Lucio Massari: Difference between revisions
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{{Short description|Italian painter (1569–1633)}} |
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[[File:Lucio Massari Sagrada FamiliaUffizi 1675.jpg|thumb|right|Lucio Massari painting ''Sagrada Familia'']] |
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{{Infobox artist |
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| image = Lucio Massari Sagrada FamiliaUffizi 1675.jpg |
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| caption = ''The Holy Family'' |
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| birth_name = |
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| birth_place = [[Bologna]] |
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| death_date = {{death date and age|df=y|1633|11|3|1569|1|22|}} |
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| death_place = |
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| nationality = [[Italy|Italian]] |
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| known_for = [[Painting]] |
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| training = |
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| movement = [[Mannerism]] and [[Baroque]] |
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| notable_works = |
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| patrons = |
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| awards = |
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⚫ | He was born in Bologna, where he initially apprenticed with an unknown painter by the name of Spinelli, then the [[Mannerism|Mannerist]] painter [[Bartolomeo Passarotti]], but also worked with [[Bartolomeo Cesi]]. In 1592, he joined the [[Accademia degli Incamminati|Carracci]] studio or the ''Academy of the Incamminati'', and remained attached to [[Ludovico Carracci]] for many years. In 1604, he worked with Ludovico to fresco ''Stories of San Mauro, San Benedetto and others'' in the cloister of [[San Michele in Bosco]]. In 1607, he |
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==Life and work== |
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⚫ | He was born in Bologna, where he initially apprenticed with an unknown painter by the name of Spinelli, then the [[Mannerism|Mannerist]] painter [[Bartolomeo Passarotti]], but also worked with [[Bartolomeo Cesi]]. In 1592, he joined the [[Accademia degli Incamminati|Carracci]] studio or the ''Academy of the Incamminati'', and remained attached to [[Ludovico Carracci]] for many years. In 1604, he worked with Ludovico to fresco ''Stories of San Mauro, San Benedetto and others'' in the cloister of [[San Michele in Bosco]]. In 1607, he collaborated with [[Lionello Spada]] and [[Francesco Brizio]] in frescoes for the Palazzo Bonfioli, in Bologna. In 1610, he visited Rome, remaining under the patronage of Cardinal Facchinetti, and befriended [[Domenichino]]. In 1612, he completed the frescoes left unfinished by [[Bernardino Poccetti]] in a chapel of the [[Certosa di Galluzzo]], near [[Florence]]. He painted the main altarpiece for the church of Santa Maria in Guadi in [[San Giovanni in Persiceto]]. |
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He returned to Bologna in 1614, and soon traveled with [[Francesco Albani]] to work in [[Mantua]]. He is said to have spent so much time in hunting, fishing, and the delights of the countryside, that he neglected painting, though his biography shows him to be exceedingly prolific in altarpieces. Among his pupils were [[Sebastiano Brunetti]], [[Antonio Randa]], and [[Fra Bonaventura Bisi]]. |
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His son [[Bartolomeo Massari]] became a noted anatomist. |
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==External links== |
==External links== |
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*{{Commons category-inline}} |
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*[http://www.mfa.org/collections/search_art.asp?recview=true&id=30868&coll_keywords=&coll_accession=&coll_name=&coll_artist=&coll_place=&coll_medium=&coll_culture=&coll_classification=&coll_credit=&coll_provenance=&coll_location=&coll_has_images=&coll_on_view=&coll_sort=0&coll_sort_order=0&coll_view=0&coll_package=15890&coll_start=1 ''Blood of the Redeemer'' at Museum of Fine Arts, Boston] |
*[https://web.archive.org/web/20070310050602/http://www.mfa.org/collections/search_art.asp?recview=true&id=30868&coll_keywords=&coll_accession=&coll_name=&coll_artist=&coll_place=&coll_medium=&coll_culture=&coll_classification=&coll_credit=&coll_provenance=&coll_location=&coll_has_images=&coll_on_view=&coll_sort=0&coll_sort_order=0&coll_view=0&coll_package=15890&coll_start=1 ''Blood of the Redeemer'' at Museum of Fine Arts, Boston] |
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*{{cite book | author= Marchese Antonio Bolognini Amorini| year= |
*{{cite book | author= Marchese Antonio Bolognini Amorini| year=1841–1843| title= '''Vite dei Pittori ed Artifici Bolognesi''' (two volumes)| pages= 102–106 (Parte Quinta)| publisher= Tipi Governativi alla Volpe ed Nobili; Original from Oxford Library, digitized June 26, 2006 | url= https://books.google.com/books?id=-GABAAAAQAAJ&q=pittori }} |
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{{Authority control}} |
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{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. --> |
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| ALTERNATIVE NAMES = |
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| SHORT DESCRIPTION = |
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| PLACE OF BIRTH = |
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| DATE OF DEATH = 3 November 1633 |
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| PLACE OF DEATH = |
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{{DEFAULTSORT:Massari, Lucio}} |
{{DEFAULTSORT:Massari, Lucio}} |
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[[Category:1569 births]] |
[[Category:1569 births]] |
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[[Category:1633 deaths]] |
[[Category:1633 deaths]] |
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[[Category: |
[[Category:16th-century Italian painters]] |
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[[Category:Italian painters]] |
[[Category:Italian male painters]] |
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[[Category: |
[[Category:17th-century Italian painters]] |
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[[Category:Painters from Bologna]] |
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[[Category:Italian Baroque painters]] |
[[Category:Italian Baroque painters]] |
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[[Category:Mannerist painters]] |
[[Category:Italian Mannerist painters]] |
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[[Category:Fresco painters]] |
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[[ca:Lucio Massari]] |
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[[es:Lucio Massari]] |
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[[fr:Lucio Massari]] |
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[[it:Lucio Massari]] |
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[[pt:Lucio Massari]] |
Latest revision as of 09:50, 8 April 2024
Lucio Massari | |
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Born | 22 January 1569 |
Died | 3 November 1633 | (aged 64)
Nationality | Italian |
Known for | Painting |
Movement | Mannerism and Baroque |
Lucio Massari (22 January 1569 – 3 November 1633) was an Italian painter of the School of Bologna. He can be described as painting during both Mannerist and early-Baroque periods.
Life and work
[edit]He was born in Bologna, where he initially apprenticed with an unknown painter by the name of Spinelli, then the Mannerist painter Bartolomeo Passarotti, but also worked with Bartolomeo Cesi. In 1592, he joined the Carracci studio or the Academy of the Incamminati, and remained attached to Ludovico Carracci for many years. In 1604, he worked with Ludovico to fresco Stories of San Mauro, San Benedetto and others in the cloister of San Michele in Bosco. In 1607, he collaborated with Lionello Spada and Francesco Brizio in frescoes for the Palazzo Bonfioli, in Bologna. In 1610, he visited Rome, remaining under the patronage of Cardinal Facchinetti, and befriended Domenichino. In 1612, he completed the frescoes left unfinished by Bernardino Poccetti in a chapel of the Certosa di Galluzzo, near Florence. He painted the main altarpiece for the church of Santa Maria in Guadi in San Giovanni in Persiceto.
He returned to Bologna in 1614, and soon traveled with Francesco Albani to work in Mantua. He is said to have spent so much time in hunting, fishing, and the delights of the countryside, that he neglected painting, though his biography shows him to be exceedingly prolific in altarpieces. Among his pupils were Sebastiano Brunetti, Antonio Randa, and Fra Bonaventura Bisi.
His son Bartolomeo Massari became a noted anatomist.
External links
[edit]- Media related to Lucio Massari at Wikimedia Commons
- Blood of the Redeemer at Museum of Fine Arts, Boston
- Marchese Antonio Bolognini Amorini (1841–1843). Vite dei Pittori ed Artifici Bolognesi (two volumes). Tipi Governativi alla Volpe ed Nobili; Original from Oxford Library, digitized June 26, 2006. pp. 102–106 (Parte Quinta).