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{{Use dmy dates|date=February 2021}}
{{Infobox album|
{{Infobox album
Name = Runter mit den Spendierhosen, Unsichtbarer!|
| name = Runter mit den Spendierhosen, Unsichtbarer!
Type = studio |
Artist = [[Die Ärzte]] |
| type = studio
Cover = Unsichtbarer.jpg |
| artist = [[Die Ärzte]]
Recorded = |
| cover = Unsichtbarer.jpg
Released = 20 October 2000 |
| alt =
| released = 20 October 2000
Length = 63:59 |
| recorded =
Genre = [[Punk rock]], [[pop punk]] |
| venue =
Label = [[Hot Action Records]] |
| studio =
Producer = Uwe Hoffmann and [[Die Ärzte]] |
| genre = {{hlist|[[Punk rock]]|[[pop punk]]}}
Last album = ''[[Satanische Pferde]]''<br />(1999) |
| length = 63:59
This album = '''''Runter mit den Spendierhosen, Unsichtbarer!'''''<br />(2000) |
| label = [[Hot Action Records]]
Next album = ''[[5, 6, 7, 8 - Bullenstaat!]]''<br />(2001) |
| producer = Uwe Hoffmann, Die Ärzte
| Misc = {{Extra album cover
| prev_title = [[Satanische Pferde]]
| Upper caption = Booklet cover
| Type = studio
| prev_year = 1999
| next_title = [[5, 6, 7, 8 Bullenstaat!]]
| Cover = Unsichtbarbooklet.jpg }}
| next_year = 2001
| misc = {{Extra album cover
| header = Booklet cover
| type = studio
| cover = Unsichtbarbooklet.jpg
| border =
| alt =
| caption =
}}
{{Singles
{{Singles
| Name = Runter mit den Spendierhosen, Unsichtbarer!
| name = Runter mit den Spendierhosen, Unsichtbarer!
| Type = studio
| type = studio
| single 1 = [[Wie es geht]]
| single1 = [[Wie es geht]]
| single 1 date = 21 August 2000
| single1date = 21 August 2000
| single 2 = [[Manchmal haben Frauen...]]
| single2 = [[Manchmal haben Frauen...]]
| single 2 date = 10 November 2000
| single2date = 10 November 2000
| single 3 = [[Yoko Ono (song)|Yoko Ono]]
| single3 = [[Yoko Ono (song)|Yoko Ono]]
| single 3 date = 5 March 2001
| single3date = 5 March 2001
| single 4 = [[Rock'n'Roll-Übermensch]]
| single4 = [[Rock'n'Roll-Übermensch]]
| single 4 date = 7 May 2001
| single4date = 7 May 2001
}}
}}
}}
}}
{{Album ratings
{{Album ratings
|rev1 = [[Laut.de]]
|rev1 = [[laut.de]]
|rev1score = {{Rating|4|5}}<ref>{{cite web|url=http://www.laut.de/Die-Aerzte/Alben/Runter-mit-den-Spendierhosen,-Unsichtbarer!-6|title=Laut.de Kritik|author=Gerd Hauswirth|publisher=Laut AG|work=Laut.de|language=German|accessdate=2018-04-20}}</ref>
|rev1score = {{Rating|4|5}}<ref>{{cite web|url=http://www.laut.de/Die-Aerzte/Alben/Runter-mit-den-Spendierhosen,-Unsichtbarer!-6|title=Laut.de Kritik|author=Gerd Hauswirth|publisher=Laut AG|work=Laut.de|language=de|access-date=20 April 2018}}</ref>
}}
}}
'''''Runter mit den Spendierhosen, Unsichtbarer!''''' ("Stop feeling so generous, invisible one!", lit.: "Down with the generosity trousers, invisible one!") is a [[studio album]] by [[Die Ärzte]]. The package of the album is a plush pocket.
'''''Runter mit den Spendierhosen, Unsichtbarer!''''' ("Stop feeling so generous, invisible one!", {{lit}} "Down with the generosity trousers, invisible one!") is a studio album by German rock band [[Die Ärzte]]. The package of the album is a plush pocket.


== Album title ==
== Album title ==
The album title is a pun on the German idioms:
The album title is a pun on the German [[idioms]]:
* "Hosen runter"/"Runter mit den Hosen" ("Show what you got", lit. "Drop your trousers")
* "Hosen runter"/"Runter mit den Hosen" ("Show what you got", lit. "Drop your trousers")
* "Spendierhosen anhaben" ("Feeling generous", lit. "Wearing generosity trousers")
* "Spendierhosen anhaben" ("Feeling generous", lit. "Wearing generosity trousers")
Line 54: Line 63:
# "[[Priapism|N 48.3]]" (Urlaub) - 2:51
# "[[Priapism|N 48.3]]" (Urlaub) - 2:51
# "[[Manchmal haben Frauen...]]" ("Sometimes women have...") (Felsenheimer) - 4:13
# "[[Manchmal haben Frauen...]]" ("Sometimes women have...") (Felsenheimer) - 4:13
# "[[Las Vegas (song)|Las Vegas]]" (Felsenheimer) - 1:49
# "Las Vegas" (Felsenheimer) - 1:49
# "Yoko Ono" (Urlaub) - 0:30
# "Yoko Ono" (Urlaub) - 0:30
# "Rock Rendezvous" (Felsenheimer) - 4:08
# "Rock Rendezvous" (Felsenheimer) - 4:08
Line 65: Line 74:
==Lyrical meaning and song notes==
==Lyrical meaning and song notes==
;"Wie es geht": A song about a lover attempting to uphold a relationship, threatened by his inability to communicate his feelings.
;"Wie es geht": A song about a lover attempting to uphold a relationship, threatened by his inability to communicate his feelings.
;"Geld": Bela laments the obsession of modern society with money, including an encounter with a woman who only started a relationship with him for money, and a friend whose band [[Selling out|sold out]]. However, at the end when Bela is about to offer a solution, he refuses to tell unless he is being paid for it.
;"Geld": Bela laments the obsession of modern society with money, including an encounter with a woman who only started a relationship with him for money, and a friend whose band '[[Selling out|sold out]]'. However, at the end when Bela is about to offer a solution, he refuses to tell unless he is being paid for it.
;"Gib mir Zeit": Farin asks for a little bit of time to clear his head and realize his actual feelings regarding his current relationship and possibly having fallen in love with a new woman.
;"Gib mir Zeit": Farin asks for a little bit of time to clear his head and realize his actual feelings regarding his current relationship and possibly having fallen in love with a new woman.
;"Dir": A song about the various and often highly contradictory feelings when in love.
;"Dir": A song about the various and often highly contradictory feelings when in love.
;"Mondo Bondage": A song about sexual bondage practices, similar to the band's earlier song "Sweet, [[Sweet Gwendoline]]", which this song references alongside [[Bettie Page]].
;"Mondo Bondage": A song about sexual bondage practices, similar to the band's earlier song "Sweet, [[Sweet Gwendoline]]", which this song references alongside [[Bettie Page]].
;"Onprangering": Farin explains a number of different situations and his dissatisfaction with it, including him having a sexually transmitted disease, [[scurvy]], and [[leprosy]]. The song is filled with forced rhymes, with several consonants being stretched to rhyme with different lines.
;"Onprangering": Farin explains a number of different situations and his dissatisfaction with it, including him having a sexually transmitted disease, [[scurvy]], and [[leprosy]]. The song is filled with forced rhymes, with several consonants being stretched to rhyme with different lines.
;"Leichenhalle": Sung from the viewpoint of a [[Goth subculture|Goth]] who wakes up in a [[morgue]]. At the end of the song he asks the corpses around him where they're from. They answer that they are from [[Smurf]] village with the song going into an allusion to [[The Smurfs music|The Song of the Smurfs]] by [[Pierre Kartner|Father Abraham]].
;"Leichenhalle": Sung from the viewpoint of a [[Goth subculture|goth]] who wakes up in a [[morgue]]. At the end of the song he asks the corpses around him where they're from. They answer that they are from [[Smurf]] village with the song going into an allusion to [[The Smurfs music|The Song of the Smurfs]] by [[Pierre Kartner|Father Abraham]].
;"Der Optimist": A song about various topics as viewed from an eternal optimist, who is not aware of the real situations.
;"Der Optimist": A song about various topics as viewed from an eternal optimist, who is not aware of the real situations.
;"Alles so einfach": A laid back [[Ska]] song who juxtaposes to the previous song explaining that all the problems can't be solved easily.
;"Alles so einfach": A laid back [[Ska]] song who juxtaposes to the previous song explaining that all the problems can't be solved easily.
;"N 48.3": A song played in a very fast [[Psychobilly]] style. Farin attempts to pick up various women at a discothèque, only to have various occurrences stop him just as they are about to have sex. "N 48.3" is the [[ICD-10]] code for [[priapism]] (a long, painful erection).
;"N 48.3": A song played in a very fast [[psychobilly]] style. Farin attempts to pick up various women at a discothèque, only to have various occurrences stop him just as they are about to have sex. "N 48.3" is the [[ICD-10]] code for [[priapism]] (a long, painful erection).
;"Manchmal haben Frauen...": The narrator encounters a drunk at a bar, who tells him that some women need to be physically punished on occasion. When he returns to his girlfriend, he is brutally beat down with the justification that people like him always deserve to be beaten.
;"Manchmal haben Frauen...": The narrator encounters a drunk at a bar, who tells him that some women want to be physically punished on occasion. When he returns to his girlfriend, he is brutally beat down with the justification that people like him always deserve to be beaten.
;"Las Vegas": An ode to [[Las Vegas Valley|Las Vegas]] sung with a faux American accent reminiscent of the Elvis Presley Song [[Viva Las Vegas (song)|Viva Las Vegas]].
;"Las Vegas": An ode to Las Vegas sung with a faux American accent reminiscent of the Elvis Presley song "[[Viva Las Vegas (song)|Viva Las Vegas]]".
;"Yoko Ono": The song exclaims the displeasure of the narrator with his girlfriend, listing her shortcomings and finally declaring her to be worse than [[Yoko Ono]], who has been blamed with breaking up [[The Beatles]]. At 30 seconds, it is one of the shortest singles ever released.
;"Yoko Ono": The song exclaims the displeasure of the narrator with his girlfriend, listing her shortcomings and finally declaring her to be worse than [[Yoko Ono]], who has been blamed with breaking up [[The Beatles]]. At 30 seconds, it is one of the shortest singles ever released.
;"Rock Rendezvous": In the first verse Bela confesses his physical attraction to Farin. The second verse has Farin return this affection. In the third verse Rod exclaims his disgust with the two and exclaim that [[homosexuality]] is sin, only to be converted by the other two.
;"Rock Rendezvous": In the first verse Bela confesses his physical attraction to Farin. The second verse has Farin return this affection. In the third verse Rod exclaims his disgust with the two and exclaim that homosexuality is sin, only to be converted by the other two.
;"Baby": A satirical encouragement to leave pigs and lambs alone and instead eat people (cf. the classic satire ''[[A Modest Proposal]]'').
;"Baby": A satirical encouragement to leave pigs and lambs alone and instead eat people (cf. the classic satire ''[[A Modest Proposal]]'').
;"Kann es sein?": A song of encouragement for a lover to finally confess his love rather than be a distant admirer.
;"Kann es sein?": A song of encouragement for a lover to finally confess his love rather than be a distant admirer.
;"Ein Sommer nur für mich": The song questions whether [[Neo-Nazism|Neo-Nazis]] experience joy and are allowed to enjoy a nice summer day.
;"Ein Sommer nur für mich": The song questions whether [[Neo-Nazism|Neo-Nazis]] experience joy and are allowed to enjoy a nice summer day.
;"Rock'n'Roll-Übermensch": Sung from the perspective of four different narrators (or one entity morphing into four different forms) explain their motivation. The narrators are an evangelist, a [[Star Trek]] [[nerd]], a male cat, and an [[Extraterrestrial life|extraterrestrial]] come to destroy the planet. The song is played in a slow plodding beat, and heavy voice modulation is used for the vocals during the final verse sung from the perspective of the alien. The verse from the perspective of the nerd is cut from the radio edit released as a single.
;"Rock'n'Roll-Übermensch": Sung from the perspective of four different narrators (or one entity morphing into four different forms) explain their motivation. The narrators are an evangelist, a ''[[Star Trek]]'' nerd, a male cat, and an [[Extraterrestrial life|extraterrestrial]] come to destroy the planet. The song is played in a slow plodding beat, and heavy voice modulation is used for the vocals during the final verse sung from the perspective of the alien. The verse from the perspective of the nerd is cut from the radio edit released as a single.
;"Herrliche Jahre": The song tells the story of a man who only experiences misery. Life is a party for all but him.
;"Herrliche Jahre": The song tells the story of a man who only experiences misery. Life is a party for all but him.


Line 87: Line 96:
*2000: "[[Wie es geht]]"
*2000: "[[Wie es geht]]"
*2000: "[[Manchmal haben Frauen...]]"
*2000: "[[Manchmal haben Frauen...]]"
*2001: "[[Yoko Ono (song)|Yoko Ono]]"
*2001: "Yoko Ono"
*2001: "[[Rock'n'Roll-Übermensch]]"
*2001: "[[Rock'n'Roll-Übermensch]]"


==Personnel==
==Personnel==
*[[Farin Urlaub]] - [[guitar]], [[vocals]]
*[[Farin Urlaub]] - guitar, vocals
*[[Bela Felsenheimer]] - [[drums]], vocals
*[[Bela Felsenheimer]] - drums, vocals
*[[Rodrigo Andrés González Espindola|Rodrigo González]] - [[bass guitar]], vocals
*[[Rodrigo González (musician)|Rodrigo González]] - bass guitar, vocals
*Diane Weigmann - additional vocals on 11
*Diane Weigmann - additional vocals on 11


Line 100: Line 109:


{{Die Ärzte}}
{{Die Ärzte}}
{{Die Ärzte singles}}

{{Authority control}}


{{DEFAULTSORT:Runter Mit Den Spendierhosen, Unsichtbarer!}}
{{DEFAULTSORT:Runter Mit Den Spendierhosen, Unsichtbarer!}}
[[Category:2000 albums]]
[[Category:2000 albums]]
[[Category:Die Ärzte albums]]
[[Category:Die Ärzte albums]]
[[Category:German-language albums]]
[[Category:2000s German-language albums]]

Latest revision as of 06:36, 23 July 2024

Runter mit den Spendierhosen, Unsichtbarer!
Studio album by
Released20 October 2000
Genre
Length63:59
LabelHot Action Records
ProducerUwe Hoffmann, Die Ärzte
Die Ärzte chronology
Satanische Pferde
(1999)
Runter mit den Spendierhosen, Unsichtbarer!
(2000)
5, 6, 7, 8 – Bullenstaat!
(2001)
Booklet cover
Singles from Runter mit den Spendierhosen, Unsichtbarer!
  1. "Wie es geht"
    Released: 21 August 2000
  2. "Manchmal haben Frauen..."
    Released: 10 November 2000
  3. "Yoko Ono"
    Released: 5 March 2001
  4. "Rock'n'Roll-Übermensch"
    Released: 7 May 2001
Professional ratings
Review scores
SourceRating
laut.de[1]

Runter mit den Spendierhosen, Unsichtbarer! ("Stop feeling so generous, invisible one!", lit. "Down with the generosity trousers, invisible one!") is a studio album by German rock band Die Ärzte. The package of the album is a plush pocket.

Album title

[edit]

The album title is a pun on the German idioms:

  • "Hosen runter"/"Runter mit den Hosen" ("Show what you got", lit. "Drop your trousers")
  • "Spendierhosen anhaben" ("Feeling generous", lit. "Wearing generosity trousers")

Track listing

[edit]
  1. "Wie es geht" ("How it's done") (Urlaub) - 3:58
  2. "Geld" ("Money") (Felsenheimer) - 3:44
  3. "Gib mir Zeit" ("Give me time") (Urlaub) - 2:08
  4. "Dir" ("To you") (Felsenheimer) - 3:39
  5. "Mondo Bondage" (Gonzalez/Felsenheimer) - 3:01
  6. "Onprangering" ("Denunciation" [corruption of anprangern]) (Urlaub) - 3:53
  7. "Leichenhalle" ("Morgue") (Gonzalez/Gonzalez, Urlaub, Felsenheimer) - 3:51
  8. "Der Optimist" ("The optimist") (Felsenheimer) - 2:36
  9. "Alles so einfach" ("Everything so simple") (Urlaub) - 4:25
  10. "N 48.3" (Urlaub) - 2:51
  11. "Manchmal haben Frauen..." ("Sometimes women have...") (Felsenheimer) - 4:13
  12. "Las Vegas" (Felsenheimer) - 1:49
  13. "Yoko Ono" (Urlaub) - 0:30
  14. "Rock Rendezvous" (Felsenheimer) - 4:08
  15. "Baby" (Urlaub) - 4:32
  16. "Kann es sein?" ("Can it be?") (Gonzalez/Felsenheimer) - 2:47
  17. "Ein Sommer nur für mich" ("A summer just for me") (Urlaub) - 2:51
  18. "Rock'n'Roll-Übermensch" ("Rock'n'roll-superhuman") (Gonzalez, Felsenheimer) - 4:47
  19. "Herrliche Jahre" ("Splendid years") (Urlaub) - 3:52

Lyrical meaning and song notes

[edit]
"Wie es geht"
A song about a lover attempting to uphold a relationship, threatened by his inability to communicate his feelings.
"Geld"
Bela laments the obsession of modern society with money, including an encounter with a woman who only started a relationship with him for money, and a friend whose band 'sold out'. However, at the end when Bela is about to offer a solution, he refuses to tell unless he is being paid for it.
"Gib mir Zeit"
Farin asks for a little bit of time to clear his head and realize his actual feelings regarding his current relationship and possibly having fallen in love with a new woman.
"Dir"
A song about the various and often highly contradictory feelings when in love.
"Mondo Bondage"
A song about sexual bondage practices, similar to the band's earlier song "Sweet, Sweet Gwendoline", which this song references alongside Bettie Page.
"Onprangering"
Farin explains a number of different situations and his dissatisfaction with it, including him having a sexually transmitted disease, scurvy, and leprosy. The song is filled with forced rhymes, with several consonants being stretched to rhyme with different lines.
"Leichenhalle"
Sung from the viewpoint of a goth who wakes up in a morgue. At the end of the song he asks the corpses around him where they're from. They answer that they are from Smurf village with the song going into an allusion to The Song of the Smurfs by Father Abraham.
"Der Optimist"
A song about various topics as viewed from an eternal optimist, who is not aware of the real situations.
"Alles so einfach"
A laid back Ska song who juxtaposes to the previous song explaining that all the problems can't be solved easily.
"N 48.3"
A song played in a very fast psychobilly style. Farin attempts to pick up various women at a discothèque, only to have various occurrences stop him just as they are about to have sex. "N 48.3" is the ICD-10 code for priapism (a long, painful erection).
"Manchmal haben Frauen..."
The narrator encounters a drunk at a bar, who tells him that some women want to be physically punished on occasion. When he returns to his girlfriend, he is brutally beat down with the justification that people like him always deserve to be beaten.
"Las Vegas"
An ode to Las Vegas sung with a faux American accent reminiscent of the Elvis Presley song "Viva Las Vegas".
"Yoko Ono"
The song exclaims the displeasure of the narrator with his girlfriend, listing her shortcomings and finally declaring her to be worse than Yoko Ono, who has been blamed with breaking up The Beatles. At 30 seconds, it is one of the shortest singles ever released.
"Rock Rendezvous"
In the first verse Bela confesses his physical attraction to Farin. The second verse has Farin return this affection. In the third verse Rod exclaims his disgust with the two and exclaim that homosexuality is sin, only to be converted by the other two.
"Baby"
A satirical encouragement to leave pigs and lambs alone and instead eat people (cf. the classic satire A Modest Proposal).
"Kann es sein?"
A song of encouragement for a lover to finally confess his love rather than be a distant admirer.
"Ein Sommer nur für mich"
The song questions whether Neo-Nazis experience joy and are allowed to enjoy a nice summer day.
"Rock'n'Roll-Übermensch"
Sung from the perspective of four different narrators (or one entity morphing into four different forms) explain their motivation. The narrators are an evangelist, a Star Trek nerd, a male cat, and an extraterrestrial come to destroy the planet. The song is played in a slow plodding beat, and heavy voice modulation is used for the vocals during the final verse sung from the perspective of the alien. The verse from the perspective of the nerd is cut from the radio edit released as a single.
"Herrliche Jahre"
The song tells the story of a man who only experiences misery. Life is a party for all but him.

Singles

[edit]

Personnel

[edit]

References

[edit]
  1. ^ Gerd Hauswirth. "Laut.de Kritik". Laut.de (in German). Laut AG. Retrieved 20 April 2018.