Sinfoni Melayu: Difference between revisions
Content deleted Content added
Copyedited for UK English (e.g., apostrophe followed by s even after s) and for clarity ("not having been delivered to posterity," is unencyclopedic), but how is this work notable anyway? |
m Moving Category:Malaysian music to Category:Music of Malaysia per Wikipedia:Categories for discussion/Speedy |
||
| (5 intermediate revisions by 5 users not shown) | |||
| Line 1: | Line 1: | ||
{{italic title}} |
{{italic title}} |
||
'''''Sinfoni Melayu''''' (or ''Sinfoni Malaya'') is mentioned in the |
'''''Sinfoni Melayu''''' (or ''Sinfoni Malaya'') is mentioned in the reference work ''Contemporary Composers''<ref>''Contemporary Composers'', ed. Brian Morton and Pamela Collins, Chicago and London: St. James Press, 1992 - {{ISBN|1-55862-085-0}}</ref> as a symphony composed by [[Anthony Burgess]] in 1956, when he was a teacher at [[Malay College Kuala Kangsar]]. In his book ''This Man and Music''<ref>Anthony Burgess, ''This Man And Music'', New York: McGraw-Hill, 1982 - {{ISBN|0-07-008964-7}}</ref> Burgess himself wrote: |
||
: ''Sinfoni Melayu'', a three-movement symphony which tried to combine the musical elements of the country into a synthetic language which called on native drums and xylophones as well as instruments of the full Western orchestra. The last movement ended with a noble professional theme, rather [[Elgar]]ian, representing independence. Then, over a drum roll and before the final chord in C major, the audience was to rise and shout "[[Merdeka]]!"<ref>quoted in {{cite book |
: ''Sinfoni Melayu'', a three-movement symphony which tried to combine the musical elements of the country into a synthetic language which called on native drums and xylophones as well as instruments of the full Western orchestra. The last movement ended with a noble professional theme, rather [[Elgar]]ian, representing independence. Then, over a drum roll and before the final chord in C major, the audience was to rise and shout "[[Merdeka]]!"<ref>quoted in {{cite book |
||
| Line 6: | Line 6: | ||
| last = Crinson |
| last = Crinson |
||
| authorlink = |
| authorlink = |
||
| coauthors = |
|||
| title = Modern Architecture and the End of Empire |
| title = Modern Architecture and the End of Empire |
||
| publisher = Ashgate Publishing. |
| publisher = Ashgate Publishing. |
||
| date = 2003 |
| date = 2003 |
||
| location = |
| location = |
||
| url = https://books.google.com/books?id=JkNr4XZ-pYcC&pg |
| url = https://books.google.com/books?id=JkNr4XZ-pYcC&pg=PA161 |
||
| doi = |
| doi = |
||
| id = |
| id = |
||
| Line 29: | Line 28: | ||
[[Category:1956 compositions]] |
[[Category:1956 compositions]] |
||
[[Category:20th-century symphonies|Burgess, Sinfoni Melayu]] |
[[Category:20th-century symphonies|Burgess, Sinfoni Melayu]] |
||
[[Category:Lost musical works]] |
|||
[[Category:Works by Anthony Burgess]] |
[[Category:Works by Anthony Burgess]] |
||
[[Category: |
[[Category:Music of Malaysia]] |
||
{{Malaysia-stub}} |
|||
Latest revision as of 12:22, 22 April 2024
Sinfoni Melayu (or Sinfoni Malaya) is mentioned in the reference work Contemporary Composers[1] as a symphony composed by Anthony Burgess in 1956, when he was a teacher at Malay College Kuala Kangsar. In his book This Man and Music[2] Burgess himself wrote:
- Sinfoni Melayu, a three-movement symphony which tried to combine the musical elements of the country into a synthetic language which called on native drums and xylophones as well as instruments of the full Western orchestra. The last movement ended with a noble professional theme, rather Elgarian, representing independence. Then, over a drum roll and before the final chord in C major, the audience was to rise and shout "Merdeka!"[3]
In his Anthony Burgess Newsletter in 1999 Paul Phillips called "Sinfoni Malaya for orchestra and brass band” Burgess's second symphony, following Symphony No. 1, composed in 1935).[4]
The score of the symphony appears to have been lost, [5] and there is no evidence that it was ever performed, so the only source for its existence is Burgess’s own testimony.
References
[edit]- ^ Contemporary Composers, ed. Brian Morton and Pamela Collins, Chicago and London: St. James Press, 1992 - ISBN 1-55862-085-0
- ^ Anthony Burgess, This Man And Music, New York: McGraw-Hill, 1982 - ISBN 0-07-008964-7
- ^ quoted in Crinson, Mark (2003). Modern Architecture and the End of Empire. Ashgate Publishing. p. 228. ISBN 0-7546-3510-4. page 161
- ^ Phillips, Paul (1999). "The Music of Anthony Burgess". Anthony Burgess Newsletter. The Anthony Burgess Centre, University of Angers. Retrieved 8 June 2011.
- ^ Music 1954-59, International Anthony Burgess Foundation Archived April 12, 2010, at the Wayback Machine
 | This Malaysia-related article is a stub. You can help Wikipedia by expanding it. |