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{{Short description|French librettist, translator, writer and librarian}}
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[[File:Charles Nuitter - Ivor Guest 1981 p62f.jpg|thumb|<center>Charles Nuitter</center>]]
{{Use dmy dates|date=October 2016}}
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'''Charles-Louis-Étienne Nuitter'''<ref>Real name '''Truinet''', of which Nuitter is an anagram.</ref> was a French [[librettist]], [[translation|translator]], writer and [[librarian]] born in [[Paris]], France on 24 April 1828. He died there on 23 February 1899 after suffering a stroke a few days before.<ref name="Grove">Cooper J: Nuitter, Charles-Louis-Étienne. In ''New Grove Dictionary of Opera''. Macmillan, London and New York, 1997.</ref>
{{Infobox writer
⚫
| name = Charles-Louis-Étienne Nuitter
⚫
| image = Charles Nuitter - Ivor Guest 1981 p62f.jpg
| image_size =
| alt =
| caption =
| birth_date = 24 April 1828
| birth_place = Paris, France
| death_date = 23 February 1899 (aged 71)
| death_place = Paris, France
| occupation = {{flatlist|
* [[Librettist]]
* translator
* librarian
* writer
⚫
}}
| alma_mater =
}}

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'''Charles-Louis-Étienne Nuitter'''<ref>Real name "Truinet", of which Nuitter is an anagram.</ref> was a French [[librettist]], translator, writer and librarian born in Paris, France, on 24 April 1828. He died there on 23 February 1899 after suffering a stroke a few days before.<ref name="Grove">Cooper J: Nuitter, Charles-Louis-Étienne. In ''New Grove Dictionary of Opera''. Macmillan, London and New York, 1997.</ref>


==Librettist and translator==
==Librettist and translator==
Nuitter studied law and practised in Paris from 1849. He was a keen theatre-goer, and in the 1850s he started writing librettos, mainly vaudevilles, later [[Opéra comique|opéras comique]], [[Opéra bouffe|operas bouffes]], [[operettas]] and [[ballets]]. It is estimated that he wrote or co-authored around 500 theatrical pieces, including libretti for several works by [[Jacques Offenbach|Offenbach]], the scenario for [[Léo Delibes]]'s ballet ''[[Coppélia]]'' (Nuitter had wanted the piece to be called ''La poupée de Nurnberg'') and pieces by [[Hervé (composer)|Hervé]], [[Ernest Guiraud|Guiraud]], [[Édouard Lalo|Lalo]], [[Alexandre Charles Lecocq|Lecocq]] and others, of which 100 or so were staged.<ref name="Gressel">Gressel V. ''Charles Nuitter : des scènes parisiennes à la bibliothèque de l'Opéra.'' Website of enssibs (Ecole Nationale Supérieure des Sciences de l'Information et des Bibliothèques), accessed 28 October 2008.</ref>
Nuitter studied law and practised in Paris from 1849. He was a keen theatre-goer, and in the 1850s he started writing librettos, mainly vaudevilles, later [[Opéra comique|opéras comique]], [[Opéra bouffe|operas bouffes]], [[operetta]]s and ballets. It is estimated that he wrote or co-authored around 500 theatrical pieces, including libretti for several works by [[Jacques Offenbach|Offenbach]], the scenario for [[Léo Delibes]]'s ballet ''[[Coppélia]]'' (Nuitter had wanted the piece to be called ''La poupée de Nuremberg'') and pieces by [[Hervé (composer)|Hervé]], [[Ernest Guiraud|Guiraud]], [[Édouard Lalo|Lalo]], [[Alexandre Charles Lecocq|Lecocq]] and others, of which 100 or so were staged.<ref name="Gressel">Gressel V. ''Charles Nuitter : des scènes parisiennes à la bibliothèque de l'Opéra.'' Website of enssibs (Ecole Nationale Supérieure des Sciences de l'Information et des Bibliothèques), accessed 28 October 2008.</ref>


He helped translate [[Richard Wagner|Wagner]]'s operas into French (''[[Tannhäuser (opera)|Tannhäuser]]'', 1861, ''[[Rienzi]]'', 1869, ''[[Lohengrin (opera)|Lohengrin]]'' 1870 and ''[[The Flying Dutchman (opera)|The Flying Dutchman]]'', 1872). Other translations include ''[[I Capuleti e i Montecchi]]'', ''[[Oberon (Weber)|Oberon]]'', ''[[Abu Hassan]]'', ''[[The Magic Flute|Die Zauberflöte]]'', and [[Giuseppe Verdi|Verdi]]'s ''[[Macbeth (opera)|Macbeth]]'', ''[[Aida]]'', ''[[La forza del destino]]'' and ''[[Simon Boccanegra]]''. Wagner and Verdi esteemed highly the quality of his translations, and he assisted Verdi over the revision of ''[[Don Carlos]]'' in 1882–83.<ref>Budden J. ''Verdi''. J M Dent & Sons, London, 1985.</ref> From a different era, Nuitter's translation of ''La Prière du matin et du soir'' by [[Emilio de' Cavalieri]] (1600) was performed regularly at the [[Conservatoire de Paris|Concerts du Conservatoire]] during the 1870s–80s and beyond.<ref>Kern Holoman D. ''The Société des Concerts du Conservatoire 1828–1967.'' University of California Press, 2004.</ref>
He helped translate [[Richard Wagner|Wagner]]'s operas into French (''[[Tannhäuser (opera)|Tannhäuser]]'', 1861, ''[[Rienzi]]'', 1869, ''[[Lohengrin (opera)|Lohengrin]]'' 1870 and ''[[The Flying Dutchman (opera)|The Flying Dutchman]]'', 1872). Other translations include ''[[I Capuleti e i Montecchi]]'', ''[[Oberon (Weber)|Oberon]]'', ''[[Abu Hassan]]'', ''[[The Magic Flute|Die Zauberflöte]]'', and [[Giuseppe Verdi|Verdi]]'s ''[[Macbeth (Verdi)|Macbeth]]'', ''[[Aida]]'', ''[[La forza del destino]]'' and ''[[Simon Boccanegra]]''. Wagner and Verdi esteemed highly the quality of his translations, and he assisted Verdi over the revision of ''[[Don Carlos]]'' in 1882–83.<ref>[[Julian Budden|Budden J.]]: ''Verdi''. J M Dent & Sons, London, 1985.</ref> From a different era, Nuitter's translation of ''La Prière du matin et du soir'' by [[Emilio de' Cavalieri]] (1600) was performed regularly at the [[Conservatoire de Paris|Concerts du Conservatoire]] during the 1870s–80s and beyond.<ref>[[D. Kern Holoman|Holoman, D. Kern]]: ''The Société des Concerts du Conservatoire 1828–1967.'' University of California Press, 2004.</ref>


==Archivist==
==Archivist==
Becoming involved in the [[Bibliothèque-Musée de l'Opéra National de Paris|archives of the Paris Opera]] in 1863, he became official archivist there three years later, and ended his career in law (he had given legal advice to Offenbach in a dispute with the manager of the Bouffes-Parisiens prior to the 1864 premiere of ''[[La belle Hélène]]'').<ref>Harding J. ''Jacques Offenbach''. John Calder, London, 1980.</ref>
Becoming involved in the [[Bibliothèque-Musée de l'Opéra National de Paris|archives of the Paris Opera]] in 1863, he became official archivist there three years later, and ended his career in law (he had given legal advice to Offenbach in a dispute with the manager of the [[Théâtre des Bouffes-Parisiens]] prior to the 1864 premiere of ''[[La belle Hélène]]'').<ref>Harding J. ''Jacques Offenbach''. John Calder, London, 1980.</ref>


His archival work was extremely important in cataloguing the existing library, rescuing documents from destruction, and acquiring autograph documents and journals (sometimes at his own expense) for the collection.<ref name="Grove"/> Acquisitions by Nuitter included an important collection of theatre books by Joseph de Filippi and around 900 opera librettos from a former director of the théâtre, [[Nestor Roqueplan]].
His archival work was extremely important in cataloguing the existing library, rescuing documents from destruction, and acquiring autograph documents and journals (sometimes at his own expense) for the collection.<ref name="Grove"/> Acquisitions by Nuitter included an important collection of theatre books by Joseph de Filippi and around 900 opera librettos from a former director of the théâtre, [[Nestor Roqueplan]].
His influence on the expansion of the archive was impressive. In 1861, there were 350 volumes; by the end of 1862 there were 1,076, and in 1882 7,807.<ref name="Gressel"/> He ensured that their importance was taken into account when the [[Palais Garnier]] opened in 1875.
His influence on the expansion of the archive was impressive. In 1861, there were 350 volumes; by the end of 1862 there were 1,076, and in 1882 the collection had grown to 7,807.<ref name="Gressel" /> He ensured that their importance was taken into account when the [[Palais Garnier]] opened in 1875.


==Selected stage works by Nuitter (often in collaboration)==
==Selected stage works by Nuitter (often in collaboration)==
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{{col-begin}}{{col-break|width=24em}}

'''{{category see also|Ballets by Charles Nuitter}}'''

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{{col-begin}} {{col-1-of-2}}
*''[[Les bavards|Bavard et Bavarde]]'' (1862, Offenbach)
*''[[Les bavards|Bavard et Bavarde]]'' (1862, Offenbach)
*''[[Il signor Fagotto]]'' (1863, Offenbach)
*''[[Il signor Fagotto]]'' (1863, Offenbach)
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*''[[Les fées du Rhin]]'' (1864, Offenbach)
*''[[Les fées du Rhin]]'' (1864, Offenbach)
*''Une fantasia'' (1865, Hervé)
*''Une fantasia'' (1865, Hervé)
*''[[La source (ballet)|La source]]'' (1866, Delibes and [[Ludwig Minkus|Minkus]] — ballet)
*''[[La source (ballet)|La source]]'' (1866, Delibes and [[Ludwig Minkus|Minkus]] – ballet)
{{col-2-of-2}}
*''Vert-Vert'' (1869, Offenbach)
*''Vert-Vert'' (1869, Offenbach)
{{col-break|width=24em}}
*''Coppélia'' (1870, Delibes — ballet)
*''Boule de neige'' (1871, Offenbach)
*''[[Coppélia]]'' (1870, Delibes – ballet)
*''[[Boule-de-Neige]]'' (1871, Offenbach)
*''[[Whittington (opera)|Whittington]]'' (1874, Offenbach)
*''[[Whittington (opera)|Whittington]]'' (1874, Offenbach)
*''[[Maître Péronilla]]'' (1878, Offenbach)
*''[[Maître Péronilla]]'' (1878, Offenbach)
*''Le coeur et la main'' (1882, Lecocq)<ref>List compiled from Harding, and Cooper, op cit</ref>
*''Le coeur et la main'' (1882, Lecocq)<ref>List compiled from Harding, and Cooper, ''[[Op. cit.]]''</ref>
*Hellé (1896, Duvernoy)<ref>[http://query.nytimes.com/gst/abstract.html?res=9400EED6123EE333A25754C1A9639C94679ED7CF NY Times review, May 17, 1896]</ref>
*Hellé (1896, Duvernoy)<ref>[https://www.nytimes.com/1896/05/17/archives/music.html ''The New York Times'' review, May 17, 1896]</ref>
{{col-end}}
{{col end}}


==References==
==References==
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==External links==
==External links==
* {{Gutenberg author | id=Nuitter,+Charles | name=Charles Nuitter}}
* {{commons category-inline|Charles Nuitter}}
* {{Internet Archive author}}
* {{Gutenberg author | id=32352| name=Charles Nuitter}}
* {{Internet Archive author |sname=Charles-Louis-Étienne Nuitter}}


{{Authority control|VIAF=54152126 |LCCN=n/81/75572}}
{{Authority control}}


{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->
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| NAME = Nuitter, Charles-Louis-Etienne
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = French translator and writer
| DATE OF BIRTH = 1828
| PLACE OF BIRTH =
| DATE OF DEATH = 1899
| PLACE OF DEATH =
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}}
{{DEFAULTSORT:Nuitter, Charles-Louis-Etienne}}
{{DEFAULTSORT:Nuitter, Charles-Louis-Etienne}}
[[Category:1828 births]]
[[Category:1828 births]]
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[[Category:French opera librettists]]
[[Category:French opera librettists]]
[[Category:French librarians]]
[[Category:French librarians]]
[[Category:Ballet librettists]]
[[Category:French ballet librettists]]
[[Category:French translators]]
[[Category:German–French translators]]
[[Category:German–French translators]]
[[Category:Writers from Paris]]
[[Category:Writers from Paris]]
[[Category:Deaths from stroke]]
[[Category:19th-century French translators]]
[[Category:French male writers]]
[[Category:19th-century French dramatists and playwrights]]
[[Category:19th-century translators]]

Latest revision as of 22:22, 19 April 2024

Charles-Louis-Étienne Nuitter
Born24 April 1828
Paris, France
Died23 February 1899 (aged 71)
Paris, France
Occupation

Charles-Louis-Étienne Nuitter[1] was a French librettist, translator, writer and librarian born in Paris, France, on 24 April 1828. He died there on 23 February 1899 after suffering a stroke a few days before.[2]

Librettist and translator

[edit]

Nuitter studied law and practised in Paris from 1849. He was a keen theatre-goer, and in the 1850s he started writing librettos, mainly vaudevilles, later opéras comique, operas bouffes, operettas and ballets. It is estimated that he wrote or co-authored around 500 theatrical pieces, including libretti for several works by Offenbach, the scenario for Léo Delibes's ballet Coppélia (Nuitter had wanted the piece to be called La poupée de Nuremberg) and pieces by Hervé, Guiraud, Lalo, Lecocq and others, of which 100 or so were staged.[3]

He helped translate Wagner's operas into French (Tannhäuser, 1861, Rienzi, 1869, Lohengrin 1870 and The Flying Dutchman, 1872). Other translations include I Capuleti e i Montecchi, Oberon, Abu Hassan, Die Zauberflöte, and Verdi's Macbeth, Aida, La forza del destino and Simon Boccanegra. Wagner and Verdi esteemed highly the quality of his translations, and he assisted Verdi over the revision of Don Carlos in 1882–83.[4] From a different era, Nuitter's translation of La Prière du matin et du soir by Emilio de' Cavalieri (1600) was performed regularly at the Concerts du Conservatoire during the 1870s–80s and beyond.[5]

Archivist

[edit]

Becoming involved in the archives of the Paris Opera in 1863, he became official archivist there three years later, and ended his career in law (he had given legal advice to Offenbach in a dispute with the manager of the Théâtre des Bouffes-Parisiens prior to the 1864 premiere of La belle Hélène).[6]

His archival work was extremely important in cataloguing the existing library, rescuing documents from destruction, and acquiring autograph documents and journals (sometimes at his own expense) for the collection.[2] Acquisitions by Nuitter included an important collection of theatre books by Joseph de Filippi and around 900 opera librettos from a former director of the théâtre, Nestor Roqueplan. His influence on the expansion of the archive was impressive. In 1861, there were 350 volumes; by the end of 1862 there were 1,076, and in 1882 the collection had grown to 7,807.[3] He ensured that their importance was taken into account when the Palais Garnier opened in 1875.

Selected stage works by Nuitter (often in collaboration)

[edit]

References

[edit]
  1. ^ Real name "Truinet", of which Nuitter is an anagram.
  2. ^ a b Cooper J: Nuitter, Charles-Louis-Étienne. In New Grove Dictionary of Opera. Macmillan, London and New York, 1997.
  3. ^ a b Gressel V. Charles Nuitter : des scènes parisiennes à la bibliothèque de l'Opéra. Website of enssibs (Ecole Nationale Supérieure des Sciences de l'Information et des Bibliothèques), accessed 28 October 2008.
  4. ^ Budden J.: Verdi. J M Dent & Sons, London, 1985.
  5. ^ Holoman, D. Kern: The Société des Concerts du Conservatoire 1828–1967. University of California Press, 2004.
  6. ^ Harding J. Jacques Offenbach. John Calder, London, 1980.
  7. ^ List compiled from Harding, and Cooper, Op. cit.
  8. ^ The New York Times review, May 17, 1896
[edit]
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