User:Betty Logan/Sandbox

2010/2011 ranking points

code	Cut-off point 1	Cut-off point 2	Cut-off point 3	Total points	-	1		{{{first}}} {{{last}}}		26820	0	0	26820
2		{{{first}}} {{{last}}}		25580	920	920	26500
|- | 3 || {{Snooker arrow |new=3 |old=3 }} || style="text-align:left;"|{{flagicon|ENG}} [[Ronnie O'Sullivan]] <!-- Live 2008/2009 ranking points --> | {{#expr:700+ 2850+ 1900+ 2500+ 3800}} <!-- 2009/2010 ranking points --> | {{#expr:7000+ 2660+ 5120+ 3200+ 980+ 5000}} <!-- 2010/2011 PTC points --> | style="background:#ffffaa;" | {{#expr:1000+ 0+ 0+ 1600+ 360}} <!-- 2010/2011 ranking points --> | style="background:#ffffaa;" | - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - <!-- Total 2010/2011 ranking points --> | {{#expr: <!--PTC-->1000+ 0+ 0+ 1600+ 360<!--Standard events-->}} |	38670	| -	| -	| -
|- | 4 || {{Snooker arrow |new=4 |old=4 }} || style="text-align:left;"|{{flagicon|ENG}} [[Allister Carter]] <!-- Live 2008/2009 ranking points --> | {{#expr:700+ 4800+ 5000+ 1900+ 3800}} <!-- 2009/2010 ranking points --> | {{#expr:2660+ 980+ 4000+ 4000+ 4480+ 6400}} <!-- 2010/2011 PTC points --> | style="background:#ffffaa;" | {{#expr:0+ 360+ 0+ 0+ 560}} <!-- 2010/2011 ranking points --> | style="background:#ffffaa;" | - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - <!-- Total 2010/2011 ranking points --> | {{#expr: <!--PTC-->0+ 360+ 0+ 0+ 560<!--Standard events-->}} |	39640	| -	| -	| -
|- | 5 || {{Snooker arrow |new=5 |old=5 }} || style="text-align:left;"|{{flagicon|CHN}} [[Ding Junhui]] <!-- Live 2008/2009 ranking points --> | {{#expr:0+ 2850+ 1900+ 700+ 3800}} <!-- 2009/2010 ranking points --> | {{#expr:3500+ 5600+ 8000+ 700+ 5600+ 3800}} <!-- 2010/2011 PTC points --> | style="background:#ffffaa;" | {{#expr:0+ 0+ 0+ 0+ 0}} <!-- 2010/2011 ranking points --> | style="background:#ffffaa;" | - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - <!-- Total 2010/2011 ranking points --> | {{#expr: <!--PTC-->0+ 0+ 0+ 0+ 0<!--Standard events-->}} |	36450	| -	| -	| -
|- | 6 || {{Snooker arrow |new=6 |old=6 }} || style="text-align:left;"|{{flagicon|SCO}} [[Stephen Maguire]] <!-- Live 2008/2009 ranking points --> | {{#expr:2500+ 4800+ 2500+ 700+ 5000}} <!-- 2009/2010 ranking points --> | {{#expr:980+ 2660+ 5120+ 3200+ 2660+ 3800}} <!-- 2010/2011 PTC points --> | style="background:#ffffaa;" | {{#expr:1600+ 760+ 360+ 1000+ 0}} <!-- 2010/2011 ranking points --> | style="background:#ffffaa;" | - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - <!-- Total 2010/2011 ranking points --> | {{#expr: <!--PTC-->1600+ 760+ 360+ 1000+ 0<!--Standard events-->}} |	37640	| -	| -	| -
|- | 7 || {{Snooker arrow |new=7 |old=7 }} || style="text-align:left;"|{{flagicon|ENG}} [[Shaun Murphy (snooker player)|Shaun Murphy]] <!-- Live 2008/2009 ranking points --> | {{#expr:700+ 7500+ 2500+ 2500+ 8000}} <!-- 2009/2010 ranking points --> | {{#expr:4480+ 980+ 3040+ 700+ 980+ 5000}} <!-- 2010/2011 PTC points --> | style="background:#ffffaa;" | {{#expr:0+ 360+ 0+ 360+ 1280}} <!-- 2010/2011 ranking points --> | style="background:#ffffaa;" | - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - <!-- Total 2010/2011 ranking points --> | {{#expr: <!--PTC-->0+ 360+ 0+ 360+ 1280<!--Standard events-->}} |	38380	| -	| -	| -
|- | 8 || {{Snooker arrow |new=8 |old=8 }} || style="text-align:left;"|{{flagicon|WAL}} [[Mark Williams (Welsh snooker player)|Mark Williams]] <!-- Live 2008/2009 ranking points --> | {{#expr:575+ 3750+ 575+ 1400+ 2800}} <!-- 2009/2010 ranking points --> | {{#expr:2660+ 4480+ 3040+ 2500+ 7000+ 3800}} <!-- 2010/2011 PTC points --> | style="background:#ffffaa;" | {{#expr:2000+ 360+ 0+ 1280+ 360}} <!-- 2010/2011 ranking points --> | style="background:#ffffaa;" | - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - <!-- Total 2010/2011 ranking points --> | {{#expr: <!--PTC-->2000+ 360+ 0+ 1280+ 360<!--Standard events-->}} |	36580	| -	| -	| -
|- | 9 || {{Snooker arrow |new=9 |old=9 }} || style="text-align:left;"|{{flagicon|ENG}} [[Mark Selby]] <!-- Live 2008/2009 ranking points --> | {{#expr:0+ 1050+ 2500+ 1900+ 5000 }} <!-- 2009/2010 ranking points --> | {{#expr:980+ 980+ 4000+ 2500+ 2660+ 6400}} <!-- 2010/2011 PTC points --> | style="background:#ffffaa;" | {{#expr:560+ 2000+ 1280+ 560+ 360}} <!-- 2010/2011 ranking points --> | style="background:#ffffaa;" | - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - <!-- Total 2010/2011 ranking points --> | {{#expr: <!--PTC-->560+ 2000+ 1280+ 560+ 360<!--Standard events-->}} |	32730	| -	| -	| -
|- | 10 || {{Snooker arrow |new=10 |old=10 }} || style="text-align:left;"|{{flagicon|NIR}} [[Mark Allen (snooker player)|Mark Allen]] <!-- Live 2008/2009 ranking points --> | {{#expr:3200+ 2850+ 700+ 700+ 6400 }} <!-- 2009/2010 ranking points --> | {{#expr:980+ 3500+ 1120+ 2500+ 4480+ 5000}} <!-- 2010/2011 PTC points --> | style="background:#ffffaa;" | {{#expr:0+ 0+ 0+ 360+ 0}} <!-- 2010/2011 ranking points --> | style="background:#ffffaa;" | - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - || style="background:#ffffaa;"| - <!-- Total 2010/2011 ranking points --> | {{#expr: <!--PTC-->0+ 0+ 0+ 360+ 0<!--Standard events-->}} |	31790	| -	| -	| -

SFN for the Noughties

test 1
test 2

• Sanderson, Mark (1996). Don't Look Now. London: British Film Institute. ISBN 0-85170-572-3.
• Sanderson, Mark (2006). Don't Look Now. London: British Film Institute. ISBN 0-85170-572-3.

flashing text.

21 December 2024

2

23226

09 September 2015

John-Higgins Smith John/Higgins/Smith

Ronnie OSullivan

Mark/Williams/(snooker/player)

Mark-Williams

Mark-Williams-

22

test

trims and outs

20 December 2024

• Christmas in literature has historically included elements of "darkness" – fright, misery, death and decay – dating as far back as the biblical account of the Massacre of the Innocents and more recently in works such as E. T. A. Hoffmann's "The Nutcracker and the Mouse King" (1816) and Charles Dickens' A Christmas Carol (1843). The Christmas horror genre in film emerged in the 1970s, featuring "scaled up" horror elements that the The Hollywood Reporter calls a "modern reinvention of the Christmas ghost story". One of the earliest entries is Silent Night, Bloody Night (1972), and this was soon followed by Black Christmas (1974), which is often credited with being one of the most influential that inspired other films in the genre.

  and the other currently being argued is this.

  Definining a Christmas horror film genre has been described as challenging. Scholars have predominantly placed Christmas horror as a small genre within the slasher film cycle, emerging in the 1970s, predominantly about killers disguised as Santa Clause. Rockoff in Rue Morgue noted it was a trends of dominating slasher films taking placing beloved holidays into a horror context with films like My Bloody Valentine (1981) and April Fool's Day (1986) while DuPee has argued that the Christmas horror was not limited to the slasher subgenre noting that Christmas horror films predominantly take place at home over the variety of locations generalized in slashers.

Defining the Christmas horror film genre has been described as challenging, although commentary predominantly regards Christmas horror as a sub-genre of the slasher film. Christmas horror emerged in the 1970s with films that scaled up the horror element of the holidays, such as Whoever Slew Auntie Roo? (1971) and Silent Night, Bloody Night (1972), which were soon followed by the influential Black Christmas (1974). Adam Rockoff, in Rue Morgue, noted that the sub-genre sits within a trend of holiday themed slasher films, alongside films such as My Bloody Valentine (1981) and April Fool's Day (1986). Other commentators take a broader view that Christmas horror is not limited to the slasher genre, and have noted that Christmas in literature has historically included elements of "darkness"—fright, misery, death and decay—tracing its literary antecedents as far back as the biblical account of the Massacre of the Innocents and more recently in works such as E. T. A. Hoffmann's "The Nutcracker and the Mouse King" (1816) and Charles Dickens' A Christmas Carol (1843). Although ghosts have largely been replaced by serial killers, Christmas horror creates an outlet through which to explore a modern appreciation of Christmas ghost stories.

User:Betty Logan/Sandbox/draft4

• Christmas in literature has historically included elements of "darkness" – fright, misery, death and decay – dating as far back as the biblical account of the Massacre of the Innocents and more recently in works such as E. T. A. Hoffmann's "The Nutcracker and the Mouse King" (1816) and Charles Dickens' A Christmas Carol (1843). The Christmas horror genre in film emerged in the 1970s, featuring "scaled up" horror elements that the The Hollywood Reporter calls a "modern reinvention of the Christmas ghost story". One of the earliest entries is Silent Night, Bloody Night (1972), and this was soon followed by Black Christmas (1974), which is often credited with being one of the most influential that inspired other films in the genre.

  and the other currently being argued is this.

  Definining a Christmas horror film genre has been described as challenging. Scholars have predominantly placed Christmas horror as a small genre within the slasher film cycle, emerging in the 1970s, predominantly about killers disguised as Santa Clause. Rockoff in Rue Morgue noted it was a trends of dominating slasher films taking placing beloved holidays into a horror context with films like My Bloody Valentine (1981) and April Fool's Day (1986) while DuPee has argued that the Christmas horror was not limited to the slasher subgenre noting that Christmas horror films predominantly take place at home over the variety of locations generalized in slashers.

Defining the Christmas horror film genre has been described as challenging, although commentary predominantly regards Christmas horror as a sub-genre of the slasher film. Christmas horror emerged in the 1970s with films that scaled up the horror element of the holidays, such as Whoever Slew Auntie Roo? (1971) and Silent Night, Bloody Night (1972), which were soon followed by the influential Black Christmas (1974). Adam Rockoff, in Rue Morgue, noted that the sub-genre sits within a trend of holiday themed slasher films, alongside films such as My Bloody Valentine (1981) and April Fool's Day (1986). Other commentators take a broader view that Christmas horror is not limited to the slasher genre, and have noted that Christmas in literature has historically included elements of "darkness"—fright, misery, death and decay—tracing its literary antecedents as far back as the biblical account of the Massacre of the Innocents and more recently in works such as E. T. A. Hoffmann's "The Nutcracker and the Mouse King" (1816) and Charles Dickens' A Christmas Carol (1843). Although ghosts have largely been replaced by serial killers, Christmas horror creates an outlet through which to explore a modern appreciation of Christmas ghost stories.

• Christmas in literature has historically included elements of "darkness" – fright, misery, death and decay – dating as far back as the biblical account of the Massacre of the Innocents and more recently in works such as E. T. A. Hoffmann's "The Nutcracker and the Mouse King" (1816) and Charles Dickens' A Christmas Carol (1843). The Christmas horror genre in film emerged in the 1970s, featuring "scaled up" horror elements that the The Hollywood Reporter calls a "modern reinvention of the Christmas ghost story". One of the earliest entries is Silent Night, Bloody Night (1972), and this was soon followed by Black Christmas (1974), which is often credited with being one of the most influential that inspired other films in the genre.

  and the other currently being argued is this.

  Definining a Christmas horror film genre has been described as challenging. Scholars have predominantly placed Christmas horror as a small genre within the slasher film cycle, emerging in the 1970s, predominantly about killers disguised as Santa Clause. Rockoff in Rue Morgue noted it was a trends of dominating slasher films taking placing beloved holidays into a horror context with films like My Bloody Valentine (1981) and April Fool's Day (1986) while DuPee has argued that the Christmas horror was not limited to the slasher subgenre noting that Christmas horror films predominantly take place at home over the variety of locations generalized in slashers.

Defining the Christmas horror film genre has been described as challenging, although commentary predominantly regards Christmas horror as a sub-genre of the slasher film. Christmas horror emerged in the 1970s with films that scaled up the horror element of the holidays, such as Whoever Slew Auntie Roo? (1971) and Silent Night, Bloody Night (1972), which were soon followed by the influential Black Christmas (1974). Adam Rockoff, in Rue Morgue, noted that the sub-genre sits within a trend of holiday themed slasher films, alongside films such as My Bloody Valentine (1981) and April Fool's Day (1986). Other commentators take a broader view that Christmas horror is not limited to the slasher genre, and have noted that Christmas in literature has historically included elements of "darkness"—fright, misery, death and decay—tracing its literary antecedents as far back as the biblical account of the Massacre of the Innocents and more recently in works such as E. T. A. Hoffmann's "The Nutcracker and the Mouse King" (1816) and Charles Dickens' A Christmas Carol (1843). Although ghosts have largely been replaced by serial killers, Christmas horror creates an outlet through which to explore a modern appreciation of Christmas ghost stories.

{{cite magazine}}: Empty citation (help)

{{cite magazine}}: Empty citation (help)

{{subst:The Hollywood Reporter, January 27, 1976, Foreign rentals: $43 million {{citation}}: Missing or empty |title= (help)}}

Inflation table (US CPI)

Inflation

Year	SOM	GF	J	SW	ET	JP	T	A
1965	250
1972	331	244
1973	351+24=375	259
1975	455	314	403
1976	481	332	426+41=467
1977	513	354	497	417
1978	552+0=552	380	534	449+44=493
1979	613	423	595+27=622	549+23=572
1981	769	530	780	715+17=732
1982	816	562	828	777+18=795	664
1985	910	627	921	886	740+61=801
1990	1,106+1=1,107	762	1,119	1,077	973
1993	1,224	842	1,238	1,191	1,076	915
1997	1,344	936+1=937	1,375	1,323+257=1,580	1,195	1,016	1,843
2002	1,523	1,049	1,542	1,771	1,339+68=1,407	1,139	2,065
2009	1,816	1,253	1,838	2,112	1,678	1,358	2,463	2,749
2010	1,846	1,273	1,869	2,146	1,706	1,381	2,504	2,794+33=2,827
2012	1,944	1,340	1,967	2,259	1,796	1,454	2,636+344=2,980	2,977
2013	1,972	1,360	1,996	2,292	1,822	1,475+116=1,591	3,024	3,020
2014	2,004	1,382	2,030	2,330	1,853	1,617	3,072	3,069+6=3,075
Current	2,580	1,778	2,612	2,998	2,384	2,081	3,954	3,957

• TC: 2,250*
• BH: 2,133*
• MFL: 1,351
• MP: 1,165
• GF: 1,227
• DZ: 2,067*
• TB: 1,365
• TG: 2,083*
• BC: 1,199
• LS: 1,538
• Air: 1,491
• FC: 1,495
• EX: 2,187*
• TS: 2,103*
• TI: 1,458
• BS: 1,390
• CE: 1,507
• SNF: 1,318
• Gr: 1,694
• SM: 1,401
• Em: 1,747
• Jedi: 1,351
• LK: 1,844
• TPM: 1,825
• HP1: 1,676
• ROTK: 1,853
• HP8: 1,799
• MA: 2,016
• JW: 2,149*
• TFA: 2,658*
• IW: 2,485*

Guinness

Highest-grossing films as of 2023 adjusted for inflation^[Inf]

Rank	Title	Worldwide gross (2023 $)	Year
1	Gone with the Wind	GW$4,341,000,000	1939
2	Avatar	A1$3,957,000,000	2009
3	Titanic	$2,516,000,000T$3,677,000,000	1997
4	Star Wars	$3,563,000,000	1977
5	Avengers: Endgame	AE$3,275,000,000	2019
6	The Sound of Music	$2,984,000,000	1965
7	E.T. the Extra-Terrestrial	ET$2,917,000,000	1982
8	The Ten Commandments	$2,758,000,000	1956
9	Doctor Zhivago	$2,615,000,000	1965
10	Star Wars: The Force Awakens	TFA$2,577,000,000	2015
11	Jaws	J$2,569,000,000	1975
12	Avengers: Infinity War	AIW$2,439,000,000	2018
13	Avatar: The Way of Water	A2$2,392,000,000	2022
14	Snow White and the Seven Dwarfs	$1,819,000,000S$2,299,000,000	1937
15	The Exorcist	$2,267,000,000	1973
*	The Birth of a Nation	$2,141,000,000	1915

Highest-grossing films adjusted for inflation

Rank	Title	2011 (constant $)	2014 (constant $)	Year
1	Gone with the Wind	$3,301,400,000 (0%)	$3,440,000,000 (4.2%)	1939
2	Avatar	$2,782,300,000 (0%)	$3,020,000,000 (8.2%)	2009
3	Star Wars	$2,710,800,000 (0%)	$2,825,000,000 (4.2%)	1977
4	Titanic	$2,413,800,000 (0%)	$2,516,000,000T$2,516,000,000 (4.2%)	1997
5	The Sound of Music	$2,269,800,000 (0%)	$2,366,000,000 (4.2%)	1965
6	E.T. the Extra-Terrestrial	$2,216,800,000 (0%)	$2,310,000,000 (4.2%)	1982
7	The Ten Commandments	$2,098,600,000 (0%)	$2,187,000,000 (4.2%)	1956
8	Doctor Zhivago	$1,988,600,000 (0%)	$2,073,000,000 (4.2%)	1965
9	Jaws	$1,945,100,000 (0%)	$2,027,000,000 (4.2%)	1975
10	Snow White and the Seven Dwarfs	$1,746,100,000		1937
11	The Exorcist		$1,794,000,000 (0%)	1973

^InfInflation adjustment is carried out using the Consumer price index for advanced economies published by the International Monetary Fund. The index is uniformly applied to the grosses in the chart published by Guinness World Records in 2014, beginning with the 2014 index. The figures in the above chart take into account inflation that occurred in 2014, and in every available year since then, through 2022.

^A1The adjusted gross for Avatar includes revenue from the original release and all four reissues. The original release and 2010 Special Edition grosses are adjusted from the Guinness base year, whilst the 2020 and 2021 grosses are adjusted from the 2021 index and the 2022 gross from 2022.

^TGuinness' adjusted total for Titanic only increased by $102,000,000 between the 2012 (published in 2011) and 2015 editions, a rise of 4.2% shared by the other adjusted totals in the chart, and omitted the gross from a 3D re-release in 2012. This chart incorporates the gross of $343,550,770 from the reissue and adjusts it from the 2013 index. Titanic grossed a further $762,994 during limited re-releases in 2017 and 2020, but this sum is not represented in the adjusted total.

^AEThe gross for Avengers: Endgame is adjusted from the 2020 index.

^TFAThe gross for Star Wars: The Force Awakens is adjusted from the 2016 index.

^JThe adjusted gross for Jaws includes all revenue from the original release and early reissues. It also incorporates revenue from two minor re-releases in 2019 and 2020, and a relatively wide re-release in 2022, all adjusted from the 2022 index.

^AIWThe gross for Avengers: Infinity War is adjusted from the 2018 index.

^SThe 2015 edition of Guinness World Records does not provide an explicit figure for Snow White and the Seven Dwarfs. However, it does state that it is one of only two pre-1955 films—the other being Gone with the Wind—that are among the adjusted top ten. It placed tenth in the 2012 edition, and the eleventh highest-grossing film according to the 2015 edition is The Exorcist, which has grossed $1.794 billion adjusted to 2014 prices. The adjusted grosses for the other films on the chart increased by 4.2 percent between 2011 and 2014 according to Guinness, and using this apparent rate of inflation would take the adjusted gross for Snow White from $1.746 billion at 2011 prices to $1.819 billion at 2014 prices.

^A2The gross for Avatar: The Way of Water is adjusted from the 2022 index.

References

GWTW

Gone with the Wind

Year	Domestic				Foreign				Cume
	Rental	Gross	Total	Adjusted	Rental	Gross	Total	Adjusted
1939	14.150	20.214	20.214	20					20
1940			20.214	20	11	33*	33	33	53
1941	5.560	11.12	31.334	32			33	35	67
1942	1.520	4.343	35.677	40			33	38	78
1947	3.514	10.542*	46.219	66	3.982*	11.946*	44.946	65	131
1954	5.271	15.813*	62.032	95	3.982*	11.946*	56.892	89	184
1961	6.700	20.1*	82.132	126	5.300	15.9*	72.792	115	241
1967	29.221	41	123.132	181	11	27	99.792	157	338
1971	7*	21*	144.132	242	8*	24*	123.792	214	456
1974	7.279	21.837*	165.969	316		24**	147.792	283	599
1989		2.403	168.372	795		24**	171.792	736	1531
1998		6.75	175.123	1053		24**	195.792	995	2048
Current			175.123	1969			195.792	1859	3828

Relevant discussions

• Talk:List of highest-grossing films/Archive 2#Copyright concerns
• Talk:List of highest-grossing films/Archive 5#Top 100 films

Ranking points

No.	Ch	Player	09/10	10/11	PTC	AO	SM	UK	GM	WEO	WOO	CO	WC	11/12	1	2	3	Total
			Season		Tournament									Season	Cut-off point
-	1	2	Mark Selby	0	38445	8900	2500	7000	3040	2500	4000	4480	2660	1400	36480	67385	69945	73945	74925
2	7	Judd Trump	0	33355	10980	700	980	8000	2500	2500	2660	3500	3800	35620	46465	57385	60985	68975

No.	Ch	Player	10/11	11/12	PTC	WUC	AO	SM	IC	UK	GM	WEO	WOO	CO	WC	12/13	1	2	3	4	Total
			Season		Tournament											Season	Cut-off point
-	1	2	Mark Selby	0	36480	5380	1	2500	7000	10	3040	2500	4000	4480	2660	1400	32971	75986	73951	74191	73051	69451
1	2	Mark Selby	5000	36480	5380		2500	7000		3040	2500	4000	4480	2660	1400	32960	75985	73940	74180	73040
2	7	Judd Trump	0	35620	4260		700	980		8000	2500	2500	2660	3500	3800	28900	70355	63335	67295	68720	64520

No.	Ch	Player	13/14	14/15	PTC	AO	SM	IC	UK	GM	IO	WEO	CO	WC	15/16	1	2	3	4	5	6	Total
			Season		Tournament										Season	Cut-off point
-	1		Mark Selby	501716	241166	0										0	742882

501716 /480716 /455016 /383916 /363083 /360583 /300000 /0

2013/2014

No.	Ch	Player	11/12	12/13	PTC	WUC	AO	SM	IC	UK	GM	WEO	IO	CO	WC	13/14	Start	1	2	3	4	5	6	Total
			Season		Tournament											Season		Cut-off point
-			test1	0	366917			11111	85000	125000	20000	8333	5000	50000	21000	300000	625444	772413	663514	738514	833514	828514	771361	817361	992361

33420/23100/21460/17300/14040/4060/0

23100

Bond grosses

Sources

Film	Block 2010	Cork 2006	Forrest 2008	The Numbers	BOM	Boxoffice.com
Dr No	59.5	59.5	59.5	59.6
From Russia with Love	78.9	78.9	68.9	78.9
Goldfinger	124.9	124.9	124.8	124.9
Thunderball	141.2	141.2	141.2	141.2
You Only Live Twice	101.0	111.6	111.6	111.6
On Her Majesty's Secret Service	64.6	64.6	64.5	82.0
Diamonds Are Forever	116.0	116.0		116.0
Live and Let Die	126.4	126.4		161.8
The Man with the Golden Gun	98.5	97.6		97.6
The Spy Who Loved Me	185.4	185.4		185.4
Moonraker	210.3	202.7		210.3	210.3	210.3
For Your Eyes Only	194.9	194.9		195.3
Octopussy	183.7	183.7		187.5
A View to a Kill	152.4	152.4		152.6
The Living Daylights	191.2	191.2		191.2
Licence to Kill	156.2	156.2		156.2	156.2	156.2
Goldeneye	351.9	350.7		356.4	352.2	352.4
Tomorrow never Dies	338.9	335.3		339.5	333.0	333.0
The World is Not Enough	361.8	352.0		361.7	361.8	361.8
Die Another Day	431.9	431.9		431.9	432.0	432.0
Casino Royale	594.2			596.4	599.0	594.2
Quantum of Solace	576.0			591.7	586.1	586.1
Skyfall				1,108.7	1,108.6	1,108.7
Spectre				879.6	880.7

Discussion: User talk:SchroCat/Archive 4#James Bond grosses

Table widths

Rank 0000	Series 000000000000000000000000000000000000000000000000	Total worldwide box office 000000000000000000000000000000000000000000000000	No. of films	Average of films	Highest-grossing film
		000000000000000000000000	000000000000000000000000	000000000000000000000000	000000000000000000000000

http://en.wikipedia.org/enwiki/w/index.php?title=List_of_highest-grossing_films&diff=664179381&oldid=664179248

Sony

Sony Pictures Divisions

Divisions before restructuring [1]	Divisions after restructuring [2]
Sony Pictures Entertainment (Film) Sony Pictures Studios (subsidiary)	Sony Pictures Motion Picture Group
	Sony Pictures Studios
Sony Pictures Television Group	Sony Pictures Television

Common subsidiaries

Sony Pictures Entertainment (Film) [3]		Sony Pictures Motion Picture Group [4]
Columbia Tristar Motion Picture Group	Columbia Pictures	Columbia Pictures
	Sony Pictures Classics	Sony Pictures Classics
	Screen Gems	Screen Gems
Sony Pictures Releasing and Sony Pictures Releasing International		Sony Pictures Releasing and Sony Pictures Releasing International
Sony Pictures Releasing and Sony Pictures Releasing International	TriStar Pictures	TriStar Pictures
	Columbia Pictures Film Production Asia (Hong Kong)	Columbia Pictures Film Production Asia (Hong Kong)
	Columbia Films Producciones Espanolas (Madrid)	Columbia Films Producciones Espanolas (Madrid)
	Columbia Pictures Producciones Mexico (Mexico City)	Columbia Pictures Producciones Mexico (Mexico City)
Sony Pictures Animation		Sony Pictures Animation
Sony Pictures Imageworks Interactive		Sony Pictures Imageworks
Sony Pictures Home Entertainment		Sony Pictures Home Entertainment
Sony Pictures Studios		Now a division of Sony Pictures
Sony Pictures Digital Productions
Sony Pictures Technologies
Colorworks
		Sony Pictures Worldwide Acquisitions