Bokuyō Katayama: Difference between revisions
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{{Short description|Japanese painter}} |
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{{Western name order|Katayama Bokuyō}} |
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[[File:Katayama Bokuyo - Mori (Forest) - Google Art Project.jpg|thumb|The Forest (1928)]] |
[[File:Katayama Bokuyo - Mori (Forest) - Google Art Project.jpg|thumb|The Forest (1928)]] |
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''' |
{{Nihongo|'''Bokuyō Katayama'''|片山牧羊|Katayama Bokuyō|born 1900, died 26 August 1937|lead=yes}} was a Japanese painter of the [[nihonga]] style active in the [[Shōwa (1926–1989)|Shōwa era]]. Bokuyō claimed [[Yugen]] as the keyword of his art, and used traditional materials such as silk, ink and mineral pigments to draw traditional subjects of Japanese art with influence of Western painting.<ref name="onomichi" /><ref name="mia" /> |
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庄田鶴友、蔦谷龍岬、[[荒木十畝]]に師事し、旧帝展特選1回入選3回に及んでゐた。 |
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== Life == |
== Life == |
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Bokuyō Katayama was born in Nagae Town in [[Onomichi]] in 1900 (Meiji 33) as Kenzō Katayama (Bokuyō was his [[art name]]).<ref name="fukuyama">{{cite web|title=コレクションII:瀬戸内圏関連 - 福山市ホームページ|url=https://www.city.fukuyama.hiroshima.jp/site/fukuyama-museum/2903.html|url-status=live|language=ja|archive-url=https://web.archive.org/web/20140311195930/http://www.city.fukuyama.hiroshima.jp/site/fukuyama-museum/2903.html |archive-date=2014-03-11 }}</ref> His father, Tatsunosuke Katayama, was a scholar of Chinese language.<ref name="onomichi">{{Cite web|title=春宵臥猫図|url=https://www.onomichi-museum.jp/collection/nihonga/23.html|url-status=live|access-date=2021-08-10|website=www.onomichi-museum.jp|language=ja|archive-url=https://web.archive.org/web/20210201014545/https://www.onomichi-museum.jp/collection/nihonga/23.html |archive-date=2021-02-01 }}</ref> Starting from 1915, he studied [[Nanga (Japanese painting)|nanga]] in Osaka and calligraphy under Sunzu Aikawa. Since 1917, he studied Japanese painting under Tsurutomo Shoda in Kyoto. He also learned calligraphy from Toyama Yamamoto. Around this time, he created a tanka collection 曼珠華沙. Bokuyō moved to Tokyo in 1921, where he began to study Japanese painting in earnest under Tsutaya Ryuko.<ref name="onomichi" /> |
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Katayama Bokuyo was born in Onomichi in Meiji 33. He studied painting under Tsutaya Ryuko. 1900年、[[尾道市]]長江町に生まれる。本名健三。<ref name=":0">[https://www.city.fukuyama.hiroshima.jp/site/fukuyama-museum/2903.html]</ref>父は漢学者の片山辰之助。<ref name=":1">{{Cite web|title=春宵臥猫図|url=https://www.onomichi-museum.jp/collection/nihonga/23.html|access-date=2021-08-10|website=www.onomichi-museum.jp}}</ref>1915年、大阪で南画を学ぶ。また、合川澄水に書道を学ぶ。1917年、京都で、庄田鶴友に師事し日本画を学ぶ。また、山本竟山に書道を学ぶ。この頃、[[短歌]]集『曼珠華沙』を作る。1921年上京し、蔦谷龍岬塾・鐸鈴社に入門、本格的に日本画を学びはじめる。In 1927, his "Oboro" was awarded the grand prize ''(tokusen'') at Japan's 8th annual Imperial Juried Exhibition (Teiten), ran by [[Japan Art Academy|Imperial Fine Arts Academy]]'''.''' The next year, at 9th Exhibition, he showed The Forest, which awarded him the status of mukansa, literally "non-vetted," meaning that henceforth any painting he submitted to the annual exhibition would be automatically included.<ref>{{Cite web|title=Forest, Katayama Bokuyō ^ Minneapolis Institute of Art|url=http://collections.artsmia.org/art/102774/forest-katayama-bokuyo|access-date=2021-08-10|website=collections.artsmia.org}}</ref> 久邇宮家の格天井に「曼珠沙華」を描く。In 1929, he submitted Gyoson Shunrai (漁村春懶, literally "Fishing Village Spring Laziness). [[柳悦孝]]が書生として入門。In 1930, he submitted Loneliness (破寂) to the 11th Teiten. 1931年、柳悦孝が日本画から工芸に転じ、書生をやめる。[[塩出英雄]]が福山から上京し門下生となる。In 1931 he submitted Kagerou (かげろう, lit. Dragonfly) to the 12th Teiten, which was his last. 再び帝展に姿をみせることはなかった。1932年、妻の実家、福山市松永町に帰郷する。1935年、[[サイパン島]]に旅行する。(同年帰国)1937年8月26日、逝去。<ref>{{Cite web|title=片山牧羊 :: 東文研アーカイブデータベース|url=https://www.tobunken.go.jp/materials/bukko/8463.html|access-date=2021-08-10|website=www.tobunken.go.jp}}</ref> |
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In 1927, his "Oboro" (currently in collection of [[Hiroshima Prefectural Art Museum]])<ref>{{Cite web|title=広島県立美術館 on Twitter|url=http://twitter.com/h_pref/status/1397858786421874689|url-status=live|access-date=2021-08-10|website=Twitter|language=ja|archive-url=https://web.archive.org/web/20210527101551/https://twitter.com/H_pref/status/1397858786421874689 |archive-date=2021-05-27 }}</ref> was awarded the grand prize (''tokusen'') at Japan's 8th annual Imperial Juried Exhibition ([[Teiten]]), ran by [[Japan Art Academy|Imperial Fine Arts Academy]]. The next year, at 9th Exhibition, he showcased "The Forest" (currently in collection of [[Minneapolis Institute of Art]]), which awarded him the status of ''mukansa'', (literally "non-vetted"), meaning that any work he would submit to the next exhibitions would be automatically included.<ref name="mia">{{Cite web|title=Forest, Katayama Bokuyō ^ Minneapolis Institute of Art|url=http://collections.artsmia.org/art/102774/forest-katayama-bokuyo|access-date=2021-08-10|website=collections.artsmia.org}}</ref> In 1929, he showcased ''Gyoson Shunrai'' (漁村春懶, currently in collection of [[Fukuyama, Hiroshima|Fukuyama]] Museum of Art).<ref name="fukuyama" /> In this year, {{ill|柳悦孝|lt=Yoshitaka Yanagi|ja|}} became his student. In 1930, he submitted Loneliness (破寂) to the 11th Teiten. In 1931, Yanagi changed his field to textile art and left Bokuyō's tutelage. His place was taken by {{ill|塩出英雄|lt=Hideo Shiode|ja|}} who moved to Tokyo from Fukuyama to study painting. In 1931, Bokuyō submitted Kagerou (かげろう) to the 12th Teiten. It was his last exhibition, with his career being cut short there by an illness.<ref name="onomichi" /> In 1932, he returned to his wife's parents' home in [[Fukuyama, Hiroshima]].<ref name="onomichi" /> In 1935, he traveled to [[Saipan]], and returned to Japan in the same year. He passed away because of his illness on August 26, 1937.<ref name="tobunken">{{Cite web|title=片山牧羊 :: 東文研アーカイブデータベース|url=https://www.tobunken.go.jp/materials/bukko/8463.html|url-status=live|access-date=2021-08-10|website=www.tobunken.go.jp|language=ja|archive-url=https://web.archive.org/web/20160307062624/http://www.tobunken.go.jp/materials/bukko/8463.html |archive-date=2016-03-07 }}</ref> |
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牧羊は「[[幽玄]]」をキーワードに作品の構想を練り、能の世界観のようなものを表出しようと苦心した画家でした。片山牧羊の画壇での実質的な活躍は、昭和2年から6年までの5年間と短いものでした。病のため志半ばで絶たれた悲運の画家といえます。そのため、遺された作品は非常に少なく、優品となるとさらに希少となります。 |
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== Gallery == |
== Gallery == |
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<gallery> |
<gallery> |
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File:Gyoson Shunrai by Katayama Bokuyo.png|Gyoson Shunrai (1929) |
File:Gyoson Shunrai by Katayama Bokuyo.png|Gyoson Shunrai (1929) |
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File:Sabishii by Katayama Bokuyo.png|Loneliness (1930) |
File:Sabishii by Katayama Bokuyo.png|Loneliness (1930) |
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File:Kagerou by Katayama Bokuyo.png|Kagerou (1931 |
File:Kagerou by Katayama Bokuyo.png|Kagerou (1931) |
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</gallery> |
</gallery> |
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== References == |
== References == |
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{{reflist}} |
{{reflist}} |
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{{DEFAULTSORT:Katayama, Bokuyo}} |
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[[Category:Nihonga painters]] |
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[[Category:1900 births]] |
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[[Category:1937 deaths]] |
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[[Category:Artists from Hiroshima Prefecture]] |
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[[Category:20th-century Japanese painters]] |
Latest revision as of 11:23, 29 April 2024
Bokuyō Katayama (Japanese: 片山牧羊, Hepburn: Katayama Bokuyō, born 1900, died 26 August 1937) was a Japanese painter of the nihonga style active in the Shōwa era. Bokuyō claimed Yugen as the keyword of his art, and used traditional materials such as silk, ink and mineral pigments to draw traditional subjects of Japanese art with influence of Western painting.[1][2]
Life
[edit]Bokuyō Katayama was born in Nagae Town in Onomichi in 1900 (Meiji 33) as Kenzō Katayama (Bokuyō was his art name).[3] His father, Tatsunosuke Katayama, was a scholar of Chinese language.[1] Starting from 1915, he studied nanga in Osaka and calligraphy under Sunzu Aikawa. Since 1917, he studied Japanese painting under Tsurutomo Shoda in Kyoto. He also learned calligraphy from Toyama Yamamoto. Around this time, he created a tanka collection 曼珠華沙. Bokuyō moved to Tokyo in 1921, where he began to study Japanese painting in earnest under Tsutaya Ryuko.[1]
In 1927, his "Oboro" (currently in collection of Hiroshima Prefectural Art Museum)[4] was awarded the grand prize (tokusen) at Japan's 8th annual Imperial Juried Exhibition (Teiten), ran by Imperial Fine Arts Academy. The next year, at 9th Exhibition, he showcased "The Forest" (currently in collection of Minneapolis Institute of Art), which awarded him the status of mukansa, (literally "non-vetted"), meaning that any work he would submit to the next exhibitions would be automatically included.[2] In 1929, he showcased Gyoson Shunrai (漁村春懶, currently in collection of Fukuyama Museum of Art).[3] In this year, Yoshitaka Yanagi became his student. In 1930, he submitted Loneliness (破寂) to the 11th Teiten. In 1931, Yanagi changed his field to textile art and left Bokuyō's tutelage. His place was taken by Hideo Shiode who moved to Tokyo from Fukuyama to study painting. In 1931, Bokuyō submitted Kagerou (かげろう) to the 12th Teiten. It was his last exhibition, with his career being cut short there by an illness.[1] In 1932, he returned to his wife's parents' home in Fukuyama, Hiroshima.[1] In 1935, he traveled to Saipan, and returned to Japan in the same year. He passed away because of his illness on August 26, 1937.[5]
Gallery
[edit]-
Oboro (1927)
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Gyoson Shunrai (1929)
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Loneliness (1930)
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Kagerou (1931)
References
[edit]- ^ a b c d e "春宵臥猫図". www.onomichi-museum.jp (in Japanese). Archived from the original on 2021-02-01. Retrieved 2021-08-10.
- ^ a b "Forest, Katayama Bokuyō ^ Minneapolis Institute of Art". collections.artsmia.org. Retrieved 2021-08-10.
- ^ a b "コレクションII:瀬戸内圏関連 - 福山市ホームページ" (in Japanese). Archived from the original on 2014-03-11.
- ^ "広島県立美術館 on Twitter". Twitter (in Japanese). Archived from the original on 2021-05-27. Retrieved 2021-08-10.
- ^ "片山牧羊 :: 東文研アーカイブデータベース". www.tobunken.go.jp (in Japanese). Archived from the original on 2016-03-07. Retrieved 2021-08-10.