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'''Daniel Fowler Hyatt''' (February 12, 1930 – September 22, 2015) was a Canadian actor whose career spanned more than fifty years. While based in Toronto, he performed across Canada, the United States,
'''Daniel Fowler Hyatt''' (February 12, 1930 – September 22, 2015) was a [[Canadians|Canadian]] actor whose career spanned more than fifty years. Based in [[Toronto]], he performed across Canada, the United States, and Europe.
and Europe.


==Early life==
==Early life==


Daniel Hyatt, the youngest of five children, was born in [[Toronto]]. His father, an electrical engineer, pursued what work was available during the [[Great Depression|1930s]] depression at various locations in Ontario and the United States. After his father's death in 1942, he and his mother settled in Toronto, and he attended [[North Toronto Collegiate Institute | North Toronto Collegiate]].
Daniel Hyatt, the youngest of five children, was born in [[Toronto]]. His father was an electrical engineer. After his father's death in 1942, he attended [[North Toronto Collegiate Institute|North Toronto Collegiate]]. {{Citation needed|date=June 2022}}


As a teenager he was a member of the Deer Park Players, an amateur church group in Toronto that did ambitious productions of the classics.<ref>“Deer Park Players Present Shakespearean Tragedy.” The Evening Telegram, Toronto, Ont., 8 Mar. 1948.</ref> He performed in “[[The Merchant of Venice]],” “[[Romeo and Juliet]],” “[[Hamlet]],” “[[Twelfth Night]],” and “[[She Stoops to Conquer]].” Influenced by the one man shows of British actor Dicksen Kenwin then living in Toronto, he became interested in solo theatrical performance.
As a teenager, Hyatt was a member of the Deer Park Players, a church group in Toronto that produced amateur classic plays.<ref>"Deer Park Players Present Shakespearean Tragedy." The Evening Telegram, Toronto, Ont., 8 Mar. 1948.</ref> He performed in "[[The Merchant of Venice]]," "[[Romeo and Juliet]]" "[[Hamlet]]," "[[Twelfth Night]]," and "[[She Stoops to Conquer]]." Influenced by the one-man shows of British actor [[Dickson Kerwin]], Hyatt became interested in solo theatrical performance.


He would have liked to go to university but his family could not afford the tuition fees, so he attended [[Ryerson University|Ryerson College]] taking the Radio Course. Over the next years he worked at CKPR in Fort William (Thunder Bay), then in Toronto at CKFH, and later at CHUM.
Hyatt attended the newly created Ryerson Institute of Technology (now [[Toronto Metropolitan University]]) in downtown Toronto, taking the Radio course. Over the next few years, he worked at [[CKPR-FM|CKPR]] in Fort William ([[Thunder Bay]]), then at CKFH in Toronto, and later at CHUM.


==Acting career==
==Acting career==


The next stage of his career began when he was engaged by the Earle Grey Festival Company,<ref>Caillou, Alan, Dr. Arnold M. Walter, and Col Frank Chappell, The Shakespeare Festival: A Short History of the Initial Five Years of Canada's First Shakespeare Festival. Toronto, Ontario: The Ryerson Press.</ref> a precursor of the Ontario Stratford Festival, for their Summer Shakespeare Festivals in Toronto and Fall Tours. Among other parts he performed the roles of Sebastian in “[[The Tempest]],” Hortensio in “[[The Taming of the Shrew]],” and Horatio in “[[Hamlet]]” among other parts.
Hyatt's career began with the [[Earle Grey Players]],<ref>Caillou, Alan, Dr. Arnold M. Walter, and Col Frank Chappell, The Shakespeare Festival: A Short History of the Initial Five Years of Canada's First Shakespeare Festival. Toronto, Ontario: The Ryerson Press.</ref> precursor of the [[Stratford Festival|Ontario Stratford Festival]], for their Summer Shakespeare Festivals in Toronto and Fall Tours. He performed the roles of Sebastian in "[[The Tempest]]," Hortensio in "[[The Taming of the Shrew]]," and Horatio in "[[Hamlet]]".


In the 1956-57 season he traveled to England, performing solo shows at the Arts Club Theatre in London<ref>What's On In London, No. 1097. 23 Nov., 1956, p. 9.</ref> and receiving encouragement and advice from Dame Flora Robson. On his return to Toronto he pursued voice studies with Clara Salisbury Baker, and later with Gladys Shibley Mitchell, eventually sitting for the Licentiate exam in Speech Arts and Drama with [[Trinity_College,_Cambridge|Trinity College]], London. While working in radio he interviewed such celebrities as [[Ethel Waters]], [[Sophie Tucker]], [[Jeanette MacDonald]], [[Arthur Rubinstein]] and [[Lauritz Melchior]]. It was after interviewing Melchior in New York (an interview subsequently aired on CBC Radio) that the heldentenor gave him the contacts which led to him having a New York agent for his solo shows. He stayed under New York management for ten years, living part of each year on Long Island.<ref>Richmond Times-Dispatch, Richmond Virginia, 1 Oct., 1967, Sec. K, p. 14.</ref>
For the 1956-57 season he traveled to England, performing solo shows at the Arts Club Theatre in London<ref>What's On In London, No. 1097. 23 Nov., 1956, p. 9.</ref> and receiving encouragement and advice from Dame [[Flora Robson]]. On his return to Toronto, Hyatt pursued voice studies with Clara Salisbury Baker, and later with Gladys Shibley Mitchell, eventually sitting for the Licentiate exam in Speech Arts and Drama with [[Trinity College, Cambridge|Trinity College]], London. While working in radio, Hyatt interviewed celebrities such as [[Ethel Waters]], [[Sophie Tucker]], [[Jeanette MacDonald]], [[Arthur Rubinstein]] and [[Lauritz Melchior]]. It was after interviewing Melchior in New York (an interview subsequently aired on CBC Radio) that the heldentenor gave Hyatt the contacts which led to a New York agent for his solo shows. He stayed under New York management for ten years, living part of each year on [[Long Island]].<ref>Richmond Times-Dispatch, Richmond Virginia, 1 Oct., 1967, Sec. K, p. 14.</ref>


In 1970 CHCH Television asked for twelve half-hour programs of material from the solo “A Company of One” shows he was performing in the United States. These were broadcast in 1971. It was also 1971 that he had his first European tour – eleven shows in Switzerland.<ref>“Un riuscito trattenimento,” Corriere del Ticino, Lugano, Switzerland, 9 Mar. 1971.</ref> including Lucerne, Basel, and St Gall, five in the Soviet Union including Moscow (Tchaikovsky Hall), and Leningrad (Philharmonic Hall).<ref>Clare, John. “Hyatt: A big hit in Russia but unknown in Canada.” The Toronto Telegram. 22 Jun., 1971.</ref> Over the next ten years there would be three more European tours.<ref>Colling, Bob. “Soviets roll out red carpet for Canada's Daniel Hyatt.” Montreal Star. 20 Apr. 1973.</ref>
In 1970, CHCH Television asked for twelve half-hour programs of material from the solo "A Company of One" shows Hyatt was performing in the United States. These were broadcast in 1971. The same year, Hyatt went on his first European tour, performing eleven shows in Switzerland,<ref>"Un riuscito trattenimento," Corriere del Ticino, Lugano, Switzerland, 9 Mar. 1971.</ref> including Lucerne, Basel, and St. Gall, and five in the Soviet Union, including Moscow (Tchaikovsky Hall), and Leningrad (Philharmonic Hall).<ref>Clare, John. "Hyatt: A big hit in Russia but unknown in Canada." The Toronto Telegram. 22 Jun., 1971.</ref> Over the next ten years, Hyatt did three more European tours.<ref>Colling, Bob. "Soviets roll out red carpet for Canada's Daniel Hyatt." Montreal Star. 20 Apr. 1973.</ref>


==Solo shows==
==Solo shows==


His solo work consisted of programs of poetry, prose, and excerpts from plays, sometimes playing two or more characters.<ref>Hepher, Paul. “Hyatt's solo fills stage.” The Albertan. Calgary, Alberta. 8 Feb. 1975.</ref> He also programed selections from French and German literature, e.g. from Goethe's “Egmont,” and Rostand's “Cyrano de Bergerac.”
Hyatt's solo work consisted of programs of poetry, prose, and excerpts from plays, sometimes playing two or more characters.<ref>Hepher, Paul. "Hyatt's solo fills stage." The Albertan. Calgary, Alberta. 8 Feb. 1975.</ref> He also programmed selections from French and German literature, such as [[Johann Wolfgang von Goethe|Goethe's]] "Egmont," and Rostand's "[[Cyrano de Bergerac (play)|Cyrano de Bergerac]]."


The core of these solo programs was often a short story, and he became skilled in adapting and performing these—such stories as [[Virginia Woolf]]'s “The Duchess and the Jeweler,” [[Katherine Mansfield]]'s “The Doll's House,” [[Willa Cather]]'s “A Wagner Matinee,” [[Eva Ibbotson]]'s “The Great Carp Ferdinand,” [[Truman Capote]]'s “A Christmas Memory,” and [[Somerset Maugham]]'s “The Voice of the Turtle.”
The core of these solo programs was often a short story Hyatt would adapt and perform. They included [[Virginia Woolf]]'s "The Duchess and the Jeweler," [[Katherine Mansfield]]'s "The Doll's House," [[Willa Cather]]'s "A Wagner Matinee," [[Eva Ibbotson]]'s "The Great Carp Ferdinand," [[Truman Capote]]'s "A Christmas Memory," and [[Somerset Maugham]]'s "The Voice of the Turtle." {{Citation needed|date=June 2022}}


For Europe he was sometimes requested to create programs featuring a single author, most notably, “Mad, Bad and Dangerous to Know” from Byron's letters and poems, and “Browning Portraits,” a selection of the dramatic monologues.
In Europe, Hyatt was sometimes requested to create programs featuring a single author, most notably, "Mad, Bad and Dangerous to Know" from Byron's letters and poems, and "Browning Portraits," a selection of the dramatic monologues.{{Citation needed|date=June 2022}}


==Company work==
==Company work==


In Canada he kept up his company work, appearing in “The Unreasonable Act of Julian Waterman” (Julian Waterman),<ref>Westgate, Barry. “New Canadian comedy at Citadel indicates playwright's promise.” Edmonton Journal. 8 Jan. 1973.</ref> “Endgame” (Hamm), “L'Auberge des Morts Subites” (L'Anglais), “The Imaginary Invalid” (Argan), “Move Over Mrs Markham” (Ronald), “Absurd Person Singular” (Ronald),<ref>Pennington, Bob. “Ayckbourn cures the grinches.” Toronto Sun. 8 Dec. 1981.</ref> “Painting Churches” (Gardner Church), “The Gin Game” (Weller), and “Jacob's Wake” (Skipper), to name just a few. He worked with artists such as [[Virginia Reh]], [[Jane Kean]], Patricia Delves, Gerald Lenton, and Marion Gilsenan, and appeared in such theatres as The [[Citadel Theatre]] (Edmonton), [[Hamilton Place Theatre|Hamilton Place]], and in Toronto, The Colonnade Theatre, and The Saint Lawrence Centre.
In Canada, Hyatt kept up his company work by appearing in "The Unreasonable Act of Julian Waterman" (Julian Waterman),<ref>Westgate, Barry. "New Canadian comedy at Citadel indicates playwright's promise." Edmonton Journal. 8 Jan. 1973.</ref> "Endgame" (Hamm), "L'Auberge des Morts Subites" (L'Anglais), "The Imaginary Invalid" (Argan), "Move Over Mrs Markham" (Ronald), "Absurd Person Singular" (Ronald),<ref>Pennington, Bob. "Ayckbourn cures the grinches." Toronto Sun. 8 Dec. 1981.</ref> "Painting Churches" (Gardner Church), "The Gin Game" (Weller), and "Jacob's Wake" (Skipper), among others. He worked with artists [[Virginia Reh]], [[Jane Kean]], Patricia Delves, Gerald Lenton, and [[Marion Gilsenan]], and appeared at The [[Citadel Theatre]] (Edmonton), [[Hamilton Place Theatre|Hamilton Place]], and, in Toronto, The Colonnade Theatre, and The Saint Lawrence Centre.


==Music==
==Music==


He was classically trained in voice and piano, and music was always important in his career, from his early work in amateur variety shows as host and singer, to his late career cabaret-style performances of entertainment style music from the nineteen-twenties, thirties, and forties, with Clare Pengelly at the piano.
Hyatt was classically trained in voice<ref>{{Cite book |last=Barsanti Chris |first=(voice over of Daniel Hyatt pg 167., I think its this actor) |url=https://books.google.com/books?id=G4GDBwAAQBAJ&dq=voice+over+of+daniel+hyatt+actor&pg=PA167 |title=The Sci-Fi Movie Guide: The Universe of Film from Alien to Zardoz |date=2014-09-22 |publisher=Visible Ink Press |isbn=978-1-57859-533-4 |pages=167 |language=en}}</ref><ref>{{Cite book |url=https://books.google.com/books?id=yysKAQAAMAAJ&q=voice+over+of+daniel+hyatt+actor |title=Opera in Canada |date=1979 |publisher=Canadian Opera Association |language=en}}</ref> and piano. In his early career, he performed in amateur variety shows as host and singer. Later, he appeared in cabaret-style performances featuring music from the 1920s, 30s, and 40s, with Clare Pengelly at the piano.


He created the spoken role of “He” in Michael J. Rudman's opera “Fall Legend,”<ref>Roewade, Svend. Rev. of “Fall Legend” (originally titled: “Beauty and the Beast”). Opera Canada, 79 th issue/ Summer 1979/ Vol 20 No. 2, p.28.</ref> and appeared in the Canadian Opera Company's production of Ambroise Thomas's opera “Hamlet” in the mime role of the Player King.
He created the spoken role of "He" in Michael J. Rudman's opera "Fall Legend,"<ref>Roewade, Svend. Rev. of "Fall Legend" (originally titled: "Beauty and the Beast"). Opera Canada, 79 th issue/ Summer 1979/ Vol 20 No. 2, p.28.</ref> and appeared in the Canadian Opera Company's production of Ambroise Thomas's opera "Hamlet" in the mime role of the Player King.


He championed the revival of works specifically written for spoken voice with instrumental accompaniment. With composer-pianist Michael J. Rudman he researched and performed many such compositions including works by [[Mozart]], [[Schubert]], Schumann, Liszt, [[Richard Strauss]], and [[Sibelius]], as well as commissioning and premiering new works.<ref>Gee, Ken. “It may have been nonsense, but it sure was fun.” Hamilton Spectator. 30 Nov. 1985.</ref> With orchestra or instrumental ensemble he performed Stravinsky's “L'Histoire du Soldat,” Walton's “Facade,” and Rudman's “Merton Triptych.”
Hyatt championed the revival of works specifically written for spoken voice with instrumental accompaniment. With composer-pianist Michael J. Rudman, he researched and performed compositions by [[Mozart]], [[Schubert]], Schumann, Liszt, [[Richard Strauss]], and [[Sibelius]], as well as commissioning and premiering new works.<ref>Gee, Ken. "It may have been nonsense, but it sure was fun." Hamilton Spectator. 30 Nov. 1985.</ref> With orchestra or instrumental ensembles, he performed Stravinsky's "L'Histoire du Soldat," Walton's "Facade," and Rudman's "Merton Triptych."


==Later life==
==Later life==


Hyatt had diabetes for most of this adult life. When his illness led him to retire from professional work, he continued acting in private homes.{{Citation needed|date=November 2023}}
His health finally broke down from the diabetes he'd suffered from for most of his adult life, and he had to retire from professional work, though he continued acting. For years he'd given Christmas Shows as fund-raisers for the historic Toronto house, The Grange; now he decided to give Christmas Shows in private homes. Some of his finest performances were in these shows. His last solo show in public, in May 2006, included selections from his long career. In August 2015 he suffered a series of strokes and died at Kensington Hospice in Toronto, not a hundred feet from the house on Brunswick Avenue where he had been born eighty-five years before.

For years, he'd given Christmas Shows as fundraisers for the historic Toronto house, The Grange. His last public solo show in May 2006 included selections from his long career. In August 2015, he suffered a series of strokes and died at Kensington Hospice in Toronto.<ref>{{Cite web |last=Toronto star 24 sep 2015 |first=Hyatt obituary from Lynett funeral home |date=2015-09-24 |title=Daniel Fowler Hyatt Obituary (2015) - Toronto, ON - Toronto Star |url=https://www.legacy.com/ca/obituaries/thestar/name/daniel-fowler-hyatt-obituary?id=43007387 |access-date=2023-04-10 |website=Legacy.com}}</ref>


==References==
==References==
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{{reflist}}
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Latest revision as of 17:04, 26 July 2024

Daniel Hyatt
Born
Daniel Fowler Hyatt

(1930-02-12)February 12, 1930
Toronto, Ontario, Canada
DiedSeptember 22, 2015(2015-09-22) (aged 85)
Toronto, Ontario, Canada
OccupationActor

Daniel Fowler Hyatt (February 12, 1930 – September 22, 2015) was a Canadian actor whose career spanned more than fifty years. Based in Toronto, he performed across Canada, the United States, and Europe.

Early life

[edit]

Daniel Hyatt, the youngest of five children, was born in Toronto. His father was an electrical engineer. After his father's death in 1942, he attended North Toronto Collegiate. [citation needed]

As a teenager, Hyatt was a member of the Deer Park Players, a church group in Toronto that produced amateur classic plays.[1] He performed in "The Merchant of Venice," "Romeo and Juliet" "Hamlet," "Twelfth Night," and "She Stoops to Conquer." Influenced by the one-man shows of British actor Dickson Kerwin, Hyatt became interested in solo theatrical performance.

Hyatt attended the newly created Ryerson Institute of Technology (now Toronto Metropolitan University) in downtown Toronto, taking the Radio course. Over the next few years, he worked at CKPR in Fort William (Thunder Bay), then at CKFH in Toronto, and later at CHUM.

Acting career

[edit]

Hyatt's career began with the Earle Grey Players,[2] precursor of the Ontario Stratford Festival, for their Summer Shakespeare Festivals in Toronto and Fall Tours. He performed the roles of Sebastian in "The Tempest," Hortensio in "The Taming of the Shrew," and Horatio in "Hamlet".

For the 1956-57 season he traveled to England, performing solo shows at the Arts Club Theatre in London[3] and receiving encouragement and advice from Dame Flora Robson. On his return to Toronto, Hyatt pursued voice studies with Clara Salisbury Baker, and later with Gladys Shibley Mitchell, eventually sitting for the Licentiate exam in Speech Arts and Drama with Trinity College, London. While working in radio, Hyatt interviewed celebrities such as Ethel Waters, Sophie Tucker, Jeanette MacDonald, Arthur Rubinstein and Lauritz Melchior. It was after interviewing Melchior in New York (an interview subsequently aired on CBC Radio) that the heldentenor gave Hyatt the contacts which led to a New York agent for his solo shows. He stayed under New York management for ten years, living part of each year on Long Island.[4]

In 1970, CHCH Television asked for twelve half-hour programs of material from the solo "A Company of One" shows Hyatt was performing in the United States. These were broadcast in 1971. The same year, Hyatt went on his first European tour, performing eleven shows in Switzerland,[5] including Lucerne, Basel, and St. Gall, and five in the Soviet Union, including Moscow (Tchaikovsky Hall), and Leningrad (Philharmonic Hall).[6] Over the next ten years, Hyatt did three more European tours.[7]

Solo shows

[edit]

Hyatt's solo work consisted of programs of poetry, prose, and excerpts from plays, sometimes playing two or more characters.[8] He also programmed selections from French and German literature, such as Goethe's "Egmont," and Rostand's "Cyrano de Bergerac."

The core of these solo programs was often a short story Hyatt would adapt and perform. They included Virginia Woolf's "The Duchess and the Jeweler," Katherine Mansfield's "The Doll's House," Willa Cather's "A Wagner Matinee," Eva Ibbotson's "The Great Carp Ferdinand," Truman Capote's "A Christmas Memory," and Somerset Maugham's "The Voice of the Turtle." [citation needed]

In Europe, Hyatt was sometimes requested to create programs featuring a single author, most notably, "Mad, Bad and Dangerous to Know" from Byron's letters and poems, and "Browning Portraits," a selection of the dramatic monologues.[citation needed]

Company work

[edit]

In Canada, Hyatt kept up his company work by appearing in "The Unreasonable Act of Julian Waterman" (Julian Waterman),[9] "Endgame" (Hamm), "L'Auberge des Morts Subites" (L'Anglais), "The Imaginary Invalid" (Argan), "Move Over Mrs Markham" (Ronald), "Absurd Person Singular" (Ronald),[10] "Painting Churches" (Gardner Church), "The Gin Game" (Weller), and "Jacob's Wake" (Skipper), among others. He worked with artists Virginia Reh, Jane Kean, Patricia Delves, Gerald Lenton, and Marion Gilsenan, and appeared at The Citadel Theatre (Edmonton), Hamilton Place, and, in Toronto, The Colonnade Theatre, and The Saint Lawrence Centre.

Music

[edit]

Hyatt was classically trained in voice[11][12] and piano. In his early career, he performed in amateur variety shows as host and singer. Later, he appeared in cabaret-style performances featuring music from the 1920s, 30s, and 40s, with Clare Pengelly at the piano.

He created the spoken role of "He" in Michael J. Rudman's opera "Fall Legend,"[13] and appeared in the Canadian Opera Company's production of Ambroise Thomas's opera "Hamlet" in the mime role of the Player King.

Hyatt championed the revival of works specifically written for spoken voice with instrumental accompaniment. With composer-pianist Michael J. Rudman, he researched and performed compositions by Mozart, Schubert, Schumann, Liszt, Richard Strauss, and Sibelius, as well as commissioning and premiering new works.[14] With orchestra or instrumental ensembles, he performed Stravinsky's "L'Histoire du Soldat," Walton's "Facade," and Rudman's "Merton Triptych."

Later life

[edit]

Hyatt had diabetes for most of this adult life. When his illness led him to retire from professional work, he continued acting in private homes.[citation needed]

For years, he'd given Christmas Shows as fundraisers for the historic Toronto house, The Grange. His last public solo show in May 2006 included selections from his long career. In August 2015, he suffered a series of strokes and died at Kensington Hospice in Toronto.[15]

References

[edit]
  1. ^ "Deer Park Players Present Shakespearean Tragedy." The Evening Telegram, Toronto, Ont., 8 Mar. 1948.
  2. ^ Caillou, Alan, Dr. Arnold M. Walter, and Col Frank Chappell, The Shakespeare Festival: A Short History of the Initial Five Years of Canada's First Shakespeare Festival. Toronto, Ontario: The Ryerson Press.
  3. ^ What's On In London, No. 1097. 23 Nov., 1956, p. 9.
  4. ^ Richmond Times-Dispatch, Richmond Virginia, 1 Oct., 1967, Sec. K, p. 14.
  5. ^ "Un riuscito trattenimento," Corriere del Ticino, Lugano, Switzerland, 9 Mar. 1971.
  6. ^ Clare, John. "Hyatt: A big hit in Russia but unknown in Canada." The Toronto Telegram. 22 Jun., 1971.
  7. ^ Colling, Bob. "Soviets roll out red carpet for Canada's Daniel Hyatt." Montreal Star. 20 Apr. 1973.
  8. ^ Hepher, Paul. "Hyatt's solo fills stage." The Albertan. Calgary, Alberta. 8 Feb. 1975.
  9. ^ Westgate, Barry. "New Canadian comedy at Citadel indicates playwright's promise." Edmonton Journal. 8 Jan. 1973.
  10. ^ Pennington, Bob. "Ayckbourn cures the grinches." Toronto Sun. 8 Dec. 1981.
  11. ^ Barsanti Chris, (voice over of Daniel Hyatt pg 167., I think its this actor) (2014-09-22). The Sci-Fi Movie Guide: The Universe of Film from Alien to Zardoz. Visible Ink Press. p. 167. ISBN 978-1-57859-533-4.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  12. ^ Opera in Canada. Canadian Opera Association. 1979.
  13. ^ Roewade, Svend. Rev. of "Fall Legend" (originally titled: "Beauty and the Beast"). Opera Canada, 79 th issue/ Summer 1979/ Vol 20 No. 2, p.28.
  14. ^ Gee, Ken. "It may have been nonsense, but it sure was fun." Hamilton Spectator. 30 Nov. 1985.
  15. ^ Toronto star 24 sep 2015, Hyatt obituary from Lynett funeral home (2015-09-24). "Daniel Fowler Hyatt Obituary (2015) - Toronto, ON - Toronto Star". Legacy.com. Retrieved 2023-04-10.{{cite web}}: CS1 maint: numeric names: authors list (link)
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