Norman Garstin: Difference between revisions
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{{Short description|Irish artist, teacher, and journalist (1847–1926)}} |
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{{Infobox artist |
{{Infobox artist |
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| name = Norman Garstin |
| name = Norman Garstin |
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| image = |
| image = Penzance - Norman Garstin's heritage plaque.jpg |
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| caption = |
| caption = Garstin's heritage plaque in Penzance |
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| birth_name = |
| birth_name = |
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| birth_date = 28 August 1847 |
| birth_date = 28 August 1847 |
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| birth_place = Caherconlish, [[County Limerick]], Ireland |
| birth_place = Caherconlish, [[County Limerick]], Ireland |
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| death_date = |
| death_date = {{death date and age|1926|6|22|1847|8|28|df=yes}} |
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| death_place = [[Penzance]], Cornwall, England |
| death_place = [[Penzance]], Cornwall, England |
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| nationality = Irish |
| nationality = Irish |
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| spouse = Louisa Jones Garstin |
| spouse = Louisa Jones Garstin |
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| known_for = Painter, art critic |
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| training = [[Royal Academy of Fine Arts (Antwerp)|Royal Academy in Antwerp]], [[Carolus-Duran]]'s academy |
| training = [[Royal Academy of Fine Arts (Antwerp)|Royal Academy in Antwerp]], [[Carolus-Duran]]'s academy |
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| movement = |
| movement = Newlyn School |
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| notable_works = |
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| influenced by = |
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| bgcolour = #F0E68C |
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[[File:Norman Garstin - It Raineth Every Day 1889.jpg|thumb|upright=1.8|''[[The Rain It Raineth Every Day]]'', 1889, [[Penlee House]]]] |
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[[File:Norman Garstin - A Steady Drizzle.jpg|right|thumb|240px|''A Steady Drizzle'', oil on canvas]][[File:Norman Garstin - The Red Houses 1912.jpg|thumb|240px|''The Red Houses'', 1912, oil on canvas]][[File:Norman Garstin - Madonna Lilies.jpg|thumb|240px|''Madonna Lilies'', oil on panel]] |
[[File:Norman Garstin - A Steady Drizzle.jpg|right|thumb|240px|''A Steady Drizzle'', oil on canvas]][[File:Norman Garstin - The Red Houses 1912.jpg|thumb|240px|''The Red Houses'', 1912, oil on canvas]][[File:Norman Garstin - Madonna Lilies.jpg|thumb|240px|''Madonna Lilies'', oil on panel]] |
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'''Norman Garstin''' (28 August 1847 – 22 June 1926) was an Irish artist, teacher, art critic and journalist associated with the [[Newlyn School]] of painters. After completing his studies in [[Antwerp]] and Paris, Garstin travelled around Europe and painted some of his first professional paintings while on the journey. He later took students to Europe to some of his favourite places. |
'''Norman Garstin''' (28 August 1847 – 22 June 1926) was an Irish artist, teacher, art critic and journalist associated with the [[Newlyn School]] of painters. After completing his studies in [[Antwerp]] and Paris, Garstin travelled around Europe and painted some of his first professional paintings while on the journey. He later took students to Europe to some of his favourite places. |
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Garstin painted ''[[En plein air|plein air]]'' and was influenced by [[Impressionism]], Japanese works and [[James McNeill Whistler]]. Some of his works are at [[Tate]] and [[Penlee House]]. Garstin was a founding member of the Newlyn Art Gallery. His daughter, Alethea, was also a [[Newlyn School]] artist. |
Garstin painted ''[[En plein air|plein air]]'' and was influenced by [[Impressionism]], Japanese works and [[James McNeill Whistler]]. Some of his works are at [[Tate]] and [[Penlee House]]. Garstin was a founding member of the [[Newlyn Art Gallery]]. His daughter, [[Alethea Garstin|Alethea]], was also a [[Newlyn School]] artist. |
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==Personal life== |
==Personal life== |
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He was born 28 August 1847 in Caherconlish, [[County Limerick]], Ireland to Captain William Garstin{{#tag:ref|''100 Years in Newlyn'' states that Garstin's father was Colonel William Garstin of the [[83rd (County of Dublin) Regiment of Foot|83rd Regiment]].<ref name=Hardie>Melissa Hardie. ''[ |
He was born 28 August 1847 in [[Caherconlish]], [[County Limerick]], Ireland to Captain William Garstin{{#tag:ref|''100 Years in Newlyn'' states that Garstin's father was Colonel William Garstin of the [[83rd (County of Dublin) Regiment of Foot|83rd Regiment]].<ref name=Hardie>Melissa Hardie. ''[https://books.google.com/books?id=C6R_4AYYlHoC&pg=PA1926 100 Years in Newlyn: Diary of a Gallery]''. Hypatia Publications; 1 June 1995. {{ISBN|978-1-872229-22-5}}. p. 1926.</ref>|group=nb}} and Mary Moore Garstin. He was raised by aunts and grandparents{{#tag:ref|Cornwall Artists states that Garstin was brought up by loving aunts; Penlee House says that he was brought up by grandparents. Perhaps he was brought up by both sets of relatives over the course of his childhood.|group=nb}} following his father's suicide and his mother's incapacitating disabilities.<ref name=CA>[http://cornwallartists.org/cornwall-artists/norman-garstin ''Norman Garstin''.] Cornwall Artists. Retrieved 5 October 2012.</ref><ref name="garstin">{{cite web|title=The artistic heart of West Cornwall's history. Norman Garstin|url=http://www.penleehouse.org.uk/artists/norman-garstin.html|website=Penlee House|accessdate=26 October 2015}} - dead link</ref> |
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Garstin attended [[Victoria College, Jersey|Victoria College]] on the island of [[Jersey]] and then he worked in architecture and engineering for brief periods. He then travelled to South Africa where he befriended [[Cecil Rhodes]], worked as a journalist and was involved in government in [[Cape Town]].<ref name=CA/><ref name= |
Garstin attended [[Victoria College, Jersey|Victoria College]] on the island of [[Jersey]] and then he worked in architecture and engineering for brief periods. He then travelled to [[Cape Colony|South Africa]] where he befriended [[Cecil Rhodes]], worked as a journalist and was involved in government in [[Cape Town]].<ref name=CA/><ref name=garstin/> |
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Pursuing an interest in art, Garstin trained in 1880 in [[Antwerp]] at the [[Royal Academy of Fine Arts (Antwerp)|Royal Academy]]. From 1882 to 1884 he studied in Paris at an academy founded by [[Carolus-Duran]]. He then travelled and painted his way through Spain, [[Morocco]] and [[Venice]], Italy.<ref name=CA/><ref name= |
Pursuing an interest in art, Garstin trained in 1880 in [[Antwerp]] at the [[Royal Academy of Fine Arts (Antwerp)|Royal Academy]]. From 1882 to 1884 he studied in Paris at an academy founded by [[Carolus-Duran]]. He then travelled and painted his way through Spain, [[Morocco]] and [[Venice]], Italy.<ref name=CA/><ref name=garstin/> |
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In 1886 he married Louisa Jones, also known as Dochie. Many of Garstin's friends from school in Antwerp had settled in Newlyn; Garstin and Dochie moved to Mount Vernon in Newlyn by 1886. They had three children: Crosbie, Denis and Alethea.{{#tag:ref|Denis died in Russia at the end of World War I. Crosbie, a writer, poet and painter is believed to have died following a boating accident. There are some rumours that he may have survived and lived into his 70s.<ref>Maurice Smelt. ''[ |
In 1886, he married Louisa Jones, also known as Dochie. Many of Garstin's friends from school in Antwerp had settled in Newlyn; Garstin and Dochie moved to Mount Vernon in Newlyn by 1886. They had three children: [[Crosbie Garstin|Crosbie]], Denis and [[Alethea Garstin|Alethea]].{{#tag:ref|Denis died in Russia at the end of World War I. Crosbie, a writer, poet and painter is believed to have died following a boating accident. There are some rumours that he may have survived and lived into his 70s.<ref>Maurice Smelt. ''[https://books.google.com/books?id=5N-N322BJbAC&pg=PA93 101 Cornish Lives]''. Alison Hodge Publishers; 1 September 2006. {{ISBN|978-0-906720-50-9}}. pp. 93–95.</ref>|group=nb}} The boys took up journalism and Alethea became an artist. The family moved to [[Penzance]] by 1895.<ref name=CA/>{{#tag:ref|Penlee House states that the Garstins moved to Penzance in 1889.|group=nb}} |
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On 22 June 1926, Garstin died in Penzance.<ref name=CA/> |
On 22 June 1926, Garstin died in [[Penzance]].<ref name=CA/> |
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==Career== |
==Career== |
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Garstin worked as a painter, teacher, art critic and journalist.<ref name= |
Garstin worked as a painter, teacher, art critic and journalist.<ref name=garstin/><ref>Charles Holme. ''[https://books.google.com/books?id=xKIaAAAAYAAJ&pg=RA1-PR14 The genius of J. M. W. Turner, R. A.]''. Offices of ʻThe Studio'; 1903. p. xiv.</ref> As printed in ''100 Years in Newlyn'', Norman Garstin was: |
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<blockquote>He was a man of intensely individual impulses and opinions, and incurred unpopularity at times through his views on war and other topics. But he was a stimulating teacher and a shrewd critic, and had a true eye for a picture with old architecture and historic atmosphere, as well as a brush capable of rendering his intentions with right effect.<ref name=Hardie/></blockquote> |
<blockquote>He was a man of intensely individual impulses and opinions, and incurred unpopularity at times through his views on war and other topics. But he was a stimulating teacher and a shrewd critic, and had a true eye for a picture with old architecture and historic atmosphere, as well as a brush capable of rendering his intentions with right effect.<ref name=Hardie/></blockquote> |
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In 1888 he became a member of the [[New English Art Club]] (NEAC). Garstin became a member of the [[Newlyn School|Newlyn Society of Artists]] (NSA) and was on the Newlyn Art Gallery's Provisional Committee for its opening in 1895.<ref name=CA/> Garstin said of the [[plein-air]] approach used by St Ives and Newlyn artists: They were "filled with this idea of a fresh unarranged nature to be studied in her fields, and by her streams, and on the margin of her great seas – in these things they were to find the motives of their art."<ref name=Causey>Andrew Causey. ''[ |
In 1888 he became a member of the [[New English Art Club]] (NEAC). Garstin became a member of the [[Newlyn School|Newlyn Society of Artists]] (NSA) and was on the Newlyn Art Gallery's Provisional Committee for its opening in 1895.<ref name=CA/> Garstin said of the [[plein-air]] approach used by [[St Ives School|St Ives]] and Newlyn artists: They were "filled with this idea of a fresh unarranged nature to be studied in her fields, and by her streams, and on the margin of her great seas – in these things they were to find the motives of their art."<ref name=Causey>Andrew Causey. ''[https://books.google.com/books?id=k95330_xaPYC&pg=PA14 Peter Lanyon: Modernism and the Land]''. Reaktion Books; 2006. {{ISBN|978-1-86189-275-1}}. p. 14.</ref> |
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He was a teacher and took groups to "his favorite painting haunts on the Continent."<ref name=CA/> For instance, [[Frances Hodgkins]], a New Zealand artist, attended Garstin's 1901 and 1902 summer sketching classes in France.<ref>Delia Gaze. ''[ |
He was a teacher and took groups to "his favorite painting haunts on the Continent."<ref name=CA/> For instance, [[Frances Hodgkins]], a New Zealand artist, attended Garstin's 1901 and 1902 summer sketching classes in France.<ref>Delia Gaze. ''[https://books.google.com/books?id=BCduKb-ujO8C&pg=PA374 Concise Dictionary of Women Artists]''. Taylor & Francis; 1 July 2001. {{ISBN|978-1-57958-335-4}}. p. 374.</ref> He taught [[Harold Harvey (artist)|Harold Harvey]], the only Cornish [[Newlyn School]] painter, and his daughter, Alethea.<ref name=Penlee/> |
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==Works== |
==Works== |
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His work consisted primarily of small oil panels in the ''[[En plein air|plein air]]'' style, something he had picked up from the French [[Impressionists]], like [[Manet]].<ref name=Causey/><ref>Colleen Denney. ''[ |
His work consisted primarily of small oil panels in the ''[[En plein air|plein air]]'' style, something he had picked up from the French [[Impressionists]], like [[Manet]].<ref name=Causey/><ref>Colleen Denney. ''[https://books.google.com/books?id=RvTZrnmy5RoC&pg=PA195 At the Temple of Art: The Grosvenor Gallery, 1877–1890]''. Fairleigh Dickinson Univ Press; 2000. {{ISBN|978-0-8386-3850-7}}. p. 195.</ref> He was also fascinated by Japanese prints and admired the work of the American painter [[James McNeill Whistler]].<ref name=Penlee/><ref>Professor Kenneth McConkey. ''[https://books.google.com/books?id=pA57l4r29OkC&pg=PA129 Impressionism in Britain]''. Yale University Press; 20 March 1995. {{ISBN|978-0-300-06334-9}}. p. 129.</ref> |
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One of his best and most famous works is his 1889 painting ''The Rain, it raineth every day'' of the Penzance promenade. The title of the work comes from Shakespeare's ''King Lear'' and ''Twelfth Night.'' "The composition of this painting demonstrates Garstin's admiration for Japanese art," says [[Penlee House]].<ref name=CA/><ref name=Penlee/> |
One of his best and most famous works is his 1889 painting ''The Rain, it raineth every day'' of the Penzance promenade. The title of the work comes from Shakespeare's ''King Lear'' and ''Twelfth Night.'' "The composition of this painting demonstrates Garstin's admiration for Japanese art," says [[Penlee House]].<ref name=CA/><ref name=Penlee/> |
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* ''In a Cottage by the Sea,'' 1887, oil on canvas, Penlee House, loan from Newlyn Art Gallery |
* ''In a Cottage by the Sea,'' 1887, oil on canvas, Penlee House, loan from Newlyn Art Gallery |
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* ''The Drinking Pool,'' 1887, watercolour |
* ''The Drinking Pool,'' 1887, watercolour |
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* ''The Rain, it raineth every day'', 1889, oil on canvas |
* [[The Rain It Raineth Every Day|''The Rain, it raineth every day'']], 1889, oil on canvas |
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* ''A View of Newlyn from the North Pier,'' c. 1892, oil on canvas, Penlee House, loan from Newlyn Art Gallery |
* ''A View of Newlyn from the North Pier,'' c. 1892, oil on canvas, Penlee House, loan from Newlyn Art Gallery |
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* ''Houses and Boats'', oil on panel, Penlee House, loan from Newlyn Art Gallery |
* ''Houses and Boats'', oil on panel, Penlee House, loan from Newlyn Art Gallery |
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==Further reading== |
==Further reading== |
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{{Portal|Cornwall}} |
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* Richard Pryke. ''[ |
* Richard Pryke. ''[https://books.google.com/books?id=1afqAAAAMAAJ Norman Garstin: Irishman & Newlyn artist]''. Spire Books Ltd; 2005. {{ISBN|978-0-9543615-9-4}}. |
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==External links== |
==External links== |
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*{{Art UK bio}} |
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* [http://www.tate.org.uk/art/artworks/garstin-mounts-bay-and-tolcarne-from-trewidden-farm-footpath-with-alethea-and-her-mother-t03164 ''Mount's Bay and Tolcarne from Trewidden Farm Footpath with Alethea and her Mother''], Tate |
* [http://www.tate.org.uk/art/artworks/garstin-mounts-bay-and-tolcarne-from-trewidden-farm-footpath-with-alethea-and-her-mother-t03164 ''Mount's Bay and Tolcarne from Trewidden Farm Footpath with Alethea and her Mother''], Tate |
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* [http://www.tate.org.uk/art/artworks/garstin-haycocks-and-sun-t03163 ''Haycocks and Sun''], Tate |
* [http://www.tate.org.uk/art/artworks/garstin-haycocks-and-sun-t03163 ''Haycocks and Sun''], Tate |
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{{Authority control |
{{Authority control (arts)}} |
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{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. --> |
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| NAME = Garstin, Norman |
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| ALTERNATIVE NAMES = |
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| SHORT DESCRIPTION = Irish, Newlyn School Painter, teacher, art critic and journalist |
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| DATE OF BIRTH = 28 August 1847 |
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| PLACE OF BIRTH = Caherconlish, [[County Limerick]], Ireland |
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| DATE OF DEATH = 22 June 1926 |
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| PLACE OF DEATH = Penzance, Cornwall, England |
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}} |
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{{DEFAULTSORT:Garstin, Norman}} |
{{DEFAULTSORT:Garstin, Norman}} |
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[[Category:1847 births]] |
[[Category:1847 births]] |
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[[Category:1926 deaths]] |
[[Category:1926 deaths]] |
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[[Category:Irish painters]] |
[[Category:19th-century Irish painters]] |
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[[Category: |
[[Category:20th-century Irish painters]] |
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[[Category:Irish journalists]] |
[[Category:Irish journalists]] |
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[[Category:Irish male painters]] |
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[[Category:Newlyn School of Artists]] |
[[Category:Newlyn School of Artists]] |
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[[Category:Artists from County Limerick]] |
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[[Category:19th-century Irish male artists]] |
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[[Category:20th-century Irish male artists]] |
Latest revision as of 09:24, 12 June 2024
Norman Garstin | |
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Born | 28 August 1847 Caherconlish, County Limerick, Ireland |
Died | 22 June 1926 Penzance, Cornwall, England | (aged 78)
Nationality | Irish |
Education | Royal Academy in Antwerp, Carolus-Duran's academy |
Known for | Painter, art critic |
Movement | Newlyn School |
Spouse | Louisa Jones Garstin |
Norman Garstin (28 August 1847 – 22 June 1926) was an Irish artist, teacher, art critic and journalist associated with the Newlyn School of painters. After completing his studies in Antwerp and Paris, Garstin travelled around Europe and painted some of his first professional paintings while on the journey. He later took students to Europe to some of his favourite places.
Garstin painted plein air and was influenced by Impressionism, Japanese works and James McNeill Whistler. Some of his works are at Tate and Penlee House. Garstin was a founding member of the Newlyn Art Gallery. His daughter, Alethea, was also a Newlyn School artist.
Personal life
[edit]He was born 28 August 1847 in Caherconlish, County Limerick, Ireland to Captain William Garstin[nb 1] and Mary Moore Garstin. He was raised by aunts and grandparents[nb 2] following his father's suicide and his mother's incapacitating disabilities.[2][3]
Garstin attended Victoria College on the island of Jersey and then he worked in architecture and engineering for brief periods. He then travelled to South Africa where he befriended Cecil Rhodes, worked as a journalist and was involved in government in Cape Town.[2][3]
Pursuing an interest in art, Garstin trained in 1880 in Antwerp at the Royal Academy. From 1882 to 1884 he studied in Paris at an academy founded by Carolus-Duran. He then travelled and painted his way through Spain, Morocco and Venice, Italy.[2][3]
In 1886, he married Louisa Jones, also known as Dochie. Many of Garstin's friends from school in Antwerp had settled in Newlyn; Garstin and Dochie moved to Mount Vernon in Newlyn by 1886. They had three children: Crosbie, Denis and Alethea.[nb 3] The boys took up journalism and Alethea became an artist. The family moved to Penzance by 1895.[2][nb 4]
On 22 June 1926, Garstin died in Penzance.[2]
Career
[edit]Garstin worked as a painter, teacher, art critic and journalist.[3][5] As printed in 100 Years in Newlyn, Norman Garstin was:
He was a man of intensely individual impulses and opinions, and incurred unpopularity at times through his views on war and other topics. But he was a stimulating teacher and a shrewd critic, and had a true eye for a picture with old architecture and historic atmosphere, as well as a brush capable of rendering his intentions with right effect.[1]
In 1888 he became a member of the New English Art Club (NEAC). Garstin became a member of the Newlyn Society of Artists (NSA) and was on the Newlyn Art Gallery's Provisional Committee for its opening in 1895.[2] Garstin said of the plein-air approach used by St Ives and Newlyn artists: They were "filled with this idea of a fresh unarranged nature to be studied in her fields, and by her streams, and on the margin of her great seas – in these things they were to find the motives of their art."[6]
He was a teacher and took groups to "his favorite painting haunts on the Continent."[2] For instance, Frances Hodgkins, a New Zealand artist, attended Garstin's 1901 and 1902 summer sketching classes in France.[7] He taught Harold Harvey, the only Cornish Newlyn School painter, and his daughter, Alethea.[8]
Works
[edit]His work consisted primarily of small oil panels in the plein air style, something he had picked up from the French Impressionists, like Manet.[6][9] He was also fascinated by Japanese prints and admired the work of the American painter James McNeill Whistler.[8][10]
One of his best and most famous works is his 1889 painting The Rain, it raineth every day of the Penzance promenade. The title of the work comes from Shakespeare's King Lear and Twelfth Night. "The composition of this painting demonstrates Garstin's admiration for Japanese art," says Penlee House.[2][8]
A partial list of his works includes:[8]
- Crosbie Garstin as a Baby, 1887, oil on canvas, Penlee House, loan from Newlyn Art Gallery
- In a Cottage by the Sea, 1887, oil on canvas, Penlee House, loan from Newlyn Art Gallery
- The Drinking Pool, 1887, watercolour
- The Rain, it raineth every day, 1889, oil on canvas
- A View of Newlyn from the North Pier, c. 1892, oil on canvas, Penlee House, loan from Newlyn Art Gallery
- Houses and Boats, oil on panel, Penlee House, loan from Newlyn Art Gallery
- Market Jew Street, oil on panel, Penlee House, loan from Newlyn Art Gallery
- Saturday (an Interior View of Garstin's Home), oil on panel, Penlee House, loan from Newlyn Art Gallery
Gallery
[edit]-
Autumn, 1882, oil on canvas
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Artichokes Hyeres, 1883, oil on panel
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Haycocks And Sun, 1886, oil on wood
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In a Cottage, 1887, oil on canvas
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A Woman Reading A Newspaper, 1891, oil on wood
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A View of Mount's Bay, 1892, oil on panel
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Portrait of a Basque Woman, 1896, lithograph
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Alethea And Her Mother, 1898, oil on wood
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Notre Dame Du Roncier Josselin, 1911, oil on panel
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Saturday Josselin, 1911, oil on panel
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The Bull Hotel, 1916, oil on wood
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Breton Women at la Faouet
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In The Shade, oil on canvas
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Newlyn from the Meadow
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Tiddlers, watercolour
Notes
[edit]- ^ 100 Years in Newlyn states that Garstin's father was Colonel William Garstin of the 83rd Regiment.[1]
- ^ Cornwall Artists states that Garstin was brought up by loving aunts; Penlee House says that he was brought up by grandparents. Perhaps he was brought up by both sets of relatives over the course of his childhood.
- ^ Denis died in Russia at the end of World War I. Crosbie, a writer, poet and painter is believed to have died following a boating accident. There are some rumours that he may have survived and lived into his 70s.[4]
- ^ Penlee House states that the Garstins moved to Penzance in 1889.
References
[edit]- ^ a b Melissa Hardie. 100 Years in Newlyn: Diary of a Gallery. Hypatia Publications; 1 June 1995. ISBN 978-1-872229-22-5. p. 1926.
- ^ a b c d e f g h Norman Garstin. Cornwall Artists. Retrieved 5 October 2012.
- ^ a b c d "The artistic heart of West Cornwall's history. Norman Garstin". Penlee House. Retrieved 26 October 2015. - dead link
- ^ Maurice Smelt. 101 Cornish Lives. Alison Hodge Publishers; 1 September 2006. ISBN 978-0-906720-50-9. pp. 93–95.
- ^ Charles Holme. The genius of J. M. W. Turner, R. A.. Offices of ʻThe Studio'; 1903. p. xiv.
- ^ a b Andrew Causey. Peter Lanyon: Modernism and the Land. Reaktion Books; 2006. ISBN 978-1-86189-275-1. p. 14.
- ^ Delia Gaze. Concise Dictionary of Women Artists. Taylor & Francis; 1 July 2001. ISBN 978-1-57958-335-4. p. 374.
- ^ a b c d Norman Garstin. and The Drinking Pool. Penlee House. Retrieved 5 October 2012.
- ^ Colleen Denney. At the Temple of Art: The Grosvenor Gallery, 1877–1890. Fairleigh Dickinson Univ Press; 2000. ISBN 978-0-8386-3850-7. p. 195.
- ^ Professor Kenneth McConkey. Impressionism in Britain. Yale University Press; 20 March 1995. ISBN 978-0-300-06334-9. p. 129.
Further reading
[edit]- Richard Pryke. Norman Garstin: Irishman & Newlyn artist. Spire Books Ltd; 2005. ISBN 978-0-9543615-9-4.