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{{Short description|American writer}}
{{Short description|American art critic, curator and writer}}

'''Nora Nahid Khan''' is a [[Warwick, Rhode Island]]-born American writer of fiction, non-fiction, and literary criticism. She is currently on the Faculty at the Rhode Island School of Design in Digital and Media.<ref>{{cite web |title=Nora Khan &#124; Faculty &#124; Digital + Media &#124; RISD |url=https://www.risd.edu/people/nora-khan/}}</ref>
{{Infobox person
| name = Norah Nahid Khan
| birth_date = October 23, 1983
| birth_place = Warwick, Rhode Island
| education = BA, English Literature, Harvard University (2005)

MFA, Fiction, Iowa Writers' Workshop, University of Iowa (2008)
| occupation = Art critic, curator, and writer
| website = https://noranahidkhan.com/
}}

'''Nora Nahid Khan''' is a [[Warwick, Rhode Island]]-born American art critic, curator, and writer of fiction, non-fiction, and literary criticism. Khan has served on the Faculty of the [[University of California, Riverside]], and at the [[Rhode Island School of Design]].<ref>{{cite web |title=Nora Khan &#124; Faculty &#124; Digital + Media &#124; RISD |url=https://www.risd.edu/people/nora-khan/}}</ref> She was the Executive Director of the [[X-TRA|Project X Foundation for Art & Criticism]] from 2022 to 2023.<ref>{{Cite web |title=Nora N. Khan Named Executive Director of Project X Foundation for Art & Criticism |url=https://www.artforum.com/news/nora-n-khan-named-executive-director-of-project-x-foundation-for-art-criticism-88034 |access-date=2023-04-15 |website=www.artforum.com |language=en-US}}</ref> In 2022 Nora Khan was appointed the first Editor-in-Residence of Topical Cream.<ref>https://www.e-flux.com/announcements/381766/nora-khan-appointed-inaugural-editor-in-residence/</ref>


==Early life and education==
==Early life and education==
Born 23 October 1983 in Warwick, Rhode Island, Khan went on to study English literature at Harvard University, graduating in 2005. She was awarded the [[Thomas T. Hoopes, Class of 1919, Prize]], which recognizes top senior theses, as well as the Edgar Eager Memorial Fund Prize. Khan continued her higher education with an M.F.A. in Fiction at the [[Iowa Writers’ Workshop]] at the University of Iowa under an Iowa Arts Fellow scholarship from 2006 until she graduated 2008.{{Citation needed|date=May 2020}}
Born 23 October 1983 in Warwick, Rhode Island, Khan went on to study English literature at [[Harvard University]], graduating in 2005. She was awarded the [[Thomas T. Hoopes, Class of 1919, Prize]], which recognizes top senior theses, as well as the Edgar Eager Memorial Fund Prize. Khan continued her higher education with an M.F.A. in Fiction at the [[Iowa Writers’ Workshop]] at the [[University of Iowa]] under an Iowa Arts Fellow scholarship from 2006 until she graduated 2008.{{Citation needed|date=May 2020}}


== Writing==
== Writing==


Khan has published in Rhizome, [[Art in America]],<ref>[http://www.artinamericamagazine.com/search/Nora+N.+Khan/ "Nora Khan; articles in Art in America."] Retrieved 1 April 2017.</ref> [[The California Sunday Magazine]],<ref>[https://story.californiasunday.com/long-range-acoustic-device "Defend and Protect", Nora Khan, California Sunday Magazine, September 2016] Retrieved 22 May 2017.</ref> Eyebeam,<ref>[http://eyebeam.org/stopwork/redefining-technology/ "These five artists are redefining technology."] Retrieved 7 April 2017.</ref> Longform.org<ref>[http://www.4columns.org/khan-nora/soda-plains "Soda Plains", Nora Khan, 4Columns, April 2017.] Retrieved 22 May 2017.</ref> and [[The Village Voice]].<ref>[http://www.villagevoice.com/authors/nora-n-khan-8931340 "Articles by Nora Khan in The Village Voice."] Retrieved 1 April 2017.</ref> She has exhibited or worked on exhibits at Koenig Gallery
Khan has published in [[Rhizome (organization)|Rhizome]], [[Art in America]],<ref>[http://www.artinamericamagazine.com/search/Nora+N.+Khan/ "Nora Khan; articles in Art in America."] Retrieved 1 April 2017.</ref> [[The California Sunday Magazine]],<ref>[https://story.californiasunday.com/long-range-acoustic-device "Defend and Protect", Nora Khan, California Sunday Magazine, September 2016] Retrieved 22 May 2017.</ref> [[Eyebeam (organization)|Eyebeam]],<ref>[http://eyebeam.org/stopwork/redefining-technology/ "These five artists are redefining technology."] Retrieved 7 April 2017.</ref> Longform.org<ref>[http://www.4columns.org/khan-nora/soda-plains "Soda Plains", Nora Khan, 4Columns, April 2017.] Retrieved 22 May 2017.</ref> and [[The Village Voice]].<ref>[http://www.villagevoice.com/authors/nora-n-khan-8931340 "Articles by Nora Khan in The Village Voice."] Retrieved 1 April 2017.</ref> She has exhibited or worked on exhibits at Koenig Gallery
<ref>[http://www.koeniggalerie.com/exhibitions/4356/towards-universal-pattern-recognition/ "Khan, Nora, Towards Universal Pattern Recognition, exhibition text for Koenig Gallery."] Retrieved 7 April 2017.</ref> and avant.org.<ref>[http://avant.org/project/inventory-control/ "Faulty Inventory Control".] Retrieved 22 May 2017.</ref>
<ref>[http://www.koeniggalerie.com/exhibitions/4356/towards-universal-pattern-recognition/ "Khan, Nora, Towards Universal Pattern Recognition, exhibition text for Koenig Gallery."] Retrieved 7 April 2017.</ref> and avant.org.<ref>[http://avant.org/project/inventory-control/ "Faulty Inventory Control".] Retrieved 22 May 2017.</ref> She has published two books on media culture, including ''Fear Indexing the X-Files'' ([[Primary Information]], 2017) and ''Seeing, Naming, Knowing'' ([[The Brooklyn Rail|Brooklyn Rail]], 2017). Forthcoming books on [[Artificial intelligence art|digital art and machine learning]] include ''No Context: AI Art, Machine Learning, and the Stakes for Art Criticism'' ([[Lund Humphries]]) and ''The Artificial and the Real'', published ([[Art Metropole]]).

== Curating==
Khan has organized and curated numerous exhibitions on the subjects of [[New media art|media art]] and [[digital art]]. In 2018, Khan co-organized the exhibition "A Wild Ass Beyond: ApocalypseRN" at [[Performance Space New York]].<ref>{{Cite web |last=Jones |first=Alex A. |date=2018-12-11 |title=A Wild Ass Beyond: ApocalypseRN |url=https://brooklynrail.org/2018/12/artseen/AMERICAN-ARTIST-CAITLIN-CHERRY-NORA-N-KHAN-SONDRA-PERRYA-Wild-Ass-Beyond-ApocalypseRN |access-date=2024-05-25 |website=The Brooklyn Rail |language=en-US}}</ref> In 2019, she curated the group exhibition "Manual Override" at [[The Shed (arts center)|The Shed]], which notably featured the work of [[Lynn Hershman Leeson]].<ref>{{Cite news |last=Thackara |first=Tess |date=2019-11-08 |title=With ‘Shadow Stalker,’ Lynn Hershman Leeson Tackles Internet Surveillance |url=https://www.nytimes.com/2019/11/08/arts/design/Lynn-Hershman-Leeson-Shed-art-technology.html |access-date=2024-05-25 |work=The New York Times |language=en-US |issn=0362-4331}}</ref> In 2023, she was the co-curator of the Biennale de l’Image en Mouvement.<ref>{{Cite web |title=Nora N. Khan appointed co-curator of the Biennale de l’Image en Mouvement 2023 - Announcements - e-flux |url=https://www.e-flux.com/announcements/461350/nora-n-khan-appointed-co-curator-of-the-biennale-de-l-image-en-mouvement-2023/ |access-date=2024-05-25 |website=www.e-flux.com |language=en}}</ref>


==Awards and Recognition==
==Awards and recognition==
Khan’s fiction has been recognized by numerous authorities in the genre. American writer, [[Katherine Vaz]], for example, judged Khan the winner of the [[Hunger Mountain]], Howard Frank Mosher Short Fiction Prize in 2008 for her story ''The Quarry''.<ref>[https://www.newpages.com/item/6118-hunger-mountain "Hunger Mountain review including Nora Khan's fiction".] Retrieved 1 April 2017.</ref> The following year, in 2009, she was nominated for the [[Pushcart Prize]] and was a finalist in the Best Short Story Award for New Writers Competition in that same year.<ref>[https://noranahidkhan.com/background/ "Nora Khan; Background."] Retrieved 7 April 2017</ref> Her short story ''Gunn'', was judged runner-up in the [[American Literary Review]] Fiction Contest in 2010.<ref>[http://english.unt.edu/alr/fiction_khan.html "Khan, Nora, ''Gunn'', American Literary Review, 2010".] Retrieved 1 April 2017.</ref>
Khan’s fiction has been recognized by numerous authorities in the genre. American writer, [[Katherine Vaz]], for example, judged Khan the winner of the [[Hunger Mountain]], Howard Frank Mosher Short Fiction Prize in 2008 for her story ''The Quarry''.<ref>[https://www.newpages.com/item/6118-hunger-mountain "Hunger Mountain review including Nora Khan's fiction".] Retrieved 1 April 2017.</ref> The following year, in 2009, she was nominated for the [[Pushcart Prize]] and was a finalist in the Best Short Story Award for New Writers Competition.<ref>[https://noranahidkhan.com/background/ "Nora Khan; Background."] Retrieved 7 April 2017</ref> In 2010, her short story ''Gunn'', was judged runner-up in the [[American Literary Review]] Fiction Contest.<ref>[http://english.unt.edu/alr/fiction_khan.html "Khan, Nora, ''Gunn'', American Literary Review, 2010".] Retrieved 1 April 2017.</ref>


In 2016, Khan was the winner of a US$20,000 Arts Writing Award in Digital Art for an Emerging Writer, awarded by the [[Carl & Marilynn Thoma Art Foundation]].<ref>[https://thomafoundation.org/2016-arts-writing-awards-announcement/ "Thoma Foundation Announces Recipients of 2016 Arts Writing Awards in Digital Art."] Retrieved 1 April 2017.</ref><ref>[http://www.artnews.com/2016/05/03/thoma-foundation-gives-arts-writing-awards-in-digital-art-to-christiane-paul-and-nora-khan/ "Announcement on Artnews." Retrieved 7 April 2017.]</ref> Later that year, she was announced as one of the new cohorts of research residents at the prestigious [[Eyebeam (organization)|Eyebeam Studios]], a center for art and technology in New York City.<ref>[https://technical.ly/brooklyn/2016/09/15/eyebeam-fellows/ "Eyebeam Fellows 2016-17 profiled by Technical.ly Brooklyn."] Retrieved 7 April 2017</ref> The Eyebeam residency is an internationally coveted program for artists, writers, and researchers engaged with technology and technologists working in the arts. Khan’s research and writing at Eyebeam focuses on the history of computerized poetry, bots, and simulations.<ref>[http://eyebeam.org/residency-information/ "Nora Khan at Eyebeam."] Retrieved 1 April 2014.</ref>
In 2016, Khan was the winner of a US$20,000 Arts Writing Award in Digital Art for an Emerging Writer, awarded by the [[Carl & Marilynn Thoma Art Foundation]].<ref>[https://thomafoundation.org/2016-arts-writing-awards-announcement/ "Thoma Foundation Announces Recipients of 2016 Arts Writing Awards in Digital Art."] Retrieved 1 April 2017.</ref><ref>[http://www.artnews.com/2016/05/03/thoma-foundation-gives-arts-writing-awards-in-digital-art-to-christiane-paul-and-nora-khan/ "Announcement on Artnews." Retrieved 7 April 2017.]</ref> Later that year, she was announced as one of the new cohorts of research residents at [[Eyebeam (organization)|Eyebeam]], a center for art and technology in New York City.<ref>[https://technical.ly/brooklyn/2016/09/15/eyebeam-fellows/ "Eyebeam Fellows 2016-17 profiled by Technical.ly Brooklyn."] Retrieved 7 April 2017</ref> Khan’s research and writing at Eyebeam focused on the history of computerized poetry, bots, and simulations.<ref>[http://eyebeam.org/residency-information/ "Nora Khan at Eyebeam."] Retrieved 1 April 2014.</ref>


==Recent Work==
==Other work==
Khan has been a contributing critic at the [[Solomon R. Guggenheim Museum]] since September 2015, as well as a contributing editor at [[Rhizome (organization)|Rhizome]].,<ref>[http://rhizome.org/profile/nora-khan/ "Rhizome Profile, Nora Khan."] Retrieved 1 April 2017.</ref> a not-for-profit arts organization that supports and provides a platform for new media art and artists and is based out of [[New Museum|The New Museum of Contemporary Art]] in Manhattan. In October 2016 she teamed up with curator Aria Dean and activist Grace Dunham to develop the ''Open Score''<ref>[http://www.newmuseum.org/calendar/view/1113/open-score "''Open Score''"] Retrieved 22 May 2017</ref> art and technology symposium at the New Museum.
Since September 2015, Khan has been a contributing critic at the [[Solomon R. Guggenheim Museum]] as well as a contributing editor at Rhizome.,<ref>[http://rhizome.org/profile/nora-khan/ "Rhizome Profile, Nora Khan."] Retrieved 1 April 2017.</ref> a not-for-profit arts organization that supports and provides a platform for new media art and artists and is based out of [[New Museum|The New Museum of Contemporary Art]] in Manhattan. In October 2016, she teamed up with curator [[Aria Dean]] and activist [[Cyrus Grace Dunham|Grace Dunham]] to develop the ''Open Score''<ref>[http://www.newmuseum.org/calendar/view/1113/open-score "''Open Score''"] Retrieved 22 May 2017</ref> art and technology symposium at the [[New Museum]].


Khan was published in the debut edition of [[Kill Screen]] magazine; ''Kill Screen Issue One: The No Fun Issue'' in 2010 <ref>[https://www.amazon.com/Kill-Screen-Issue-One-Fun/dp/B003P5MF2I/ref=cm_cr_arp_d_product_top?ie=UTF8 "Kill Screen Issue One."] Retrieved 31 March 2017. ASIN: B003P5MF2I</ref> and again in 2011 in the magazine’s 3rd edition, ''Kill Screen #3: The Intimacy Issue''. Khan’s work has been published in a number of other printed and online forms, including the following titles by the Harvard Business School: ''Oprah Winfrey (TN)'', ''Bono and U2 (TN)'', and ''Gary Hirshberg and Stonyfield Farm''.<ref>[http://www.hbs.edu/faculty/Pages/search.aspx?qt=Nora%20Khan&mclickorder=qt-1:&page=1 "Nora Khan citations in Harvard Business School publications."] Retrieved 1 April 2014.</ref> She has contributed to exhibition and artist catalogs, such as the 2016 publication ''Dawn Mission'', edited by Bettina Steinbrügge, about the artwork of [[Katja Novitskova]],<ref>[http://www.lespressesdureel.com/EN/ouvrage.php?id=5119&menu= "''Dawn Mission'', Steinbrügge, Bettina (Ed), with text by Nora N. Khan, 2016."] Retrieved 7 April 2017.</ref> published by Mousse Publishing to coincide with an exhibition at the Kunstverein in Hamburg <ref>[https://www.moussepublishing.com/products-page/product/dawn-mission/ "''Dawn Mission'', Steinbrügge, Bettina, Mousse Publishing, 2016".] Retrieved 1 April 2014. {{ISBN|9788867492282}}</ref>
Khan was published in the debut edition of [[Kill Screen]] magazine; ''Kill Screen Issue One: The No Fun Issue'' in 2010 <ref>[https://www.amazon.com/Kill-Screen-Issue-One-Fun/dp/B003P5MF2I/ref=cm_cr_arp_d_product_top?ie=UTF8 "Kill Screen Issue One."] Retrieved 31 March 2017. ASIN: B003P5MF2I</ref> and again in 2011 in the magazine’s 3rd edition, ''Kill Screen #3: The Intimacy Issue''. Khan’s work has been published in a number of other printed and online forms, including the following titles by the Harvard Business School: ''Oprah Winfrey (TN)'', ''Bono and U2 (TN)'', and ''Gary Hirshberg and Stonyfield Farm''.<ref>[http://www.hbs.edu/faculty/Pages/search.aspx?qt=Nora%20Khan&mclickorder=qt-1:&page=1 "Nora Khan citations in Harvard Business School publications."] Retrieved 1 April 2014.</ref> She has contributed to exhibition and artist catalogs, such as the 2016 publication ''Dawn Mission'', edited by Bettina Steinbrügge, about the artwork of [[Katja Novitskova]],<ref>[http://www.lespressesdureel.com/EN/ouvrage.php?id=5119&menu= "''Dawn Mission'', Steinbrügge, Bettina (Ed), with text by Nora N. Khan, 2016."] Retrieved 7 April 2017.</ref> published by Mousse Publishing to coincide with an exhibition at the Kunstverein in Hamburg <ref>[https://www.moussepublishing.com/products-page/product/dawn-mission/ "''Dawn Mission'', Steinbrügge, Bettina, Mousse Publishing, 2016".] Retrieved 1 April 2014. {{ISBN|9788867492282}}</ref>


In November 2016, she joined [[Christiane Paul (curator)]] and artist [[Ian Cheng]] at the [[Whitney Museum of American Art]] in a public discussion about digital art criticism.<ref>[http://whitney.org/Events/DigitalArtCriticismNow "Digital Art Criticism Now."] Retrieved 22 May 2017</ref> In February 2017, she was a speaker at the media art festival, [[Transmediale]] in Berlin as part of the festival’s 30th anniversary edition. She spoke on a panel called ''The Alien Middle'' with German artist, designer, and writer [[Sascha Pohflepp]] as well as ''Dulling Down - The Obsolescence of Intelligence'' with curator and theorist [[Inke Arns]] and Dutch conceptual artist [[Constant Dullaart]].<ref>[https://2017.transmediale.de/content/nora-n-khan "Nora Khan speaker schedule at Transmediale, 2017."] Retrieved 1 April 2017</ref> Her speaking appointments in Berlin coincided with the release of the Transmediale exhibition catalog, ''Alien Matter'', to which Khan contributed an essay.<ref>[http://en.inkearns.de/home/publications/editing/ "Transmediale 2017 exhibition catalog, by curator Inke Arns."] Retrieved 7 April 2017.</ref><ref>[http://matteopasquinelli.com/alien-transmediale/ "''Alien Matter'' exhibition catalog."] Retrieved 7 April 2017.</ref> Khan was also a guest speaker at the parallel [[CTM Festival]], where she presented her original research ''Fear Indexing the X-Files'' with artist Steven Warwick<ref>[http://www.ctm-festival.de/festival-2017/artists/k-o/nora-khan/ "Nora Khan at CTM Festival."] Retrieved 1 April 2014</ref>
In November 2016, she joined [[Christiane Paul (curator)]] and artist [[Ian Cheng]] at the [[Whitney Museum of American Art]] in a public discussion about digital art criticism.<ref>[http://whitney.org/Events/DigitalArtCriticismNow "Digital Art Criticism Now."] Retrieved 22 May 2017</ref> In February 2017, she spoke at [[Transmediale]] in Berlin as part of the media art festival’s 30th anniversary. She spoke on a panel called ''The Alien Middle'' with German artist, designer, and writer [[Sascha Pohflepp]] as well as ''Dulling Down - The Obsolescence of Intelligence'' with curator and theorist [[Inke Arns]] and Dutch conceptual artist [[Constant Dullaart]].<ref>[https://2017.transmediale.de/content/nora-n-khan "Nora Khan speaker schedule at Transmediale, 2017."] Retrieved 1 April 2017</ref> Her speaking appointments in Berlin coincided with the release of the Transmediale exhibition catalog, ''Alien Matter'', to which Khan contributed an essay.<ref>[http://en.inkearns.de/home/publications/editing/ "Transmediale 2017 exhibition catalog, by curator Inke Arns."] Retrieved 7 April 2017.</ref><ref>[http://matteopasquinelli.com/alien-transmediale/ "''Alien Matter'' exhibition catalog."] Retrieved 7 April 2017.</ref> Khan was also a guest speaker at the parallel [[CTM Festival]], where she presented her original research ''Fear Indexing the X-Files'' with artist Steven Warwick<ref>[http://www.ctm-festival.de/festival-2017/artists/k-o/nora-khan/ "Nora Khan at CTM Festival."] Retrieved 1 April 2014</ref>


Khan is currently working on a series of long-form essays that address the questions of how [[AI]] and [[wikt:Special:Search/bots|bots]] will affect human and artistic creativity.<ref>[https://thomafoundation.org/interview-2016-digital-arts-writing-awards-recipient-nora-khan/ "''Interview with 2016 Digital Arts Writing Awards Recipient, Nora Khan'', Thoma Foundation, 2016."] Retrieved 22 May 2017.</ref>
Khan is currently working on a series of long-form essays that address the questions of how [[AI]] and [[wikt:Special:Search/bots|bots]] will affect human and artistic creativity.<ref>[https://thomafoundation.org/interview-2016-digital-arts-writing-awards-recipient-nora-khan/ "''Interview with 2016 Digital Arts Writing Awards Recipient, Nora Khan'', Thoma Foundation, 2016."] Retrieved 22 May 2017.</ref>

Latest revision as of 19:42, 27 July 2024

Norah Nahid Khan
BornOctober 23, 1983
Warwick, Rhode Island
EducationBA, English Literature, Harvard University (2005) MFA, Fiction, Iowa Writers' Workshop, University of Iowa (2008)
Occupation(s)Art critic, curator, and writer
Websitehttps://noranahidkhan.com/

Nora Nahid Khan is a Warwick, Rhode Island-born American art critic, curator, and writer of fiction, non-fiction, and literary criticism. Khan has served on the Faculty of the University of California, Riverside, and at the Rhode Island School of Design.[1] She was the Executive Director of the Project X Foundation for Art & Criticism from 2022 to 2023.[2] In 2022 Nora Khan was appointed the first Editor-in-Residence of Topical Cream.[3]

Early life and education

[edit]

Born 23 October 1983 in Warwick, Rhode Island, Khan went on to study English literature at Harvard University, graduating in 2005. She was awarded the Thomas T. Hoopes, Class of 1919, Prize, which recognizes top senior theses, as well as the Edgar Eager Memorial Fund Prize. Khan continued her higher education with an M.F.A. in Fiction at the Iowa Writers’ Workshop at the University of Iowa under an Iowa Arts Fellow scholarship from 2006 until she graduated 2008.[citation needed]

Writing

[edit]

Khan has published in Rhizome, Art in America,[4] The California Sunday Magazine,[5] Eyebeam,[6] Longform.org[7] and The Village Voice.[8] She has exhibited or worked on exhibits at Koenig Gallery [9] and avant.org.[10] She has published two books on media culture, including Fear Indexing the X-Files (Primary Information, 2017) and Seeing, Naming, Knowing (Brooklyn Rail, 2017). Forthcoming books on digital art and machine learning include No Context: AI Art, Machine Learning, and the Stakes for Art Criticism (Lund Humphries) and The Artificial and the Real, published (Art Metropole).

Curating

[edit]

Khan has organized and curated numerous exhibitions on the subjects of media art and digital art. In 2018, Khan co-organized the exhibition "A Wild Ass Beyond: ApocalypseRN" at Performance Space New York.[11] In 2019, she curated the group exhibition "Manual Override" at The Shed, which notably featured the work of Lynn Hershman Leeson.[12] In 2023, she was the co-curator of the Biennale de l’Image en Mouvement.[13]

Awards and recognition

[edit]

Khan’s fiction has been recognized by numerous authorities in the genre. American writer, Katherine Vaz, for example, judged Khan the winner of the Hunger Mountain, Howard Frank Mosher Short Fiction Prize in 2008 for her story The Quarry.[14] The following year, in 2009, she was nominated for the Pushcart Prize and was a finalist in the Best Short Story Award for New Writers Competition.[15] In 2010, her short story Gunn, was judged runner-up in the American Literary Review Fiction Contest.[16]

In 2016, Khan was the winner of a US$20,000 Arts Writing Award in Digital Art for an Emerging Writer, awarded by the Carl & Marilynn Thoma Art Foundation.[17][18] Later that year, she was announced as one of the new cohorts of research residents at Eyebeam, a center for art and technology in New York City.[19] Khan’s research and writing at Eyebeam focused on the history of computerized poetry, bots, and simulations.[20]

Other work

[edit]

Since September 2015, Khan has been a contributing critic at the Solomon R. Guggenheim Museum as well as a contributing editor at Rhizome.,[21] a not-for-profit arts organization that supports and provides a platform for new media art and artists and is based out of The New Museum of Contemporary Art in Manhattan. In October 2016, she teamed up with curator Aria Dean and activist Grace Dunham to develop the Open Score[22] art and technology symposium at the New Museum.

Khan was published in the debut edition of Kill Screen magazine; Kill Screen Issue One: The No Fun Issue in 2010 [23] and again in 2011 in the magazine’s 3rd edition, Kill Screen #3: The Intimacy Issue. Khan’s work has been published in a number of other printed and online forms, including the following titles by the Harvard Business School: Oprah Winfrey (TN), Bono and U2 (TN), and Gary Hirshberg and Stonyfield Farm.[24] She has contributed to exhibition and artist catalogs, such as the 2016 publication Dawn Mission, edited by Bettina Steinbrügge, about the artwork of Katja Novitskova,[25] published by Mousse Publishing to coincide with an exhibition at the Kunstverein in Hamburg [26]

In November 2016, she joined Christiane Paul (curator) and artist Ian Cheng at the Whitney Museum of American Art in a public discussion about digital art criticism.[27] In February 2017, she spoke at Transmediale in Berlin as part of the media art festival’s 30th anniversary. She spoke on a panel called The Alien Middle with German artist, designer, and writer Sascha Pohflepp as well as Dulling Down - The Obsolescence of Intelligence with curator and theorist Inke Arns and Dutch conceptual artist Constant Dullaart.[28] Her speaking appointments in Berlin coincided with the release of the Transmediale exhibition catalog, Alien Matter, to which Khan contributed an essay.[29][30] Khan was also a guest speaker at the parallel CTM Festival, where she presented her original research Fear Indexing the X-Files with artist Steven Warwick[31]

Khan is currently working on a series of long-form essays that address the questions of how AI and bots will affect human and artistic creativity.[32]

References

[edit]
  1. ^ "Nora Khan | Faculty | Digital + Media | RISD".
  2. ^ "Nora N. Khan Named Executive Director of Project X Foundation for Art & Criticism". www.artforum.com. Retrieved 2023-04-15.
  3. ^ https://www.e-flux.com/announcements/381766/nora-khan-appointed-inaugural-editor-in-residence/
  4. ^ "Nora Khan; articles in Art in America." Retrieved 1 April 2017.
  5. ^ "Defend and Protect", Nora Khan, California Sunday Magazine, September 2016 Retrieved 22 May 2017.
  6. ^ "These five artists are redefining technology." Retrieved 7 April 2017.
  7. ^ "Soda Plains", Nora Khan, 4Columns, April 2017. Retrieved 22 May 2017.
  8. ^ "Articles by Nora Khan in The Village Voice." Retrieved 1 April 2017.
  9. ^ "Khan, Nora, Towards Universal Pattern Recognition, exhibition text for Koenig Gallery." Retrieved 7 April 2017.
  10. ^ "Faulty Inventory Control". Retrieved 22 May 2017.
  11. ^ Jones, Alex A. (2018-12-11). "A Wild Ass Beyond: ApocalypseRN". The Brooklyn Rail. Retrieved 2024-05-25.
  12. ^ Thackara, Tess (2019-11-08). "With 'Shadow Stalker,' Lynn Hershman Leeson Tackles Internet Surveillance". The New York Times. ISSN 0362-4331. Retrieved 2024-05-25.
  13. ^ "Nora N. Khan appointed co-curator of the Biennale de l'Image en Mouvement 2023 - Announcements - e-flux". www.e-flux.com. Retrieved 2024-05-25.
  14. ^ "Hunger Mountain review including Nora Khan's fiction". Retrieved 1 April 2017.
  15. ^ "Nora Khan; Background." Retrieved 7 April 2017
  16. ^ "Khan, Nora, Gunn, American Literary Review, 2010". Retrieved 1 April 2017.
  17. ^ "Thoma Foundation Announces Recipients of 2016 Arts Writing Awards in Digital Art." Retrieved 1 April 2017.
  18. ^ "Announcement on Artnews." Retrieved 7 April 2017.
  19. ^ "Eyebeam Fellows 2016-17 profiled by Technical.ly Brooklyn." Retrieved 7 April 2017
  20. ^ "Nora Khan at Eyebeam." Retrieved 1 April 2014.
  21. ^ "Rhizome Profile, Nora Khan." Retrieved 1 April 2017.
  22. ^ "Open Score" Retrieved 22 May 2017
  23. ^ "Kill Screen Issue One." Retrieved 31 March 2017. ASIN: B003P5MF2I
  24. ^ "Nora Khan citations in Harvard Business School publications." Retrieved 1 April 2014.
  25. ^ "Dawn Mission, Steinbrügge, Bettina (Ed), with text by Nora N. Khan, 2016." Retrieved 7 April 2017.
  26. ^ "Dawn Mission, Steinbrügge, Bettina, Mousse Publishing, 2016". Retrieved 1 April 2014. ISBN 9788867492282
  27. ^ "Digital Art Criticism Now." Retrieved 22 May 2017
  28. ^ "Nora Khan speaker schedule at Transmediale, 2017." Retrieved 1 April 2017
  29. ^ "Transmediale 2017 exhibition catalog, by curator Inke Arns." Retrieved 7 April 2017.
  30. ^ "Alien Matter exhibition catalog." Retrieved 7 April 2017.
  31. ^ "Nora Khan at CTM Festival." Retrieved 1 April 2014
  32. ^ "Interview with 2016 Digital Arts Writing Awards Recipient, Nora Khan, Thoma Foundation, 2016." Retrieved 22 May 2017.
[edit]
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