George Fuller (painter): Difference between revisions
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| nationality = American |
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'''George Fuller''' (January 17, 1822 – March 21, 1884) was an |
'''George Fuller''' (January 17, 1822 – March 21, 1884) was an American figure and portrait painter. |
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==Biography== |
==Biography== |
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Fuller was born in [[Deerfield, Massachusetts]]. His father, Aaron Fuller, was a farmer. His mother was Aaron's second wife, Fanny Negus of [[Petersham, Massachusetts]]. His parents were not in favor of Fuller becoming a painter. At age thirteen, he went to [[Boston, Massachusetts]] to work for a grocer, then tried selling shoes before giving up on this also and returning home. A year or so later, he went to [[Illinois]] with a survey team for the railroad, and continued working with the survey team for a couple of years. Fuller then returned home once again, entered [[Deerfield Academy]], and began to paint in his spare time. |
Fuller was born in [[Deerfield, Massachusetts]].<ref name=Transcript>{{Cite news |url=https://www.newspapers.com/clip/121862300/george-fuller/ |title=George Fuller |newspaper=[[Boston Evening Transcript]] |page=4 |date=1884-03-21 |access-date=2023-03-29 |via=Newspapers.com}}</ref> His father, Aaron Fuller, was a farmer. His mother was Aaron's second wife, Fanny Negus of [[Petersham, Massachusetts]]. His parents were not in favor of Fuller becoming a painter. At age thirteen, he went to [[Boston, Massachusetts]] to work for a grocer, then tried selling shoes before giving up on this also and returning home. A year or so later, he went to [[Illinois]] with a survey team for the railroad, and continued working with the survey team for a couple of years. Fuller then returned home once again, entered [[Deerfield Academy]], and began to paint in his spare time. |
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In 1841, his desire to paint overcame his parents' opposition. He joined his half-brother Augustus as an itinerant painter, and enjoyed some success painting portraits in northern [[New York]]. That winter he went to Albany where he studied painting with [[Henry Kirke Brown]] for nine months. The next two winters, he studied painting with the [[Boston Artists' Association]], working on the family farm in the summers. In 1846 he sold ''A Nun at Confession'' for six dollars. In 1847, he enrolled in the National Academy of Design in New York. He spent most of the next ten years in New York. Some winters he spent in the southern United States painting portraits and scenes about local life. Friends included painter [[Edwin Tryon Billings|E.T. Billings]], with whom he travelled in the south.<ref>Sarah Burns. A Study of the Life and Poetic Vision of George Fuller (1822-1884). American Art Journal, Vol. 13, No. 4 (Autumn, 1981)</ref><ref>Sarah Burns. Images of Slavery: George Fuller's Depictions of the Antebellum South. American Art Journal, Vol. 15, No. 3 (Summer, 1983)</ref> In 1857 he was elected an associate of the [[National Academy of Design]]. |
In 1841, his desire to paint overcame his parents' opposition. He joined his half-brother Augustus as an itinerant painter, and enjoyed some success painting portraits in northern [[New York (state)|New York]]. That winter he went to Albany where he studied painting with [[Henry Kirke Brown]] for nine months. The next two winters, he studied painting with the [[Boston Artists' Association]], working on the family farm in the summers. In 1846 he sold ''A Nun at Confession'' for six dollars. In 1847, he enrolled in the National Academy of Design in New York. He spent most of the next ten years in New York. Some winters he spent in the southern United States painting portraits and scenes about local life. Friends included painter [[Edwin Tryon Billings|E.T. Billings]], with whom he travelled in the south.<ref>Sarah Burns. "A Study of the Life and Poetic Vision of George Fuller (1822-1884)". ''American Art Journal'', Vol. 13, No. 4 (Autumn, 1981)</ref><ref>Sarah Burns. "Images of Slavery: George Fuller's Depictions of the Antebellum South". ''American Art Journal'', Vol. 15, No. 3 (Summer, 1983)</ref> In 1857, he was elected an associate of the [[National Academy of Design]]. |
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[[Image:The Quadroon.jpg|thumb|left|200px|''The Quadroon'' (study) by Fuller]] |
[[Image:The Quadroon.jpg|thumb|left|200px|''The Quadroon'' (study) by Fuller]] |
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In the spring of 1876, the opening of his first art exhibition relaunched his career as a painter. In 1878 the National Academy exhibition included his ''Turkey Pasture in Kentucky'' and ''By the Wayside''. The following year he sent to the Academy ''And She Was a Witch'' and ''The Romany Girl''. He sent more pictures to the Academy in 1881 as his reputation and commercial success grew. |
In the spring of 1876, the opening of his first art exhibition relaunched his career as a painter. In 1878 the National Academy exhibition included his ''Turkey Pasture in Kentucky'' and ''By the Wayside''. The following year he sent to the Academy ''And She Was a Witch'' and ''The Romany Girl''. He sent more pictures to the Academy in 1881 as his reputation and commercial success grew. |
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In 1878, Fuller showed the oil painting, ''Reapers Resting'', as his first exhibited at the [[Boston Art Club]]. Subsequently at the [[Boston Art Club]], he exhibited one oil painting, ''Head'', in 1880; one oil painting, ''Portrait of Miss A___'' in 1881; three oil paintings: ''Study Head'', ''Portrait of Miss F.'', and ''Maidenhood'', at the 1882 [[Boston Art Club]] exhibition; and the final oil painting he exhibited at the Club, ''Portrait of Miss C.'', was January 19–February 16, 1884. |
In 1878, Fuller showed the oil painting, ''Reapers Resting'', as his first exhibited at the [[Boston Art Club]]. Subsequently, at the [[Boston Art Club]], he exhibited one oil painting, ''Head'', in 1880; one oil painting, ''Portrait of Miss A___'' in 1881; three oil paintings: ''Study Head'', ''Portrait of Miss F.'', and ''Maidenhood'', at the 1882 [[Boston Art Club]] exhibition; and the final oil painting he exhibited at the Club, ''Portrait of Miss C.'', was January 19–February 16, 1884. |
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His work continued to enjoy success until his death March 21, 1884, of |
His work continued to enjoy success until his death at his home in [[Brookline, Massachusetts]] on March 21, 1884, of kidney disease.<ref name=Transcript/> A memorial exhibition of his works was held at the Boston Museum of the Fine Arts in 1884.<ref>{{Cite Americana|wstitle=Fuller, George}}</ref> |
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Examples of Fuller's artwork reside in the collection of the [[Museum of Fine Arts, Boston|Museum of Fine Arts]] in Boston and the [[Metropolitan Museum of Art]] in New York. |
Examples of Fuller's artwork reside in the collection of the [[Museum of Fine Arts, Boston|Museum of Fine Arts]] in Boston and the [[Metropolitan Museum of Art]] in New York. |
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==Works== |
==Works== |
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* ''Hannah'', 1879, oil on canvas, [http://www.nelson-atkins.org/collections/objectview.cfm?Start=1&ret=1&objectid=1393&bf095ee74cbbd88f-15B38379-0A0D-1259-8828FFC73C2BA691 The Nelson-Atkins Museum of Art, Kansas City, Missouri] |
* ''Hannah'', 1879, oil on canvas, [http://www.nelson-atkins.org/collections/objectview.cfm?Start=1&ret=1&objectid=1393&bf095ee74cbbd88f-15B38379-0A0D-1259-8828FFC73C2BA691 The Nelson-Atkins Museum of Art, Kansas City, Missouri]{{dead link|date=January 2018 |bot=InternetArchiveBot |fix-attempted=yes }} |
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* ''The Plains Between "The Bars" and South Deerfield'', c. 1836-1838, oil on canvas, [http://accessaddison.andover.edu/media/images/A_Painting/1950s/1953.20.jpg Addison Gallery of American Art], [[Andover, Massachusetts]] |
* ''The Plains Between "The Bars" and South Deerfield'', c. 1836-1838, oil on canvas, [http://accessaddison.andover.edu/media/images/A_Painting/1950s/1953.20.jpg Addison Gallery of American Art], [[Andover, Massachusetts]] |
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* ''Cupid'', 1854 |
* ''Cupid'', 1854 |
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* ''Sketch of the Deerfield Valley'', c. 1880-1884, chalk on blue-grey wove paper, [http://accessaddison.andover.edu/media/images/E_Work_on_paper/1960s/1961.28.jpg Addison Gallery of American Art], [[Andover, Massachusetts]] |
* ''Sketch of the Deerfield Valley'', c. 1880-1884, chalk on blue-grey wove paper, [http://accessaddison.andover.edu/media/images/E_Work_on_paper/1960s/1961.28.jpg Addison Gallery of American Art], [[Andover, Massachusetts]] |
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* ''Portrait of Mary C. Hardy as a Child'', 1881, oil on canvas, [http://accessaddison.andover.edu/media/images/A_Painting/1950s/1951.21.jpg Addison Gallery of American Art], [[Andover, Massachusetts]] |
* ''Portrait of Mary C. Hardy as a Child'', 1881, oil on canvas, [http://accessaddison.andover.edu/media/images/A_Painting/1950s/1951.21.jpg Addison Gallery of American Art], [[Andover, Massachusetts]] |
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* ''Winifred Dysart'', 1881, [http://vqs61.v3.pair.com:8080/emuseum/view/objects/asitem/search@/0/title-desc?t:state:flow=4d3554fc-b6a4-44b6-8512-eedfa835bb16 Worcester Art Museum], Worcester, Massachusetts |
* ''Winifred Dysart'', 1881, [http://vqs61.v3.pair.com:8080/emuseum/view/objects/asitem/search@/0/title-desc?t:state:flow=4d3554fc-b6a4-44b6-8512-eedfa835bb16 Worcester Art Museum]{{Dead link|date=April 2019 |bot=InternetArchiveBot |fix-attempted=yes }}, Worcester, Massachusetts |
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* ''Hoeing Tobacco'', [http://vqs61.v3.pair.com:8080/emuseum/view/objects/asitem/search@/3/title-desc?t:state:flow=4d3554fc-b6a4-44b6-8512-eedfa835bb16 Worcester Art Museum], Worcester, Massachusetts |
* ''Hoeing Tobacco'', [http://vqs61.v3.pair.com:8080/emuseum/view/objects/asitem/search@/3/title-desc?t:state:flow=4d3554fc-b6a4-44b6-8512-eedfa835bb16 Worcester Art Museum]{{Dead link|date=April 2019 |bot=InternetArchiveBot |fix-attempted=yes }}, Worcester, Massachusetts |
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* ''Nydia'', 1882, oil on canvas, [http://www.metmuseum.org/collections/search-the-collections/20011278 Metropolitan Museum of Art] [[New York City]] |
* ''Nydia'', 1882, oil on canvas, [http://www.metmuseum.org/collections/search-the-collections/20011278 Metropolitan Museum of Art] [[New York City]] |
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* ''Priscilla Fauntleroy'', 1882 |
* ''Priscilla Fauntleroy'', 1882 |
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==Notes== |
==Notes== |
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{{more footnotes|date=February 2014}} |
{{more footnotes needed|date=February 2014}} |
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{{reflist}} |
{{reflist}} |
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==References== |
==References== |
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* Downes, William Howe. "George Fuller." ''Dictionary of American Biography Base Set. American Council of Learned Societies, 1928-1936.'' Reproduced in [http://galenet.galegroup.com/servlet/BioRC Biography Resource Center. Farmington Hills, Mich.: Gale, 2008.] Online. February 18, 2008. |
* Downes, William Howe. "George Fuller." ''Dictionary of American Biography Base Set. American Council of Learned Societies, 1928-1936.'' Reproduced in [http://galenet.galegroup.com/servlet/BioRC Biography Resource Center. Farmington Hills, Mich.: Gale, 2008.] Online. February 18, 2008. |
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*{{cite book|last=Sherman |first=Frederic Fairchild |title=American Painters of Yesterday and Today |year=1919 |publisher=Priv. print in New York. |chapter=Chapter: Four Figure |
*{{cite book|last=Sherman |first=Frederic Fairchild |title=American Painters of Yesterday and Today |year=1919 |publisher=Priv. print in New York. |chapter=Chapter: Four Figure Pictures by George Fuller |chapter-url=https://archive.org/stream/americanpainters00sheriala#page/20/mode/2up}} |
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;Attribution |
;Attribution |
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==External links== |
==External links== |
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*[http://libmma.contentdm.oclc.org/cdm/search/field/subjec/searchterm/Fuller,%20George,%201822-1884%20--%20Exhibitions/mode/exact George Fuller Exhibition Catalogs] from The Metropolitan Museum of Art |
*[http://libmma.contentdm.oclc.org/cdm/search/field/subjec/searchterm/Fuller,%20George,%201822-1884%20--%20Exhibitions/mode/exact George Fuller Exhibition Catalogs] from The Metropolitan Museum of Art |
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*{{Worldcat id|id=lccn-nr89-18251}} |
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*{{Cite NIE|wstitle=Fuller, George|year=1906 |short=x}} |
*{{Cite NIE|wstitle=Fuller, George|year=1906 |short=x}} |
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*[http://bio19c.com/-biography518_george_fuller_(1822-1884) 19th Century Biographies] |
*[http://bio19c.com/-biography518_george_fuller_(1822-1884) 19th Century Biographies] |
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{{Authority control}} |
{{Authority control}} |
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{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. --> |
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| NAME = Fuller, George |
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| ALTERNATIVE NAMES = |
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| SHORT DESCRIPTION = American painter |
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| DATE OF BIRTH = January 17, 1822 |
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| DATE OF DEATH = March 21, 1884 |
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| PLACE OF DEATH = |
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{{DEFAULTSORT:Fuller, George}} |
{{DEFAULTSORT:Fuller, George}} |
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[[Category:1822 births]] |
[[Category:1822 births]] |
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[[Category:1884 deaths]] |
[[Category:1884 deaths]] |
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[[Category:19th-century American painters]] |
[[Category:19th-century American painters]] |
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[[Category: |
[[Category:American male painters]] |
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[[Category: |
[[Category:Deaths from pneumonia in the United States]] |
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[[Category: |
[[Category:19th century in Boston]] |
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[[Category:People from Deerfield, Massachusetts]] |
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[[Category:Artists from Massachusetts]] |
[[Category:Artists from Massachusetts]] |
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[[Category:Deerfield Academy alumni]] |
[[Category:Deerfield Academy alumni]] |
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[[Category:American portrait painters]] |
[[Category:American portrait painters]] |
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[[Category:19th-century American male artists]] |
Latest revision as of 22:31, 27 June 2024
George Fuller | |
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Born | |
Died | March 21, 1884 | (aged 62)
Nationality | American |
Known for | Painting |
Children | Henry Brown Fuller |
George Fuller (January 17, 1822 – March 21, 1884) was an American figure and portrait painter.
Biography
[edit]Fuller was born in Deerfield, Massachusetts.[1] His father, Aaron Fuller, was a farmer. His mother was Aaron's second wife, Fanny Negus of Petersham, Massachusetts. His parents were not in favor of Fuller becoming a painter. At age thirteen, he went to Boston, Massachusetts to work for a grocer, then tried selling shoes before giving up on this also and returning home. A year or so later, he went to Illinois with a survey team for the railroad, and continued working with the survey team for a couple of years. Fuller then returned home once again, entered Deerfield Academy, and began to paint in his spare time.
In 1841, his desire to paint overcame his parents' opposition. He joined his half-brother Augustus as an itinerant painter, and enjoyed some success painting portraits in northern New York. That winter he went to Albany where he studied painting with Henry Kirke Brown for nine months. The next two winters, he studied painting with the Boston Artists' Association, working on the family farm in the summers. In 1846 he sold A Nun at Confession for six dollars. In 1847, he enrolled in the National Academy of Design in New York. He spent most of the next ten years in New York. Some winters he spent in the southern United States painting portraits and scenes about local life. Friends included painter E.T. Billings, with whom he travelled in the south.[2][3] In 1857, he was elected an associate of the National Academy of Design.
His father died in 1859, and he became aware that he would eventually need to return to the family farm to support his family. In January 1860 he began five month a tour of Europe with friends during which they visited London, Paris, Florence, Rome, and Venice. He married Agnes Higginson of Cambridge, Massachusetts in 1861 and brought her home to the Deerfield farm. For the next fifteen years, he worked the farm and painted in his spare time in a studio converted form a carriage house. His farm failed in 1875, and he turned to painting for his livelihood.
In the spring of 1876, the opening of his first art exhibition relaunched his career as a painter. In 1878 the National Academy exhibition included his Turkey Pasture in Kentucky and By the Wayside. The following year he sent to the Academy And She Was a Witch and The Romany Girl. He sent more pictures to the Academy in 1881 as his reputation and commercial success grew.
In 1878, Fuller showed the oil painting, Reapers Resting, as his first exhibited at the Boston Art Club. Subsequently, at the Boston Art Club, he exhibited one oil painting, Head, in 1880; one oil painting, Portrait of Miss A___ in 1881; three oil paintings: Study Head, Portrait of Miss F., and Maidenhood, at the 1882 Boston Art Club exhibition; and the final oil painting he exhibited at the Club, Portrait of Miss C., was January 19–February 16, 1884.
His work continued to enjoy success until his death at his home in Brookline, Massachusetts on March 21, 1884, of kidney disease.[1] A memorial exhibition of his works was held at the Boston Museum of the Fine Arts in 1884.[4]
Examples of Fuller's artwork reside in the collection of the Museum of Fine Arts in Boston and the Metropolitan Museum of Art in New York.
Works
[edit]- Hannah, 1879, oil on canvas, The Nelson-Atkins Museum of Art, Kansas City, Missouri[permanent dead link ]
- The Plains Between "The Bars" and South Deerfield, c. 1836-1838, oil on canvas, Addison Gallery of American Art, Andover, Massachusetts
- Cupid, 1854
- "The Birdcatcher", 1880, oil on canvas The University of Arizona Museum of Art, Tucson, Arizona
- Negro Nurse with Child, 1861
- At the Bars, 1865
- Ideal Head of a Boy (George Spencer Fuller)"", c. 1867–1873, oil on canvas, Metropolitan Museum of Art New York City
- By the Wayside, 1877, Museum of Fine Arts, Boston
- The Romany Girl, 1877-1879, oil on canvas, Addison Gallery of American Art, Andover, Massachusetts
- Shearing the Donkey, 1877-1879
- And She Was a Witch, 1877–1884, oil on canvas, Metropolitan Museum of Art New York City
- Turkey Pasture in Kentucky, 1878
- The Dandelion Girl, 1879
- The Quadroon, 1880, oil on canvas, Metropolitan Museum of Art New York City
- The Gathering of Simples, 1880
- Sketch of the Deerfield Valley, c. 1880-1884, chalk on blue-grey wove paper, Addison Gallery of American Art, Andover, Massachusetts
- Portrait of Mary C. Hardy as a Child, 1881, oil on canvas, Addison Gallery of American Art, Andover, Massachusetts
- Winifred Dysart, 1881, Worcester Art Museum[permanent dead link ], Worcester, Massachusetts
- Hoeing Tobacco, Worcester Art Museum[permanent dead link ], Worcester, Massachusetts
- Nydia, 1882, oil on canvas, Metropolitan Museum of Art New York City
- Priscilla Fauntleroy, 1882
- Psyche, 1882
- November, 1882-1884
- Fedalma, 1883-1884, oil on canvas, Smithsonian American Art Museum, Washington, D.C.
- Arethusa, 1884, Museum of Fine Arts, Boston
- A Nun at Confession
- Boy and Bird
- Girl with a Calf
- Ideal Head, oil on canvas, Smithsonian American Art Museum, Washington, D.C.
- Reapers Resting
Notes
[edit]This article includes a list of general references, but it lacks sufficient corresponding inline citations. (February 2014) |
- ^ a b "George Fuller". Boston Evening Transcript. March 21, 1884. p. 4. Retrieved March 29, 2023 – via Newspapers.com.
- ^ Sarah Burns. "A Study of the Life and Poetic Vision of George Fuller (1822-1884)". American Art Journal, Vol. 13, No. 4 (Autumn, 1981)
- ^ Sarah Burns. "Images of Slavery: George Fuller's Depictions of the Antebellum South". American Art Journal, Vol. 15, No. 3 (Summer, 1983)
- ^ Rines, George Edwin, ed. (1920). Encyclopedia Americana. .
References
[edit]- Downes, William Howe. "George Fuller." Dictionary of American Biography Base Set. American Council of Learned Societies, 1928-1936. Reproduced in Biography Resource Center. Farmington Hills, Mich.: Gale, 2008. Online. February 18, 2008.
- Sherman, Frederic Fairchild (1919). "Chapter: Four Figure Pictures by George Fuller". American Painters of Yesterday and Today. Priv. print in New York.
- Attribution
- public domain: Chisholm, Hugh, ed. (1911). "Fuller, George". Encyclopædia Britannica (11th ed.). Cambridge University Press. This article incorporates text from a publication now in the
External links
[edit]- George Fuller Exhibition Catalogs from The Metropolitan Museum of Art
- New International Encyclopedia. 1906. .
- 19th Century Biographies