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Nope, the February release, with the sides reversed, was the UK issue, not the U.S. one. The sides were never officially flipped in America, so was correct the way it was.
 
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{{Infobox album
{{Infobox album
| name = Turn! Turn! Turn!
| name = Turn! Turn! Turn!
| type = studio
| type = studio
| artist = [[The Byrds]]
| artist = [[the Byrds]]
| cover = TurnTurnTurnCover.jpg
| cover = TurnTurnTurnCover.jpg
| alt =
| alt =
| released = December 6, 1965
| released = {{start date|1965|12|6}}
| recorded = June 28 – November 1, 1965, [[CBS Columbia Square|Columbia Studios]], Hollywood, CA
| recorded = June 28 – November 1, 1965
| studio = [[CBS Columbia Square|Columbia]], Hollywood
| venue =
| genre = [[Folk rock]]
| studio =
| length = {{duration|m=30|s=24}}
| genre = {{flatlist|
| label = [[Columbia Records|Columbia]]
| producer = [[Terry Melcher]]
* [[Folk rock]]
| prev_title = [[Mr. Tambourine Man (album)|Mr. Tambourine Man]]
* [[Pop music|pop]]
| prev_year = 1965
* [[jangle pop]]
| next_title = [[Fifth Dimension (album)|Fifth Dimension]]
}}
| length = 30:24
| next_year = 1966
| label = [[Columbia Records|Columbia]]
| misc = {{Singles
| producer = [[Terry Melcher]]
| prev_title = [[Mr. Tambourine Man (album)|Mr. Tambourine Man]]
| prev_year = 1965
| next_title = [[Fifth Dimension (album)|Fifth Dimension]]
| next_year = 1966
| misc = {{Singles
| name = Turn! Turn! Turn!
| name = Turn! Turn! Turn!
| type = studio
| type = studio
Line 40: Line 35:
}}
}}
}}
}}
'''''Turn! Turn! Turn!''''' is the second [[album]] by the [[folk rock]] [[Musical ensemble|band]] [[The Byrds]] and was released in December 1965 on [[Columbia Records]] (''see'' [[1965 in music]]).<ref name="timeless">{{Cite book|author=Rogan, Johnny.|pages=541–546|year=1998|title=The Byrds: Timeless Flight Revisited|edition=2nd|publisher=Rogan House|isbn=0-9529540-1-X}}</ref> Like its predecessor, ''[[Mr. Tambourine Man (album)|Mr. Tambourine Man]]'', the album epitomized the folk rock genre and continued the band's successful mix of [[vocal harmony]] and jangly [[twelve string guitar|twelve-string]] [[Rickenbacker]] [[Electric guitar|guitar]].<ref name="allmusic">{{Cite web|title=Turn! Turn! Turn! (To Everything There Is a Season) review|publisher=[[AllMusic]]|url={{AllMusic|class=song|id=t2736425|pure_url=yes}}|accessdate=2009-12-08}}</ref> The album's lead single and title track, "[[Turn! Turn! Turn!]]", was a [[Pete Seeger]] adaptation of text from the [[Ecclesiastes|Book of Ecclesiastes]] that had previously been [[Arrangement|arranged]] in a chamber-folk style by the band's [[lead guitarist]] [[Roger McGuinn|Jim McGuinn]], while working with folksinger [[Judy Collins]].<ref name="fricke">{{Cite book|author=Fricke, David.|year=1996|title=Turn! Turn! Turn! (1996 CD liner notes)}}</ref> The arrangement that McGuinn used for The Byrds' version utilized the same folk rock style as the band's previous hit singles.<ref name="timeless3">{{Cite book|author=Rogan, Johnny.|pages=123–128|year=1998|title=The Byrds: Timeless Flight Revisited|edition=2nd|publisher=Rogan House|isbn=0-9529540-1-X}}</ref>
'''''Turn! Turn! Turn!''''' is the second studio album by the American rock band [[the Byrds]], released on December 6, 1965, by [[Columbia Records]].<ref name="timeless">{{Cite book|author=Rogan, Johnny.|pages=541–546|year=1998|title=The Byrds: Timeless Flight Revisited|edition=2nd|publisher=Rogan House|isbn=0-9529540-1-X}}</ref> Like its predecessor, ''[[Mr. Tambourine Man (album)|Mr. Tambourine Man]]'', the album epitomized the [[folk rock]] genre and continued the band's successful mix of [[vocal harmony]] and jangly [[twelve string guitar|twelve-string]] [[Rickenbacker]] [[Electric guitar|guitar]].<ref name="allmusic">{{Cite web|title=Turn! Turn! Turn! (To Everything There Is a Season) review|publisher=[[AllMusic]]|url={{AllMusic|class=song|id=t2736425|pure_url=yes}}|accessdate=2009-12-08}}</ref> The album's lead single and title track, "[[Turn! Turn! Turn!]]", which was adapted by [[Pete Seeger]] from text in the [[Ecclesiastes|Book of Ecclesiastes]], had previously been [[Arrangement|arranged]] in a [[Folk baroque|chamber-folk]] style by the Byrd's [[lead guitarist]] [[Roger McGuinn|Jim McGuinn]] for folk singer [[Judy Collins]]' [[Judy Collins 3|third album]],<ref name="fricke">{{Cite book|author=Fricke, David.|year=1996|title=Turn! Turn! Turn! (1996 CD liner notes)}}</ref> but the arrangement he used for the Byrds' recording of the song utilizes the same folk-rock style as the band's previous hit singles.<ref name="timeless3">{{Cite book|author=Rogan, Johnny.|pages=123–128|year=1998|title=The Byrds: Timeless Flight Revisited|edition=2nd|publisher=Rogan House|isbn=0-9529540-1-X}}</ref>

The album peaked at number 17 on the [[Billboard 200|''Billboard'' Top LPs]] chart and went to number 11 in the United Kingdom.<ref name="whitburn">{{Cite book|author=Whitburn, Joel.|page=[https://archive.org/details/joelwhitburnstop00whitbu/page/121 121]|year=2002|title=Top Pop Albums 1955–2001|publisher=Record Research Inc|isbn=0-89820-147-0|url-access=registration|url=https://archive.org/details/joelwhitburnstop00whitbu/page/121}}</ref><ref name="brown">{{Cite book|author=Brown, Tony.|page=130|year=2000|title=The Complete Book of the British Charts|publisher=Omnibus Press|isbn=0-7119-7670-8}}</ref> The "Turn! Turn! Turn!" [[Single (music)|single]] preceded the album by two months and topped the [[Billboard Hot 100|''Billboard'' Hot 100]] chart.<ref name="whitburn2">{{Cite book|author=Whitburn, Joel.|page=130|year=2008|title=Top Pop Singles 1955–2006|publisher=Record Research Inc|isbn=978-0-89820-172-7}}</ref> Another single taken from the album, "[[Set You Free This Time]]", was less successful and failed to break into the top 50 in the U.S.<ref name="whitburn2"/>


The album peaked at #17 on the [[Billboard 200|''Billboard'' Top LPs]] chart and went to #11 in the United Kingdom.<ref name="whitburn">{{Cite book|author=Whitburn, Joel.|page=121|year=2002|title=Top Pop Albums 1955–2001|publisher=Record Research Inc|isbn=0-89820-147-0}}</ref><ref name="brown">{{Cite book|author=Brown, Tony.|page=130|year=2000|title=The Complete Book of the British Charts|publisher=Omnibus Press|isbn=0-7119-7670-8}}</ref> The "Turn! Turn! Turn!" [[Single (music)|single]] preceded the album by two months and topped the chart in the United States.<ref name="whitburn2">{{Cite book|author=Whitburn, Joel.|page=130|year=2008|title=Top Pop Singles 1955–2006|publisher=Record Research Inc|isbn=0-89820-172-1}}</ref> Another single taken from the album, "[[Set You Free This Time]]", was less successful and failed to break into the U.S. Top 50.<ref name="whitburn2"/> The album marked an increase in McGuinn's songwriting output and [[rhythm guitarist]] [[David Crosby]] received his first writing credit on a Byrds' album. However, the band's prolific songwriter [[Gene Clark]] still contributed most of the original material.<ref name="rogan"/> The album also included two [[Bob Dylan]] covers: "[[The Times They Are a-Changin' (song)|The Times They Are a-Changin']]" and the then unreleased song, "[[Lay Down Your Weary Tune]]".<ref name="rogan">{{Cite book|author=Rogan, Johnny.|year=1996|title=Turn! Turn! Turn! (1996 CD liner notes)}}</ref> ''Turn! Turn! Turn!'' would be the last Byrds' album to feature the full participation of Gene Clark until the release of the original quintet's 1973 reunion album, ''[[Byrds (album)|Byrds]]''.<ref>{{Cite web|title=The Byrds Biography|publisher=[[AllMusic]]|url={{AllMusic|class=artist|id=p3810/biography|pure_url=yes}}|accessdate=2009-12-08}}</ref>
On ''Turn! Turn! Turn!'', McGuinn's contributions to songwriting increased and [[rhythm guitarist]] [[David Crosby]] received his first writing credit on a Byrds' album, but the band's prolific songwriter [[Gene Clark]] still contributed most of the original material.<ref name="rogan"/> The album included two [[Bob Dylan]] covers: "[[The Times They Are a-Changin' (song)|The Times They Are a-Changin']]" and the then-unreleased song, "[[Lay Down Your Weary Tune]]".<ref name="rogan">{{Cite book|author=Rogan, Johnny.|year=1996|title=Turn! Turn! Turn! (1996 CD liner notes)}}</ref> It would be the last Byrds' album to feature the full participation of Gene Clark until the release of the original quintet's 1973 reunion album, ''[[Byrds (album)|Byrds]]''.<ref>{{Cite web|title=The Byrds Biography|publisher=[[AllMusic]]|url={{AllMusic|class=artist|id=p3810/biography|pure_url=yes}}|accessdate=2009-12-08}}</ref>


==Background==
==Background==
In the wake of the international success of their debut album and the [[hit single]]s "[[Mr. Tambourine Man]]" and "[[All I Really Want to Do]]", The Byrds entered Columbia Studios in Hollywood on June 28, 1965 to set about recording their follow-up album.<ref name="allmusic"/><ref name="timeless2">{{Cite book|author=Rogan, Johnny.|page=619|year=1998|title=The Byrds: Timeless Flight Revisited|edition=2nd|publisher=Rogan House|isbn=0-9529540-1-X}}</ref> By the latter half of 1965, the folk rock trend that The Byrds had been instrumental in originating was gaining pace, with hit records by the likes of [[Cher]], [[The Turtles]], [[We Five]], and [[Barry McGuire]] clearly bearing the hallmarks of The Byrds' influence.<ref>{{Cite web|title=Mr. Tambourine Man review|publisher=[[AllMusic]]|url={{AllMusic|class=song|id=t1991558|pure_url=yes}}|accessdate=2009-12-08}}</ref> Despite being such an influential band, The Byrds had been disappointed with the relative lack of success that their second single "All I Really Want to Do" had achieved in the American charts and felt that they needed a strong third single in order to maintain their foothold in the marketplace.
In the wake of the international success of their debut album and the [[hit single]]s "[[Mr. Tambourine Man]]" and "[[All I Really Want to Do]]", the Byrds entered Columbia Studios in Hollywood on June 28, 1965, to set about recording their follow-up album.<ref name="allmusic"/><ref name="timeless2">{{Cite book|author=Rogan, Johnny.|page=619|year=1998|title=The Byrds: Timeless Flight Revisited|edition=2nd|publisher=Rogan House|isbn=0-9529540-1-X}}</ref> By the latter half of 1965, the folk rock trend the band had been instrumental in originating was gaining pace, with hit records by the likes of [[Cher]], [[the Turtles]], [[We Five]], and [[Barry McGuire]] clearly bearing the hallmarks of the Byrds' influence.<ref>{{Cite web|title=Mr. Tambourine Man review|publisher=[[AllMusic]]|url={{AllMusic|class=song|id=t1991558|pure_url=yes}}|accessdate=2009-12-08}}</ref> Despite being such an influential band, the Byrds had been disappointed with the relative lack of success that their second single "All I Really Want to Do" had achieved on the American charts and felt they needed a strong third single to maintain their foothold in the marketplace.


Initially, the band had elected to record a third [[Bob Dylan]] [[Cover version|cover]], "[[It's All Over Now, Baby Blue]]", as their next single but despite a couple of attempts to record the song in June and August 1965, it was ultimately rejected.<ref name="timeless3"/><ref name="rogan"/> The band then briefly considered issuing a version of Dylan's "The Times They Are a-Changin'" as a single instead, but this idea was also discarded, although the song does appear on ''Turn! Turn! Turn!''<ref name="timeless3"/><ref name="rogan"/><ref name="hjort">{{Cite book|author=Hjort, Christopher.|pages=65–67|year=2008|title=So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)|publisher=Jawbone Press|isbn=1-906002-15-0}}</ref> The song finally selected by the band for their third single was Pete Seeger's "Turn! Turn! Turn!", a musical adaptation of words taken from the [[Bible|Biblical]] Book of Ecclesiastes, which would return The Byrds to the top of the [[Billboard Hot 100|''Billboard'' Hot 100]].<ref name="timeless3"/><ref name="whitburn2"/>
Initially, the band elected to record a third [[Bob Dylan]] [[Cover version|cover]], "[[It's All Over Now, Baby Blue]]", as their next single, but, despite a couple of attempts to record the song in June and August 1965, it was ultimately rejected.<ref name="timeless3"/><ref name="rogan"/> The band then briefly considered issuing a version of Dylan's "The Times They Are a-Changin'" as a single instead, but this idea was also discarded, although the song does appear on ''Turn! Turn! Turn!''<ref name="timeless3"/><ref name="rogan"/><ref name="hjort">{{Cite book|author=Hjort, Christopher.|pages=65–67|year=2008|title=So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)|publisher=Jawbone Press|isbn=978-1-906002-15-2}}</ref> The song finally selected by the band for their third single was Pete Seeger's "Turn! Turn! Turn!", a musical adaptation of words taken from the [[Bible|Biblical]] Book of Ecclesiastes, which would return the group to the top of the [[Billboard Hot 100|''Billboard'' Hot 100]].<ref name="timeless3"/><ref name="whitburn2"/>


The recording of the album was not without its tensions, with several members of the band expressing feelings of resentment towards the close working relationship that was beginning to form between McGuinn and [[Record producer|producer]] [[Terry Melcher]].<ref name="timeless3"/> [[Rhythm guitar]]ist David Crosby was particularly vocal in his disapproval, since he felt that McGuinn and Melcher (along with the band's manager Jim Dickson) were conspiring to keep his songs off of the album.<ref name="timeless3"/> Crosby had brought the self-penned "Stranger In a Strange Land" (later released by [[Blackburn & Snow]]) and "The Flower Bomb Song", along with [[Chet Powers|Dino Valenti's]] "I Don't Ever Want to Spoil Your Party" (later released by [[Quicksilver Messenger Service]] as "Dino's Song") to the recording sessions but all three songs were rejected and remained unreleased at the time.<ref name="timeless3"/> Tension was also developing between the band's principal songwriter, Gene Clark, and the rest of The Byrds due to the higher level of income Clark was receiving from his songwriting.<ref name="timeless3"/><ref name="einarson">{{Cite book|author=Einarson, John.|pages=79–81|year=2005|title=Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark|publisher=Backbeat Books|isbn=0-87930-793-5}}</ref><ref name="timeless4">{{Cite book|author=Rogan, Johnny.|pages=165–167|year=1998|title=The Byrds: Timeless Flight Revisited|edition=2nd|publisher=Rogan House|isbn=0-9529540-1-X}}</ref> This resulted in Clark becoming increasingly isolated within the band and some of his best songs being relegated to appearances on [[A-side and B-side|B-sides]] or being left unreleased altogether.<ref name="timeless4"/><ref>{{Cite book|author=Einarson, John.|page=88|year=2005|title=Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark|publisher=Backbeat Books|isbn=0-87930-793-5}}</ref> Ultimately, this resentment would be a contributing factor in Clark's departure from the band in early 1966.<ref name="timeless4"/><ref>{{Cite book|author=Hjort, Christopher.|pages=84–87|year=2008|title=So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)|publisher=Jawbone Press|isbn=1-906002-15-0}}</ref> Yet another source of conflict was the power struggle that was developing between Terry Melcher and Jim Dickson.<ref name="timeless3"/> For his part, Dickson had aspirations to produce the band himself, which led to him being overly critical of Melcher's production work and would culminate in Melcher's dismissal following completion of the album.<ref name="timeless3"/><ref name="timeless5">{{Cite book|author=Rogan, Johnny.|pages=144–148|year=1998|title=The Byrds: Timeless Flight Revisited|edition=2nd|publisher=Rogan House|isbn=0-9529540-1-X}}</ref>
The recording of the album was not without its tensions, with several members of the band expressing feelings of resentment towards the close working relationship that was beginning to form between McGuinn and [[Record producer|producer]] [[Terry Melcher]].<ref name="timeless3"/> [[Rhythm guitar]]ist David Crosby was particularly vocal in his disapproval, since he felt McGuinn and Melcher (along with the band's manager [[Jim Dickson (producer)|Jim Dickson]]) were conspiring to keep his songs off the album.<ref name="timeless3"/> Crosby had brought the self-penned "Stranger in a Strange Land" (later released by [[Blackburn & Snow]]) and "The Flower Bomb Song", along with [[Chet Powers|Dino Valenti's]] "I Don't Ever Want to Spoil Your Party" (later released by [[Quicksilver Messenger Service]] as "Dino's Song") to the recording sessions, but all three songs were rejected and remained unreleased at the time.<ref name="timeless3"/>
Tension was also developing between Gene Clark and the rest of the Byrds due to the higher level of income he was receiving as the band's principal songwriter.<ref name="timeless3"/><ref name="einarson">{{Cite book|author=Einarson, John.|pages=79–81|year=2005|title=Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark|publisher=Backbeat Books|isbn=0-87930-793-5}}</ref><ref name="timeless4">{{Cite book|author=Rogan, Johnny.|pages=165–167|year=1998|title=The Byrds: Timeless Flight Revisited|edition=2nd|publisher=Rogan House|isbn=0-9529540-1-X}}</ref> This resulted in Clark becoming increasingly isolated within the band and some of his best songs being relegated to appearances on [[A-side and B-side|B-sides]] or left unreleased altogether.<ref name="timeless4"/><ref>{{Cite book|author=Einarson, John.|page=88|year=2005|title=Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark|publisher=Backbeat Books|isbn=0-87930-793-5}}</ref> Ultimately, this resentment would be a contributing factor in Clark's departure from the band in early 1966.<ref name="timeless4"/><ref>{{Cite book|author=Hjort, Christopher.|pages=84–87|year=2008|title=So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)|publisher=Jawbone Press|isbn=978-1-906002-15-2}}</ref>
Yet another source of conflict was the power struggle that was developing between Melcher and Dickson.<ref name="timeless3"/> For his part, Dickson had aspirations to produce the band himself, which led to him being overly critical of Melcher's production work and would culminate in Melcher's dismissal as the band's producer following completion of the album.<ref name="timeless3"/><ref name="timeless5">{{Cite book|author=Rogan, Johnny.|pages=144–148|year=1998|title=The Byrds: Timeless Flight Revisited|edition=2nd|publisher=Rogan House|isbn=0-9529540-1-X}}</ref>

The album's front cover photograph was taken by Guy Webster at his studio in Beverly Hills, California, and was later nominated for the [[Grammy Award for Best Recording Package|Grammy Award for Best Album Cover]].<ref name="hjort3">{{Cite book|author=Hjort, Christopher.|pages=73–74|year=2008|title=So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)|publisher=Jawbone Press|isbn=978-1-906002-15-2}}</ref> The LP's back cover liner notes were written by the Byrds' [[publicist]], [[Derek Taylor]],<ref name="hjort3"/> and were actually an edited version of a much longer description of the album and its recording that would later appear in its complete form in the February 15, 1966, edition of ''[[Record World]]'' magazine.<ref name="hjort4">{{Cite book|author=Hjort, Christopher.|pages=80–83|year=2008|title=So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)|publisher=Jawbone Press|isbn=978-1-906002-15-2}}</ref>


==Music==
==Music==
''Turn! Turn! Turn!'' opens with the Pete Seeger penned title track, which had been issued as a single two months ahead of the release of the album.<ref name="timeless"/> Based on an [[arrangement]] that McGuinn had developed while working on Judy Collins' 1963 album, ''[[Judy Collins 3 (Judy Collins album)|Judy Collins 3]]'', the idea of reviving the song came to McGuinn during The Byrds' first American tour.<ref name="fricke"/><ref name="timeless3"/> The [[master recording]] of the song reputedly took 78 [[Take#Music|takes]], spread over five days of recording, to perfect.<ref name="timeless2"/><ref>{{Cite book|author=Hyde, Bob.|year=1987|title=Never Before (1989 CD liner notes)}}</ref> ''[[Rolling Stone]]'' editor [[David Fricke]] has commented that the song's plea for peace and tolerance was custom-made for the 1960s, a decade colored by assassinations, urban rioting and the horrors of the [[Vietnam War]].<ref name="allmusic"/><ref name="fricke"/> Peaking at #1 on the ''Billboard'' Hot 100, the single represented the high-water mark of folk rock as a musical trend and reinforced The Byrds' standing as a formidable chart act.<ref name="einarson"/>
''Turn! Turn! Turn!'' opens with the Pete Seeger penned title track, which was issued as a single two months ahead of the release of the album.<ref name="timeless"/> Based on an [[arrangement]] McGuinn had developed while working on Judy Collins' 1963 album ''[[Judy Collins 3 (Judy Collins album)|Judy Collins 3]]'', the idea of reviving the song came to him during the Byrds' first American tour.<ref name="fricke"/><ref name="timeless3"/> It reputedly took the band 78 tries, spread over five days of recording, to get the [[Take#Music|take]] they released.<ref name="timeless2"/><ref>{{Cite book|author=Hyde, Bob.|year=1987|title=Never Before (1989 CD liner notes)}}</ref> ''[[Rolling Stone]]'' editor [[David Fricke]] has commented that the song's plea for peace and tolerance was custom-made for the 1960s, a decade colored by assassinations, urban rioting, and the horrors of the [[Vietnam War]].<ref name="allmusic"/><ref name="fricke"/> Peaking at number 1 on the ''Billboard'' Hot 100, the single represented the high-water mark of folk rock as a musical trend and reinforced the Byrds' standing as a commercial chart act.<ref name="einarson"/>


The Byrds also chose to include two Bob Dylan songs on the album, in an attempt to repeat the success that they had enjoyed with their covers of his material on their debut [[LP album|LP]]. "Lay Down Your Weary Tune" was an unreleased [[outtake]] from Dylan's ''[[The Times They Are a-Changin' (album)|The Times They Are a-Changin']]'' album that had been obtained by the band through Dylan's [[Music publisher (popular music)|publisher]].<ref name="hjort2">{{Cite book|author=Hjort, Christopher.|pages=69–70|year=2008|title=So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)|publisher=Jawbone Press|isbn=1-906002-15-0}}</ref> Dylan himself was impressed when he heard The Byrds' reading of his song, telling McGuinn "Up until I heard this I thought you were just another imitator...but this has got real feeling to it."<ref name="rogan"/> The other Dylan song that the band included on ''Turn! Turn! Turn!'' was "The Times They Are a-Changin'", which was given a sardonic reading by the band, subverting the seriousness evident in the original and replacing it with irony.<ref name="rogan"/>
The Byrds also chose to include two Bob Dylan songs on the album, in an attempt to repeat the success they had enjoyed with their covers of his material on their debut [[LP album|LP]]. "Lay Down Your Weary Tune" was an unreleased [[outtake]] from Dylan's ''[[The Times They Are a-Changin' (album)|The Times They Are a-Changin']]'' album that had been obtained by the band through Dylan's [[Music publisher (popular music)|publisher]].<ref name="hjort2">{{Cite book|author=Hjort, Christopher.|pages=69–70|year=2008|title=So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)|publisher=Jawbone Press|isbn=978-1-906002-15-2}}</ref> Dylan himself was impressed when he heard the band's reading of his song, telling McGuinn: "Up until I heard this I thought you were just another imitator ... but this has got real feeling to it."<ref name="rogan"/> The other Dylan song the band included on ''Turn! Turn! Turn!'' was "The Times They Are a-Changin'", which the band's biographer [[Johnny Rogan]] has described as a sardonic reading of the protest anthem, subverting the seriousness evident in the original and replacing it with irony.<ref name="rogan"/>


Of the self-penned material on the album, three songs were written by Gene Clark, including "[[The World Turns All Around Her]]", which echoed his [[Beatlesque]] songs of tortured romance on the band's debut album, and "[[If You're Gone (The Byrds song)|If You're Gone]]", a poetic confession of emotional insecurity.<ref name="rogan"/> To highlight the wistful melancholy of "If You're Gone", McGuinn and Melcher devised a droning, [[Gregorian chant|Gregorian]] harmony part that sounds uncannily like another instrument and foreshadowed the [[raga rock]] experimentation that the band would undertake on their next album.<ref name="einarson"/><ref>{{Cite web|title=Turn! Turn! Turn!|publisher=ByrdWatcher: A Field Guide to the Byrds of Los Angeles|url=http://www.ebni.com/byrds/lpttt.html|accessdate=2010-06-01|deadurl=yes|archiveurl=https://web.archive.org/web/20101027231022/http://ebni.com/byrds/lpttt.html|archivedate=2010-10-27|df=}}</ref> The third Clark-penned song on the album was "[[Set You Free This Time]]", a densely worded rumination on a failed relationship that lyrically exhibited the influence of Bob Dylan.<ref name="rogan"/> The song had been written by Clark during The Byrds' 1965 tour of England, after a night spent drinking with [[Paul McCartney]] at the fashionable [[Scotch of St James]] club in London.<ref name="timeless5"/>
Of the self-penned material on the album, three songs were written by Clark, including "[[The World Turns All Around Her]]", which echoed his [[Beatlesque]] songs of tortured romance on the band's debut album, and "[[If You're Gone (The Byrds song)|If You're Gone]]", a confession of emotional insecurity.<ref name="rogan"/> To highlight the wistful melancholy of "If You're Gone", McGuinn and Melcher devised a droning, [[Gregorian chant|Gregorian]] harmony vocal part that sounds uncannily like another instrument and foreshadowed the [[raga rock]] experimentation the band would undertake on their [[Fifth Dimension (album)|next album]].<ref name="einarson"/><ref>{{Cite web|title=Turn! Turn! Turn!|publisher=ByrdWatcher: A Field Guide to the Byrds of Los Angeles|url=http://www.ebni.com/byrds/lpttt.html|accessdate=2010-06-01|url-status=dead|archiveurl=https://web.archive.org/web/20101027231022/http://ebni.com/byrds/lpttt.html|archivedate=2010-10-27}}</ref> The third Clark-penned song on ''Turn! Turn! Turn!'' was "[[Set You Free This Time]]", a densely-worded rumination on a failed relationship that lyrically exhibited the influence of Dylan.<ref name="rogan"/> The song had been written by Clark during the Byrds' 1965 tour of England after a night spent drinking with [[Paul McCartney]] at the fashionable [[Scotch of St James]] club in London.<ref name="timeless5"/>


McGuinn's songwriting contributions to the album included "[[It Won't Be Wrong]]", a song that had been co-written with McGuinn's friend Harvey Gerst in 1964.<ref name="hjort"/> The song had previously been issued in a completely different version under the alternate title of "Don't Be Long" on a 1964 single that the band had released under the pseudonym of The Beefeaters.<ref name="hjort"/> Another of McGuinn's contributions was an adaptation of the [[Traditional music|traditional]] [[Folk music|folk song]] "[[He Was a Friend of Mine]]".<ref name="rogan"/> The Byrds' version featured newly written lyrics by McGuinn dealing with the assassination of [[President of the United States|President]] [[John F. Kennedy]] on November 22, 1963.<ref name="hjort"/> The song pre-dated the formation of The Byrds, as McGuinn explained to author [[Johnny Rogan]] in 1977: "I wrote that song the night John F. Kennedy was assassinated. I suppose you could say it's one of the earliest Byrds songs."<ref name="timeless5"/> "He Was a Friend of Mine" is notable for being the first Byrds' recording to feature McGuinn playing an [[acoustic guitar]], instead of his usual twelve-string Rickenbacker.<ref name="hjort2"/>
McGuinn's songwriting contributions to the album included "[[It Won't Be Wrong]]", which he wrote with his friend Harvey Gerst in 1964.<ref name="hjort"/> An earlier version of the song, titled "Don't Be Long", had been issued on a 1964 single the Byrds released as "the Beefeaters".<ref name="hjort"/> Another of McGuinn's contributions was an adaptation of "[[He Was a Friend of Mine]]".<ref name="rogan"/> Before the formation of the Byrds, he had added lyrics dealing with the [[Assassination of John F. Kennedy|assassination]] of [[President of the United States|President]] [[John F. Kennedy]] to the [[Traditional music|traditional]] [[Folk music|folk song]],<ref name="hjort"/> as he explained to Rogan in 1977: "I wrote that song the night John F. Kennedy was assassinated. I suppose you could say it's one of the earliest Byrds songs."<ref name="timeless5"/> "He Was a Friend of Mine" is also notable for being the first Byrds' recording to feature McGuinn playing an [[acoustic guitar]], instead of his usual twelve-string Rickenbacker.<ref name="hjort2"/>


The album featured the first appearance of a song written by McGuinn and Crosby: "Wait and See". The pair had previously collaborated on "The Airport Song", but it would not be heard publicly until the release of ''[[Preflyte]]'' in 1969.<ref name="timeless5"/> According to Rogan, both men wanted to move away from the simple boy/girl romance songs the band had been writing since 1964, but Rogan has pointed out that "Wait and See" is even more in that tradition than the earliest of Gene Clark's songs.<ref name="timeless5"/> "Wait and See" also marked the first time Crosby received a songwriting credit on a Byrds' album.
''Turn! Turn! Turn!'' also featured the McGuinn and Crosby song "Wait and See". This represented the first release of a song written by the pair, although they had previously collaborated on "The Airport Song", a track that wouldn't be heard publicly until the release of the ''[[Preflyte]]'' album in 1969.<ref name="timeless5"/> "Wait and See" also represented the first time that Crosby had received a songwriting credit on a Byrds' album. Both men wanted to move away from the simple boy/girl romance songs that the band had been writing since 1964 but ironically, "Wait and See" was even more in that tradition than the earliest of Gene Clark's songs.<ref name="timeless5"/> Another cover that was included on the album was "[[A Satisfied Mind|Satisfied Mind]]", a 1955 [[country and western]] chart-topper for [[Porter Wagoner]], which had been suggested by The Byrds' [[bassist|bass player]], [[Chris Hillman]].<ref name="timeless5"/><ref name="allmusic2">{{Cite web|title=Turn! Turn! Turn! album review|publisher=[[AllMusic]]|url={{AllMusic|class=album|id=r3061|pure_url=yes}}|accessdate=2009-12-08}}</ref> The song was the first sign of the band's interest in [[country music]], a genre they would explore further on subsequent albums, culminating with 1968's ''[[Sweetheart of the Rodeo]]''.<ref name="allmusic2"/><ref>{{Cite web|title=Sweetheart of the Rodeo|publisher=ByrdWatcher: A Field Guide to the Byrds of Los Angeles|url=http://ebni.com/byrds/lpsotr.html|accessdate=2009-12-08|deadurl=yes|archiveurl=https://web.archive.org/web/20101028082530/http://ebni.com/byrds/lpsotr.html|archivedate=2010-10-28|df=}}</ref> As with the band's previous album, ''Turn! Turn! Turn!'' ended on a quirky, tongue-in-cheek note, with a whimsical send-up of [[Stephen Foster]]'s 19th century classic, "[[Oh! Susanna]]h", arranged by McGuinn.<ref name="rogan"/> Despite being recorded as an intentionally humorous reading of the song, McGuinn later admitted to journalist Vincent Flanders that he was dissatisfied with the track, stating "That was a joke, but it didn't come off, it was poorly told."<ref name="timeless5"/><ref>{{Cite web|title=Interview with Roger McGuinn of the Byrds – February 1970|publisher=Vincent Flanders: His Personal Web Site|url=http://www.vincentflanders.com/roger-mcguinn-interview.html|accessdate=2009-12-09}}</ref>


Another cover on the album is "[[A Satisfied Mind|Satisfied Mind]]", a 1955 [[country and western]] chart-topper for [[Porter Wagoner]], which was suggested by the Byrds' [[bassist|bass player]], [[Chris Hillman]].<ref name="timeless5"/><ref name="allmusic2">{{Cite web|title=Turn! Turn! Turn! album review|publisher=[[AllMusic]]|url={{AllMusic|class=album|id=r3061|pure_url=yes}}|accessdate=2009-12-08}}</ref> The song was the first sign of the band's interest in [[country music]], a genre they would explore further on subsequent albums, culminating with 1968's ''[[Sweetheart of the Rodeo]]''.<ref name="allmusic2"/><ref>{{Cite web|title=Sweetheart of the Rodeo|publisher=ByrdWatcher: A Field Guide to the Byrds of Los Angeles|url=http://ebni.com/byrds/lpsotr.html|accessdate=2009-12-08|url-status=dead|archiveurl=https://web.archive.org/web/20101028082530/http://ebni.com/byrds/lpsotr.html|archivedate=2010-10-28}}</ref>
Due to the infighting caused by the other band members' resentment of Gene Clark's songwriting dominance within The Byrds, two of the songs that Clark had brought to the recording sessions were excluded from the album.<ref name="einarson"/> Clark's romantic and densely worded "[[She Don't Care About Time]]", which featured guitar work inspired by [[Johann Sebastian Bach|Bach]]'s "[[Jesu, Joy of Man's Desiring]]", was issued on the B-side of the "Turn! Turn! Turn!" single, while the [[Bob Dylan|Dylanesque]] "The Day Walk (Never Before)" was left to languish in the Columbia tape vaults for more than 20 years.<ref name="einarson"/><ref>{{Cite web|title=She Don't Care About Time review|publisher=[[AllMusic]]|url={{AllMusic|class=song|id=t1069242|pure_url=yes}}|accessdate=2009-12-08}}</ref> "The Day Walk (Never Before)" was finally issued in 1987 when it was chosen as the title track of The Byrds' archival album, ''[[Never Before (album)|Never Before]]''.<ref>{{Cite book|author=Einarson, John.|page=272|year=2005|title=Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark|publisher=Backbeat Books|isbn=0-87930-793-5}}</ref> In the modern era, both "She Don't Care About Time" and "The Day Walk (Never Before)" have been added to the [[remaster]]ed ''Turn! Turn! Turn!'' [[Compact Disc|CD]] as bonus tracks.<ref>{{Cite web|title=Turn! Turn! Turn! (Bonus Tracks) album review|publisher=[[AllMusic]]|url={{AllMusic|class=album|id=r1242229|pure_url=yes}}|accessdate=2009-12-08}}</ref>

As with the band's previous album, ''Turn! Turn! Turn!'' ended on a quirky, tongue-in-cheek note, this time with a whimsical send-up of [[Stephen Foster]]'s 19th-century classic "[[Oh! Susanna]]h", arranged by McGuinn.<ref name="rogan"/> Despite being recorded as an intentionally humorous reading of the song, McGuinn later admitted to journalist Vincent Flanders that he was dissatisfied with the track, stating: "That was a joke, but it didn't come off, it was poorly told."<ref name="timeless5"/><ref>{{Cite web|title=Interview with Roger McGuinn of the Byrds – February 1970|publisher=Vincent Flanders: His Personal Web Site|url=http://www.vincentflanders.com/roger-mcguinn-interview.html|accessdate=2009-12-09}}</ref>

Due to the infighting caused by the other band members' resentment of Clark's songwriting dominance within the Byrds, two of the songs he had brought to the recording sessions were excluded from the album.<ref name="einarson"/> His romantic and densely-worded "[[She Don't Care About Time]]", which featured a guitar solo inspired by [[Johann Sebastian Bach|Bach]]'s "[[Jesu, Joy of Man's Desiring]]", was issued on the B-side of the "Turn! Turn! Turn!" single, while the [[Bob Dylan|Dylanesque]] "The Day Walk (Never Before)" was left to languish in the Columbia tape vaults for more than 20 years.<ref name="einarson"/><ref>{{Cite web|title=She Don't Care About Time review|publisher=[[AllMusic]]|url={{AllMusic|class=song|id=t1069242|pure_url=yes}}|accessdate=2009-12-08}}</ref> The song was finally issued in 1987, when it was chosen as the title track of the Byrds' archival album ''[[Never Before (The Byrds album)|Never Before]]''.<ref>{{Cite book|author=Einarson, John.|page=272|year=2005|title=Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark|publisher=Backbeat Books|isbn=0-87930-793-5}}</ref> Both "She Don't Care About Time" and "The Day Walk (Never Before)" were added to the [[remaster]]ed ''Turn! Turn! Turn!'' [[Compact Disc|CD]] as bonus tracks.<ref>{{Cite web|title=Turn! Turn! Turn! (Bonus Tracks) album review|publisher=[[AllMusic]]|url={{AllMusic|class=album|id=r1242229|pure_url=yes}}|accessdate=2009-12-08}}</ref>


==Release and reception==
==Release and reception==
{{Album ratings
''Turn! Turn! Turn!'' was released on December 6, 1965 in the United States (catalogue item CL 2454 in [[monaural|mono]], CS 9254 in [[Stereophonic sound|stereo]]) and March 22, 1966 in the UK (catalogue item BPG 62652 in mono, SBPG 62652 in stereo).<ref name="timeless"/> It peaked at #17 on the ''Billboard'' Top LPs chart, during a chart stay of 40 weeks, and reached #11 in the United Kingdom, spending a total of 5 weeks on the UK chart.<ref name="whitburn"/><ref name="brown"/> The preceding "Turn! Turn! Turn!" single was released on October 1, 1965 in the U.S. and October 29, 1965 in the UK, reaching #1 on the ''Billboard'' Hot 100 and #26 on the [[UK Singles Chart]].<ref name="timeless"/><ref name="brown"/><ref name="whitburn2"/> A second single taken from the album, "Set You Free This Time" (b/w "It Won't Be Wrong"), was released on January 10, 1966 in the U.S., peaking at #63 on the ''Billboard'' Hot 100 but failing to chart in the UK.<ref name="timeless"/><ref name="brown"/><ref name="whitburn2"/> The album's front cover photograph was taken by Guy Webster at his studio in [[Beverly Hills, California|Beverly Hills]] and was later nominated for the [[Grammy Award for Best Recording Package|Grammy Award for Best Album Cover]].<ref name="hjort3">{{Cite book|author=Hjort, Christopher.|pages=73–74|year=2008|title=So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)|publisher=Jawbone Press|isbn=1-906002-15-0}}</ref> The LP's back cover liner notes were written by The Byrds' [[publicist]], [[Derek Taylor]],<ref name="hjort3"/> and were actually an edited version of a much longer description of the album and its recording that would later appear in its complete form in the February 15, 1966 edition of ''[[Record World]]'' magazine.<ref name="hjort4">{{Cite book|author=Hjort, Christopher.|pages=80–83|year=2008|title=So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)|publisher=Jawbone Press|isbn=1-906002-15-0}}</ref>
| rev1 = ''[[Record Mirror]]''
| rev1Score = {{Rating|4|5}}<ref>{{Cite magazine |last1=Jones |first1=Peter |author-link1=Peter Jones (journalist) |last2= Jopling |first2= Norman |date=5 March 1966 |title=The Byrds: ''Turn! Turn! Turn!'' |url=https://worldradiohistory.com/UK/Record-Mirror/60s/66/Record%20Mirror-1966-03-05.pdf |magazine=[[Record Mirror]] |issue=260 |page=8 |archive-url=https://web.archive.org/web/20220401225643/https://worldradiohistory.com/UK/Record-Mirror/60s/66/Record%20Mirror-1966-03-05.pdf |archive-date=1 April 2022|access-date=22 August 2022}}</ref>
}}
''Turn! Turn! Turn!'' was released on December 6, 1965, in the United States (catalogue item CL 2454 in [[monaural|mono]], CS 9254 in [[Stereophonic sound|stereo]]) and March 22, 1966, in the UK (catalogue item BPG 62652 in mono, SBPG 62652 in stereo).<ref name="timeless"/> It peaked at number 17 on the ''Billboard'' Top LPs chart, during a chart stay of 40 weeks, and reached number 11 in the United Kingdom, spending a total of 5 weeks on the UK chart.<ref name="whitburn"/><ref name="brown"/> The preceding "Turn! Turn! Turn!" single was released on October 1, 1965, in the U.S., and October 29, 1965, in the UK, reaching number 1 on the ''Billboard'' Hot 100 and number 26 on the [[UK Singles Chart]].<ref name="timeless"/><ref name="brown"/><ref name="whitburn2"/> A second single taken from the album, "Set You Free This Time" (b/w "It Won't Be Wrong"), was released on January 10, 1966, in the U.S., peaking at number 63 on the ''Billboard'' Hot 100, but failing to chart in the UK.<ref name="timeless"/><ref name="brown"/><ref name="whitburn2"/>


Upon release, the album garnered mostly positive reviews, with [[Robert Shelton (critic)|Robert Shelton]] commenting in ''[[The New York Times]]'' that the album was "not so strong as the first Byrds LP, ''Mr. Tambourine Man'', but still an effective program of folk-rock."<ref name="hjort3"/> ''[[Billboard (magazine)|Billboard]]'' magazine described the album's contents by noting that "the group offers a diversified program of material that is certain to soar up the LP charts."<ref name="hjort3"/> In the UK, Richard Bruce enthusiastically praised the album in his review for ''Music Echo'' by describing the record as "so sensationally brilliant that even after [one] hearing, I've no hesitation in saying they are proving they have as big a talent as [[The Beatles]] and [[The Rolling Stones|The Stones]]!"<ref name="hjort4"/> In more recent years, [[Richie Unterberger]] has written on the [[AllMusic]] website that the album "was only a disappointment in comparison with ''Mr. Tambourine Man''. It was still quite good, however, particularly the ringing number one title cut, a classic on par with the "Mr. Tambourine Man" single."<ref name="allmusic2"/>
Upon release, the album garnered mostly positive reviews, with [[Robert Shelton (critic)|Robert Shelton]] commenting in ''[[The New York Times]]'' that it was "not so strong as the first Byrds LP, ''Mr. Tambourine Man'', but still an effective program of folk-rock."<ref name="hjort3"/> ''[[Billboard (magazine)|Billboard]]'' magazine described the album's contents by stating that "the group offers a diversified program of material that is certain to soar up the LP charts."<ref name="hjort3"/> In the UK, Richard Bruce enthusiastically praised the album in his review for ''Music Echo'' by describing the record as "so sensationally brilliant that even after [one] hearing, I've no hesitation in saying they are proving they have as big a talent as [[the Beatles]] and [[The Rolling Stones|the Stones]]!"<ref name="hjort4"/>


In more recent years, [[Richie Unterberger]] has written on the [[AllMusic]] website that the album "was only a disappointment in comparison with ''Mr. Tambourine Man''. It was still quite good, however, particularly the ringing number one title cut, a classic on par with the 'Mr. Tambourine Man' single."<ref name="allmusic2"/> It was voted number 934 in [[Colin Larkin (writer)|Colin Larkin]]'s [[All Time Top 1000 Albums]] 3rd Edition (2000).<ref name="Larkin">{{cite book|title=[[All Time Top 1000 Albums]]|editor=Colin Larkin|editor-link=Colin Larkin (writer)|publisher=[[Virgin Books]]|date=2000|edition=3rd|isbn=0-7535-0493-6|page=284}}</ref>
''Turn! Turn! Turn!'' was remastered at 20-[[bit]] resolution and partially [[remix]]ed as part of the [[Legacy Recordings|Columbia/Legacy]] Byrds series.<ref name="remaster">{{Cite web|title=The Byrds Remastered Albums 1996–2000|publisher=Byrds Flyght|url=http://users.skynet.be/byrdsfollower/remasters1996-2000.htm|accessdate=2009-09-21}}</ref> It was reissued in an expanded form on April 30, 1996, with seven bonus tracks, including two alternate versions of songs included on the original album, three outtakes, and the Gene Clark penned B-side, "She Don't Care About Time".<ref name="rogan"/>


===Remix information===
===Remix information===
The album was one of four Byrds albums that were remastered at 20-[[bit]] resolution and partially [[remix]]ed as part of the [[Legacy Recordings|Columbia/Legacy]] Byrds reissue series.<ref name="remaster">{{Cite web|title=The Byrds Remastered Albums 1996–2000|publisher=Byrds Flyght|url=http://users.skynet.be/byrdsfollower/remasters1996-2000.htm|accessdate=2009-09-21}}</ref> This release of the album was issued on April 30, 1996, and had seven bonus tracks: the Clark penned B-side "She Don't Care About Time"; the outtakes "The Day Walk (Never Before)", "It's All Over Now, Baby Blue", and "Stranger in a Strange Land"; and three alternate versions of songs.<ref name="rogan"/>
''Turn! Turn! Turn!'' was one of four Byrds albums that were partially remixed as part of their re-release on Columbia/Legacy.<ref name="remaster"/> The reason for the remix was explained by Bob Irwin (who produced these re-issues for compact disc) during an interview:


The reason for remixing some of the album was explained by Bob Irwin (who produced these re-issues for compact disc) during an interview:
{{cquote|The first four Byrds albums had sold so well, and the master tapes used so much that they were at least two, if not three generations down from the original. In most cases, a first-generation master no longer existed. They were basically played to death; they were worn out, there was nothing left of them.<ref name="irwin">{{Citation|author=Irwin, Bob.|newspaper=ICE Magazine #108|date=March 1996}}</ref>}}
{{cquote|The first four Byrds albums had sold so well, and the master tapes used so much that they were at least two, if not three generations down from the original. In most cases, a first-generation master no longer existed. They were basically played to death; they were worn out, there was nothing left of them.<ref name="irwin">{{Citation|author=Irwin, Bob.|newspaper=ICE Magazine #108|date=March 1996}}</ref>}}


He further stated:
He further stated:

{{cquote|Each album is taken from the original multi-tracks, where they exist, which is in 95% of the cases. We remixed them exactly as they were, without taking any liberties, except for the occasional song appearing in stereo for the first time.<ref name="irwin"/>}}
{{cquote|Each album is taken from the original multi-tracks, where they exist, which is in 95% of the cases. We remixed them exactly as they were, without taking any liberties, except for the occasional song appearing in stereo for the first time.<ref name="irwin"/>}}


Many fans enjoy the remixed album because it is very close to the original mix in most cases and offers noticeably better sound quality.<ref name="remaster"/>
Irwin's assertions that no liberties were taken have been proven false in a couple of instances. The vocals on most of the album's songs are mixed noticeably higher than they were on the original mixes and the fades are different on almost every song as well.{{Citation needed|date=July 2009}}

Many fans enjoy the remixed album because it is very close to the original mix in most cases and offers noticeably better sound quality.<ref name="remaster"/> However, there are also a lot of fans who dismiss the remix as [[Historical revisionism (negationism)|revisionist history]] and prefer to listen to the original mix on [[Gramophone record|vinyl]] or on the pre-1996 CD releases.


==Track listing==
==Track listing==
{{Tracklist
===Side one===
| headline = Side One
#"[[Turn! Turn! Turn!|Turn! Turn! Turn! (To Everything There is a Season)]]" ([[Book of Ecclesiastes]]/[[Pete Seeger]]) – 3:49
| title1 = [[Turn! Turn! Turn!|Turn! Turn! Turn! (To Everything There is a Season)]]
#"[[It Won't Be Wrong]]" ([[Roger McGuinn|Jim McGuinn]], Harvey Gerst) – 1:58
| writer1 = [[Book of Ecclesiastes]]/[[Pete Seeger]]
#"[[Set You Free This Time]]" ([[Gene Clark]]) – 2:49
| length1 = 3:49
#"[[Lay Down Your Weary Tune]]" ([[Bob Dylan]]) – 3:30
| title2 = [[It Won't Be Wrong]]
#"[[He Was a Friend of Mine]]" ([[traditional music|traditional]], new words and arrangement Jim McGuinn) – 2:30
| writer2 = [[Roger McGuinn|Jim McGuinn]], Harvey Gerst
| length2 = 1:58
| title3 = [[Set You Free This Time]]
| writer3 = [[Gene Clark]]
| length3 = 2:49
| title4 = [[Lay Down Your Weary Tune]]
| writer4 = [[Bob Dylan]]
| length4 = 3:30
| title5 = [[He Was a Friend of Mine]]
| writer5 = [[traditional music|traditional]], new words and arrangement Jim McGuinn
| length5 = 2:30
}}


{{Tracklist
===Side two===
| headline = Side Two
#"[[The World Turns All Around Her]]" (Gene Clark) – 2:13
| title1 = [[The World Turns All Around Her]]
#"[[A Satisfied Mind|Satisfied Mind]]" ([[Red Hayes]], [[Jack Rhodes]]) – 2:26
| writer1 = Clark
#"[[If You're Gone (The Byrds song)|If You're Gone]]" (Gene Clark) – 2:45
| length1 = 2:13
#"[[The Times They Are a-Changin' (song)|The Times They Are a-Changin']]" (Bob Dylan) – 2:18
| title2 = [[A Satisfied Mind|Satisfied Mind]]
#"Wait and See" (Jim McGuinn, [[David Crosby]]) – 2:19
| writer2 = [[Red Hayes]], [[Jack Rhodes]]
#"[[Oh! Susanna]]h" ([[Stephen Foster]]) – 3:03
| length2 = 2:26
#*Note: The album erroneously credits "Oh! Susannah" to Jim McGuinn.
| title3 = [[If You're Gone (The Byrds song)|If You're Gone]]
| writer3 = Clark
| length3 = 2:45
| title4 = [[The Times They Are a-Changin' (song)|The Times They Are a-Changin{{'-}}]]
| writer4 = Dylan
| length4 = 2:18
| title5 = Wait and See
| writer5 = McGuinn, [[David Crosby]]
| length5 = 2:19
| title6 = [[Oh! Susanna]]h
| writer6 = [[Stephen Foster]]
| length6 = 3:03
| total_length = 29:40
}}

{{Tracklist
| headline = 1996 CD reissue bonus tracks
| title12 = The Day Walk (Never Before)
| writer12 = Clark
| length12 = 3:00
| title13 = [[She Don't Care About Time]]
| note13 = single version
| writer13 = Clark
| length13 = 2:29
| title14 = The Times They Are A-Changin{{'-}}
| note14 = first version
| writer14 = Dylan
| length14 = 1:54
| title15 = [[It's All Over Now, Baby Blue]]
| note15 = version 1
| writer15 = Dylan
| length15 = 3:03
| title16 = She Don't Care About Time
| note16 = version 1
| writer16 = Clark
| length16 = 2:35
| title17 = The World Turns All Around Her
| note17 = alternate mix
| writer17 = Clark
| length17 = 2:12
| title18 = Stranger in a Strange Land
| note18 = instrumental
| writer18 = Crosby
| length18 = 3:04
}}


*Note: The album erroneously credits "Oh! Susannah" to Jim McGuinn.
===1996 CD reissue bonus tracks===
*Sides one and two were combined as tracks 1–11 on CD reissues.
# <li value = 12> "The Day Walk (Never Before)" (Gene Clark) – 3:00</li>
#"[[She Don't Care About Time]]" [Single Version] (Gene Clark) – 2:29
#"The Times They Are A-Changin'" [First Version] (Bob Dylan) – 1:54
#"[[It's All Over Now, Baby Blue]]" [Version 1] (Bob Dylan) – 3:03
#"She Don't Care About Time" [Version 1] (Gene Clark) – 2:35
#"The World Turns All Around Her" [Alternate Mix] (Gene Clark) – 2:12
#"Stranger in a Strange Land" [Instrumental] (David Crosby) – 3:04


==Singles==
==Singles==
Line 116: Line 176:


==Personnel==
==Personnel==
Sources<ref name="rogan"/><ref name="hjort"/><ref name="timeless5"/><ref name="hjort2"/>
Sources:<ref name="rogan"/><ref name="hjort"/><ref name="timeless5"/><ref name="hjort2"/>


'''The Byrds'''
'''The Byrds'''
Line 123: Line 183:
*[[David Crosby]] – rhythm guitar, vocals
*[[David Crosby]] – rhythm guitar, vocals
*[[Chris Hillman]] – [[Bass guitar|electric bass]] ([[backing vocal]] on "[[Lay Down Your Weary Tune]]")
*[[Chris Hillman]] – [[Bass guitar|electric bass]] ([[backing vocal]] on "[[Lay Down Your Weary Tune]]")
*[[Michael Clarke (musician)|Michael Clarke]] – [[Drum kit|drums]] (tambourine on 5)
*[[Michael Clarke (musician)|Michael Clarke]] – [[Drum kit|drums]] (tambourine on "[[He Was a Friend of Mine]]")


'''Additional personnel'''
'''Additional personnel'''
*[[Terry Melcher]] – [[organ (music)|organ]] on "[[He Was a Friend of Mine]]"
*[[Terry Melcher]] – [[organ (music)|organ]] on "He Was a Friend of Mine"


==Release history==
==Release history==
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==References==
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{{DEFAULTSORT:Turn! Turn! Turn! (Album)}}
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Latest revision as of 13:24, 10 June 2024

Turn! Turn! Turn!
Studio album by
the Byrds
ReleasedDecember 6, 1965 (1965-12-06)
RecordedJune 28 – November 1, 1965
StudioColumbia, Hollywood
GenreFolk rock
Length30:24
LabelColumbia
ProducerTerry Melcher
The Byrds chronology
Mr. Tambourine Man
(1965) 		Turn! Turn! Turn!
(1965) 		Fifth Dimension
(1966)
Singles from Turn! Turn! Turn!
  1. "Turn! Turn! Turn!"
    Released: October 1, 1965
  2. "Set You Free This Time"
    Released: January 10, 1966
  3. "It Won't Be Wrong"
    Released: February 18, 1966
Alternative cover
Cover of the 1977 Embassy Records reissue (CBS 31526)

Turn! Turn! Turn! is the second studio album by the American rock band the Byrds, released on December 6, 1965, by Columbia Records.[1] Like its predecessor, Mr. Tambourine Man, the album epitomized the folk rock genre and continued the band's successful mix of vocal harmony and jangly twelve-string Rickenbacker guitar.[2] The album's lead single and title track, "Turn! Turn! Turn!", which was adapted by Pete Seeger from text in the Book of Ecclesiastes, had previously been arranged in a chamber-folk style by the Byrd's lead guitarist Jim McGuinn for folk singer Judy Collins' third album,[3] but the arrangement he used for the Byrds' recording of the song utilizes the same folk-rock style as the band's previous hit singles.[4]

The album peaked at number 17 on the Billboard Top LPs chart and went to number 11 in the United Kingdom.[5][6] The "Turn! Turn! Turn!" single preceded the album by two months and topped the Billboard Hot 100 chart.[7] Another single taken from the album, "Set You Free This Time", was less successful and failed to break into the top 50 in the U.S.[7]

On Turn! Turn! Turn!, McGuinn's contributions to songwriting increased and rhythm guitarist David Crosby received his first writing credit on a Byrds' album, but the band's prolific songwriter Gene Clark still contributed most of the original material.[8] The album included two Bob Dylan covers: "The Times They Are a-Changin'" and the then-unreleased song, "Lay Down Your Weary Tune".[8] It would be the last Byrds' album to feature the full participation of Gene Clark until the release of the original quintet's 1973 reunion album, Byrds.[9]

Background

[edit]

In the wake of the international success of their debut album and the hit singles "Mr. Tambourine Man" and "All I Really Want to Do", the Byrds entered Columbia Studios in Hollywood on June 28, 1965, to set about recording their follow-up album.[2][10] By the latter half of 1965, the folk rock trend the band had been instrumental in originating was gaining pace, with hit records by the likes of Cher, the Turtles, We Five, and Barry McGuire clearly bearing the hallmarks of the Byrds' influence.[11] Despite being such an influential band, the Byrds had been disappointed with the relative lack of success that their second single "All I Really Want to Do" had achieved on the American charts and felt they needed a strong third single to maintain their foothold in the marketplace.

Initially, the band elected to record a third Bob Dylan cover, "It's All Over Now, Baby Blue", as their next single, but, despite a couple of attempts to record the song in June and August 1965, it was ultimately rejected.[4][8] The band then briefly considered issuing a version of Dylan's "The Times They Are a-Changin'" as a single instead, but this idea was also discarded, although the song does appear on Turn! Turn! Turn![4][8][12] The song finally selected by the band for their third single was Pete Seeger's "Turn! Turn! Turn!", a musical adaptation of words taken from the Biblical Book of Ecclesiastes, which would return the group to the top of the Billboard Hot 100.[4][7]

The recording of the album was not without its tensions, with several members of the band expressing feelings of resentment towards the close working relationship that was beginning to form between McGuinn and producer Terry Melcher.[4] Rhythm guitarist David Crosby was particularly vocal in his disapproval, since he felt McGuinn and Melcher (along with the band's manager Jim Dickson) were conspiring to keep his songs off the album.[4] Crosby had brought the self-penned "Stranger in a Strange Land" (later released by Blackburn & Snow) and "The Flower Bomb Song", along with Dino Valenti's "I Don't Ever Want to Spoil Your Party" (later released by Quicksilver Messenger Service as "Dino's Song") to the recording sessions, but all three songs were rejected and remained unreleased at the time.[4]

Tension was also developing between Gene Clark and the rest of the Byrds due to the higher level of income he was receiving as the band's principal songwriter.[4][13][14] This resulted in Clark becoming increasingly isolated within the band and some of his best songs being relegated to appearances on B-sides or left unreleased altogether.[14][15] Ultimately, this resentment would be a contributing factor in Clark's departure from the band in early 1966.[14][16]

Yet another source of conflict was the power struggle that was developing between Melcher and Dickson.[4] For his part, Dickson had aspirations to produce the band himself, which led to him being overly critical of Melcher's production work and would culminate in Melcher's dismissal as the band's producer following completion of the album.[4][17]

The album's front cover photograph was taken by Guy Webster at his studio in Beverly Hills, California, and was later nominated for the Grammy Award for Best Album Cover.[18] The LP's back cover liner notes were written by the Byrds' publicist, Derek Taylor,[18] and were actually an edited version of a much longer description of the album and its recording that would later appear in its complete form in the February 15, 1966, edition of Record World magazine.[19]

Music

[edit]

Turn! Turn! Turn! opens with the Pete Seeger penned title track, which was issued as a single two months ahead of the release of the album.[1] Based on an arrangement McGuinn had developed while working on Judy Collins' 1963 album Judy Collins 3, the idea of reviving the song came to him during the Byrds' first American tour.[3][4] It reputedly took the band 78 tries, spread over five days of recording, to get the take they released.[10][20] Rolling Stone editor David Fricke has commented that the song's plea for peace and tolerance was custom-made for the 1960s, a decade colored by assassinations, urban rioting, and the horrors of the Vietnam War.[2][3] Peaking at number 1 on the Billboard Hot 100, the single represented the high-water mark of folk rock as a musical trend and reinforced the Byrds' standing as a commercial chart act.[13]

The Byrds also chose to include two Bob Dylan songs on the album, in an attempt to repeat the success they had enjoyed with their covers of his material on their debut LP. "Lay Down Your Weary Tune" was an unreleased outtake from Dylan's The Times They Are a-Changin' album that had been obtained by the band through Dylan's publisher.[21] Dylan himself was impressed when he heard the band's reading of his song, telling McGuinn: "Up until I heard this I thought you were just another imitator ... but this has got real feeling to it."[8] The other Dylan song the band included on Turn! Turn! Turn! was "The Times They Are a-Changin'", which the band's biographer Johnny Rogan has described as a sardonic reading of the protest anthem, subverting the seriousness evident in the original and replacing it with irony.[8]

Of the self-penned material on the album, three songs were written by Clark, including "The World Turns All Around Her", which echoed his Beatlesque songs of tortured romance on the band's debut album, and "If You're Gone", a confession of emotional insecurity.[8] To highlight the wistful melancholy of "If You're Gone", McGuinn and Melcher devised a droning, Gregorian harmony vocal part that sounds uncannily like another instrument and foreshadowed the raga rock experimentation the band would undertake on their next album.[13][22] The third Clark-penned song on Turn! Turn! Turn! was "Set You Free This Time", a densely-worded rumination on a failed relationship that lyrically exhibited the influence of Dylan.[8] The song had been written by Clark during the Byrds' 1965 tour of England after a night spent drinking with Paul McCartney at the fashionable Scotch of St James club in London.[17]

McGuinn's songwriting contributions to the album included "It Won't Be Wrong", which he wrote with his friend Harvey Gerst in 1964.[12] An earlier version of the song, titled "Don't Be Long", had been issued on a 1964 single the Byrds released as "the Beefeaters".[12] Another of McGuinn's contributions was an adaptation of "He Was a Friend of Mine".[8] Before the formation of the Byrds, he had added lyrics dealing with the assassination of President John F. Kennedy to the traditional folk song,[12] as he explained to Rogan in 1977: "I wrote that song the night John F. Kennedy was assassinated. I suppose you could say it's one of the earliest Byrds songs."[17] "He Was a Friend of Mine" is also notable for being the first Byrds' recording to feature McGuinn playing an acoustic guitar, instead of his usual twelve-string Rickenbacker.[21]

The album featured the first appearance of a song written by McGuinn and Crosby: "Wait and See". The pair had previously collaborated on "The Airport Song", but it would not be heard publicly until the release of Preflyte in 1969.[17] According to Rogan, both men wanted to move away from the simple boy/girl romance songs the band had been writing since 1964, but Rogan has pointed out that "Wait and See" is even more in that tradition than the earliest of Gene Clark's songs.[17] "Wait and See" also marked the first time Crosby received a songwriting credit on a Byrds' album.

Another cover on the album is "Satisfied Mind", a 1955 country and western chart-topper for Porter Wagoner, which was suggested by the Byrds' bass player, Chris Hillman.[17][23] The song was the first sign of the band's interest in country music, a genre they would explore further on subsequent albums, culminating with 1968's Sweetheart of the Rodeo.[23][24]

As with the band's previous album, Turn! Turn! Turn! ended on a quirky, tongue-in-cheek note, this time with a whimsical send-up of Stephen Foster's 19th-century classic "Oh! Susannah", arranged by McGuinn.[8] Despite being recorded as an intentionally humorous reading of the song, McGuinn later admitted to journalist Vincent Flanders that he was dissatisfied with the track, stating: "That was a joke, but it didn't come off, it was poorly told."[17][25]

Due to the infighting caused by the other band members' resentment of Clark's songwriting dominance within the Byrds, two of the songs he had brought to the recording sessions were excluded from the album.[13] His romantic and densely-worded "She Don't Care About Time", which featured a guitar solo inspired by Bach's "Jesu, Joy of Man's Desiring", was issued on the B-side of the "Turn! Turn! Turn!" single, while the Dylanesque "The Day Walk (Never Before)" was left to languish in the Columbia tape vaults for more than 20 years.[13][26] The song was finally issued in 1987, when it was chosen as the title track of the Byrds' archival album Never Before.[27] Both "She Don't Care About Time" and "The Day Walk (Never Before)" were added to the remastered Turn! Turn! Turn! CD as bonus tracks.[28]

Release and reception

[edit]
Professional ratings
Review scores
SourceRating
Record Mirror[29]

Turn! Turn! Turn! was released on December 6, 1965, in the United States (catalogue item CL 2454 in mono, CS 9254 in stereo) and March 22, 1966, in the UK (catalogue item BPG 62652 in mono, SBPG 62652 in stereo).[1] It peaked at number 17 on the Billboard Top LPs chart, during a chart stay of 40 weeks, and reached number 11 in the United Kingdom, spending a total of 5 weeks on the UK chart.[5][6] The preceding "Turn! Turn! Turn!" single was released on October 1, 1965, in the U.S., and October 29, 1965, in the UK, reaching number 1 on the Billboard Hot 100 and number 26 on the UK Singles Chart.[1][6][7] A second single taken from the album, "Set You Free This Time" (b/w "It Won't Be Wrong"), was released on January 10, 1966, in the U.S., peaking at number 63 on the Billboard Hot 100, but failing to chart in the UK.[1][6][7]

Upon release, the album garnered mostly positive reviews, with Robert Shelton commenting in The New York Times that it was "not so strong as the first Byrds LP, Mr. Tambourine Man, but still an effective program of folk-rock."[18] Billboard magazine described the album's contents by stating that "the group offers a diversified program of material that is certain to soar up the LP charts."[18] In the UK, Richard Bruce enthusiastically praised the album in his review for Music Echo by describing the record as "so sensationally brilliant that even after [one] hearing, I've no hesitation in saying they are proving they have as big a talent as the Beatles and the Stones!"[19]

In more recent years, Richie Unterberger has written on the AllMusic website that the album "was only a disappointment in comparison with Mr. Tambourine Man. It was still quite good, however, particularly the ringing number one title cut, a classic on par with the 'Mr. Tambourine Man' single."[23] It was voted number 934 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000).[30]

Remix information

[edit]

The album was one of four Byrds albums that were remastered at 20-bit resolution and partially remixed as part of the Columbia/Legacy Byrds reissue series.[31] This release of the album was issued on April 30, 1996, and had seven bonus tracks: the Clark penned B-side "She Don't Care About Time"; the outtakes "The Day Walk (Never Before)", "It's All Over Now, Baby Blue", and "Stranger in a Strange Land"; and three alternate versions of songs.[8]

The reason for remixing some of the album was explained by Bob Irwin (who produced these re-issues for compact disc) during an interview:

The first four Byrds albums had sold so well, and the master tapes used so much that they were at least two, if not three generations down from the original. In most cases, a first-generation master no longer existed. They were basically played to death; they were worn out, there was nothing left of them.[32]

He further stated:

Each album is taken from the original multi-tracks, where they exist, which is in 95% of the cases. We remixed them exactly as they were, without taking any liberties, except for the occasional song appearing in stereo for the first time.[32]

Many fans enjoy the remixed album because it is very close to the original mix in most cases and offers noticeably better sound quality.[31]

Track listing

[edit]
Side One
No.TitleWriter(s)Length
1."Turn! Turn! Turn! (To Everything There is a Season)"Book of Ecclesiastes/Pete Seeger3:49
2."It Won't Be Wrong"Jim McGuinn, Harvey Gerst1:58
3."Set You Free This Time"Gene Clark2:49
4."Lay Down Your Weary Tune"Bob Dylan3:30
5."He Was a Friend of Mine"traditional, new words and arrangement Jim McGuinn2:30
Side Two
No.TitleWriter(s)Length
1."The World Turns All Around Her"Clark2:13
2."Satisfied Mind"Red Hayes, Jack Rhodes2:26
3."If You're Gone"Clark2:45
4."The Times They Are a-Changin'"Dylan2:18
5."Wait and See"McGuinn, David Crosby2:19
6."Oh! Susannah"Stephen Foster3:03
Total length:29:40
1996 CD reissue bonus tracks
No.TitleWriter(s)Length
12."The Day Walk (Never Before)"Clark3:00
13."She Don't Care About Time" (single version)Clark2:29
14."The Times They Are A-Changin'" (first version)Dylan1:54
15."It's All Over Now, Baby Blue" (version 1)Dylan3:03
16."She Don't Care About Time" (version 1)Clark2:35
17."The World Turns All Around Her" (alternate mix)Clark2:12
18."Stranger in a Strange Land" (instrumental)Crosby3:04
  • Note: The album erroneously credits "Oh! Susannah" to Jim McGuinn.
  • Sides one and two were combined as tracks 1–11 on CD reissues.

Singles

[edit]
  1. "Turn! Turn! Turn! (To Everything There Is A Season)" b/w "She Don't Care About Time" (Columbia 43424) October 1, 1965 (Billboard Hot 100 number 1, UK Singles Chart number 26)
  2. "Set You Free This Time" b/w "It Won't Be Wrong" (Columbia 43501) January 10, 1966 (Billboard Hot 100 number 63)
  3. "It Won't Be Wrong" b/w "Set You Free This Time" (CBS 202037) February 18, 1966

Personnel

[edit]

Sources:[8][12][17][21]

The Byrds

Additional personnel

Release history

[edit]
Date Label Format Country Catalog Notes
December 6, 1965 Columbia LP US CL 2454 Original mono release.
CS 9254 Original stereo release.*
March 22, 1966 CBS LP UK BPG 62652 Original mono release.
SBPG 62652 Original stereo release.*
1975 CBS LP UK S 33645 Double album stereo reissue with Mr. Tambourine Man.*
1976 Embassy LP UK EMB 31257 Stereo reissue with alternative cover.*
1977 Embassy LP UK CBS 31526 Stereo reissue with alternative cover (different cover to above release).*
1987 Columbia CD US CK 9254 Original CD release.
1989 CBS CD Europe 467046 2
1993 Columbia CD UK COL 468180
April 30, 1996 Columbia/Legacy CD US CK 64846 Reissue containing seven bonus tracks and a partially remixed version of the stereo album.*
May 6, 1996 UK COL 4837062
1999 Simply Vinyl LP UK SVLP 037 Reissue of the partially remixed stereo album.*
2003 Sony CD Japan MHCP-67 Reissue containing seven bonus tracks and the partially remixed stereo album in a replica LP sleeve.*
2006 Sundazed LP US LP 5198 Reissue of the original mono release.
* The album's title track and "He Was a Friend of Mine" were never mixed into stereo and appear in mono on all stereo releases of the album.

References

[edit]
  1. ^ a b c d e Rogan, Johnny. (1998). The Byrds: Timeless Flight Revisited (2nd ed.). Rogan House. pp. 541–546. ISBN 0-9529540-1-X.
  2. ^ a b c "Turn! Turn! Turn! (To Everything There Is a Season) review". AllMusic. Retrieved 2009-12-08.
  3. ^ a b c Fricke, David. (1996). Turn! Turn! Turn! (1996 CD liner notes).
  4. ^ a b c d e f g h i j k Rogan, Johnny. (1998). The Byrds: Timeless Flight Revisited (2nd ed.). Rogan House. pp. 123–128. ISBN 0-9529540-1-X.
  5. ^ a b Whitburn, Joel. (2002). Top Pop Albums 1955–2001. Record Research Inc. p. 121. ISBN 0-89820-147-0.
  6. ^ a b c d Brown, Tony. (2000). The Complete Book of the British Charts. Omnibus Press. p. 130. ISBN 0-7119-7670-8.
  7. ^ a b c d e Whitburn, Joel. (2008). Top Pop Singles 1955–2006. Record Research Inc. p. 130. ISBN 978-0-89820-172-7.
  8. ^ a b c d e f g h i j k l Rogan, Johnny. (1996). Turn! Turn! Turn! (1996 CD liner notes).
  9. ^ "The Byrds Biography". AllMusic. Retrieved 2009-12-08.
  10. ^ a b Rogan, Johnny. (1998). The Byrds: Timeless Flight Revisited (2nd ed.). Rogan House. p. 619. ISBN 0-9529540-1-X.
  11. ^ "Mr. Tambourine Man review". AllMusic. Retrieved 2009-12-08.
  12. ^ a b c d e Hjort, Christopher. (2008). So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973). Jawbone Press. pp. 65–67. ISBN 978-1-906002-15-2.
  13. ^ a b c d e Einarson, John. (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. Backbeat Books. pp. 79–81. ISBN 0-87930-793-5.
  14. ^ a b c Rogan, Johnny. (1998). The Byrds: Timeless Flight Revisited (2nd ed.). Rogan House. pp. 165–167. ISBN 0-9529540-1-X.
  15. ^ Einarson, John. (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. Backbeat Books. p. 88. ISBN 0-87930-793-5.
  16. ^ Hjort, Christopher. (2008). So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973). Jawbone Press. pp. 84–87. ISBN 978-1-906002-15-2.
  17. ^ a b c d e f g h Rogan, Johnny. (1998). The Byrds: Timeless Flight Revisited (2nd ed.). Rogan House. pp. 144–148. ISBN 0-9529540-1-X.
  18. ^ a b c d Hjort, Christopher. (2008). So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973). Jawbone Press. pp. 73–74. ISBN 978-1-906002-15-2.
  19. ^ a b Hjort, Christopher. (2008). So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973). Jawbone Press. pp. 80–83. ISBN 978-1-906002-15-2.
  20. ^ Hyde, Bob. (1987). Never Before (1989 CD liner notes).
  21. ^ a b c Hjort, Christopher. (2008). So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973). Jawbone Press. pp. 69–70. ISBN 978-1-906002-15-2.
  22. ^ "Turn! Turn! Turn!". ByrdWatcher: A Field Guide to the Byrds of Los Angeles. Archived from the original on 2010-10-27. Retrieved 2010-06-01.
  23. ^ a b c "Turn! Turn! Turn! album review". AllMusic. Retrieved 2009-12-08.
  24. ^ "Sweetheart of the Rodeo". ByrdWatcher: A Field Guide to the Byrds of Los Angeles. Archived from the original on 2010-10-28. Retrieved 2009-12-08.
  25. ^ "Interview with Roger McGuinn of the Byrds – February 1970". Vincent Flanders: His Personal Web Site. Retrieved 2009-12-09.
  26. ^ "She Don't Care About Time review". AllMusic. Retrieved 2009-12-08.
  27. ^ Einarson, John. (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. Backbeat Books. p. 272. ISBN 0-87930-793-5.
  28. ^ "Turn! Turn! Turn! (Bonus Tracks) album review". AllMusic. Retrieved 2009-12-08.
  29. ^ Jones, Peter; Jopling, Norman (5 March 1966). "The Byrds: Turn! Turn! Turn!" (PDF). Record Mirror. No. 260. p. 8. Archived from the original (PDF) on 1 April 2022. Retrieved 22 August 2022.
  30. ^ Colin Larkin, ed. (2000). All Time Top 1000 Albums (3rd ed.). Virgin Books. p. 284. ISBN 0-7535-0493-6.
  31. ^ a b "The Byrds Remastered Albums 1996–2000". Byrds Flyght. Retrieved 2009-09-21.
  32. ^ a b Irwin, Bob. (March 1996), ICE Magazine #108 {{citation}}: Missing or empty |title= (help)

Bibliography

[edit]
  • Rogan, Johnny, The Byrds: Timeless Flight Revisited, Rogan House, 1998, ISBN 0-9529540-1-X
  • Hjort, Christopher, So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973), Jawbone Press, 2008, ISBN 1-906002-15-0.
  • Einarson, John, Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark, Backbeat Books, ISBN 0-87930-793-5.
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