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===Guinness=== |
===Guinness=== |
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{| class="wikitable plainrowheaders" style="margin:auto; margin:auto;" |
{| class="wikitable plainrowheaders" style="margin:auto; margin:auto;" |
||
|+{{nowrap|Highest-grossing films {{As of| |
|+{{nowrap|Highest-grossing films {{As of|2023|lc=y}} adjusted for inflation<ref name="Guinness 2015">{{cite book |title=Guinness World Records |edition=2015 |year=2014 |volume=60 |isbn=978-1-908843-70-8 |pages=160–161 |last1=Records |first1=Guinness World}}</ref>}}{{ref label|Inflation|Inf}} |
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! scope="col" | Rank |
! scope="col" | Rank |
||
! scope="col" | Title |
! scope="col" | Title |
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| Line 563: | Line 563: | ||
| 1 |
| 1 |
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! scope="row" | ''[[Gone with the Wind (film)|Gone with the Wind]]'' |
! scope="row" | ''[[Gone with the Wind (film)|Gone with the Wind]]'' |
||
| style="text-align:right;" | ${{formatnum:{{#expr:(<!--2013-->3440000000<!--2014-->*1.007<!--2015-->*1.005<!--2016-->*1.015<!--2017-->*1.017<!--2018-->*1.016<!--2019-->*1.015+2176120)<!--2020-->*1.005<!--2021-->*1.053<!--2022-->*1.073<!--2023-->*1.031 round -6}}}} |
| style="text-align:right;" | {{ref |GWTW|GW}}${{formatnum:{{#expr:(<!--2013-->3440000000<!--2014-->*1.007<!--2015-->*1.005<!--2016-->*1.015<!--2017-->*1.017<!--2018-->*1.016<!--2019-->*1.015+2176120)<!--2020-->*1.005<!--2021-->*1.053<!--2022-->*1.073<!--2023-->*1.031 round -6}}}} |
||
| style="text-align:center;" | 1939 |
| style="text-align:center;" | 1939 |
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|- |
|- |
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| Line 593: | Line 593: | ||
| 7 |
| 7 |
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! scope="row" | ''[[E.T. the Extra-Terrestrial]]'' |
! scope="row" | ''[[E.T. the Extra-Terrestrial]]'' |
||
| style="text-align:right;" | ${{formatnum:{{#expr:(<!--2013-->2310000000<!--2014-->*1.007<!--2015-->*1.005<!--2016-->*1.015<!--2017-->*1.017<!--2018-->*1.016<!--2019-->*1.015<!--2020-->*1.005<!--2021-->*1.053<!--2022-->*1.073+516969+2834590)<!--2023-->*1.031 round -6}}}} |
| style="text-align:right;" | {{ref |ET|ET}}${{formatnum:{{#expr:(<!--2013-->2310000000<!--2014-->*1.007<!--2015-->*1.005<!--2016-->*1.015<!--2017-->*1.017<!--2018-->*1.016<!--2019-->*1.015<!--2020-->*1.005<!--2021-->*1.053<!--2022-->*1.073+516969+2834590)<!--2023-->*1.031 round -6}}}} |
||
| style="text-align:center;" | 1982 |
| style="text-align:center;" | 1982 |
||
|- |
|- |
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| Line 608: | Line 608: | ||
| 10 |
| 10 |
||
! scope="row" | ''[[Star Wars: The Force Awakens]]'' |
! scope="row" | ''[[Star Wars: The Force Awakens]]'' |
||
| style="text-align:right;" | {{ref |The Force Awakens|TFA}}${{formatnum:{{#expr: |
| style="text-align:right;" | {{ref |The Force Awakens|TFA}}${{formatnum:{{#expr:<!--2015-->2068223624<!--2016-->*1.015<!--2017-->*1.017<!--2018-->*1.016<!--2019-->*1.015<!--2020-->*1.005<!--2021-->*1.053<!--2022-->*1.073<!--2023-->*1.031 round -6}}}} |
||
| style="text-align:center;" | 2015 |
| style="text-align:center;" | 2015 |
||
|- |
|- |
||
Latest revision as of 14:09, 19 June 2024
2010/2011 ranking points
[edit]| code | Cut-off point 1 | Cut-off point 2 | Cut-off point 3 | Total points | - | 1 |  |
 {{{first}}} {{{last}}}
|
26820 | 0 | 0 | 26820 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2 | |
 {{{first}}} {{{last}}}
|
25580 | 920 | 920 | 26500 | |||||||
|
|- | 3 || {{Snooker arrow |new=3 |old=3 }} || style="text-align:left;"|{{flagicon|ENG}} [[Ronnie O'Sullivan]] <!-- Live 2008/2009 ranking points --> | {{#expr:700+ 2850+ 1900+ 2500+ 3800}} <!-- 2009/2010 ranking points --> | {{#expr:7000+ 2660+ 5120+ 3200+ 980+ 5000}} <!-- 2010/2011 PTC points --> | style="background:#ffffaa;" | {{#expr:1000+ 0+ 0+ 1600+ 360}} <!-- 2010/2011 ranking points --> | style="background:#ffffaa;" | - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - <!-- Total 2010/2011 ranking points --> | {{#expr: <!--PTC-->1000+ 0+ 0+ 1600+ 360<!--Standard events-->}} | |
38670 | | - |
| - |
| - | |||||||||
|
|- | 4 || {{Snooker arrow |new=4 |old=4 }} || style="text-align:left;"|{{flagicon|ENG}} [[Allister Carter]] <!-- Live 2008/2009 ranking points --> | {{#expr:700+ 4800+ 5000+ 1900+ 3800}} <!-- 2009/2010 ranking points --> | {{#expr:2660+ 980+ 4000+ 4000+ 4480+ 6400}} <!-- 2010/2011 PTC points --> | style="background:#ffffaa;" | {{#expr:0+ 360+ 0+ 0+ 560}} <!-- 2010/2011 ranking points --> | style="background:#ffffaa;" | - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - <!-- Total 2010/2011 ranking points --> | {{#expr: <!--PTC-->0+ 360+ 0+ 0+ 560<!--Standard events-->}} | |
39640 | | - |
| - |
| - | |||||||||
|
|- | 5 || {{Snooker arrow |new=5 |old=5 }} || style="text-align:left;"|{{flagicon|CHN}} [[Ding Junhui]] <!-- Live 2008/2009 ranking points --> | {{#expr:0+ 2850+ 1900+ 700+ 3800}} <!-- 2009/2010 ranking points --> | {{#expr:3500+ 5600+ 8000+ 700+ 5600+ 3800}} <!-- 2010/2011 PTC points --> | style="background:#ffffaa;" | {{#expr:0+ 0+ 0+ 0+ 0}} <!-- 2010/2011 ranking points --> | style="background:#ffffaa;" | - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - <!-- Total 2010/2011 ranking points --> | {{#expr: <!--PTC-->0+ 0+ 0+ 0+ 0<!--Standard events-->}} | |
36450 | | - |
| - |
| - | |||||||||
|
|- | 6 || {{Snooker arrow |new=6 |old=6 }} || style="text-align:left;"|{{flagicon|SCO}} [[Stephen Maguire]] <!-- Live 2008/2009 ranking points --> | {{#expr:2500+ 4800+ 2500+ 700+ 5000}} <!-- 2009/2010 ranking points --> | {{#expr:980+ 2660+ 5120+ 3200+ 2660+ 3800}} <!-- 2010/2011 PTC points --> | style="background:#ffffaa;" | {{#expr:1600+ 760+ 360+ 1000+ 0}} <!-- 2010/2011 ranking points --> | style="background:#ffffaa;" | - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - <!-- Total 2010/2011 ranking points --> | {{#expr: <!--PTC-->1600+ 760+ 360+ 1000+ 0<!--Standard events-->}} | |
37640 | | - |
| - |
| - | |||||||||
|
|- | 7 || {{Snooker arrow |new=7 |old=7 }} || style="text-align:left;"|{{flagicon|ENG}} [[Shaun Murphy (snooker player)|Shaun Murphy]] <!-- Live 2008/2009 ranking points --> | {{#expr:700+ 7500+ 2500+ 2500+ 8000}} <!-- 2009/2010 ranking points --> | {{#expr:4480+ 980+ 3040+ 700+ 980+ 5000}} <!-- 2010/2011 PTC points --> | style="background:#ffffaa;" | {{#expr:0+ 360+ 0+ 360+ 1280}} <!-- 2010/2011 ranking points --> | style="background:#ffffaa;" | - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - <!-- Total 2010/2011 ranking points --> | {{#expr: <!--PTC-->0+ 360+ 0+ 360+ 1280<!--Standard events-->}} | |
38380 | | - |
| - |
| - | |||||||||
|
|- | 8 || {{Snooker arrow |new=8 |old=8 }} || style="text-align:left;"|{{flagicon|WAL}} [[Mark Williams (Welsh snooker player)|Mark Williams]] <!-- Live 2008/2009 ranking points --> | {{#expr:575+ 3750+ 575+ 1400+ 2800}} <!-- 2009/2010 ranking points --> | {{#expr:2660+ 4480+ 3040+ 2500+ 7000+ 3800}} <!-- 2010/2011 PTC points --> | style="background:#ffffaa;" | {{#expr:2000+ 360+ 0+ 1280+ 360}} <!-- 2010/2011 ranking points --> | style="background:#ffffaa;" | - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - <!-- Total 2010/2011 ranking points --> | {{#expr: <!--PTC-->2000+ 360+ 0+ 1280+ 360<!--Standard events-->}} | |
36580 | | - |
| - |
| - | |||||||||
|
|- | 9 || {{Snooker arrow |new=9 |old=9 }} || style="text-align:left;"|{{flagicon|ENG}} [[Mark Selby]] <!-- Live 2008/2009 ranking points --> | {{#expr:0+ 1050+ 2500+ 1900+ 5000 }} <!-- 2009/2010 ranking points --> | {{#expr:980+ 980+ 4000+ 2500+ 2660+ 6400}} <!-- 2010/2011 PTC points --> | style="background:#ffffaa;" | {{#expr:560+ 2000+ 1280+ 560+ 360}} <!-- 2010/2011 ranking points --> | style="background:#ffffaa;" | - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - <!-- Total 2010/2011 ranking points --> | {{#expr: <!--PTC-->560+ 2000+ 1280+ 560+ 360<!--Standard events-->}} | |
32730 | | - |
| - |
| - | |||||||||
|
|- | 10 || {{Snooker arrow |new=10 |old=10 }} || style="text-align:left;"|{{flagicon|NIR}} [[Mark Allen (snooker player)|Mark Allen]] <!-- Live 2008/2009 ranking points --> | {{#expr:3200+ 2850+ 700+ 700+ 6400 }} <!-- 2009/2010 ranking points --> | {{#expr:980+ 3500+ 1120+ 2500+ 4480+ 5000}} <!-- 2010/2011 PTC points --> | style="background:#ffffaa;" | {{#expr:0+ 0+ 0+ 360+ 0}} <!-- 2010/2011 ranking points --> | style="background:#ffffaa;" | - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - <!-- Total 2010/2011 ranking points --> | {{#expr: <!--PTC-->0+ 0+ 0+ 360+ 0<!--Standard events-->}} | |
31790 | | - |
| - |
| - |
SFN for the Noughties
[edit]- ^ Sanderson 1996, pp. 21–23.
- ^ Sanderson 2006, pp. 21–23.
- Sanderson, Mark (1996). Don't Look Now. London: British Film Institute. ISBN 0-85170-572-3.
- Sanderson, Mark (2006). Don't Look Now. London: British Film Institute. ISBN 0-85170-572-3.
flashing text.
21 December 2024
2
23226
09 September 2015
John-Higgins Smith John/Higgins/Smith
Ronnie OSullivan
Mark/Williams/(snooker/player)
Mark-Williams
Mark-Williams-
22
test
[edit]trims and outs
20 December 2024
- Christmas in literature has historically included elements of "darkness" – fright, misery, death and decay – dating as far back as the biblical account of the Massacre of the Innocents and more recently in works such as E. T. A. Hoffmann's "The Nutcracker and the Mouse King" (1816) and Charles Dickens' A Christmas Carol (1843).[1][2] The Christmas horror genre in film emerged in the 1970s, featuring "scaled up" horror elements that the The Hollywood Reporter calls a "modern reinvention of the Christmas ghost story".[1] One of the earliest entries is Silent Night, Bloody Night (1972), and this was soon followed by Black Christmas (1974), which is often credited with being one of the most influential that inspired other films in the genre.[1][2]
- and the other currently being argued is this.
- Definining a Christmas horror film genre has been described as challenging.[3] Scholars have predominantly placed Christmas horror as a small genre within the slasher film cycle, emerging in the 1970s, predominantly about killers disguised as Santa Clause.[2][4][5] Rockoff in Rue Morgue noted it was a trends of dominating slasher films taking placing beloved holidays into a horror context with films like My Bloody Valentine (1981) and April Fool's Day (1986) while DuPee has argued that the Christmas horror was not limited to the slasher subgenre noting that Christmas horror films predominantly take place at home over the variety of locations generalized in slashers.[5][4]
Defining the Christmas horror film genre has been described as challenging,[6] although commentary predominantly regards Christmas horror as a sub-genre of the slasher film.[2][4][5] Christmas horror emerged in the 1970s with films that scaled up the horror element of the holidays, such as Whoever Slew Auntie Roo? (1971) and Silent Night, Bloody Night (1972), which were soon followed by the influential Black Christmas (1974).[1] Adam Rockoff, in Rue Morgue, noted that the sub-genre sits within a trend of holiday themed slasher films, alongside films such as My Bloody Valentine (1981) and April Fool's Day (1986).[5] Other commentators take a broader view that Christmas horror is not limited to the slasher genre,[4] and have noted that Christmas in literature has historically included elements of "darkness"—fright, misery, death and decay—tracing its literary antecedents as far back as the biblical account of the Massacre of the Innocents and more recently in works such as E. T. A. Hoffmann's "The Nutcracker and the Mouse King" (1816) and Charles Dickens' A Christmas Carol (1843).[1][2] Although ghosts have largely been replaced by serial killers, Christmas horror creates an outlet through which to explore a modern appreciation of Christmas ghost stories.[1]
User:Betty Logan/Sandbox/draft4
- Christmas in literature has historically included elements of "darkness" – fright, misery, death and decay – dating as far back as the biblical account of the Massacre of the Innocents and more recently in works such as E. T. A. Hoffmann's "The Nutcracker and the Mouse King" (1816) and Charles Dickens' A Christmas Carol (1843).[1][2] The Christmas horror genre in film emerged in the 1970s, featuring "scaled up" horror elements that the The Hollywood Reporter calls a "modern reinvention of the Christmas ghost story".[1] One of the earliest entries is Silent Night, Bloody Night (1972), and this was soon followed by Black Christmas (1974), which is often credited with being one of the most influential that inspired other films in the genre.[1][2]
- and the other currently being argued is this.
- Definining a Christmas horror film genre has been described as challenging.[7] Scholars have predominantly placed Christmas horror as a small genre within the slasher film cycle, emerging in the 1970s, predominantly about killers disguised as Santa Clause.[2][4][5] Rockoff in Rue Morgue noted it was a trends of dominating slasher films taking placing beloved holidays into a horror context with films like My Bloody Valentine (1981) and April Fool's Day (1986) while DuPee has argued that the Christmas horror was not limited to the slasher subgenre noting that Christmas horror films predominantly take place at home over the variety of locations generalized in slashers.[5][4]
Defining the Christmas horror film genre has been described as challenging,[8] although commentary predominantly regards Christmas horror as a sub-genre of the slasher film.[2][4][5] Christmas horror emerged in the 1970s with films that scaled up the horror element of the holidays, such as Whoever Slew Auntie Roo? (1971) and Silent Night, Bloody Night (1972), which were soon followed by the influential Black Christmas (1974).[1] Adam Rockoff, in Rue Morgue, noted that the sub-genre sits within a trend of holiday themed slasher films, alongside films such as My Bloody Valentine (1981) and April Fool's Day (1986).[5] Other commentators take a broader view that Christmas horror is not limited to the slasher genre,[4] and have noted that Christmas in literature has historically included elements of "darkness"—fright, misery, death and decay—tracing its literary antecedents as far back as the biblical account of the Massacre of the Innocents and more recently in works such as E. T. A. Hoffmann's "The Nutcracker and the Mouse King" (1816) and Charles Dickens' A Christmas Carol (1843).[1][2] Although ghosts have largely been replaced by serial killers, Christmas horror creates an outlet through which to explore a modern appreciation of Christmas ghost stories.[1]
- Christmas in literature has historically included elements of "darkness" – fright, misery, death and decay – dating as far back as the biblical account of the Massacre of the Innocents and more recently in works such as E. T. A. Hoffmann's "The Nutcracker and the Mouse King" (1816) and Charles Dickens' A Christmas Carol (1843).[1][2] The Christmas horror genre in film emerged in the 1970s, featuring "scaled up" horror elements that the The Hollywood Reporter calls a "modern reinvention of the Christmas ghost story".[1] One of the earliest entries is Silent Night, Bloody Night (1972), and this was soon followed by Black Christmas (1974), which is often credited with being one of the most influential that inspired other films in the genre.[1][2]
- and the other currently being argued is this.
- Definining a Christmas horror film genre has been described as challenging.[11] Scholars have predominantly placed Christmas horror as a small genre within the slasher film cycle, emerging in the 1970s, predominantly about killers disguised as Santa Clause.[2][4][5] Rockoff in Rue Morgue noted it was a trends of dominating slasher films taking placing beloved holidays into a horror context with films like My Bloody Valentine (1981) and April Fool's Day (1986) while DuPee has argued that the Christmas horror was not limited to the slasher subgenre noting that Christmas horror films predominantly take place at home over the variety of locations generalized in slashers.[5][4]
Defining the Christmas horror film genre has been described as challenging,[12] although commentary predominantly regards Christmas horror as a sub-genre of the slasher film.[2][4][5] Christmas horror emerged in the 1970s with films that scaled up the horror element of the holidays, such as Whoever Slew Auntie Roo? (1971) and Silent Night, Bloody Night (1972), which were soon followed by the influential Black Christmas (1974).[1] Adam Rockoff, in Rue Morgue, noted that the sub-genre sits within a trend of holiday themed slasher films, alongside films such as My Bloody Valentine (1981) and April Fool's Day (1986).[5] Other commentators take a broader view that Christmas horror is not limited to the slasher genre,[4] and have noted that Christmas in literature has historically included elements of "darkness"—fright, misery, death and decay—tracing its literary antecedents as far back as the biblical account of the Massacre of the Innocents and more recently in works such as E. T. A. Hoffmann's "The Nutcracker and the Mouse King" (1816) and Charles Dickens' A Christmas Carol (1843).[1][2] Although ghosts have largely been replaced by serial killers, Christmas horror creates an outlet through which to explore a modern appreciation of Christmas ghost stories.[1]
{{cite magazine}}: Empty citation (help)
{{cite magazine}}: Empty citation (help)
{{subst:The Hollywood Reporter, January 27, 1976, Foreign rentals: $43 million
{{citation}}: Missing or empty |title= (help)}}
Inflation table (US CPI)
[edit]| Year | SOM | GF | J | SW | ET | JP | T | A |
|---|---|---|---|---|---|---|---|---|
| 1965 | 250 | |||||||
| 1972 | 331 | 244 | ||||||
| 1973 | 351+24=375 | 259 | ||||||
| 1975 | 455 | 314 | 403 | |||||
| 1976 | 481 | 332 | 426+41=467 | |||||
| 1977 | 513 | 354 | 497 | 417 | ||||
| 1978 | 552+0=552 | 380 | 534 | 449+44=493 | ||||
| 1979 | 613 | 423 | 595+27=622 | 549+23=572 | ||||
| 1981 | 769 | 530 | 780 | 715+17=732 | ||||
| 1982 | 816 | 562 | 828 | 777+18=795 | 664 | |||
| 1985 | 910 | 627 | 921 | 886 | 740+61=801 | |||
| 1990 | 1,106+1=1,107 | 762 | 1,119 | 1,077 | 973 | |||
| 1993 | 1,224 | 842 | 1,238 | 1,191 | 1,076 | 915 | ||
| 1997 | 1,344 | 936+1=937 | 1,375 | 1,323+257=1,580 | 1,195 | 1,016 | 1,843 | |
| 2002 | 1,523 | 1,049 | 1,542 | 1,771 | 1,339+68=1,407 | 1,139 | 2,065 | |
| 2009 | 1,816 | 1,253 | 1,838 | 2,112 | 1,678 | 1,358 | 2,463 | 2,749 |
| 2010 | 1,846 | 1,273 | 1,869 | 2,146 | 1,706 | 1,381 | 2,504 | 2,794+33=2,827 |
| 2012 | 1,944 | 1,340 | 1,967 | 2,259 | 1,796 | 1,454 | 2,636+344=2,980 | 2,977 |
| 2013 | 1,972 | 1,360 | 1,996 | 2,292 | 1,822 | 1,475+116=1,591 | 3,024 | 3,020 |
| 2014 | 2,004 | 1,382 | 2,030 | 2,330 | 1,853 | 1,617 | 3,072 | 3,069+6=3,075 |
| Current | 2,580 | 1,778 | 2,612 | 2,998 | 2,384 | 2,081 | 3,954 | 3,957 |
- TC: 2,250*
- BH: 2,133*
- MFL: 1,351
- MP: 1,165
- GF: 1,227
- DZ: 2,067*
- TB: 1,365
- TG: 2,083*
- BC: 1,199
- LS: 1,538
- Air: 1,491
- FC: 1,495
- EX: 2,187*
- TS: 2,103*
- TI: 1,458
- BS: 1,390
- CE: 1,507
- SNF: 1,318
- Gr: 1,694
- SM: 1,401
- Em: 1,747
- Jedi: 1,351
- LK: 1,844
- TPM: 1,825
- HP1: 1,676
- ROTK: 1,853
- HP8: 1,799
- MA: 2,016
- JW: 2,149*
- TFA: 2,658*
- IW: 2,485*
Guinness
[edit]| Rank | Title | Worldwide gross
(2023 $) |
Year |
|---|---|---|---|
| 1 | Gone with the Wind | GW$4,341,000,000 | 1939 |
| 2 | Avatar | A1$3,957,000,000 | 2009 |
| 3 | Titanic | T$3,677,000,000 | 1997 |
| 4 | Star Wars | $3,563,000,000 | 1977 |
| 5 | Avengers: Endgame | AE$3,275,000,000 | 2019 |
| 6 | The Sound of Music | $2,984,000,000 | 1965 |
| 7 | E.T. the Extra-Terrestrial | ET$2,917,000,000 | 1982 |
| 8 | The Ten Commandments | $2,758,000,000 | 1956 |
| 9 | Doctor Zhivago | $2,615,000,000 | 1965 |
| 10 | Star Wars: The Force Awakens | TFA$2,577,000,000 | 2015 |
| 11 | Jaws | J$2,569,000,000 | 1975 |
| 12 | Avengers: Infinity War | AIW$2,439,000,000 | 2018 |
| 13 | Avatar: The Way of Water | A2$2,392,000,000 | 2022 |
| 14 | Snow White and the Seven Dwarfs | S$2,299,000,000 | 1937 |
| 15 | The Exorcist | $2,267,000,000 | 1973 |
| * | The Birth of a Nation | $2,141,000,000 | 1915 |
| Rank | Title | 2011 (constant $) |
2014 (constant $) |
Year |
|---|---|---|---|---|
| 1 | Gone with the Wind | $3,301,400,000 (0%) |
$3,440,000,000 (4.2%) |
1939 |
| 2 | Avatar | $2,782,300,000 (0%) |
$3,020,000,000 (8.2%) |
2009 |
| 3 | Star Wars | $2,710,800,000 (0%) |
$2,825,000,000 (4.2%) |
1977 |
| 4 | Titanic | $2,413,800,000 (0%) |
T$2,516,000,000 (4.2%) |
1997 |
| 5 | The Sound of Music | $2,269,800,000 (0%) |
$2,366,000,000 (4.2%) |
1965 |
| 6 | E.T. the Extra-Terrestrial | $2,216,800,000 (0%) |
$2,310,000,000 (4.2%) |
1982 |
| 7 | The Ten Commandments | $2,098,600,000 (0%) |
$2,187,000,000 (4.2%) |
1956 |
| 8 | Doctor Zhivago | $1,988,600,000 (0%) |
$2,073,000,000 (4.2%) |
1965 |
| 9 | Jaws | $1,945,100,000 (0%) |
$2,027,000,000 (4.2%) |
1975 |
| 10 | Snow White and the Seven Dwarfs | $1,746,100,000 | 1937 | |
| 11 | The Exorcist | $1,794,000,000 (0%) |
1973 |
InfInflation adjustment is carried out using the Consumer price index for advanced economies published by the International Monetary Fund.[15] The index is uniformly applied to the grosses in the chart published by Guinness World Records in 2014, beginning with the 2014 index. The figures in the above chart take into account inflation that occurred in 2014, and in every available year since then, through 2022.
A1The adjusted gross for Avatar includes revenue from the original release and all four reissues. The original release and 2010 Special Edition grosses are adjusted from the Guinness base year, whilst the 2020 and 2021 grosses are adjusted from the 2021 index and the 2022 gross from 2022.[16]
TGuinness' adjusted total for Titanic only increased by $102,000,000 between the 2012 (published in 2011) and 2015 editions, a rise of 4.2% shared by the other adjusted totals in the chart, and omitted the gross from a 3D re-release in 2012.[13][17] This chart incorporates the gross of $343,550,770 from the reissue and adjusts it from the 2013 index.[18] Titanic grossed a further $762,994 during limited re-releases in 2017 and 2020, but this sum is not represented in the adjusted total.[19]
AEThe gross for Avengers: Endgame is adjusted from the 2020 index.
TFAThe gross for Star Wars: The Force Awakens is adjusted from the 2016 index.
JThe adjusted gross for Jaws includes all revenue from the original release and early reissues. It also incorporates revenue from two minor re-releases in 2019 and 2020, and a relatively wide re-release in 2022, all adjusted from the 2022 index.[20]
AIWThe gross for Avengers: Infinity War is adjusted from the 2018 index.
SThe 2015 edition of Guinness World Records does not provide an explicit figure for Snow White and the Seven Dwarfs. However, it does state that it is one of only two pre-1955 films—the other being Gone with the Wind—that are among the adjusted top ten. It placed tenth in the 2012 edition, and the eleventh highest-grossing film according to the 2015 edition is The Exorcist, which has grossed $1.794 billion adjusted to 2014 prices. The adjusted grosses for the other films on the chart increased by 4.2 percent between 2011 and 2014 according to Guinness, and using this apparent rate of inflation would take the adjusted gross for Snow White from $1.746 billion at 2011 prices to $1.819 billion at 2014 prices.
A2The gross for Avatar: The Way of Water is adjusted from the 2022 index.
References
- ^ a b c d e f g h i j k l m n o p q r s t u v w x Cite error: The named reference
Newby-2018was invoked but never defined (see the help page). - ^ a b c d e f g h i j k l m n o p q r s t Cite error: The named reference
Ulabywas invoked but never defined (see the help page). - ^ DuPée 2022, p. 6
- ^ a b c d e f g h i j k l m n o p DuPée 2022, p. 5
- ^ a b c d e f g h i j k l m n o p Rockoff 2003, p.30
- ^ DuPée 2022, p. 6
- ^ DuPée 2022, p. 6
- ^ DuPée 2022, p. 6
- ^ DuPée 2022, p. 6
- ^ DuPée 2022, p. 6
- ^ DuPée 2022, p. 6
- ^ DuPée 2022, p. 6
- ^ a b Records, Guinness World (2014). Guinness World Records. Vol. 60 (2015 ed.). pp. 160–161. ISBN 978-1-908843-70-8.
- ^ Glenday, Craig, ed. (2011). Гиннесс. Мировые рекорды 2012 [Guinness World Records 2012] (in Russian, translated by Andrianov, P.I. & Palova, and I.V.). Moscow: Astrel. p. 211. ISBN 978-5-271-36423-5.
{{cite book}}: CS1 maint: unrecognized language (link) - ^ "World Economic Outlook: Inflation rate, end of period consumer prices". International Monetary Fund. Retrieved February 4, 2023.
- ^ "Avatar (2009)". Box Office Mojo. Retrieved September 10, 2022.
2020 Re-release: $1,281,204; 2021 Re-release: $57,995,770; 2022 Re-release: $76,012,917
- ^ Glenday, Craig, ed. (2011). Гиннесс. Мировые рекорды [Guinness World Records] (in Russian). Translated by Andrianov, P.I.; Palova, I.V. (2012 ed.). Moscow: Astrel. p. 211. ISBN 978-5-271-36423-5.
- ^ "Titanic 3D (2012) – International Box Office results". Box Office Mojo. Archived from the original on October 27, 2019. Retrieved November 25, 2012.
$343,550,770
- ^ "Titanic (1997)". Box Office Mojo. Archived from the original on February 4, 2023. Retrieved November 25, 2012.
2017 Re-release: $691,642; 2020 Re-release: $71,352
{{cite web}}:|archive-date=/|archive-url=timestamp mismatch; February 5, 2023 suggested (help) - ^ "Jaws (1975)". Box Office Mojo. Retrieved February 4, 2023.
2019 Re-release: $42,864; 2020 Re-release: $773,868; 2022 Re-release: $5,632,812
GWTW
[edit]| Year | Domestic | Foreign | Cume | ||||||
|---|---|---|---|---|---|---|---|---|---|
| Rental | Gross | Total | Adjusted | Rental | Gross | Total | Adjusted | ||
| 1939 | 14.150 | 20.214 | 20.214 | 20 | 20 | ||||
| 1940 | 20.214 | 20 | 11 | 33* | 33 | 33 | 53 | ||
| 1941 | 5.560 | 11.12 | 31.334 | 32 | 33 | 35 | 67 | ||
| 1942 | 1.520 | 4.343 | 35.677 | 40 | 33 | 38 | 78 | ||
| 1947 | 3.514 | 10.542* | 46.219 | 66 | 3.982* | 11.946* | 44.946 | 65 | 131 |
| 1954 | 5.271 | 15.813* | 62.032 | 95 | 3.982* | 11.946* | 56.892 | 89 | 184 |
| 1961 | 6.700 | 20.1* | 82.132 | 126 | 5.300 | 15.9* | 72.792 | 115 | 241 |
| 1967 | 29.221 | 41 | 123.132 | 181 | 11 | 27 | 99.792 | 157 | 338 |
| 1971 | 7* | 21* | 144.132 | 242 | 8* | 24* | 123.792 | 214 | 456 |
| 1974 | 7.279 | 21.837* | 165.969 | 316 | 24** | 147.792 | 283 | 599 | |
| 1989 | 2.403 | 168.372 | 795 | 24** | 171.792 | 736 | 1531 | ||
| 1998 | 6.75 | 175.123 | 1053 | 24** | 195.792 | 995 | 2048 | ||
| Current | 175.123 | 1969 | 195.792 | 1859 | 3828 | ||||
Relevant discussions
[edit]- Talk:List of highest-grossing films/Archive 2#Copyright concerns
- Talk:List of highest-grossing films/Archive 5#Top 100 films
Ranking points
[edit]| No. | Ch | Player | 09/10 | 10/11 | PTC | AO | SM | UK | GM | WEO | WOO | CO | WC | 11/12 | 1 | 2 | 3 | Total | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Season | Tournament | Season | Cut-off point | ||||||||||||||||
| - | 1 |  2 |
 Mark Selby
|
0 | 38445 | 8900 | 2500 | 7000 | 3040 | 2500 | 4000 | 4480 | 2660 | 1400 | 36480 | 67385 | 69945 | 73945 | 74925 |
| 2 | 7 |
Judd Trump
|
0 | 33355 | 10980 | 700 | 980 | 8000 | 2500 | 2500 | 2660 | 3500 | 3800 | 35620 | 46465 | 57385 | 60985 | 68975 | |
| No. | Ch | Player | 10/11 | 11/12 | PTC | WUC | AO | SM | IC | UK | GM | WEO | WOO | CO | WC | 12/13 | 1 | 2 | 3 | 4 | Total | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Season | Tournament | Season | Cut-off point | |||||||||||||||||||
| - | 1 | 2 |
Mark Selby
|
0 | 36480 | 5380 | 1 | 2500 | 7000 | 10 | 3040 | 2500 | 4000 | 4480 | 2660 | 1400 | 32971 | 75986 | 73951 | 74191 | 73051 | 69451 |
| 1 | 2 |
Mark Selby
|
5000 | 36480 | 5380 | 2500 | 7000 | 3040 | 2500 | 4000 | 4480 | 2660 | 1400 | 32960 | 75985 | 73940 | 74180 | 73040 | ||||
| 2 | 7 |
Judd Trump
|
0 | 35620 | 4260 | 700 | 980 | 8000 | 2500 | 2500 | 2660 | 3500 | 3800 | 28900 | 70355 | 63335 | 67295 | 68720 | 64520 | |||
| No. | Ch | Player | 13/14 | 14/15 | PTC | AO | SM | IC | UK | GM | IO | WEO | CO | WC | 15/16 | 1 | 2 | 3 | 4 | 5 | 6 | Total | ||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Season | Tournament | Season | Cut-off point | |||||||||||||||||||||
| - | 1 |  |
Mark Selby
|
501716 | 241166 | 0 | 0 | 742882 | ||||||||||||||||
501716 /480716 /455016 /383916 /363083 /360583 /300000 /0
2013/2014
[edit]| No. | Ch [n 1] |
Player | 11/12 | 12/13 | PTC | WUC | AO | SM | IC | UK | GM | WEO | IO | CO | WC | 13/14 | Start | 1 | 2 | 3 | 4 | 5 | 6 | Total | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Season | Tournament | Season | Cut-off point | ||||||||||||||||||||||
| - |  test1
|
0 | 366917 | 11111 | 85000 | 125000 | 20000 | 8333 | 5000 | 50000 | 21000 | 300000 | 625444 | 772413 | 663514 | 738514 | 833514 | 828514 | 771361 | 817361 | 992361 | ||||
33420/23100/21460/17300/14040/4060/0
23100
Bond grosses
[edit]| Film | Block 2010 | Cork 2006 | Forrest 2008 | The Numbers | BOM | Boxoffice.com |
|---|---|---|---|---|---|---|
| Dr No | 59.5 | 59.5 | 59.5 | 59.6 | ||
| From Russia with Love | 78.9 | 78.9 | 68.9 | 78.9 | ||
| Goldfinger | 124.9 | 124.9 | 124.8 | 124.9 | ||
| Thunderball | 141.2 | 141.2 | 141.2 | 141.2 | ||
| You Only Live Twice | 101.0 | 111.6 | 111.6 | 111.6 | ||
| On Her Majesty's Secret Service | 64.6 | 64.6 | 64.5 | 82.0 | ||
| Diamonds Are Forever | 116.0 | 116.0 | 116.0 | |||
| Live and Let Die | 126.4 | 126.4 | 161.8 | |||
| The Man with the Golden Gun | 98.5 | 97.6 | 97.6 | |||
| The Spy Who Loved Me | 185.4 | 185.4 | 185.4 | |||
| Moonraker | 210.3 | 202.7 | 210.3 | 210.3 | 210.3 | |
| For Your Eyes Only | 194.9 | 194.9 | 195.3 | |||
| Octopussy | 183.7 | 183.7 | 187.5 | |||
| A View to a Kill | 152.4 | 152.4 | 152.6 | |||
| The Living Daylights | 191.2 | 191.2 | 191.2 | |||
| Licence to Kill | 156.2 | 156.2 | 156.2 | 156.2 | 156.2 | |
| Goldeneye | 351.9 | 350.7 | 356.4 | 352.2 | 352.4 | |
| Tomorrow never Dies | 338.9 | 335.3 | 339.5 | 333.0 | 333.0 | |
| The World is Not Enough | 361.8 | 352.0 | 361.7 | 361.8 | 361.8 | |
| Die Another Day | 431.9 | 431.9 | 431.9 | 432.0 | 432.0 | |
| Casino Royale | 594.2 | 596.4 | 599.0 | 594.2 | ||
| Quantum of Solace | 576.0 | 591.7 | 586.1 | 586.1 | ||
| Skyfall | 1,108.7 | 1,108.6 | 1,108.7 | |||
| Spectre | 879.6 | 880.7 |
Discussion: User talk:SchroCat/Archive 4#James Bond grosses
Table widths
[edit]| Rank |
Series |
Total worldwide box office |
No. of films | Average of films | Highest-grossing film |
|---|---|---|---|---|---|
Sony
[edit]| Divisions before restructuring [1] | Divisions after restructuring [2] |
|---|---|
Sony Pictures Entertainment (Film)
|
Sony Pictures Motion Picture Group |
| Sony Pictures Studios | |
| Sony Pictures Television Group | Sony Pictures Television |
| Sony Pictures Entertainment (Film) [3] | Sony Pictures Motion Picture Group [4] | |
|---|---|---|
| Columbia Tristar Motion Picture Group | Columbia Pictures | Columbia Pictures |
| Sony Pictures Classics | Sony Pictures Classics | |
| Screen Gems | Screen Gems | |
| Sony Pictures Releasing and Sony Pictures Releasing International | Sony Pictures Releasing and Sony Pictures Releasing International | |
| Sony Pictures Releasing and Sony Pictures Releasing International | TriStar Pictures | TriStar Pictures |
| Columbia Pictures Film Production Asia (Hong Kong) | Columbia Pictures Film Production Asia (Hong Kong) | |
| Columbia Films Producciones Espanolas (Madrid) | Columbia Films Producciones Espanolas (Madrid) | |
| Columbia Pictures Producciones Mexico (Mexico City) | Columbia Pictures Producciones Mexico (Mexico City) | |
| Sony Pictures Animation | Sony Pictures Animation | |
| Sony Pictures Imageworks Interactive | Sony Pictures Imageworks | |
| Sony Pictures Home Entertainment | Sony Pictures Home Entertainment | |
| Sony Pictures Studios | Now a division of Sony Pictures | |
| Sony Pictures Digital Productions | ||
| Sony Pictures Technologies | ||
| Colorworks | ||
| Sony Pictures Worldwide Acquisitions | ||
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