Going Out for a Walk: Difference between revisions
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⚫ | "'''Going Out for a Walk'''", is an essay by [[Max Beerbohm]], written in 1918 and published in 1920 in the essay collection ''And Even Now''. The essay challenges the idea that taking a walk is solely a matter of the [[brain]] needing release, and it becomes more conflicted when there is a talkative companion. |
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==Summary== |
==Summary== |
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The main |
The main theme of the essay is the challenge of the common notion that taking a walk is a productive activity useful for the brain. Beerbohm, on the contrary, makes the case that taking a walk prevents the mind from intelligent thought. Beerbohm's reasoning is that while walking, you almost lose a part of your train of thought, as you are unconsciously thinking about walking. Beerbohm notes that in London the loud noises of the city save him from needing to make up excuses when someone asks him out for a walk, but the solace of the country can cause a "walk monger" to insist on talking a walk.<ref>{{cite web|url=http://grammar.about.com/od/classicessays/a/beerbohmwalk.htm|title=Max Beerbohm's Classic Essay on 'Going Out for a Walk'|website=Grammar.about.com|accessdate=17 August 2017|archive-date=29 December 2016|archive-url=https://web.archive.org/web/20161229021503/http://grammar.about.com/od/classicessays/a/beerbohmwalk.htm|url-status=dead}}</ref> |
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==Themes== |
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Beerbohm infers that this is because the soul and the brain clash, the soul makes quick command to walk, the brain questions the idea were you are going as you take a walk. The soul as no answer to the destination causing the brain not to want to take part while a person takes a walk. The lack of brainpower creates dull and unintelligent conversations while making the journey of taking a walk with someone. |
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You cant just say give the simple answer of no when differing from the question of taking a walk unless their an old friend, but when it comes down to an acquaintance you must come up with a believable excuse why not to do so. |
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==Reception== |
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During the nineteen twenties when this essay was published their was a rise in economic growth, and strong support of conservative economic system. Most artists objected this new sense of political wealth and business society “These artists had little faith in the political leaders who came to power after the war. They felt a need to protest the way the world was changing around them.” <ref>http://learningenglish.voanews.com/content/american-history-the-1920s-were-an-active-and-important-period-for-the-american-arts-112975584/115980.html</ref> |
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Beerbohm was brutally honest as a writer and believed that if you imposed being unlikeable people will like you based on honesty and similarities to the “common man”.Unlikeable details show honesty in writing, and people relate as long as it doesn’t “alienate the reader”.<ref>http://www.bookslut.com/an_attempt/2013_03_020018.php</ref> |
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Not having an excuse to not take a walk causes Beerbohm to be taken from the comfort of a reading chair, which is a disruption that he finds unproductive. He claims that even the most intelligent writers lose their train of thought as soon as they start walking, and conversations eventually lead to dull topics and gossip. Beerbohm concludes the essay by claiming that he does not believe that physical exercise is bad for you ("taken moderately, it is rather good for one, physically"),<ref>{{cite web|url=http://www.iluenglish.com/going-out-for-a-walk-by-max-beerbohm-summary-and-analysis/|title=Going out for a Walk by Max Beerbohm: Summary and Analysis - ILU English|website=Iluenglish.com|accessdate=17 August 2017}}</ref> but condemns taking walks that lack reason, and expresses his preference for other forms of transportation. |
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Beerbohm accomplished this balance so perfectly that it seems deliberate, as though he carefully constructed a character with exactly the right kind of flaws: the curmudgeon. |
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==References== |
==References== |
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{{reflist}} |
{{reflist}} |
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[[Category:Essays by Max Beerbohm]] |
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{{uncat|date=May 2016}} |
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[[Category:British essays]] |
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[[Category:1918 essays]] |
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[[Category:1920 essays]] |
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[[Category:Essays in semiotics]] |
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[[Category:Philosophy essays]] |
Latest revision as of 03:53, 11 June 2024
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"Going Out for a Walk", is an essay by Max Beerbohm, written in 1918 and published in 1920 in the essay collection And Even Now. The essay challenges the idea that taking a walk is solely a matter of the brain needing release, and it becomes more conflicted when there is a talkative companion.
Summary
[edit]The main theme of the essay is the challenge of the common notion that taking a walk is a productive activity useful for the brain. Beerbohm, on the contrary, makes the case that taking a walk prevents the mind from intelligent thought. Beerbohm's reasoning is that while walking, you almost lose a part of your train of thought, as you are unconsciously thinking about walking. Beerbohm notes that in London the loud noises of the city save him from needing to make up excuses when someone asks him out for a walk, but the solace of the country can cause a "walk monger" to insist on talking a walk.[1]
Not having an excuse to not take a walk causes Beerbohm to be taken from the comfort of a reading chair, which is a disruption that he finds unproductive. He claims that even the most intelligent writers lose their train of thought as soon as they start walking, and conversations eventually lead to dull topics and gossip. Beerbohm concludes the essay by claiming that he does not believe that physical exercise is bad for you ("taken moderately, it is rather good for one, physically"),[2] but condemns taking walks that lack reason, and expresses his preference for other forms of transportation.
References
[edit]- ^ "Max Beerbohm's Classic Essay on 'Going Out for a Walk'". Grammar.about.com. Archived from the original on 29 December 2016. Retrieved 17 August 2017.
- ^ "Going out for a Walk by Max Beerbohm: Summary and Analysis - ILU English". Iluenglish.com. Retrieved 17 August 2017.