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| alt =
| alt =
| released = April 1987
| released = April 1987
| recorded = November–December 1986<br/>(mixed January 1987)<ref>{{cite book |title=Read & Burn: A Book About Wire |last=Neate |first=Wilson |publisher=Jawbone Press |location=London |year=2013 |isbn=978-1-90827-933-0 |page=170}}</ref>
| recorded = November 1986—January 1987
| venue =
| venue =
| studio = [[Hansa Tonstudio]], [[Berlin]], [[West Germany]]<br />Strongroom, [[London]], [[United Kingdom|UK]]<br />Metropol, Berlin, West Germany (Live 1986)
| studio = [[Hansa Tonstudio]], [[Berlin]], [[West Germany]]
| genre = {{flatlist|
| genre = {{flatlist|
*[[Post-punk]]
*[[Post-punk]]
Line 17: Line 17:
*[[Electronic music|electronic]]
*[[Electronic music|electronic]]
}}
}}
| length = 34:39 (Original album)<br />63:18 (Reissue with bonus tracks)
| length = 34:39 (LP)<br />63:18 (CD)
| label = [[Mute Records|Mute]], [[Enigma Records|Enigma]]
| label = {{flatlist|
*[[Mute Records|Mute]]
*[[Enigma Records|Enigma]] (North America)
}}
| producer = [[Gareth Jones (music producer)|Gareth Jones]]
| producer = [[Gareth Jones (music producer)|Gareth Jones]]
| chronology = Wire studio album
| chronology = Wire studio album
Line 25: Line 28:
| next_title = [[A Bell Is a Cup]]
| next_title = [[A Bell Is a Cup]]
| next_year = 1988
| next_year = 1988
| misc = {{Singles
| name = The Ideal Copy
| type = studio
| single1 = Ahead
| single1date = March 1987<ref name="Lester">{{Cite book|url=https://books.google.com/books?id=Za-Qc7wOwfsC&q=The+Drill+%28album%29+wire&pg=PT217|title=Lowdown: The Story of Wire|first=Paul|last=Lester|authorlink=Paul Lester|date=2009|publisher=Omnibus Press|isbn=9780857120410|via=Google Books|access-date=19 January 2023}}</ref>
}}
}}

⚫
{{Album ratings
⚫
| rev1 = [[Allmusic]]
⚫
| rev1Score = {{Rating|3|5}}<ref>{{AllMusic|class=album|id=r22093|pure_url=yes}}</ref>
⚫
| rev2 = [[Rolling Stone]]
⚫
| rev2Score = <small>(Not Rated)</small><ref>{{cite web |url=https://www.rollingstone.com/artists/wire/albums/album/102560/review/5940315/the_ideal_copy |title=Wire (Album Reviews) |last1=Walters |first1=Barry |date=24 September 1987 |work=Rolling Stone|url-status=dead | archive-url=https://web.archive.org/web/20100105155844/http://www.rollingstone.com/artists/wire/albums/album/102560/review/5940315/the_ideal_copy |archive-date=5 January 2010 |access-date=18 September 2015 }}</ref>
⚫
| rev3 = [[Robert Christgau]]
⚫
| rev3Score = B−<ref>{{cite web|url=http://www.robertchristgau.com/get_artist.php?id=1682&name=Wire |title=CG: Wire |publisher=Robert Christgau |accessdate=5 June 2012}}</ref>
}}
}}


'''''The Ideal Copy''''' is the fourth studio album by the English rock group [[Wire (band)|Wire]]. It was the first full-length recording following the band's hiatus of 1980–1985. (The band had recorded and released the [[Snakedrill]] [[Extended play|EP]] in 1986 after reuniting). [[Mute Records]] released the album. ''The Ideal Copy'' peaked at number 87 in the UK albums chart.<ref>[http://www.officialcharts.com/artist/_/wire/ Wire albums] the official charts</ref>
'''''The Ideal Copy''''' is the fourth studio album by the English rock group [[Wire (band)|Wire]], released in April 1987 by [[Mute Records]]. It was the first full-length recording following the band's hiatus of 1980–1985 (The band had also recorded and released the ''[[Snakedrill]]'' [[Extended play|EP]] in 1986 after reuniting). ''The Ideal Copy'' peaked at number 87 in the UK albums chart.<ref>[http://www.officialcharts.com/artist/_/wire/ Wire albums] the official charts</ref>


== Background ==
Wire had used [[Electronic music|electronic]] instruments on the albums ''[[Chairs Missing]]'' and ''[[154 (album)|154]]'', but following their hiatus, Wire more openly embraced the use of [[music sequencer|sequencers]], synthesisers, and [[drum machines]]. This prompted music critics to compare ''The Ideal Copy'' to groups such as [[New Order (band)|New Order]].<ref name=davis>Davis, Michael. Record review. ''[[Creem]]'' September 1987: 21</ref><ref name=trouserpress>DeRogatis, Jim & Neate, Wilson. {{cite web|title=Wire|work=Trouser Press|url=http://www.trouserpress.com/entry.php?a=wire|accessdate=25 February 2005|url-status=dead|archiveurl=https://web.archive.org/web/20120204040037/http://www.trouserpress.com/entry.php?a=wire|archivedate=4 February 2012}}</ref> One critic, Kirk Fillmore, further compared the electric bass's sound on the single "Ahead" to that of New Order's [[Peter Hook]], though bassist [[Graham Lewis]] had played in such a style on previous Wire albums.<ref name=fillmore>Fillmore, Kirk. [[Vinyl record|Record]] review. ''Façade'' June 1987: 4</ref> Indeed, journalist Richard Grabel pointed out that "New Order and any number of other synths-and-guitars bands took cues from late-70s Wire," suggesting that "things [had] come full circle."<ref name=grabel>Grabel, Richard. "Wire of the Tastiest Kind." ''[[Creem]]'' September 1987: 31+</ref>
Wire had used [[Electronic music|electronic]] instruments on the albums ''[[Chairs Missing]]'' (1978) and ''[[154 (album)|154]]'' (1979), but following their hiatus, Wire more openly embraced the use of [[music sequencer|sequencers]], synthesisers, and [[drum machines]]. This prompted music critics to compare ''The Ideal Copy'' to groups such as [[New Order (band)|New Order]].<ref name=davis>Davis, Michael. Record review. ''[[Creem]]'' September 1987: 21</ref><ref name=trouserpress>DeRogatis, Jim & Neate, Wilson. {{cite web|title=Wire|work=Trouser Press|url=http://www.trouserpress.com/entry.php?a=wire|accessdate=25 February 2005|url-status=dead|archiveurl=https://web.archive.org/web/20120204040037/http://www.trouserpress.com/entry.php?a=wire|archivedate=4 February 2012}}</ref> One critic, Kirk Fillmore, further compared the electric bass's sound on the single "Ahead" to that of New Order's [[Peter Hook]], though bassist [[Graham Lewis]] had played in such a style on previous Wire albums.<ref name=fillmore>Fillmore, Kirk. [[Vinyl record|Record]] review. ''Façade'' June 1987: 4</ref> Indeed, journalist Richard Grabel pointed out that "New Order and any number of other synths-and-guitars bands took cues from late-70s Wire," suggesting that "things [had] come full circle."<ref name=grabel>Grabel, Richard. "Wire of the Tastiest Kind." ''[[Creem]]'' September 1987: 31+</ref>


In May 1988, ''The Ideal Copy'' became the first popular music recording to be commercially released on [[Digital Audio Tape|DAT]] format.<ref>{{Cite journal | title=Back in the Days of '88 | url=https://books.google.com/books?id=5oyYjDeNc_AC&pg=PA71 | journal=[[Spin (magazine)|Spin]] | volume=4 | issue=9 |date=December 1988 | page=71| last1=Media | first1=Spin L.L.C. }}</ref>
In May 1988, ''The Ideal Copy'' became the first popular music recording to be commercially released on [[Digital Audio Tape|DAT]] format.<ref>{{Cite journal | title=Back in the Days of '88 | url=https://books.google.com/books?id=5oyYjDeNc_AC&pg=PA71 | journal=[[Spin (magazine)|Spin]] | volume=4 | issue=9 |date=December 1988 | page=71| last1=Media | first1=Spin L.L.C. }}</ref>


== The album title ==
== Album title ==
The phrase "the ideal copy" is repeated throughout the song "Ambitious." Graham Lewis, in a ''[[Creem]]'' interview, stated "the ideal copy" ultimately refers to [[DNA]], "but Bruce [Gilbert] had a dream about it and decided we had to take that out of the song".<ref name=grabel />
The phrase "the ideal copy" is repeated throughout the song "Ambitious." Graham Lewis, in a ''[[Creem]]'' interview, stated "the ideal copy" ultimately refers to [[DNA]], "but [[Bruce Gilbert|Bruce [Gilbert]]] had a dream about it and decided we had to take that out of the song".<ref name=grabel />


== Lyrical content ==
== Lyrical content ==
Typical of Wire, the album's lyrics include a wide range of cultural references.
Typical of Wire, the album's lyrics include a wide range of cultural references.


"Madman's Honey" refers to [[Grayanotoxin#Mad honey intoxication|"mad honey"]], honey produced by bees using pollen from grayanotoxin-containing plants, particularly [[Rhododendron]], produced traditionally in [[Nepal]] and the [[Black Sea]] region of [[Turkey]]. The song also includes references to [[Mount Nemrut|Nemrut Dağı]], a mountain in Turkey with a rich archaeological history (including colossal statues of Greek and Persian deities and a tomb complex dating to the first century BCE), the ancient Turkish setlement of [[Urfa]], and the fishpond at [[Balıklıgöl]] in neighboring [[Harran]]. The line "Master, cut the stone out, my name is Lubbert Das", is taken from [[Cutting the Stone]], also called The Extraction of the [[Stone_of_madness|Stone of Madness]] or The Cure of Folly, a painting by [[Hieronymus Bosch]] completed around 1500.
"Madman's Honey" refers to [[mad honey]], honey produced by bees using pollen from grayanotoxin-containing plants, particularly [[Rhododendron]], produced traditionally in [[Nepal]] and the [[Black Sea]] region of [[Turkey]]. The song also includes references to [[Mount Nemrut|Nemrut Dağı]], a mountain in Turkey with a rich archaeological history (including colossal statues of Greek and Persian deities and a tomb complex dating to the first century BCE), the ancient Turkish settlement of [[Urfa]], and the fishpond at [[Balıklıgöl]] in neighboring [[Harran]]. The line "Master, cut the stone out, my name is Lubbert Das", is taken from ''[[Cutting the Stone]]'', also called ''The Extraction of the [[Stone_of_madness|Stone of Madness]]'' or ''The Cure of Folly'', a painting by [[Hieronymus Bosch]] completed around 1500.


The tracks, "Up to the Sun", and its live version, "Vivid Riot of Red (Live)", both previously released on the ''[[Snakedrill]]'' EP, are a partial performance of an incantation against [[jaundice]] from the late Vedic scripture, the [[Atharvaveda]]:
The tracks, "Up to the Sun" (previously released on the ''[[Snakedrill]]'' EP), and its live version, "Vivid Riot of Red", are a partial performance of an incantation against [[jaundice]] from the late Vedic scripture, the [[Atharvaveda]]:


{{Blockquote|
{{Blockquote|
⚫
<poem>Up to the sun shall go thy heart-ache and thy jaundice: in the colour of the red bull do we envelop thee!
<poem>
⚫
Up to the sun shall go thy heart-ache and thy jaundice: in the colour of the red bull do we envelop thee!

We envelop thee in red tints, unto long life. May this person go unscathed, and be free of yellow colour!
We envelop thee in red tints, unto long life. May this person go unscathed, and be free of yellow colour!
The cows whose divinity is Rohini, they who, moreover, axe (themselves) red (róhinih)-(in their) every form and every strength we do envelop thee.

The cows whose divinity is Rohini, they who, moreover, axe (themselves) red (róhinih)-(in their) every form and every strength we do envelop thee.
Into the parrots, into the ropanâkâs (thrush) do we put thy jaundice, and, furthermore, into the hâridravas (yellow wagtail) do we put thy jaundice.
Into the parrots, into the ropanâkâs (thrush) do we put thy jaundice, and, furthermore, into the hâridravas (yellow wagtail) do we put thy jaundice.
</poem>
</poem>
|Atharvaveda I, 22|Hymns of the Atharva-Veda, Translated by Maurice Bloomfield, in The Sacred Books of the East, [[Max Muller]], ed. <ref>{{Google books|voQ5AQAAMAAJ|The Sacred Books of the East, Volume 42|page=7}}, Oxford University Press, pages 7-8</ref>}}
|Atharvaveda I, 22|Hymns of the Atharva-Veda, Translated by [[Maurice Bloomfield]], in ''[[The Sacred Books of the East]]'', [[Max Muller]], ed. <ref>{{Google books|voQ5AQAAMAAJ|The Sacred Books of the East, Volume 42|page=7}}, Oxford University Press, pages 7-8</ref>}}


== Reception ==
== Critical reception ==
⚫
{{Album ratings
⚫
[[Allmusic]] said the album was a "stunning comeback picking up where ''[[154 (album)|154]]'' left off while also reflecting the strides made by the members' solo work" and that the album was "experimental and forward-thinking".<ref>{{Cite web|url=http://www.allmusic.com/album/the-ideal-copy-mw0000650988|title=The Ideal Copy - Wire &#124; Songs, Reviews, Credits &#124; AllMusic|website=[[AllMusic]]}}</ref>
⚫
| rev1 = [[AllMusic]]
⚫
| rev1Score = {{Rating|3|5}}<ref>{{AllMusic|class=album|id=r22093|pure_url=yes}}</ref>
⚫
| rev2 = ''[[Rolling Stone]]''
⚫
| rev2Score = <small>(Not Rated)</small><ref>{{cite web |url=https://www.rollingstone.com/artists/wire/albums/album/102560/review/5940315/the_ideal_copy |title=Wire (Album Reviews) |last1=Walters |first1=Barry |date=24 September 1987 |work=Rolling Stone|url-status=dead | archive-url=https://web.archive.org/web/20100105155844/http://www.rollingstone.com/artists/wire/albums/album/102560/review/5940315/the_ideal_copy |archive-date=5 January 2010 |access-date=18 September 2015 }}</ref>
⚫
| rev3 = [[Robert Christgau]]
⚫
| rev3Score = B−<ref>{{cite web|url=http://www.robertchristgau.com/get_artist.php?id=1682&name=Wire |title=CG: Wire |publisher=Robert Christgau |accessdate=5 June 2012}}</ref>
}}
⚫
[[AllMusic]] said the album was a "stunning comeback picking up where ''[[154 (album)|154]]'' left off while also reflecting the strides made by the members' solo work" and that the album was "experimental and forward-thinking".<ref>{{Cite web|url=http://www.allmusic.com/album/the-ideal-copy-mw0000650988|title=The Ideal Copy - Wire &#124; Songs, Reviews, Credits &#124; AllMusic|website=[[AllMusic]]}}</ref> ''[[Trouser Press]]'' felt that, "for the first time, Wire no longer sounded ahead of its time: New Order had already done this sort of thing better." And while the album has its moments of tunefulness, they wrote, "mechanical sameness is no substitute for the old diversity."<ref>{{cite web|last1=DeRogatis|first1=Jim|last2=Neate|first2=Wilson|title=Wire|url=https://trouserpress.com/reviews/wire/|access-date=19 January 2023|website=[[Trouser Press]]}}</ref>

''[[Stereogum]]'' ranked it 6th (out of 15) in their 2015 "Wire Albums from Worst to Best" list, writing, "what mostly defines the album is the updated, late '80s sheen that blankets every song, and with mostly satisfying results ... Glossy, in this case, doesn't necessarily denote commercial, however, and one dynamite single ["Ahead"] doesn't stop Wire from making the rest of the album uniquely – and accessibly – weird. As peculiar and sometimes frustrating as Wire's second act would become, it certainly started out strong."<ref>{{cite web|last=Terich|first=Jeffrey|date=22 April 2015|title=Wire Albums From Worst To Best|url=https://www.stereogum.com/1792251/wire-albums-from-worst-to-best/lists/|access-date=19 January 2023|website=[[Stereogum]]}}</ref>


==Track listing==
==Track listing==
All titles written by Wire (Graham Lewis/Colin Newman/Bruce Gilbert/Robert Gotobed).
All titles are written by Wire ([[Graham Lewis]], [[Colin Newman]], [[Bruce Gilbert]] and [[Robert Grey (musician)|Robert Gotobed]]).
{{Track listing
{{Track listing
| title1 = Point of Collapse
| title1 = The Point of Collapse
|length1 = 3:18
|length1 = 3:18
|title2 = Ahead
|title2 = Ahead
Line 85: Line 95:
}}
}}


;Bonus tracks
In addition to the eight album tracks, the compact disc and [[Compact audio cassette|cassette]] configurations appended the ''[[Snakedrill]]'' EP in its entirety, along with three concert recordings:
In addition to the eight album tracks, the compact disc and [[Compact audio cassette|cassette]] configurations appended the ''[[Snakedrill]]'' EP in its entirety, along with three concert recordings.

{{Track listing
{{Track listing
|title9 = A Serious of Snakes
|title9 = A Serious of Snakes
|note9 = from ''Snakedrill'', 1986
|length9 = 4:53
|length9 = 4:53
|title10 = Drill
|title10 = Drill
|note10 = from ''Snakedrill''
|length10 = 5:05
|length10 = 5:05
|title11 = Advantage in Height
|title11 = Advantage in Height
|note11 = from ''Snakedrill''
|length11 = 3:05
|length11 = 3:05
|title12 = Up to the Sun
|title12 = Up to the Sun
|note12 = from ''Snakedrill''
|length12 = 2:50
|length12 = 2:50
|title13 = Ambulance Chasers (Live)
|title13 = Ambulance Chasers
|note13 = live) (from "Ahead" 12" single, 1987
|length13 = 3:02
|length13 = 3:02
|title14 = Feed Me (Live)
|title14 = Feed Me
|note14 = live) (from "Ahead" 7" single
|length14 = 4:27
|length14 = 4:27
|title15 = Vivid Riot of Red (Live)
|title15 = Vivid Riot of Red
|note15 = live) (from "Ahead" 12" single
|length15 = 2:28
|length15 = 2:28
}}
}}


The UK CD edition on Mute Records (CD STUMM 42), in addition to the eight album tracks, appends a different version of "Ahead", as well as the ''Snakedrill'' EP and the three concert recordings:
The UK CD edition on Mute Records (CD STUMM 42), in addition to the eight album tracks, appends a different version of "Ahead", as well as the ''Snakedrill'' EP and the three concert recordings.
{{Track listing
{{Track listing
|title9 = Ahead (II)
|title9 = Ahead (II)
Line 116: Line 133:
|title13 = Up to the Sun
|title13 = Up to the Sun
|length13 = 2:42
|length13 = 2:42
|title14 = Ambulance Chasers (Live)
|title14 = Ambulance Chasers
|note14 = live
|length14 = 2:55
|length14 = 2:55
|title15 = Feed Me (Live)
|title15 = Feed Me
|note15 = live
|length15 = 4:28
|length15 = 4:28
|title16 = Vivid Riot of Red (Live)
|title16 = Vivid Riot of Red
|note16 = live
|length16 = 2:22
|length16 = 2:22
}}
}}
;Notes
*The ''Snakedrill'' EP was recorded in summer 1986 at The Strongroom, [[London]], [[United Kingdom|UK]] and released in November 1986.<ref name="Lester"/>
*Live tracks recorded 19 October 1986 at [[Metropol (Berlin)|Metropol]], Berlin, West Germany.<ref>{{cite web|url=https://www.pinkflag.com/live.php#gigs1986 |title=The Wire gigography – 1986 |publisher=Pinkflag.com |access-date=19 January 2023}}</ref>


==Personnel==
==Personnel==
Line 129: Line 152:
*[[Graham Lewis|Lewis]]&nbsp;– voice, bass guitar, various
*[[Graham Lewis|Lewis]]&nbsp;– voice, bass guitar, various
*[[Bruce Gilbert|B. C. Gilbert]]&nbsp;– guitar
*[[Bruce Gilbert|B. C. Gilbert]]&nbsp;– guitar
*[[Robert Gotobed]]&nbsp;– drums, various
*[[Robert Grey (musician)|Robert Gotobed]]&nbsp;– drums, various
;Production
;Production
* [[Gareth Jones (music producer)|Gareth Jones]]&nbsp;– [[Record producer|production]], [[Audio engineer|engineer]]
* [[Gareth Jones (music producer)|Gareth Jones]]&nbsp;– [[Record producer|production]], [[Audio engineer|engineer]]
* Andre Giere&nbsp;– assistant engineer
* Andre Giere&nbsp;– assistant engineer
* Sven&nbsp;– front cover image
*[[John Fryer (producer)|John Fryer]]&nbsp;– mixing (live tracks)
* Graham Lewis (credited as "Sven")<ref>{{Cite web|url=https://wireviews.com/articles/i_graham_lewis_uzine_00.html|title=Graham Lewis Interview - Uzine, 2000|first=Patrick|last=Vandenberghe|date=2000|publisher=Ultra WWW Magazine (Uzine)|access-date=19 January 2023}}</ref>&nbsp;– front cover image


== References ==
== References ==

Latest revision as of 12:09, 10 June 2024

The Ideal Copy
Studio album by
Wire
ReleasedApril 1987
RecordedNovember–December 1986
(mixed January 1987)[1]
StudioHansa Tonstudio, Berlin, West Germany
Genre
Length34:39 (LP)
63:18 (CD)
Label
ProducerGareth Jones
Wire studio album chronology
154
(1979) 		The Ideal Copy
(1987) 		A Bell Is a Cup
(1988)
Singles from The Ideal Copy
  1. "Ahead"
    Released: March 1987[2]

The Ideal Copy is the fourth studio album by the English rock group Wire, released in April 1987 by Mute Records. It was the first full-length recording following the band's hiatus of 1980–1985 (The band had also recorded and released the Snakedrill EP in 1986 after reuniting). The Ideal Copy peaked at number 87 in the UK albums chart.[3]

Background

[edit]

Wire had used electronic instruments on the albums Chairs Missing (1978) and 154 (1979), but following their hiatus, Wire more openly embraced the use of sequencers, synthesisers, and drum machines. This prompted music critics to compare The Ideal Copy to groups such as New Order.[4][5] One critic, Kirk Fillmore, further compared the electric bass's sound on the single "Ahead" to that of New Order's Peter Hook, though bassist Graham Lewis had played in such a style on previous Wire albums.[6] Indeed, journalist Richard Grabel pointed out that "New Order and any number of other synths-and-guitars bands took cues from late-70s Wire," suggesting that "things [had] come full circle."[7]

In May 1988, The Ideal Copy became the first popular music recording to be commercially released on DAT format.[8]

Album title

[edit]

The phrase "the ideal copy" is repeated throughout the song "Ambitious." Graham Lewis, in a Creem interview, stated "the ideal copy" ultimately refers to DNA, "but Bruce [Gilbert] had a dream about it and decided we had to take that out of the song".[7]

Lyrical content

[edit]

Typical of Wire, the album's lyrics include a wide range of cultural references.

"Madman's Honey" refers to mad honey, honey produced by bees using pollen from grayanotoxin-containing plants, particularly Rhododendron, produced traditionally in Nepal and the Black Sea region of Turkey. The song also includes references to Nemrut Dağı, a mountain in Turkey with a rich archaeological history (including colossal statues of Greek and Persian deities and a tomb complex dating to the first century BCE), the ancient Turkish settlement of Urfa, and the fishpond at Balıklıgöl in neighboring Harran. The line "Master, cut the stone out, my name is Lubbert Das", is taken from Cutting the Stone, also called The Extraction of the Stone of Madness or The Cure of Folly, a painting by Hieronymus Bosch completed around 1500.

The tracks, "Up to the Sun" (previously released on the Snakedrill EP), and its live version, "Vivid Riot of Red", are a partial performance of an incantation against jaundice from the late Vedic scripture, the Atharvaveda:

Up to the sun shall go thy heart-ache and thy jaundice: in the colour of the red bull do we envelop thee!
We envelop thee in red tints, unto long life. May this person go unscathed, and be free of yellow colour!
The cows whose divinity is Rohini, they who, moreover, axe (themselves) red (róhinih)-(in their) every form and every strength we do envelop thee.
Into the parrots, into the ropanâkâs (thrush) do we put thy jaundice, and, furthermore, into the hâridravas (yellow wagtail) do we put thy jaundice.

— Atharvaveda I, 22, Hymns of the Atharva-Veda, Translated by Maurice Bloomfield, in The Sacred Books of the East, Max Muller, ed. [9]

Critical reception

[edit]
Professional ratings
Review scores
SourceRating
AllMusic[10]
Rolling Stone(Not Rated)[11]
Robert ChristgauB−[12]

AllMusic said the album was a "stunning comeback picking up where 154 left off while also reflecting the strides made by the members' solo work" and that the album was "experimental and forward-thinking".[13] Trouser Press felt that, "for the first time, Wire no longer sounded ahead of its time: New Order had already done this sort of thing better." And while the album has its moments of tunefulness, they wrote, "mechanical sameness is no substitute for the old diversity."[14]

Stereogum ranked it 6th (out of 15) in their 2015 "Wire Albums from Worst to Best" list, writing, "what mostly defines the album is the updated, late '80s sheen that blankets every song, and with mostly satisfying results ... Glossy, in this case, doesn't necessarily denote commercial, however, and one dynamite single ["Ahead"] doesn't stop Wire from making the rest of the album uniquely – and accessibly – weird. As peculiar and sometimes frustrating as Wire's second act would become, it certainly started out strong."[15]

Track listing

[edit]

All titles are written by Wire (Graham Lewis, Colin Newman, Bruce Gilbert and Robert Gotobed).

No.TitleLength
1."The Point of Collapse"3:18
2."Ahead"4:53
3."Madman's Honey"4:23
4."Feed Me"5:50
5."Ambitious"4:00
6."Cheeking Tongues"2:02
7."Still Shows"4:00
8."Over Theirs"5:18
Bonus tracks

In addition to the eight album tracks, the compact disc and cassette configurations appended the Snakedrill EP in its entirety, along with three concert recordings.

No.TitleLength
9."A Serious of Snakes" (from Snakedrill, 1986)4:53
10."Drill" (from Snakedrill)5:05
11."Advantage in Height" (from Snakedrill)3:05
12."Up to the Sun" (from Snakedrill)2:50
13."Ambulance Chasers" (live) (from "Ahead" 12" single, 1987)3:02
14."Feed Me" (live) (from "Ahead" 7" single)4:27
15."Vivid Riot of Red" (live) (from "Ahead" 12" single)2:28

The UK CD edition on Mute Records (CD STUMM 42), in addition to the eight album tracks, appends a different version of "Ahead", as well as the Snakedrill EP and the three concert recordings.

No.TitleLength
9."Ahead (II)"3:29
10."A Serious of Snakes"4:42
11."Drill"5:03
12."Advantage in Height"3:02
13."Up to the Sun"2:42
14."Ambulance Chasers" (live)2:55
15."Feed Me" (live)4:28
16."Vivid Riot of Red" (live)2:22
Notes
  • The Snakedrill EP was recorded in summer 1986 at The Strongroom, London, UK and released in November 1986.[2]
  • Live tracks recorded 19 October 1986 at Metropol, Berlin, West Germany.[16]

Personnel

[edit]
Wire
Production

References

[edit]
  1. ^ Neate, Wilson (2013). Read & Burn: A Book About Wire. London: Jawbone Press. p. 170. ISBN 978-1-90827-933-0.
  2. ^ a b Lester, Paul (2009). Lowdown: The Story of Wire. Omnibus Press. ISBN 9780857120410. Retrieved 19 January 2023 – via Google Books.
  3. ^ Wire albums the official charts
  4. ^ Davis, Michael. Record review. Creem September 1987: 21
  5. ^ DeRogatis, Jim & Neate, Wilson. "Wire". Trouser Press. Archived from the original on 4 February 2012. Retrieved 25 February 2005.
  6. ^ Fillmore, Kirk. Record review. Façade June 1987: 4
  7. ^ a b Grabel, Richard. "Wire of the Tastiest Kind." Creem September 1987: 31+
  8. ^ Media, Spin L.L.C. (December 1988). "Back in the Days of '88". Spin. 4 (9): 71.
  9. ^ The Sacred Books of the East, Volume 42, p. 7, at Google Books, Oxford University Press, pages 7-8
  10. ^ https://www.allmusic.com/album/r22093
  11. ^ Walters, Barry (24 September 1987). "Wire (Album Reviews)". Rolling Stone. Archived from the original on 5 January 2010. Retrieved 18 September 2015.
  12. ^ "CG: Wire". Robert Christgau. Retrieved 5 June 2012.
  13. ^ "The Ideal Copy - Wire | Songs, Reviews, Credits | AllMusic". AllMusic.
  14. ^ DeRogatis, Jim; Neate, Wilson. "Wire". Trouser Press. Retrieved 19 January 2023.
  15. ^ Terich, Jeffrey (22 April 2015). "Wire Albums From Worst To Best". Stereogum. Retrieved 19 January 2023.
  16. ^ "The Wire gigography – 1986". Pinkflag.com. Retrieved 19 January 2023.
  17. ^ Vandenberghe, Patrick (2000). "Graham Lewis Interview - Uzine, 2000". Ultra WWW Magazine (Uzine). Retrieved 19 January 2023.
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