Fabrizio Santafede: Difference between revisions
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{{short description|Italian painter}} |
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{{Infobox person |
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[[File:Fabrizio Santafede - The Holy Family with Saint Dorothea.jpg|thumb|270px|''The Holy Family with Saint Dorothea'']] |
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| name = Fabrizio Santafede |
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'''Fabrizio Santafede''' or '''Fabrizio Santaféde''' (c. 1560–1623/28) was an Italian painter known for his [[altarpiece]]s. He painted in a style that rejected the Mannerism popular in the Naples of his time and evident in the works of Francesco Curia. |
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| image = F Santafede Adoracion de los pastores.jpg |
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==Life== |
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Born in [[Naples]], he began as a pupil of his father, the painter [[Francesco Santafede]],<ref name=cita>Giovan Battista Chiarini (a cura di), ''Delle notizie del bello, dell'antico, e del curioso della città di Napoli raccolte dal canonico [[Carlo Celano]]'', Vol. I, Napoli, Stamperia Floriana, 1856, p. 154 {{in lang|it}}</ref> and later became a pupil of [[Marco Pino]]. He may have been one of the collaborators of Pino on the decoration of the church of S Giovanni Fiorentini in Naples.<ref name=ox>Antonella D’Autilia. "Santafede, Fabrizio." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 14 March 2017</ref> He traveled extensively, including to [[Bologna]], [[Florence]], [[Rome]], and [[Venice]] in his study of the great masters.<ref name=trec>[http://www.treccani.it/enciclopedia/fabrizio-santafede/ ''Santaféde, Fabrizio''], in: Treccani online {{in lang|it}}</ref> |
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| caption = ''Pope Clement VIII blessing Carmelite Nuns'' |
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| birth_date = c. 1550 |
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He became a dealer in antiques and paintings. He painted extensively in Naples, including an ''Assumption'' and ''Coronation of the Virgin'' for [[Santa Donna Regina Nuova]]. The Baroque painter [[Massimo Stanzione]] is mentioned as one of his pupils. |
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| death_date = 1635 |
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}} |
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'''Fabrizio Santafede''' (c. 1560–1635) was an [[Italy|Italian]] painter of the late-[[Renaissance]] and early-[[Baroque]] periods. He painted in a late-[[Mannerism|Mannerist]] style.<ref>[[Sydney J. Freedberg]], ''Painting in Italy 1500-1600''; Penguin, 1983, p. 134.</ref><ref>Freedberg, SJ. p. 356.</ref> He was a pupil of his father, the painter [[Francesco Santafede]], and later a pupil of [[Francesco Curia]]<ref name="Cyclopedia1887">{{Cite book |
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| first = |
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| year = 1887 |
| year = 1887 |
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| title = Cyclopedia of Painters and Paintings |
| title = Cyclopedia of Painters and Paintings |
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| editor = John Denison Champlin |
| editor = John Denison Champlin |editor2=Charles Callahan Perkins |
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| page = 112 |
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| publisher = [[C. Scribner's sons]] |
| publisher = [[C. Scribner's sons]] |
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| url = https://archive.org/details/cyclopediapaint02unkngoog |
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}}</ref> |
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| url = http://books.google.com/?id=RQYFAAAAYAAJ&pg=RA1-PA112&lpg=RA1-PA112 |
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}}</ref> and [[Andrea Sabbatini]]{{Citation needed|date=January 2008}}. Although he was born and died in [[Naples]], he traveled extensively, including [[Bologna]], [[Florence]], [[Rome]], and [[Venice]] in his study of the great masters.<ref name="Cyclopedia1887" /> He became a merchant of antiquities and paintings himself. He painted extensively in Naples, including an ''Assumption'' and ''Coronation of the Virgin'' for [[Santa Donna Regina Nuova]]. He also created ''Madonna with Saints'' (1595).<ref name="Cyclopedia1887" /> The Baroque painter [[Massimo Stanzione]] is mentioned as one of his pupils.<ref name="Cyclopedia1887" /> |
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==References== |
==References== |
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{{Reflist}} |
{{Reflist}} |
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==External links== |
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==Bibliography== |
==Bibliography== |
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<!--===Secondary Sources===--> |
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*{{cite book | first= Bernardo|last= De Dominici| year=1742| title='''Vite dei Pittori, Scultori, ed Architetti Napolitani''', Volume II |
*{{cite book | first= Bernardo|last= De Dominici| year=1742| title='''Vite dei Pittori, Scultori, ed Architetti Napolitani''', Volume II| pages= 223–236| publisher= Stamperia del Ricciardi |location=Nalples | url= https://books.google.com/books?id=XVsGAAAAQAAJ&q=Bernardo+de%27+Dominici}} |
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*{{cite book | first= Maria|last= Farquhar| year=1855| title= Biographical catalogue of the principal Italian painters| editor = Ralph Nicholson Wornum | pages= |
*{{cite book | first= Maria|last= Farquhar| year=1855| title= Biographical catalogue of the principal Italian painters| editor = Ralph Nicholson Wornum | pages= 159 | publisher= Woodfall & Kinder |location=London | url= https://books.google.com/books?q=intitle:Wornum+intitle:principal+intitle:painters }} |
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*{{cite book | first= Rudolf| |
*{{cite book | first= Rudolf|author-link=Rudolf Wittkower|last= Wittkower| year=1993| title= Pelican History of Art, Art and Architecture Italy, 1600-1750| others=1980 | publisher= Penguin Books}} |
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{{Authority control |
{{Authority control}} |
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{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. --> |
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| NAME = Santafede, Fabrizio |
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| SHORT DESCRIPTION = Italian painter |
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| DATE OF BIRTH = 1560 |
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| DATE OF DEATH = 1635 |
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}} |
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{{DEFAULTSORT:Santafede, Fabrizio}} |
{{DEFAULTSORT:Santafede, Fabrizio}} |
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[[Category:1560 births]] |
[[Category:1560 births]] |
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[[Category:1628 deaths]] |
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[[Category:16th-century Neapolitan people]] |
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[[Category:16th-century Italian painters]] |
[[Category:16th-century Italian painters]] |
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[[Category:Italian male painters]] |
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[[Category:17th-century Italian painters]] |
[[Category:17th-century Italian painters]] |
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[[Category:Painters from Naples]] |
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[[Category: |
[[Category:Italian Mannerist painters]] |
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Latest revision as of 21:00, 13 June 2024
Fabrizio Santafede or Fabrizio Santaféde (c. 1560–1623/28) was an Italian painter known for his altarpieces. He painted in a style that rejected the Mannerism popular in the Naples of his time and evident in the works of Francesco Curia.
Life
[edit]Born in Naples, he began as a pupil of his father, the painter Francesco Santafede,[1] and later became a pupil of Marco Pino. He may have been one of the collaborators of Pino on the decoration of the church of S Giovanni Fiorentini in Naples.[2] He traveled extensively, including to Bologna, Florence, Rome, and Venice in his study of the great masters.[3]
He became a dealer in antiques and paintings. He painted extensively in Naples, including an Assumption and Coronation of the Virgin for Santa Donna Regina Nuova. The Baroque painter Massimo Stanzione is mentioned as one of his pupils.
Legend has it that during the sack of Naples in 1647 by insurgents under Masaniello two houses in which Santafede had painted frescos were spared out of respect for the artist.[4]
References
[edit]- ^ Giovan Battista Chiarini (a cura di), Delle notizie del bello, dell'antico, e del curioso della città di Napoli raccolte dal canonico Carlo Celano, Vol. I, Napoli, Stamperia Floriana, 1856, p. 154 (in Italian)
- ^ Antonella D’Autilia. "Santafede, Fabrizio." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 14 March 2017
- ^ Santaféde, Fabrizio, in: Treccani online (in Italian)
- ^ John Denison Champlin; Charles Callahan Perkins, eds. (1887). Cyclopedia of Painters and Paintings. C. Scribner's sons. p. 112.
External links
[edit]- Media related to Fabrizio Santafede at Wikimedia Commons
Bibliography
[edit]- De Dominici, Bernardo (1742). Vite dei Pittori, Scultori, ed Architetti Napolitani, Volume II. Nalples: Stamperia del Ricciardi. pp. 223–236.
- Farquhar, Maria (1855). Ralph Nicholson Wornum (ed.). Biographical catalogue of the principal Italian painters. London: Woodfall & Kinder. p. 159.
- Wittkower, Rudolf (1993). Pelican History of Art, Art and Architecture Italy, 1600-1750. 1980. Penguin Books.