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'''Giovanni Francesco Grossi''' (12 February 1653 – 29 May 1697) was one of the greatest [[Italy|Italian]] singers of the age of ''[baroque]''. He is better known as '''Siface'''.
'''Giovanni Francesco Grossi''' (12 February 1653 – 29 May 1697) was one of the greatest [[Italy|Italian]] [[castrato]] singers of the [[baroque music|baroque age]]. He is better known as '''Siface'''.


==Biography==
==Biography==
He was born near [[Pescia]] in [[Tuscany]], entered the papal chapel in 1675, and later sang at [[Venice]]. He derived his nickname of Siface from his impersonation of that character in [[Francesco Cavalli|Cavalli]]'s opera, ''[[Scipione affricano]]''. It has generally been said that he appeared as Siface in [[Alessandro Scarlatti]]'s ''Mitridate'', but the confusion is due to his having sung the part of Mitridate in Scarlatti's ''Pompeo at Naples'' in 1683.
He was born near [[Pescia]] in [[Tuscany]], entered the papal chapel in 1675, and maintained an operatic career in Venice and Naples. He derived his nickname of 'Siface' from his performance of that character in [[Francesco Cavalli|Cavalli]]'s opera, ''[[Scipione affricano]]''.<ref name=":0" /> It has generally been said that he appeared as Siface in [[Alessandro Scarlatti]]'s ''Mitridate'', but the confusion is due to his having sung the part of Mitridate in Scarlatti's ''Pompeo at Naples'' in 1683.{{sfn|Chisholm|1911}}


From 1679 onwards he was employed by [[Francesco II d'Este, Duke of Modena|Francesco II d'Este, Duke of Moderna]] and the Duke sent Siface to London to entertain the Duke's sister and recently married wife of James II, [[Mary of Modena|Mary Beatrice]].<ref name=":0">{{Cite book |last=Dixon |first=Graham |title=The Purcell Companion |publisher=Faber and Faber |year=1995 |isbn=0-571-16670-9 |editor-last=Burden |editor-first=Michael |pages=43–44 |chapter=Purcell's Italianate Circle}}</ref> He arrived in January 1687 but returned to Moderna in April after complaining of the adverse effects of the English climate.<ref name=":1">{{Cite journal |last=Cunningham |first=John |last2=Wolley |first2=Andrew |date=2010 |title=A Little-known source of Restoration Lyra-Viol and Keyboard Music: Surrey History Centre, Woking, LM/1083/91/35 |url=https://www.jstor.org/stable/25677089 |journal=Royal Musical Association Research Chronicle |issue=43 |pages=7 |via=JSTOR}}</ref>
In 1687, he was sent to [[London]] by the [[duke of Modena]], to become a member of the chapel of [[James II of England|James II]]. He probably did much for the introduction of Italian music into [[England]], but soon left the country on account of the climate. He was murdered in 1697 on the road between [[Bologna]] and [[Ferrara]], by the agents of a nobleman with whose wife he had a liaison.


He was murdered in 1697 on the road between [[Bologna]] and [[Ferrara]], allegedly by the agents of a nobleman with whose wife he had a liaison,{{sfn|Chisholm|1911}} although later sources indicate that he was killed at the behest of the brothers of Elena Marsili, a widowed Countess, who Siface had an affair with when they were both at the court of the Duke of Modena.<ref>Gramophone Magazine - July 2018, p. 97</ref>
Among [[Henry Purcell|Purcell]]'s [[harpsichord]] music is an air entitled '''''Sefauchi''''s Farewell''.

Among [[Henry Purcell|Purcell]]'s [[harpsichord]] music is an air entitled ''Sefauchi's Farewell'', this is an arrangement of a tune that was popular at the time and presumably commemorated Siface's departure.<ref name=":1" />


== References ==
== References ==
{{reflist}}
* {{1911|Grossi, Giovanni Francesco}} This work in turn cites:
* {{EB1911|wstitle=Grossi, Giovanni Francesco|volume=12|page=618}} This work in turn cites:
** Corrado Ricci, ''Vita Barocca'' (Milan, 1904).
** Corrado Ricci, ''Vita Barocca'' (Milan, 1904).


{{Castrati}}
{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->

| NAME = Grossi, Giovanni Francesco
{{authority control}}
| ALTERNATIVE NAMES = Siface; Sefauchi

| SHORT DESCRIPTION = Italian opera singer
| DATE OF BIRTH = 12 February 1653
| PLACE OF BIRTH = [[Chiesina Uzzanese]] near [[Pescia]] in [[Tuscany]]
| DATE OF DEATH = 29 May 1697
| PLACE OF DEATH = [[Malalbergo]] (on the road between [[Bologna]] and [[Ferrara]])
}}
{{DEFAULTSORT:Grossi, Giovanni Francesco}}
{{DEFAULTSORT:Grossi, Giovanni Francesco}}
[[Category:1653 births]]
[[Category:1653 births]]

Latest revision as of 13:14, 26 May 2024

Giovanni Francesco Grossi (12 February 1653 – 29 May 1697) was one of the greatest Italian castrato singers of the baroque age. He is better known as Siface.

Biography

[edit]

He was born near Pescia in Tuscany, entered the papal chapel in 1675, and maintained an operatic career in Venice and Naples. He derived his nickname of 'Siface' from his performance of that character in Cavalli's opera, Scipione affricano.[1] It has generally been said that he appeared as Siface in Alessandro Scarlatti's Mitridate, but the confusion is due to his having sung the part of Mitridate in Scarlatti's Pompeo at Naples in 1683.[2]

From 1679 onwards he was employed by Francesco II d'Este, Duke of Moderna and the Duke sent Siface to London to entertain the Duke's sister and recently married wife of James II, Mary Beatrice.[1] He arrived in January 1687 but returned to Moderna in April after complaining of the adverse effects of the English climate.[3]

He was murdered in 1697 on the road between Bologna and Ferrara, allegedly by the agents of a nobleman with whose wife he had a liaison,[2] although later sources indicate that he was killed at the behest of the brothers of Elena Marsili, a widowed Countess, who Siface had an affair with when they were both at the court of the Duke of Modena.[4]

Among Purcell's harpsichord music is an air entitled Sefauchi's Farewell, this is an arrangement of a tune that was popular at the time and presumably commemorated Siface's departure.[3]

References

[edit]
  1. ^ a b Dixon, Graham (1995). "Purcell's Italianate Circle". In Burden, Michael (ed.). The Purcell Companion. Faber and Faber. pp. 43–44. ISBN 0-571-16670-9.
  2. ^ a b Chisholm 1911.
  3. ^ a b Cunningham, John; Wolley, Andrew (2010). "A Little-known source of Restoration Lyra-Viol and Keyboard Music: Surrey History Centre, Woking, LM/1083/91/35". Royal Musical Association Research Chronicle (43): 7 – via JSTOR.
  4. ^ Gramophone Magazine - July 2018, p. 97