandesignreview.com/interiors/297-dystopia Australiandesignreview.com]
* [http://www.australiandesignreview.com/interiors/297-dystopia Australiandesignreview.com]
* [http://www.australiandesignreview.com/features/1687-interview-matthew-bird Australiandesignreview.com]
* [http://www.australiandesignreview.com/features/1687-interview-matthew-bird Australiandesignreview.com]

Latest revision as of 07:17, 1 April 2024

Matthew Bird
Born
Melbourne
NationalityAustralian
Alma materRMIT University
OccupationArchitect
PracticeStudiobird

Matthew David Bird is an architect, artist and academic from Melbourne, Australia. He practices across a range of disciplines including interior design, set-design, sculpture, installation art and architecture. He is well known for his guerrilla-style installations, notably Alphaomega Apartment (2008) where he theatrically transformed a tiny rental apartment with reimagined prosaic materials and unbeknown to the owners.[1]

Bird studied architecture at RMIT University and developed professionally in Melbourne's ‘ideas-lead’ architectural scene of Cassandra Fahey and ARM Architecture. Both were environments where research, creative thinking and what-if design established his interests in the unorthodox, pursuing speculative and culturally symbolic ideas.[2] In 2008 Bird started his practice Studiobird and commenced a practice-based PhD at RMIT University under the supervision of Professor Leon van Schaik AO. Over the next four years Bird undertook a series of practice-based research projects including installation, scenography and sculpture that examined his methodologies, motivations and fuelled his emergent interdisciplinary practice ambitions.

In recent years Bird has expanded his practice incorporating photography, performance, video art, interactive sculpture and architecture and has presented works at international festivals, galleries and museums both nationally and internationally. Bird has exhibited commissioned works at the National Gallery of Victoria, Melbourne Festival, Museum of Old and New Art (MONA), and the Venice Architecture Biennale. His practice is recognised with numerous honours including a Green Room Award, Australian Interior Design Award and an Australian Institute of Architects VIC Award.[3]

Select Projects

[edit]

Afterlife (2017) was specially designed for Office for Metropolitan Architecture's 2017 MPavilion to transform the interior into an interactive installation that invited audiences to experience an immersive and performative encounter with the afterlife. The installation was composed of a celestial field of reimagined jerrycans that produced chance and compositional harmonies via playful audience manipulation, and a series of commissioned performances in collaboration with composer Daniel Von Jenatsch, choreographic artist Phillip Adams and fashion designer Pia Interlandi.[4]

Dormitorium, 2017

Dormitorium (2017) was an interactive installation exhibited at McClelland Gallery + Sculpture Park (Langwarrin). The rotating work is presented as a communal sleep chamber and exploratory environment that encourages audiences to engage with a complexity of sensory propositions, from textures and materials to the immersive effects of moving light and sound technologies. Bird's research led to an extensive exploration in the changing traditions of bedchamber aesthetics and the potential these spaces have to profoundly affect the way we rest and rejuvenate.[5]

Theodore Treehouse, 2016[6]

Theodore Treehouse (2016), an apartment fit-out in Melbourne features pop references and pushes the boundaries of decoration for a residential space. The spaces within the home are innovative and theatrical, while also inviting, incredibly crafted and utterly bespoke. With each room curated in equal measure as part installation exhibit, part stage, the interior contains a touch of the "whimsical voyeur," leaving us wanting to peep a little further. Theodore Treehouse uses a non-traditional delivery strategy. The impeccable execution and playful experimentation of this project contributes in an extremely positive and joyous way to contemporary decoration practice.[7]

Sarcophagus, 2015[8]

Sarcophagus (2016), exhibited at the 15th Venice Architecture Biennale invited audiences to experience an immersive environment of simulated sleep-states. This multidimensional architectural installation renders creative curiosities of biological and induced respite, challenging a range of aesthetic, cultural and behavioural concerns. Users are invited to physically occupy the installation offering an unusual interactive experience. The environment is dynamic with the interior transforming with the aid of a multichannel film, filling the intimate chamber with abstract cinematic and meditative sound and imagery.[9]

Hydronaut, 2015[10]

Hydronaut (2015) by Matthew Bird & Mark Richardson Designer/ Maker is a semi-permanent, demountable structure housing an armament of security staff at the northwest edge of Monash University’s Caulfield campus. The building occupies five parking bays on the ground level of an existing car-park and provides a panopticonic point-of-presence in a location known for its security challenges.[11]

Aviary, 2011[12]

Aviary (2011) was a set design for Phillip Adams Balletlab. The project premiered at Melbourne Festival, Arts House North Melbourne Town Hall 2011 and later toured at MONA FOMA, Theatre Royal Hobart in 2012 and Teo Otto Theater Remscheid Germany in 2014.[13]

Alphaomega Apartment, 2008[14]

Alphaomega Apartment (2008) transformed an ordinary Melbourne CBD rental apartment into a client-specific and personalised surreal escape. Drawing from an extreme range of references, from Michelangelo to the Aussie red kangaroo, a domestic retreat materialised.[15]

Awards

[edit]

2016 Australian Interior Design Award: Winner for Theodore Treehouse[16]

2016 Interior Design Excellence Award (IDEA): Highly Commended for Theodore Treehouse[17]

2015 The Australian Institute of Architects Victorian Award: Winner for Hydronaut (w/ M. Richardson)[18]

2015 The Australian Institute of Architects Victorian Award: Shortlist for Napoleon Perdis Chapel[19]

2015 Interior Design Excellence Award (IDEA): Highly Commended for Hydronaut (w/ M. Richardson)[20]

2015 The Interior Design Excellence Award (IDEA): Shortlist for Napoleon Perdis Chapel[21]

2015 Good Design Australia Award: Good Design Selection for Hydronaut (w/ M. Richardson)[22]

2012 Green Room Award: 1st Place, Design In Dance for Aviary (w/ T. Maticevski, R. Nylon, P. Adams, G. Brown)[23]

References

[edit]
  1. ^ Weis, Lou (2008). "Dystopia". (inside) Interior Design Review (52): 72–77. Retrieved 16 January 2013.
  2. ^ "Matthew Bird, Studiobird, Melbourne". ArchitectureAU. Retrieved 4 November 2018.
  3. ^ "Dr Matthew Bird". Art Design & Architecture. Retrieved 4 November 2018.
  4. ^ Francis, Hannah (4 December 2017). "MPavilion becomes a gateway to the afterlife". The Age. Retrieved 4 November 2018.
  5. ^ "Matthew Bird considers communal sleep — Art Guide Australia". Art Guide Australia. 3 March 2017. Retrieved 4 November 2018.
  6. ^ "2016 Australian Interior Design Awards: Residential Decoration". ArchitectureAU. Retrieved 4 November 2018.
  7. ^ "2016 Australian Interior Design Awards: Residential Decoration". ArchitectureAU. Retrieved 4 November 2018.
  8. ^ "studiobird present futuristic sarcophagus coffin at the venice architecture biennale". designboom | architecture & design magazine. 22 August 2016. Retrieved 4 November 2018.
  9. ^ "Time Space Existence down under". ArchitectureAU. Retrieved 4 November 2018.
  10. ^ "studiobird present futuristic sarcophagus coffin at the venice architecture biennale". designboom | architecture & design magazine. 22 August 2016. Retrieved 4 November 2018.
  11. ^ "Watch Out | Green Magazine". greenmagazine.com.au. Retrieved 4 November 2018.
  12. ^ "studiobird present futuristic sarcophagus coffin at the venice architecture biennale". designboom | architecture & design magazine. 22 August 2016. Retrieved 4 November 2018.
  13. ^ "Aviary". ArchitectureAU. Retrieved 4 November 2018.
  14. ^ "studiobird present futuristic sarcophagus coffin at the venice architecture biennale". designboom | architecture & design magazine. 22 August 2016. Retrieved 4 November 2018.
  15. ^ "Dystopia | Australian Design Review". www.australiandesignreview.com. Retrieved 4 November 2018.
  16. ^ "2016 Australian Interior Design Awards: Residential Decoration". ArchitectureAU. Retrieved 4 November 2018.
  17. ^ "2016 IDEA winners revealed | Australian Design Review". www.australiandesignreview.com. Retrieved 4 November 2018.
  18. ^ "2015 Victorian Architecture Award Winners Announced - News & media". News & media. 28 June 2015. Retrieved 4 November 2018.
  19. ^ "2015 Victorian Architecture Awards shortlist". ArchitectureAU. Retrieved 4 November 2018.
  20. ^ "2015 Interior Design Excellence Awards winners revealed | Australian Design Review". www.australiandesignreview.com. Retrieved 4 November 2018.
  21. ^ "Interior Design Excellence Awards (IDEA) shortlist 2015 | Australian Design Review". www.australiandesignreview.com. Retrieved 4 November 2018.
  22. ^ "2015 Good Design Awards Yearbook". Issuu. Retrieved 4 November 2018.
  23. ^ "Green Room Award Winners | News". AussieTheatre.com. 18 March 2012. Retrieved 4 November 2018.
[edit]
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