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| name = The Big Steal
| name = The Big Steal
| image = The Big Steal original poster.jpg
| image = The Big Steal original poster.jpg
| image_size =
| alt =
| alt =
| caption = Theatrical release poster
| caption = Theatrical release poster
| director = [[Don Siegel]]
| director = [[Don Siegel]]
| producer = [[Jack J. Gross]]
| producer = [[Jack J. Gross]]
| screenplay = [[Gerald Drayson Adams]]<br/>[[Daniel Mainwaring]]<br>[[Geoffrey Homes]]
| screenplay = [[Gerald Drayson Adams]]<br/>[[Daniel Mainwaring]] (credited as Geoffrey Homes)
| based_on = {{based on|"The Road to Carmichael's"<br>1942 story in ''[[The Saturday Evening Post]]''|[[Richard Wormser]]}}
| based_on = {{based on|"The Road to Carmichael's"<br>1942 story in ''[[The Saturday Evening Post]]''|[[Richard Wormser]]}}
| starring = [[Robert Mitchum]]<br/>[[Jane Greer]]<br/>[[William Bendix]]<br/>[[Patric Knowles]]<br/>[[Ramón Novarro]]
| starring = [[Robert Mitchum]]<br/>[[Jane Greer]]<br/>[[William Bendix]]<br/>[[Patric Knowles]]<br/>[[Ramón Novarro]]
Line 17: Line 17:
| editing = [[Samuel E. Beetley]]
| editing = [[Samuel E. Beetley]]
| distributor = [[RKO Pictures]]
| distributor = [[RKO Pictures]]
| released = {{Film date|1949|7|1|''US''|ref1=<ref>{{cite web |url= https://catalog.afi.com/Film/25852-THE-BIGSTEAL|title=The Big Steal: Detail View | publisher=American Film Institute | accessdate= September 23, 2022}}</ref>}}
| released = {{Film date|1949|7|1|''US''|ref1=<ref>{{cite web |url= https://catalog.afi.com/Film/25852-THE-BIGSTEAL|title=The Big Steal: Detail View | publisher=American Film Institute | access-date= September 23, 2022}}</ref>}}
| runtime = 71 minutes
| runtime = 71 minutes
| country = United States
| country = United States
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==Plot==
==Plot==
U.S. Army lieutenant Duke Halliday ([[Robert Mitchum]]) is robbed of a $300,000 payroll by Jim Fiske ([[Patric Knowles]]). When Halliday's superior, Captain Vincent Blake ([[William Bendix]]), suspects him of having taken part in the theft, Halliday pursues Fiske into Mexico. Along the way, he runs into Joan Graham ([[Jane Greer]]), who is after the $2000 she loaned to her boyfriend, Fiske. The two join forces, though they are not sure at first if they can trust each other. Fiske stays one step ahead of the couple, while they are in turn chased by Blake. When Halliday is knocked down trying to stop Fiske from getting away, he comes to the attention of Police Inspector General Ortega ([[Ramon Novarro]]). Halliday claims to be Blake, using identification he took from the captain after a brawl. Ortega lets him go after Fiske, but keeps an eye on him. His suspicions are confirmed when the real Blake shows up at his office for help.
U.S. Army lieutenant Duke Halliday ([[Robert Mitchum]]) is robbed of a $300,000 payroll by Jim Fiske ([[Patric Knowles]]). When Halliday's superior, Captain Vincent Blake ([[William Bendix]]), suspects him of having taken part in the theft, Halliday pursues Fiske into Mexico. Along the way, he runs into Joan Graham ([[Jane Greer]]), who is also after Fiske, she for $2000 loaned to her now ex-boyfriend. The two join forces, tentatively at first, as they are not sure if they can trust each other.


Fiske stays one step ahead of the couple as they chase him near the length of Mexico, pursued all the while with equal ardour by Blake. When Halliday is knocked down trying to stop Fiske from getting away, he comes to the attention of Police Inspector General Ortega ([[Ramon Novarro]]). Halliday claims to be Blake, using identification he took from the captain after a brawl. Ortega lets him go after Fiske, but keeps an eye on him. His suspicions towards Halliday are confirmed when the real Blake shows up at his office seeking help.
Halliday and Graham track Fiske to an isolated house in the desert, where Fiske is meeting with Seton ([[John Qualen]]), a [[Fence (criminal)|fence]] who offers Fiske $150,000 in untraceable bills in exchange for the payroll. The couple are captured by Seton's henchmen. When Blake shows up, Halliday is initially relieved to be rescued, until he learns that Blake is actually Fiske's partner in crime.


Halliday and Graham ultimately track Fiske to a safehouse in the desert, where a [[Fence (criminal)|fence]], Seton ([[John Qualen]]), offers him $150,000 in untraceable bills in exchange for the payroll. After a shootout, the couple are captured by Seton's henchmen. When Blake shows up, Halliday is initially relieved to be rescued, until Blake reveals that he is actually the brains behind the crime.
Fiske wants to take Graham with him, but Blake makes it clear that he intends to dispose of both her and Halliday. Fiske reluctantly gives in. However, when he starts to leave, Blake shoots him in the back, explaining that his ex-partner, apparently still at large, can take the blame for the missing payroll. Halliday then points out to Seton that if Blake gets rid of him too, he can give the stolen money back to the army ''and'' keep the $150,000 for himself. Taking no chances, Seton pulls a gun on Blake. When Graham creates a distraction, a fight breaks out, which Graham and Halliday win.


Fiske turns squeamish at the prospect of Graham being murdered and dumped in the desert along with Halliday, and proposes taking her with him. Blake, who is calling all the shots, rejects the idea, and in an act that shocks everyone shoots Fiske in the back when he goes to leave. Revealing just how ruthless he is, he then calmly explains to the others that his cover story will be that his late ex-partner, “apparently still at large”, will take the blame for the missing payroll. Seeking to twist Blake’s confession back on him, Halliday then points out to Seton that if Blake gets rid of him too, he can cover his tracks with the army by giving the stolen money back to it ''and'' keep the $150,000 for himself.
In the final scene, Graham and Holliday are talking about what they'll do now that their problems have been cleared up. Neither really wants to say goodbye. He has to go back to the army, but she's got other plans. Some Mexican children run up to them, laughing, while music plays. He smiles at her suggestively. She blushes. The film ends.

Alarmed, and taking no chances, Seton pulls a gun on everyone, and disarms Blake. Graham then creates a distraction for Halliday to jump Blake, whom he bests in a bruising fistfight, while she accidentally wounds Seaton during a successful struggle over his gun. Ortega is called to come make the arrests.

Cleared by Ortega of all wrongdoing, Halliday is free to return to the army. When he indicates to a waiting Graham there is nothing to do in Mexico to keep him there any longer, she points his attention to a passing Mexican couple parading their seven children. He gets her drift as she smiles coyly.


==Cast==
==Cast==
Line 50: Line 54:
[[Robert Mitchum]]'s arrest for possession of [[marijuana]] on September 1, 1948, and his subsequent conviction and incarceration, had a large impact on the production of ''The Big Steal''. RKO head [[Howard Hughes]] saw Mitchum's notoriety surrounding the arrest (the actor already seen as a 'bad boy' in Hollywood) as a positive that would boost attention for a rather low-rent - but hopefully profitable - production.
[[Robert Mitchum]]'s arrest for possession of [[marijuana]] on September 1, 1948, and his subsequent conviction and incarceration, had a large impact on the production of ''The Big Steal''. RKO head [[Howard Hughes]] saw Mitchum's notoriety surrounding the arrest (the actor already seen as a 'bad boy' in Hollywood) as a positive that would boost attention for a rather low-rent - but hopefully profitable - production.


[[George Raft]] was originally cast, but was replaced by Mitchum after the arrest.<ref name="uni">Richard B. Jewell, ''[https://books.google.com/books?id=o4mTCwAAQBAJ&q=marijuana#v=snippet&q=marijuana&f=false|Slow Fade to Black: The Decline of RKO Radio Pictures]'', Uni of California, 2016, pp.89-90</ref> [[Lizabeth Scott]] was slated for the female lead but quit three weeks prior to filming due to the arrest, and was replaced by [[Jane Greer]] (Mitchum and Greer had been earlier paired in the successful 1947 noir ''Out of the Past''). Hughes had been keeping Greer, a former girlfriend, from appearing in any RKO films in an attempt to ruin her career, but finally conceded when no other actress would take the part.<ref>{{cite book |last1=Ware |first1=William |title=Early Film Noir: Greed, Lust and Murder |date=2003 |publisher=McFarland & Company |location=Jefferson |isbn=0-7864-1629-7}}</ref>
[[George Raft]] was originally cast, but was replaced by Mitchum after the arrest.<ref name="uni">Richard B. Jewell, ''[https://books.google.com/books?id=o4mTCwAAQBAJ&q=marijuana#v=snippet&q=marijuana&f=false|Slow Fade to Black: The Decline of RKO Radio Pictures]'', Uni of California, 2016, pp.89-90</ref> [[Lizabeth Scott]] was slated for the female lead but quit three weeks prior to filming due to the arrest, and was replaced by [[Jane Greer]] (Mitchum and Greer had been earlier paired in the successful 1947 noir ''[[Out of the Past]]''). Hughes had been keeping Greer, a former girlfriend, from appearing in any RKO films in an attempt to ruin her career, but finally conceded when no other actress would take the part.<ref>{{cite book |last1=Ware |first1=William |title=Early Film Noir: Greed, Lust and Murder |date=2003 |publisher=McFarland & Company |location=Jefferson |isbn=0-7864-1629-7}}</ref>


===Filming===
===Filming===
Filming (Los Angeles and [[Tehuacán, Puebla]], Mexico) was rushed to capitalize on the situation, with some scenes shot while Mitchum was still incarcerated. Greer's pregnancy also added to the urgency and ensured that the schedule was kept tight. This was part of the reason for the film's relatively short 71 minute runtime.<ref>{{cite web |last1=Markiewicz |first1=Ben |title=TCM Comments on The Big Steal (1949) |url=https://www.youtube.com/watch?v=VBIFH5hgrEQ |website=You Tube |publisher=Tuner Classic Movies |access-date=10 August 2022}}</ref>
Filming (Los Angeles and [[Tehuacán, Puebla]], Mexico) was rushed in order to capitalize on the publicity generated by Mitchum's drug charges and incarceration, with some scenes shot while Mitchum was serving his sentence. Seigel commented upon the effect of Mitchum's absence upon a scene in which [[William Bendix]] pursues Mitchum through a forest, shot three months apart:

{{blockquote |Mitchum in the picture would come running into a sequence and the trees would be green, and Bendix would be right on his heels and the tree would be bare.<ref name="Kass, 1975 p. 77">Kass, 1975 p. 77</ref>}}

Jane Greer's pregnancy ensured that the schedule was kept tight. This was part of the reason for the film's relatively short 71 minute runtime.<ref>{{cite web |last1=Mankiewicz|first1=Ben|title=TCM Comments on The Big Steal (1949)|url= https://www.youtube.com/watch?v=VBIFH5hqrEQ|work=[[YouTube]]|date=November 19, 2019 |publisher=Tuner Classic Movies |access-date=2 January 2024}}</ref> Despite this Siegel said the film came in under budget.<ref name="var"/>

The screenwriters [[Gerald Drayson Adams]] and [[Daniel Mainwaring]] (''nom de plume'' Geoffrey Homes), were undecided as to Mitchum's film characterization, and according to film critic Judith M. Kass, viewers may be “confused about Mitchum’s motives until the final chase and denouement.”<ref name="Kass, 1975 p. 77">Kass, 1975 p. 77</ref>


Filming was shut down for two weeks while Mitchum was in prison. Despite this Siegel said the film came in under budget.<ref name="var"/>
==Release==
==Release==
Capitalizing on Michum's headlines was a proven scheme for Hughes, who, immediately following the arrest, had pushed for another of Mitchum's pictures, ''[[Rachel and the Stranger]]'', to be released sooner than planned. ''Rachel'' was released on September 18, 1948, and became one of the year's biggest hits.<ref name="uni"/>
Capitalizing on Michum's headlines was a proven scheme for Hughes, who immediately following the arrest had pushed for another of Mitchum's pictures, ''[[Rachel and the Stranger]]'', to be released sooner than planned. ''Rachel'' was released on September 18, 1948, and became one of the year's biggest hits.<ref name="uni"/>

==Home media==

The U.K. [[Region 2 DVD]] from 2008 (in a box set with 8 other film noir thrillers) is a colourised version, produced by [[Turner Entertainment]], copyrighted 1991.

The U.S (multi region) DVD from 2007 is the black and white version and is on a double bill with 1955’s [[Illegal (1955 film)|''Illegal'' (1955 film)]] starring [[Edward G. Robinson]].


==Reception==
==Reception==


===Critical response===
===Critical response===
[[Channel 4]] film reviews describes the movie as "Sparkling dialogues, fast-paced chases and the occasional twist make this an at first somewhat confusing but ultimately hugely entertaining film."<ref>[http://www.channel4.com/film/reviews/film.jsp?id=101143 Channel 4] Film Reviews. Last accessed: March 11, 2008.</ref>
[[Channel 4]] film reviews describes the movie as "Sparkling dialogues, fast-paced chases and the occasional twist make this an at first somewhat confusing but ultimately hugely entertaining film."<ref>[http://www.channel4.com/film/reviews/film.jsp?id=101143 Channel 4] Film Reviews. Last accessed: March 11, 2008.</ref>{{failed verification|date=January 2024}}

Hal Erickson writing for [[AllMovie]] calls the film "tautly directed by Don Siegel, who manages to pack plenty of twists and turns into the film's crowded 71 minutes."<ref>Erikson, Hal. {{AllMovie title|5476|The Big Steal}}.</ref>{{Failed verification|reason=The Erickson review is no longer there, replaced by one by Craig Butler|date=January 2024}}

In a review posted at Allmovie.com in 2024, Craig Butler writes:

“For a film noir, The Big Steal is surprisingly light. Unlike noirs such as The Big Sleep, which lace the darker proceedings with plenty of humor, Steal is fairly amusing all the way through. The setup and the stakes are serious, but the execution, even at its most action-packed, is handled with a sense of humor. Those looking for typical noir existentialism will be disappointed, but most will find themselves drawn in by Steal's charm…If The Big Steal falls short of classic status, it's because it's ultimately a caper film without a lot of depth to it; but if it's little more than one long chase, it's still an entertaining ride.” <ref>{{AllMovie title|5476|The Big Steal}}.</ref>


Critic Judith M. Kass, writing in ''The Hollywood Professionals, Volume 4'' (1976), singles out Jane Greer's performance for special mention: “The real support for Mitchum comes from Greer, who is fast-talking, quick-thinking and light on her feet as any masculine lead…”<ref>Kass, 1975 p. 110</ref>
Hal Erickson writing for [[AllMovie]] calls the film "tautly directed by Don Siegel, who manages to pack plenty of twists and turns into the film's crowded 71 minutes."<ref>Erikson, Hal. {{Amg movie|5476|The Big Steal}}.</ref>


==References==
== Footnotes ==
{{reflist|colwidth=30em}}


===Notes===
== Sources ==
*{{cite book |last1=Kass |first1=Judith M. |title=Don Seigel: The Hollywood Professionals, Volume 4 |date=1975 |publisher=Tanvity Press |location=New York |isbn=0-498-01665-X |page=207 |edition=1975}}
{{reflist}}


==External links==
==External links==
* {{IMDb title|id=0041178|title=The Big Steal}}
* {{IMDb title|id=0041178|title=The Big Steal}}
* {{Allmovie title|id=5476|title=The Big Steal}}
* {{AllMovie title|id=5476|title=The Big Steal}}
* {{tcmdb title|id=68721|title=The Big Steal}}
* {{TCMDb title|id=68721|title=The Big Steal}}
* {{AFI film|id=25852|title=The Big Steal}}
* {{AFI film|id=25852|title=The Big Steal}}
* {{Rotten-tomatoes|id=big_steal|title=The Big Steal}}
* {{Rotten-tomatoes|id=big_steal|title=The Big Steal}}

Latest revision as of 12:08, 30 June 2024

The Big Steal
Theatrical release poster
Directed byDon Siegel
Screenplay byGerald Drayson Adams
Daniel Mainwaring (credited as Geoffrey Homes)
Based on"The Road to Carmichael's"
1942 story in The Saturday Evening Post
by Richard Wormser
Produced byJack J. Gross
StarringRobert Mitchum
Jane Greer
William Bendix
Patric Knowles
Ramón Novarro
CinematographyHarry J. Wild
Edited bySamuel E. Beetley
Music byLeigh Harline
Distributed byRKO Pictures
Release date
  • July 1, 1949 (1949-07-01) (US)[1]
Running time
71 minutes
CountryUnited States
LanguageEnglish
Budget$780,000[2]
Box office$1.6 million[3]

The Big Steal is a 1949 American black-and-white film noir reteaming Out of the Past stars Robert Mitchum and Jane Greer. The film was directed by Don Siegel, based on the short story "The Road to Carmichael's" by Richard Wormser.[4]

Plot

[edit]

U.S. Army lieutenant Duke Halliday (Robert Mitchum) is robbed of a $300,000 payroll by Jim Fiske (Patric Knowles). When Halliday's superior, Captain Vincent Blake (William Bendix), suspects him of having taken part in the theft, Halliday pursues Fiske into Mexico. Along the way, he runs into Joan Graham (Jane Greer), who is also after Fiske, she for $2000 loaned to her now ex-boyfriend. The two join forces, tentatively at first, as they are not sure if they can trust each other.

Fiske stays one step ahead of the couple as they chase him near the length of Mexico, pursued all the while with equal ardour by Blake. When Halliday is knocked down trying to stop Fiske from getting away, he comes to the attention of Police Inspector General Ortega (Ramon Novarro). Halliday claims to be Blake, using identification he took from the captain after a brawl. Ortega lets him go after Fiske, but keeps an eye on him. His suspicions towards Halliday are confirmed when the real Blake shows up at his office seeking help.

Halliday and Graham ultimately track Fiske to a safehouse in the desert, where a fence, Seton (John Qualen), offers him $150,000 in untraceable bills in exchange for the payroll. After a shootout, the couple are captured by Seton's henchmen. When Blake shows up, Halliday is initially relieved to be rescued, until Blake reveals that he is actually the brains behind the crime.

Fiske turns squeamish at the prospect of Graham being murdered and dumped in the desert along with Halliday, and proposes taking her with him. Blake, who is calling all the shots, rejects the idea, and in an act that shocks everyone shoots Fiske in the back when he goes to leave. Revealing just how ruthless he is, he then calmly explains to the others that his cover story will be that his late ex-partner, “apparently still at large”, will take the blame for the missing payroll. Seeking to twist Blake’s confession back on him, Halliday then points out to Seton that if Blake gets rid of him too, he can cover his tracks with the army by giving the stolen money back to it and keep the $150,000 for himself.

Alarmed, and taking no chances, Seton pulls a gun on everyone, and disarms Blake. Graham then creates a distraction for Halliday to jump Blake, whom he bests in a bruising fistfight, while she accidentally wounds Seaton during a successful struggle over his gun. Ortega is called to come make the arrests.

Cleared by Ortega of all wrongdoing, Halliday is free to return to the army. When he indicates to a waiting Graham there is nothing to do in Mexico to keep him there any longer, she points his attention to a passing Mexican couple parading their seven children. He gets her drift as she smiles coyly.

Cast

[edit]
Black and white promotional headshot of Robert Mitchum facing right and looking left
Mitchum, 1949

Production

[edit]

Casting

[edit]

Robert Mitchum's arrest for possession of marijuana on September 1, 1948, and his subsequent conviction and incarceration, had a large impact on the production of The Big Steal. RKO head Howard Hughes saw Mitchum's notoriety surrounding the arrest (the actor already seen as a 'bad boy' in Hollywood) as a positive that would boost attention for a rather low-rent - but hopefully profitable - production.

George Raft was originally cast, but was replaced by Mitchum after the arrest.[5] Lizabeth Scott was slated for the female lead but quit three weeks prior to filming due to the arrest, and was replaced by Jane Greer (Mitchum and Greer had been earlier paired in the successful 1947 noir Out of the Past). Hughes had been keeping Greer, a former girlfriend, from appearing in any RKO films in an attempt to ruin her career, but finally conceded when no other actress would take the part.[6]

Filming

[edit]

Filming (Los Angeles and Tehuacán, Puebla, Mexico) was rushed in order to capitalize on the publicity generated by Mitchum's drug charges and incarceration, with some scenes shot while Mitchum was serving his sentence. Seigel commented upon the effect of Mitchum's absence upon a scene in which William Bendix pursues Mitchum through a forest, shot three months apart:

Mitchum in the picture would come running into a sequence and the trees would be green, and Bendix would be right on his heels and the tree would be bare.[7]

Jane Greer's pregnancy ensured that the schedule was kept tight. This was part of the reason for the film's relatively short 71 minute runtime.[8] Despite this Siegel said the film came in under budget.[2]

The screenwriters Gerald Drayson Adams and Daniel Mainwaring (nom de plume Geoffrey Homes), were undecided as to Mitchum's film characterization, and according to film critic Judith M. Kass, viewers may be “confused about Mitchum’s motives until the final chase and denouement.”[7]

Release

[edit]

Capitalizing on Michum's headlines was a proven scheme for Hughes, who immediately following the arrest had pushed for another of Mitchum's pictures, Rachel and the Stranger, to be released sooner than planned. Rachel was released on September 18, 1948, and became one of the year's biggest hits.[5]

Home media

[edit]

The U.K. Region 2 DVD from 2008 (in a box set with 8 other film noir thrillers) is a colourised version, produced by Turner Entertainment, copyrighted 1991.

The U.S (multi region) DVD from 2007 is the black and white version and is on a double bill with 1955’s Illegal (1955 film) starring Edward G. Robinson.

Reception

[edit]

Critical response

[edit]

Channel 4 film reviews describes the movie as "Sparkling dialogues, fast-paced chases and the occasional twist make this an at first somewhat confusing but ultimately hugely entertaining film."[9][failed verification]

Hal Erickson writing for AllMovie calls the film "tautly directed by Don Siegel, who manages to pack plenty of twists and turns into the film's crowded 71 minutes."[10][failed verification]

In a review posted at Allmovie.com in 2024, Craig Butler writes:

“For a film noir, The Big Steal is surprisingly light. Unlike noirs such as The Big Sleep, which lace the darker proceedings with plenty of humor, Steal is fairly amusing all the way through. The setup and the stakes are serious, but the execution, even at its most action-packed, is handled with a sense of humor. Those looking for typical noir existentialism will be disappointed, but most will find themselves drawn in by Steal's charm…If The Big Steal falls short of classic status, it's because it's ultimately a caper film without a lot of depth to it; but if it's little more than one long chase, it's still an entertaining ride.” [11]

Critic Judith M. Kass, writing in The Hollywood Professionals, Volume 4 (1976), singles out Jane Greer's performance for special mention: “The real support for Mitchum comes from Greer, who is fast-talking, quick-thinking and light on her feet as any masculine lead…”[12]

Footnotes

[edit]
  1. ^ "The Big Steal: Detail View". American Film Institute. Retrieved September 23, 2022.
  2. ^ a b "Mitchum Out on 30th Resumes Film 2 Apr". Variety. March 16, 1949. p. 3.
  3. ^ "Top Grossers of 1949". Variety. January 4, 1950. p. 59.
  4. ^ "Screenplay Info for The Big Steal (1949)". Turner Classic Movies.
  5. ^ a b Richard B. Jewell, Fade to Black: The Decline of RKO Radio Pictures, Uni of California, 2016, pp.89-90
  6. ^ Ware, William (2003). Early Film Noir: Greed, Lust and Murder. Jefferson: McFarland & Company. ISBN 0-7864-1629-7.
  7. ^ a b Kass, 1975 p. 77
  8. ^ Mankiewicz, Ben (November 19, 2019). "TCM Comments on The Big Steal (1949)". YouTube. Tuner Classic Movies. Retrieved January 2, 2024.
  9. ^ Channel 4 Film Reviews. Last accessed: March 11, 2008.
  10. ^ Erikson, Hal. The Big Steal at AllMovie.
  11. ^ The Big Steal at AllMovie.
  12. ^ Kass, 1975 p. 110

Sources

[edit]
  • Kass, Judith M. (1975). Don Seigel: The Hollywood Professionals, Volume 4 (1975 ed.). New York: Tanvity Press. p. 207. ISBN 0-498-01665-X.
[edit]