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{{Short description|American singer (1922–2016)}}
{{Use mdy dates|date=March 2024}}
{{Infobox musical artist
{{Infobox musical artist
|name = Kay Starr
| name = Kay Starr
|image = KayStarr.jpg
| image = KayStarr.jpg
|caption =
| caption = Publicity photo, {{circa|1950s}}
|background = solo_singer
| background = solo_singer
|birth_name = Catherine Laverne Starks
| birth_name = Catherine Laverne Starks
|birth_date = {{birth date|1922|7|21}}
| birth_date = {{birth date|1922|7|21}}
|birth_place = [[Dougherty, Oklahoma]], U.S.
| birth_place = [[Dougherty, Oklahoma]], U.S.
|death_date = {{death date and age|2016|11|3|1922|7|21}}
| death_date = {{death date and age|2016|11|3|1922|7|21}}
|death_place = [[Los Angeles]], [[California]], U.S.
| death_place = Los Angeles, California, U.S.
|genre = [[Traditional pop music|Traditional pop]], [[jazz]], country
| genre = [[Traditional pop]], [[jazz]], [[country music|country]], [[western swing]]
|occupation = Singer
| occupation = Singer
| label = [[Capitol Records|Capitol]], [[RCA Victor Records|RCA Victor]], [[Happy Tiger Records|Happy Tiger]]
|years_active = 1939–2016
|label = [[Capitol Records|Capitol]], [[RCA Victor Records|RCA Victor]]
}}
}}


'''Kay Starr''' (born '''Catherine Laverne Starks'''; July 21, 1922 – November 3, 2016)<ref>
'''Catherine Laverne Starks''' (July 21, 1922 – November 3, 2016),<ref name="Belcher"/> known professionally as '''Kay Starr''', was an American [[Pop music|pop]] and [[jazz]] singer who enjoyed considerable success in the late 1940s and 1950s. She was of Iroquois and Irish heritage. Starr was successful in every field of music she tried (jazz, pop, and country), but her roots were in jazz.
[https://www.findagrave.com/memorial/172180556/kay-starr#view-photo=212403770 Gravestone photo with name '''Catherine Laverne Starks'''], findagrave.com. Accessed June 3, 2023.</ref><ref name="NY Times">{{cite news|last1=Belcher |first1=David |title=Kay Starr, Hillbilly Singer With Crossover Appeal, Dies at 94 |url=https://www.nytimes.com/2016/11/04/arts/music/kay-starr-hillbilly-singer-with-crossover-appeal-dies-at-94.html |access-date=May 8, 2023 |work=[[The New York Times]] |date=November 3, 2016}}</ref> was an American singer who enjoyed considerable success in the late 1940s and 1950s. She was of [[Iroquois]] and Irish heritage. Starr performed multiple genres, such as pop, jazz, and country, but her roots were in jazz.


==Life and career==
==Early life==
Catherine Laverne Starks was born in [[Dougherty, Oklahoma]]<ref name="NY Times"/><ref name="Later Swing Era">{{cite book |last1=McClellan |first1=Lawrence |title=The later swing era, 1942-1955 |date=2004 |publisher=[[Greenwood Publishing Group]] |isbn=978-0313301575 |page=106}}</ref> to Annie and Harry Starks.<ref name="Oklahoma History">{{cite web |last1=Moore Campbell |first1=Ginnie |title=The Encyclopedia of Oklahoma History and Culture: Kay Starr (1922-2016) |url=https://www.okhistory.org/publications/enc/entry.php?entry=ST017 |website=Oklahoma History.org |access-date=May 8, 2023}}</ref> Her mother's ancestors were Irish-American while her father was a Native American [[Iroquois]]. She would later claim to be both [[Cherokee]] and [[Choctaw]] descent.<ref name="NY Times"/> At the age of three, the Starks family moved to [[Dallas, Texas]], where her father obtained a job installing building sprinklers. Her mother raised chickens to support the family as well.<ref name="Guardian">{{cite news |last1=Vacher |first1=Peter |title=Kay Starr obituary: Jazz |url=https://www.theguardian.com/music/2016/nov/06/kay-starr-obituary |access-date=May 8, 2023 |work=[[The Guardian]] |date=November 6, 2016}}</ref> Catherine began singing during early childhood, often performing to the chickens that her mother was raising.<ref name="Later Swing Era"/> She sang frequently around the house which caught the attention of her aunt,<ref name="Guardian"/> with whose help she took part in a local talent contest and won at the age of seven.<ref name="Later Swing Era"/><ref name="NY Times"/>
Kay Starr was born Catherine Laverne Starks on a [[Indian reservation|reservation]] in [[Dougherty, Oklahoma]].<ref name=Bio1>{{cite web|url=http://www.members.tripod.com/~Kay_Starr/biography.html |title=Kay Starr biography |publisher=Members.tripod.com|access-date=2011-08-03}}</ref> Her father, Harry, was an [[Iroquois]] [[Native Americans in the United States|native American]]; her mother, Annie, was of mixed Irish and Native American heritage.<ref name=Bio1/> When her father got a job installing water sprinkler systems for the Automatic Sprinkler Company, the family moved to Dallas. Her mother raised chickens, whom Starr serenaded in the coop. Her aunt Nora was impressed by her 7-year-old niece's singing and arranged for her to sing on a Dallas radio station, [[KTCK (AM)#WRR|WRR]]. Starr finished 3rd one week in a talent contest, and placed first every week thereafter. She was given a 15-minute radio show. She sang pop and country songs with a piano accompaniment. By age 10 she was making $3 a night, generous pay during the [[Great Depression]].


== Career ==
When Starr's father changed jobs, the family moved to Memphis, where she continued performing on the radio. She sang [[Western swing]] music, still mostly a mix of country and pop. While working for Memphis radio station WMPS, misspellings in her fan mail inspired her and her parents to change her name to "Kay Starr".
{{More citations needed|section|date=June 2023}}
Young Catherine continued to enter talent contests, and eventually landed a spot performing on Dallas's [[KTCK (AM)|WRR]] radio station.<ref name="Guardian" /> She performed two times a week and earned three dollars a performance. The Starks family moved to [[Memphis, Tennessee]] when she was 15<ref name="NY Times" /> and was given her own "Starr Segment" on Memphis's [[WREC]] station.<ref name="Guardian" /> Due to many people incorrectly saying her last name, she adapted the stage name of "Kay Starr".<ref name="NY Times" /> During high school, she worked with various [[country music]] bands. She was discovered by [[Jazz music|jazz]] violinist [[Joe Venuti]],<ref name="Later Swing Era" /> who had obtained a contract to perform at the [[Peabody Hotel]] in the summer of 1937.<ref name="Guardian" /> Starr's parents accepted the performance opportunity, as long as she was home by their midnight curfew. Venuti did not tell the hotel her real age, and fibbed about Starr's mother being her sister.<ref name="NY Times" /> For the next two summers, Starr performed alongside Venuti.<ref name="Old Time Oklahoma">{{cite book |last1=Dary |first1=David |title=Stories of Old-Time Oklahoma |date=2015 |publisher=[[University of Oklahoma|University of Oklahoma Press]] |isbn=978-0806151717 |page=239}}</ref>


Starr's singing attracted the attention of [[Bob Crosby]]'s manager and had her join Crosby on the road.<ref name="Later Swing Era" /> She went to [[New York City]] and played with Crosby's band for two weeks until she was dismissed by the show's sponsor for being considered "too earthy".<ref name="Guardian" /> Despite being let go, she caught the attention of [[Glenn Miller]], who needed a substitute female performer while his regular performer ([[Marion Hutton]]) was ill. For two weeks, Starr performed at the [[Starin's Glen Island|Glen Island Casino]] alongside Miller's orchestra.<ref name="Later Swing Era" /> At age 16, Starr recorded her first tracks with Miller's orchestra: "Baby Me" and "Love with a Capital 'You'". The songs failed to become a success.<ref name="NY Times" /> This was in part because the band played in a key that, while appropriate for Hutton, did not suit Kay. Starr later recalled that she sounded like "a jazzed up Alfalfa" since they weren't in her range.<ref>{{cite book |last1=Friedwald |first1=Will |title=A Biographical Guide to the Great Jazz and Pop Singers |date=2010 |publisher=[[Pantheon Books]] |isbn=978-0375421495 |page=443}}</ref>
At 15, she was chosen to sing with the [[Joe Venuti]] orchestra. Venuti had a contract to play in the Peabody Hotel in Memphis which called for his band to feature a girl singer, a performer he did not have at the time. Venuti's road manager heard Starr on the radio and recommended her although she was young and her parents insisted on a midnight curfew.


Starr and her mother then returned to Memphis, where she completed high school in 1940.<ref name="Old Time Oklahoma" /> She then moved to Los Angeles and worked alongside Venuti until 1941.<ref name="Memphis">{{cite web |last1=Johnson |first1=Bev |title=Kay Starr: Memphis Music Hall of Fame |url=https://memphismusichalloffame.com/inductee/kaystarr/ |website=[[Memphis Music Hall of Fame]] |access-date=May 9, 2023}}</ref>
In 1939, she worked with [[Bob Crosby]] and [[Glenn Miller]], who hired her to replace the ill [[Marion Hutton]]. With Miller she recorded "Baby Me" and "Love with a Capital You". They were not a great success, in part because the band played in a key that, while appropriate for Hutton, did not suit Kay's vocal range.<ref>The songs Starr sang were in Hutton's key and Starr said she sounded like "a jazzed up Alfalfa" since they weren't in her range. "'They would ask me, 'is that in your range? and I didn't know so I just said yes because I only knew two kinds of ranges-one of them you cooked on and the other was where the cows were.[...] I just loved music and I thought as long as I start and end with the band I've done my job." Kay Starr to Will Friedwald, ''A Biographical Guide to the Great Jazz and Pop Singers'', 2010, New York, Pantheon Books, p. 443.</ref>

After finishing high school, she moved to Los Angeles and signed with [[Wingy Manone]]'s band. From 1943 to 1945 she sang with [[Charlie Barnet]]'s ensemble, retiring for a year after contracting pneumonia and later developing nodes on her vocal cords as a result of fatigue and overwork.

In 1946 Starr became a soloist and a year later signed a contract with [[Capitol Records]]. The label had a number of female singers signed up, including [[Peggy Lee]], [[Ella Mae Morse]], [[Jo Stafford]], and [[Margaret Whiting]], so it was hard to find her a niche of her own. In 1948 when the [[American Federation of Musicians]] was threatening a strike, Capitol wanted to have each of its singers record a back list for future release. Being junior to all these other artists meant that every song Starr wanted to sing was taken by her rivals on the label, leaving her a list of old songs which nobody else wanted to record.


Starr then signed with [[Wingy Manone]]'s band. From 1943 to 1945 she sang with [[Charlie Barnet]]'s ensemble, retiring for a year after contracting pneumonia and later developing nodes on her vocal cords as a result of fatigue and overwork. In 1946 Starr became a soloist and a year later signed a contract with [[Capitol Records]]. The label had a number of female singers signed up, including [[Peggy Lee]], [[Ella Mae Morse]], [[Jo Stafford]], and [[Margaret Whiting]], so it was hard to find her a niche of her own. In 1948 when the [[American Federation of Musicians]] was threatening a strike, Capitol wanted to have each of its singers record a back list for future release. Being junior to all these other artists meant that every song Starr wanted to sing was taken by her rivals on the label, leaving her a list of old songs which nobody else wanted to record.
[[File:Kay Starr.gif|thumb|left|Kay Starr with Andy Mansfield on [[American Forces Network|AFRTS]]' ''America's Popular Music'' (1968)]]
[[File:Kay Starr.gif|thumb|left|Kay Starr with Andy Mansfield on [[American Forces Network|AFRTS]]' ''America's Popular Music'' (1968)]]


In 1950 she returned home to Dougherty and heard a fiddle recording of [[Bonaparte's Retreat (Pee Wee King song)|"Bonaparte's Retreat"]] by [[Pee Wee King]]. She liked it so much that she wanted to record it. She contacted [[Roy Acuff]]'s publishing house in Nashville and spoke to Acuff directly. He was happy to let her record it, but it took a while for her to make clear that she was a singer, not a fiddler, and therefore needed to have some lyrics written. Acuff came up with a new lyric, and "Bonaparte's Retreat" became her biggest hit up to that point, with close to a million sales.
In 1950, she returned home to Dougherty and heard a fiddle recording of [[Bonaparte's Retreat (Pee Wee King song)|"Bonaparte's Retreat"]] by [[Pee Wee King]]. She liked it so much that she wanted to record it. She contacted [[Roy Acuff]]'s publishing house in Nashville and spoke to Acuff directly. He was happy to let her record it, but it took a while for her to make clear that she was a singer, not a fiddler, and therefore needed to have some lyrics written. Acuff came up with a new lyric, and "Bonaparte's Retreat" became her biggest hit up to that point, with close to a million sales.


In 1955, she signed with [[RCA Victor Records]]. However, at this time, rock-and-roll was displacing the existing forms of pop music and Kay had only two hits, the aforementioned, which is sometimes considered her attempt to sing rock and roll, and sometimes as a song poking fun at it, "[[The Rock and Roll Waltz]]". She stayed at RCA Victor until 1959, hitting the top ten with "My Heart Reminds Me", then returned to Capitol.
In 1955, she signed with [[RCA Victor Records]]. However, at this time, rock-and-roll was displacing the existing forms of pop music and Kay had only two hits, the aforementioned, which is sometimes considered her attempt to sing rock and roll, and sometimes as a song poking fun at it, "[[The Rock and Roll Waltz]]". She stayed at RCA Victor until 1959, hitting the top ten with "My Heart Reminds Me", then returned to Capitol.


Most of Starr's songs had jazz influences. Like those of [[Frankie Laine]] and [[Johnnie Ray]], they were sung in a style that anticipated rock and roll songs. These included her hits "[[Wheel of Fortune (1951 song)|Wheel of Fortune]]" (her biggest hit, No. 1 for 10 weeks), "Side by Side",<ref name=pc2>{{cite web |url=https://digital.library.unt.edu/ark:/67531/metadc19746/m1/ |title=Show 2 - Play a Simple Melody: American pop music in the early fifties. Part 2 |publisher=Digital.library.unt.edu|access-date=2011-08-03}}</ref> "The Man Upstairs", and "Rock and Roll Waltz". One of her biggest hits was her version of "[[(Everybody's Waitin' For) The Man with the Bag]]", a Christmas song that became a holiday favorite.<ref>Order Christmas Records Now, ''The Billboard'', December 9, 1950, page 17</ref><ref>There's Christmas in the Air, ''The Billboard'', November 29, 1952, page 29.</ref>
Most of Starr's songs had jazz influences. Like those of [[Frankie Laine]] and [[Johnnie Ray]], they were sung in a style that anticipated rock and roll songs. These included her hits "[[Wheel of Fortune (1951 song)|Wheel of Fortune]]" (her biggest hit, No. 1 for 10 weeks), "Side by Side",<ref name=pc2>{{cite web |url=https://digital.library.unt.edu/ark:/67531/metadc19746/m1/ |title=Show 2 - Play a Simple Melody: American pop music in the early fifties. Part 2 |publisher=Digital.library.unt.edu|access-date=August 3, 2011}}</ref> "The Man Upstairs", and "Rock and Roll Waltz". One of her biggest hits was her version of "[[(Everybody's Waitin' For) The Man with the Bag]]", a Christmas song that became a holiday favorite.<ref>Order Christmas Records Now, ''The Billboard'', December 9, 1950, page 17</ref><ref>There's Christmas in the Air, ''The Billboard'', November 29, 1952, pg. 29</ref>

[[File:WIKI KAY STARR 2.jpg|thumb|right|Kay Starr in 2009]]
[[File:WIKI KAY STARR 2.jpg|thumb|right|Kay Starr in 2009]]
After rock-and-roll swept established performers from the charts, Starr appeared in the television series ''[[Club Oasis]]'', mostly associated with the bandleader [[Spike Jones]]. She recorded several albums, including ''Movin''' (1959), ''Losers, Weepers…'' (1960), ''I Cry By Night'' (1962), and ''Just Plain Country'' (1962).


After rock-and-roll swept older performers from the charts, Starr appeared in the television series ''[[Club Oasis]]'', mostly associated with the bandleader [[Spike Jones]]. She recorded several albums, including ''Movin' '' (1959), ''Losers, Weepers…'' (1960), ''I Cry By Night'' (1962), and ''Just Plain Country'' (1962).
After leaving Capitol for a second time in 1966, Starr continued touring in the US and the UK. She recorded several jazz and country albums on small independent labels, including ''[[How About This]]'', a 1968 album with [[Count Basie]].


In the late 1980s she performed in the revue ''3 Girls'' with [[Helen O'Connell]] and [[Margaret Whiting]], and in 1993 she toured the United Kingdom as part of [[Pat Boone]]'s ''April Love'' Tour. Her first live album, ''Live at Freddy's'', was released in 1997. She sang with [[Tony Bennett]] on his album ''[[Playin' with My Friends: Bennett Sings the Blues]]'' (2001).
After leaving Capitol for a second time in 1966, Starr continued touring in the US and the UK. She recorded several jazz and country albums on small independent labels, including ''[[How About This]]'', a 1968 album with [[Count Basie]].


==Death==
In the late 1980s she performed in the revue ''3 Girls'' with [[Helen O'Connell]] and [[Margaret Whiting]], and in 1993 she toured the United Kingdom as part of [[Pat Boone]]'s ''April Love'' Tour. Her first live album, ''Live at Freddy's'', was released in 1997. She sang with Tony Bennett on his album ''[[Playin' with My Friends: Bennett Sings the Blues]]'' (2001). Two of her songs, ''Powder Your Face with Sunshine'' and ''It's a Good Day'', appeared in the 2007 movie ''[[Fido (film)|Fido]]''.
Starr died on November 3, 2016, in Los Angeles at the age of 94 from complications of [[Alzheimer's disease]]. Starr was married six times, including, briefly in 1953, to bandleader/composer [[Vic Schoen]]. Starr was survived by a daughter.<ref name="Belcher">{{cite news|last1=Belcher |first1=David |title=Kay Starr, Hillbilly Singer With Crossover Appeal, Dies at 94 |url=https://www.nytimes.com/2016/11/04/arts/music/kay-starr-hillbilly-singer-with-crossover-appeal-dies-at-94.html |newspaper=[[The New York Times]] |access-date=July 21, 2018 |language=en |date=November 3, 2016}}</ref>

Starr died on November 3, 2016 in Los Angeles at the age of 94 from complications of [[Alzheimer's disease]].<ref name="Belcher">{{cite news|last1=Belcher |first1=David |title=Kay Starr, Hillbilly Singer With Crossover Appeal, Dies at 94 |url=https://www.nytimes.com/2016/11/04/arts/music/kay-starr-hillbilly-singer-with-crossover-appeal-dies-at-94.html |newspaper=[[The New York Times]] |access-date=21 July 2018 |language=en |date=3 November 2016}}</ref>


==Discography==
==Discography==
* ''Songs by Kay Starr'' (Capitol, 1950)
{{main|Kay Starr discography}}
* ''Capitol Presents Kay Starr'' (Capitol, 1953)
* ''The Kay Starr Style'' (Capitol, 1953)
* ''The Hits of Kay Starr'' (Capitol, 1954)
* ''In a Blue Mood'' (Capitol, 1955)
* ''The One, the Only'' (RCA Victor, 1956)
* ''Swingin' with the Starr'' (Liberty, 1956)
* ''Blue Starr'' (RCA Victor, 1957)
* ''Singin' Swingin'' with Erroll Garner (Crown, 1957)
* ''Rockin' with Kay'' (RCA Victor, 1958)
* ''Movin'!'' (Capitol, 1959)
* ''I Hear the Word'' (RCA Victor, 1959)
* ''Movin' on Broadway'' (Capitol, 1960)
* ''Losers, Weepers'' (Capitol, 1960)
* ''Kay Starr: Jazz Singer'' (Capitol, 1960)
* ''Starr Bright'' (RCA Camden, 1960)
* ''Just Plain Country'' (Capitol, 1962)
* ''I Cry by Night'' (Capitol, 1962)
* ''Kay Starr and the Gerald Wiggins Trio'' (Crown, 1962)
* ''Kay Starr Sings'' (Tops, 1956)
* ''Kay Starr Sings'' (Coronet, 1963)
* ''Kay Starr Sings Volume 2'' (Coronet, 1963)
* ''The Fabulous Favorites!'' (Capitol, 1964)
* ''On Stage'' (Coronet, 1964)
* ''Tears & Heartaches/Old Records'' (Capitol, 1966)
* ''Portrait of a Starr'' (Sunset, 1966)
* ''How About This'' with Count Basie (Paramount, 1968)
* ''When the Lights Go On Again'' (ABC 1968)
* ''Country'' (GNP Crescendo, 1974)
* ''Back to the Roots'' (GNP Crescendo, 1975)
* ''Kay Starr'' (GP, 1981)
* ''The Uncollected Kay Starr in the 1940s–1947'' (Hindsight, 1985)
* ''The Uncollected 1949 Vol. 2'' (Hindsight, 1986)
* ''Live at Freddy's 1986'' (Baldwin Street Music, 1987)
* ''I've Got To Sing 1944-1948'' (Hep, 1998)
* ''Sweetheart of Song Live'' (Collectors' Choice Music 2001)

===Singles===
{| class="wikitable" style="text-align:center;"
|-
! rowspan="2"| Year
! style="width:400px;" rowspan="2"| Single (A-side, B-side)<br /><small>Both sides from same album except where indicated</small>
! colspan="4"|Chart positions
! rowspan="2"| Album
|- style="font-size:smaller;"
! style="width:40px;"| [[Billboard Hot 100|US]]
! style="width:40px;"| [[Hot Adult Contemporary Tracks|US<br />AC]]
! style="width:40px;"| [[Cashbox (magazine)|CB]]
! style="width:40px;"| [[UK Singles Chart|UK]]<ref name="British Hit Singles & Albums">{{cite book
| first= David
| last= Roberts
| year= 2006
| title= British Hit Singles & Albums
| edition= 19th
| publisher= Guinness World Records
| location= London
| isbn= 1-904994-10-5
| page= 525}}</ref>
|-
| 1948
| align="left"|"You Were Only Foolin'<small> (While I Was Falling in Love) </small>"<br /><small>b/w "A Faded Summer Love" (from ''Songs by Kay Starr'')</small>
| style="text-align:center;"| 16
|
|
|
| align="left"|Non-album track
|-
| rowspan="4"| 1949
| align="left"|"So Tired"<br /><small>b/w "Steady Daddy" (from ''Songs by Kay Starr'')</small>
| style="text-align:center;"| 7
|
|
|
| align="left"|''One More Time''
|-
| align="left"|"How It Lies, How It Lies, How It Lies"<br /><small>b/w "[[Wabash Cannonball]]"</small>
| style="text-align:center;"| 28
|
|
|
| align="left" rowspan="2"|Non-album tracks
|-
| align="left"|"I Wish I Had a Wishbone"<br /><small>b/w "There Yes! Yes! In Your Eyes"</small>
|
|
|
|
|-
| align="left"|"[[Stormy Weather (song)|Stormy Weather]]"<br /><small>b/w "You're the One I Care For" (from ''Songs by Kay Starr'')</small>
|
|
|
|
| align="left"|''Swingin' with the Starr''
|-
| rowspan="10"| 1950
| align="left"|"Flyin' Too High"<br /><small>b/w "Dixieland Band" (from ''Swingin' with the Starr'')<br />Both tracks with Crystalette All-Stars</small>
|
|
|
|
| align="left"|Non-album track
|-
| align="left"|"[[Where or When]]"<br /><small>b/w "[[There's a Lull in My Life]]"<br />Both tracks with Crystalette All-Stars</small>
|
|
|
|
| align="left"|''Swingin' with the Starr''
|-
| align="left"|"Game of Broken Hearts"<br /><small>b/w "Tell Me How Long the Train's Been Gone"</small>
|
|
| style="text-align:center;"| 26
|
| align="left"|Non-album tracks
|-
| align="left"|"[[Hoop-Dee-Doo|Hoop-de-Doo]]"<br /><small>b/w "A Woman Likes to Be Told" (from ''In a Blue Mood'')</small>
| style="text-align:center;"| 2
|
| style="text-align:center;"| 4
|
| align="left"|''The Fabulous Favorites!''
|-
| align="left"|"[[Bonaparte's Retreat (Pee Wee King song)|Bonaparte's Retreat]]"<ref name=pc2/><br /><small>Original B-side: "[[Someday Sweetheart]]" (from ''The Kay Starr Style'')<br />Later B-side: "Honeymoon" (Non-album track)</small>
| style="text-align:center;"| 4
|
| style="text-align:center;"| 7
|
| align="left"|''The Hits of Kay Starr''
|-
| align="left"|"Mississippi"<br /><small>b/w "He's a Good Man to Have Around" (Non-album track)</small>
| style="text-align:center;"| 18
|
|
|
| align="left"|''All Starr Hits!''
|-
| align="left"|"Mama Goes Where Papa Goes"<br /><small>b/w "Please Love Me" (Non-album track)</small>
|
|
|
|
| align="left"|''Songs by Kay Starr''
|-
| align="left"|"[[I'll Never Be Free]]" <small> (with [[Tennessee Ernie Ford]])</small><ref name=pc2/><sup>A</sup> /
| style="text-align:center;"| 3
|
| style="text-align:center;"| 7
|
| align="left" rowspan="7"|Non-album tracks
|-
| align="left"|"Ain't Nobody's Business But My Own"<small> (with [[Tennessee Ernie Ford]])</small><sup>B</sup>
| style="text-align:center;"| 22
|
| style="text-align:center;"| 31
|
|-
| align="left"|"Oh! Babe"<br /><small>b/w "[[Everybody's Somebody's Fool]]" (from ''In a Blue Mood'')</small>
| style="text-align:center;"| 7
|
| style="text-align:center;"| 8
|
|-
| rowspan="6"| 1951
| align="left"|"[[Lovesick Blues]]"<br /><small>b/w "Evenin' " (from ''In a Blue Mood'')</small>
|
|
|
|
|-
| align="left"|"Ocean of Tears" <small> (with [[Tennessee Ernie Ford]])</small> /
| style="text-align:center;"| 15
|
| style="text-align:center;"| 26
|
|-
| align="left"|"You're My Sugar"<small> (with [[Tennessee Ernie Ford]])</small>
| style="text-align:center;"| 22
|
|
|
|-
| align="left"|"[[Come On-A My House]]"<br /><small>b/w "Hold Me, Hold Me, Hold Me" (from ''Songs by Kay Starr'')</small>
| style="text-align:center;"| 8
|
| style="text-align:center;"| 1
|
|-
| align="left"|"[[Angry (1925 song)|Angry]]"<br /><small>b/w "Don't Tell Him What's Happened to Me" (from ''In a Blue Mood'')</small>
| style="text-align:center;"| 26
|
|
|
| align="left"|''All Starr Hits!''
|-
| align="left"|"[[On a Honky Tonk Hardwood Floor]]"<br /><small>b/w "Two Brothers" (from ''One More Time'')</small>
|
|
|
|
| align="left"|Non-album track
|-
| rowspan="6"| 1952
| align="left"|"[[Wheel of Fortune (1951 song)|Wheel of Fortune]]"<small> (gold record)</small><ref name=pc2/><br /><small>b/w "I Wanna Love You" (Non-album track)</small>
| style="text-align:center;"| 1
|
| style="text-align:center;"| 1
|
| align="left" rowspan="6"|''The Hits of Kay Starr''
|-
| align="left"|"I Waited a Little Too Long"<br /><small>b/w "(Ho Ho Ha Ha) Me Too" (from ''Kay Starr: Jazz Singer'')</small>
| style="text-align:center;"| 20
|
| style="text-align:center;"| 22
|
|-
| align="left"|"Kay's Lament" <small>(with The Lancers)</small> /
| style="text-align:center;"| 18
|
| style="text-align:center;"| 17
|
|-
| align="left"|"Fool, Fool, Fool" <small>(with The Lancers)</small>
| style="text-align:center;"| 13
|
| style="text-align:center;"| 22
|
|-
| align="left"|"[[Comes A-Long A-Love]]" /
| style="text-align:center;"| 9
|
| style="text-align:center;"| 20
| style="text-align:center;"| 1
|-
| align="left"|"Three Letters"
| style="text-align:center;"| 22
|
| style="text-align:center;"| 28
|
|-
| rowspan="6"| 1953
| align="left"|"[[Side by Side (1927 song)|Side by Side]]"<br /><small>b/w "Noah!"</small>
| style="text-align:center;"| 3
|
| style="text-align:center;"| 9
| style="text-align:center;"| 7
| align="left"|''One More Time''
|-
| align="left"|"[[Half a Photograph]]" /
| style="text-align:center;"| 7
|
| style="text-align:center;"| 12
|
| align="left" rowspan="2"|''The Hits of Kay Starr''
|-
| align="left"|"[[Allez-Vous-En]]"
| style="text-align:center;"| 11
|
| style="text-align:center;"| 7
|
|-
| align="left"|"When My Dreamboat Comes Home" /
| style="text-align:center;"| 18
|
| style="text-align:center;"| 35
|
| align="left"|''All Starr Hits!''
|-
| align="left"|"Swamp Fire"
| style="text-align:center;"| 30
|
| style="text-align:center;"| 28
|
| align="left" rowspan="2"|''One More Time''
|-
| align="left"|"[[Changing Partners]]"<br /><small>b/w "I'll Always Be in Love With You"</small>
| style="text-align:center;"| 7
|
|
| style="text-align:center;"| 4
|-
| rowspan="4"| 1954
| align="left"|"The Man Upstairs" /
| style="text-align:center;"| 7
|
| style="text-align:center;"| 8
|
| align="left" rowspan="2"|''The Hits of Kay Starr''
|-
| align="left"|"[[If You Love Me (Really Love Me)]]"
| style="text-align:center;"| 4
|
| style="text-align:center;"| 5
|
|-
| align="left"|"[[Am I a Toy or a Treasure]]" /
| style="text-align:center;"| 22
|
| style="text-align:center;"| 22
| style="text-align:center;"| 17
| align="left"|''All Starr Hits!''
|-
| align="left"|"Fortune in Dreams"
| style="text-align:center;"| 17
|
| style="text-align:center;"| 24
|
| align="left"|''The Hits of Kay Starr''
|-
| rowspan="5"| 1955
| align="left"|"Turn Right" /
|
|
| style="text-align:center;"| 23
|
| align="left" rowspan="4"|Non-album tracks
|-
| align="left"|"If Anyone Finds This, I Love You"
|
|
| style="text-align:center;"| 44
|
|-
| align="left"|"Foolishly Yours"<br /><small>b/w "For Better or Worse"</small>
|
|
| style="text-align:center;"| 25
|
|-
| align="left"|"Good and Lonesome"<br /><small>b/w "Where, What or When"</small>
| style="text-align:center;"| 17
|
| style="text-align:center;"| 40
|
|-
| align="left"|"[[Without a Song]]"<br /><small>b/w "Home Sweet Home on the Range" (Non-album track)</small>
|
|
|
|
| align="left"|''Kay Starr''
|-
| rowspan="6"| 1956
| align="left"|"[[The Rock and Roll Waltz]]"<small> (gold record)</small> /
| style="text-align:center;"| 1
|
| style="text-align:center;"| 1
| style="text-align:center;"| 1
| align="left"|''Pure Gold''
|-
| align="left"|"I've Changed My Mind a Thousand Times"
| style="text-align:center;"| 73
|
|
|
| align="left" rowspan="7"|Non-album tracks
|-
| align="left"|"Second Fiddle" /
| style="text-align:center;"| 40
|
| style="text-align:center;"| 37
|
|-
| align="left"|"Love Ain't Right"
| style="text-align:center;"| 89
|
|
|
|-
| align="left"|"Things I Never Had" /
| style="text-align:center;"| 89
|
|
|
|-
| align="left"|"The Good Book"
| style="text-align:center;"| 89
|
|
|
|-
| rowspan="4"| 1957
| align="left"|"Jamie Boy" /
| style="text-align:center;"| 54
|
| style="text-align:center;"| 36
|
|-
| align="left"|"A Little Loneliness"
| style="text-align:center;"| 73
|
| style="text-align:center;"| 52
|
|-
| align="left"|"[[My Heart Reminds Me]]"<br /><small>b/w "Flim Flam Floo" (Non-album track)</small>
| style="text-align:center;"| 9
|
| style="text-align:center;"| 16
|
| align="left"|''Pure Gold''
|-
| align="left"|"Help Me"<br /><small>b/w "The Last Song and Dance"</small>
|
|
|
|
| align="left" rowspan="5"|Non-album tracks
|-
| rowspan="3"|1958
| align="left"|"Stroll Me"<br /><small>b/w "[[Rockin' Chair (1929 song)|Rockin' Chair]]" (from ''Rockin' with Kay'')</small>
|
|
| style="text-align:center;"| 54
|
|-
| align="left"|"Bridge of Sighs"<br /><small>b/w "Voodoo Man"</small>
|
|
|
|
|-
| align="left"|"He Cha Cha'd In"<br /><small>b/w "[[Oh, How I Miss You Tonight]]" (from ''Pure Gold'')</small>
|
|
|
|
|-
| rowspan="2"|1959
| align="left"|"I Couldn't Care Less"<br /><small>b/w "(I Don't Care) Only Love Me" (from ''Pure Gold'')</small>
|
|
|
|
|-
| align="left"|"[[(Ghost) Riders in the Sky: A Cowboy Legend|Riders in the Sky]]"<br /><small>b/w "Night Train"</small>
|
|
| style="text-align:center;"| 125
|
| align="left"|''Movin'!''
|-
| rowspan="2"|1960
| align="left"|"[[You Always Hurt the One You Love]]"<br /><small>b/w "Gonna Get A Guy"</small>
|
|
|
|
| align="left"|''Losers, Weepers''
|-
| align="left"|"Just for a Thrill"<br /><small>b/w "[[Out in the Cold Again]]"</small>
|
|
|
|
| align="left"|''All Starr Hits!''
|-
| rowspan="4"| 1961
| align="left"|"Foolin' Around"<br /><small>b/w "Kay's Lament" (from ''One More Time'')</small>
| style="text-align:center;"| 49
|
| style="text-align:center;"| 57
|
| align="left"|''The Fabulous Favorites!''
|-
| align="left"|"[[I'll Never Be Free]]"<small> (re-recording-solo)</small> /
| style="text-align:center;"| 94
|
| style="text-align:center;"| 91
|
| align="left" rowspan="3"|Non-album tracks
|-
| align="left"|"[[Nobody (1905 song)|Nobody]]"
|
|
| style="text-align:center;"| tag
|
|-
| align="left"|"[[Well I Ask You|Well I Ask Ya]]"<br /><small>b/w "Rough Riders"</small>
|
|
| style="text-align:center;"| 104
|
|-
| rowspan="2"|1962
| align="left"|"[[Four Walls (Jim Reeves song)|Four Walls]]"<br /><small>b/w "[[Oh Lonesome Me]]"</small>
| style="text-align:center;"| 92
|
| style="text-align:center;"| 119
|
| align="left"|''Just Plain Country''
|-
| align="left"|"Bossa Nova Casanova"<br /><small>b/w "Swingin' at the Hungry-O"</small>
|
|
|
|
| align="left" rowspan="7"|Non-album tracks
|-
| rowspan="2"|1963
| align="left"|"[[Non, je ne regrette rien|No Regrets]]"<br /><small>b/w "Cherche La Rose"</small>
|
|
|
|
|-
| align="left"|"Make a Circle"<br /><small>b/w "[[To Each His Own (Jay Livingston and Ray Evans song)|To Each His Own]]"</small>
|
|
|
|
|-
| rowspan="3"|1964
| align="left"|"It's Happening All Over Again"<br /><small>b/w "Dancing on My Tears"</small>
|
|
|
|
|-
| align="left"|"Friends"<br /><small>b/w "[[Together Again (Buck Owens song)|Together Again]]"</small>
|
|
|
|
|-
| align="left"|"Look on the Brighter Side"<br /><small>b/w "Lorna's Here"</small>
|
|
|
|
|-
| rowspan="2"|1965
| align="left"|"Happy"<br /><small>b/w "I Forgot to Forget"</small>
|
|
|
|
|-
| align="left"|"Never Dreamed I Could Love Somebody New"<br /><small>b/w "I Know That You Know That We Know That They Know"</small>
|
| style="text-align:center;"| 23
|
|
| align="left" rowspan="3"|''Tears & Heartaches/Old Records''
|-
| rowspan="2"| 1966
| align="left"|"Tears and Heartaches" /
|
| style="text-align:center;"| 19
|
|
|-
| align="left"|"Old Records"
|
| style="text-align:center;"| 26
|
|
|-
| rowspan="3"|1968
| align="left"|"[[When the Lights Go On Again]]<small> (All Over the World)</small>"<br /><small>b/w "Only When You're Lonely"</small>
|
| style="text-align:center;"| 24
| style="text-align:center;"| 120
|
| align="left" rowspan="2"|''When the Lights Go on Again''
|-
| align="left"|"Some Sweet Tomorrow"<br /><small>b/w "[[My Melancholy Baby]]"</small>
|
|
|
|
|-
| align="left"|"Something Happened to Me"<br /><small>b/w "The 12th Street Marching Band"</small>
|
|
|
|
| align="left" rowspan="2"|Non-album tracks
|-
| 1970
| align="left"|"[[Knock, Knock, Who's There?]]"<br /><small>b/w "Sweet Blindness"</small>
|
|
|
|
|-
| 1973
| align="left"|"[[Rangers Waltz]]"<br /><small>b/w "Saturday Night"</small>
|
|
|
|
| align="left"|''Country''
|-
| 1975
| align="left"|"[[What Can I Say After I Say I'm Sorry?]]"<br /><small>b/w "[[What Is This Thing Called Love]]"</small>
|
|
|
|
| align="left"|''Back to the Roots''
|-
|}


;Studio albums
*<sup>A</sup> peaked at No. 2 on [[Hot Country Songs]] charts
* ''[[The Kay Starr Style]]'' (1955)
*<sup>B</sup> Peaked at No. 5 on [[Hot Country Songs]] charts
* ''[[In a Blue Mood]]'' (1956)
* ''[[The One, The Only Kay Starr]]'' (1956)
* ''[[Blue Starr]]'' (1957)
* ''[[Rockin' with Kay]]'' (1957)
* ''[[I Hear the Word]]'' (1959)
* ''[[Movin'!]]'' (1959)
* ''[[Losers, Weepers]]'' (1960)
* ''Movin' on Broadway!'' (1960)<ref>{{cite journal |last1=Starr |first1=Kay |title=''Movin' on Broadway!'' (LP Information) |journal=[[Capitol Records]] |date=1960 |id=T-1374}}</ref>
* ''[[Kay Starr: Jazz Singer]]'' (1960)
* ''[[Just Plain Country]]'' (1962)
* ''[[I Cry by Night]]'' (1962)
* ''Tears and Heartaches/Old Records'' (1966)<ref>{{cite journal |last1=Starr |first1=Kay |title=''Tears and Heartaches/Old Records'' (LP Information) |journal=[[Capitol Records]] |date=1966 |id=ST-2550}}</ref>
* ''When the Lights Go on Again'' (1968)<ref>{{cite journal |last1=Starr |first1=Kay |title=''When the Lights Go on Again'' (LP Information) |journal=[[ABC Records]] |date=January 1968 |id=ABC-631}}</ref>
* ''[[How About This]]'' {{small|(with [[Count Basie]])}} (1969)
* ''Kay Starr Country'' (1974)<ref>{{cite journal |last1=Starr |first1=Kay |title=''Kay Starr Country'' (LP Information) |journal=[[GNP Crescendo Records]] |date=1974 |id=GNSP-2083}}</ref>
* ''Back to the Roots'' (1975)<ref>{{cite journal |last1=Starr |first1=Kay |title=''Back to the Roots'' (LP Information) |journal=[[GNP Crescendo Records]] |date=1975 |id=GNSP-2090}}</ref>
* ''Kay Starr'' (1981)<ref>{{cite journal |last1=Starr |first1=Kay |title=''Kay Starr'' (LP Information) |journal=[[GNP Crescendo Records]] |date=1981 |id=GP-5020}}</ref>


==References==
==References==
Line 661: Line 76:
==External links==
==External links==
{{Commons}}
{{Commons}}
*[https://www.namm.org/library/oral-history/kay-starr Interview at NAMM Oral History Library (1994)]
*[https://www.namm.org/library/oral-history/kay-starr Kay Starr Interview] at [[NAMM Oral History Program|NAMM Oral History Collection]] (1994)
*[https://web.archive.org/web/20090222023708/http://www.kuow.org/program.php?id=10254 Kay Starr interview on KUOW 94.9 (NPR) Seattle, 2006]
*[https://web.archive.org/web/20090222023708/http://www.kuow.org/program.php?id=10254 Kay Starr interview on KUOW 94.9 (NPR) Seattle, 2006]
*{{IMDb name|id=0823545|name=Kay Starr}}
*{{IMDb name|id=0823545|name=Kay Starr}}
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[[Category:1922 births]]
[[Category:1922 births]]
[[Category:2016 deaths]]
[[Category:2016 deaths]]
[[Category:20th-century American women singers]]
[[Category:20th-century American singers]]
[[Category:21st-century American women singers]]
[[Category:21st-century American singers]]
[[Category:American jazz singers]]
[[Category:American women jazz singers]]
[[Category:American women jazz singers]]
[[Category:American jazz singers]]
[[Category:Big band singers]]
[[Category:Big band singers]]
[[Category:Capitol Records artists]]
[[Category:Capitol Records artists]]
[[Category:RCA Victor artists]]
[[Category:Deaths from Alzheimer's disease in California]]
[[Category:Deaths from Alzheimer's disease]]
[[Category:Deaths from dementia in California]]
[[Category:Neurological disease deaths in California]]
[[Category:Glenn Miller Orchestra members]]
[[Category:Jazz musicians from Oklahoma]]
[[Category:Native American singers]]
[[Category:Native American singers]]
[[Category:People from Murray County, Oklahoma]]
[[Category:People from Murray County, Oklahoma]]
[[Category:RCA Victor artists]]
[[Category:Singers from Oklahoma]]
[[Category:Singers from Oklahoma]]
[[Category:Torch singers]]
[[Category:American torch singers]]
[[Category:Traditional pop music singers]]
[[Category:Traditional pop music singers]]
[[Category:Jazz musicians from Oklahoma]]
[[Category:20th-century Native American women]]
[[Category:Glenn Miller Orchestra members]]
[[Category:20th-century Native Americans]]
[[Category:21st-century American women]]
[[Category:21st-century Native American women]]
[[Category:21st-century Native Americans]]

Latest revision as of 23:13, 28 July 2024

Kay Starr
Publicity photo, c. 1950s
Publicity photo, c. 1950s
Background information
Birth nameCatherine Laverne Starks
Born(1922-07-21)July 21, 1922
Dougherty, Oklahoma, U.S.
DiedNovember 3, 2016(2016-11-03) (aged 94)
Los Angeles, California, U.S.
GenresTraditional pop, jazz, country, western swing
OccupationSinger
LabelsCapitol, RCA Victor, Happy Tiger

Kay Starr (born Catherine Laverne Starks; July 21, 1922 – November 3, 2016)[1][2] was an American singer who enjoyed considerable success in the late 1940s and 1950s. She was of Iroquois and Irish heritage. Starr performed multiple genres, such as pop, jazz, and country, but her roots were in jazz.

Early life

[edit]

Catherine Laverne Starks was born in Dougherty, Oklahoma[2][3] to Annie and Harry Starks.[4] Her mother's ancestors were Irish-American while her father was a Native American Iroquois. She would later claim to be both Cherokee and Choctaw descent.[2] At the age of three, the Starks family moved to Dallas, Texas, where her father obtained a job installing building sprinklers. Her mother raised chickens to support the family as well.[5] Catherine began singing during early childhood, often performing to the chickens that her mother was raising.[3] She sang frequently around the house which caught the attention of her aunt,[5] with whose help she took part in a local talent contest and won at the age of seven.[3][2]

Career

[edit]

Young Catherine continued to enter talent contests, and eventually landed a spot performing on Dallas's WRR radio station.[5] She performed two times a week and earned three dollars a performance. The Starks family moved to Memphis, Tennessee when she was 15[2] and was given her own "Starr Segment" on Memphis's WREC station.[5] Due to many people incorrectly saying her last name, she adapted the stage name of "Kay Starr".[2] During high school, she worked with various country music bands. She was discovered by jazz violinist Joe Venuti,[3] who had obtained a contract to perform at the Peabody Hotel in the summer of 1937.[5] Starr's parents accepted the performance opportunity, as long as she was home by their midnight curfew. Venuti did not tell the hotel her real age, and fibbed about Starr's mother being her sister.[2] For the next two summers, Starr performed alongside Venuti.[6]

Starr's singing attracted the attention of Bob Crosby's manager and had her join Crosby on the road.[3] She went to New York City and played with Crosby's band for two weeks until she was dismissed by the show's sponsor for being considered "too earthy".[5] Despite being let go, she caught the attention of Glenn Miller, who needed a substitute female performer while his regular performer (Marion Hutton) was ill. For two weeks, Starr performed at the Glen Island Casino alongside Miller's orchestra.[3] At age 16, Starr recorded her first tracks with Miller's orchestra: "Baby Me" and "Love with a Capital 'You'". The songs failed to become a success.[2] This was in part because the band played in a key that, while appropriate for Hutton, did not suit Kay. Starr later recalled that she sounded like "a jazzed up Alfalfa" since they weren't in her range.[7]

Starr and her mother then returned to Memphis, where she completed high school in 1940.[6] She then moved to Los Angeles and worked alongside Venuti until 1941.[8]

Starr then signed with Wingy Manone's band. From 1943 to 1945 she sang with Charlie Barnet's ensemble, retiring for a year after contracting pneumonia and later developing nodes on her vocal cords as a result of fatigue and overwork. In 1946 Starr became a soloist and a year later signed a contract with Capitol Records. The label had a number of female singers signed up, including Peggy Lee, Ella Mae Morse, Jo Stafford, and Margaret Whiting, so it was hard to find her a niche of her own. In 1948 when the American Federation of Musicians was threatening a strike, Capitol wanted to have each of its singers record a back list for future release. Being junior to all these other artists meant that every song Starr wanted to sing was taken by her rivals on the label, leaving her a list of old songs which nobody else wanted to record.

Kay Starr with Andy Mansfield on AFRTS' America's Popular Music (1968)

In 1950, she returned home to Dougherty and heard a fiddle recording of "Bonaparte's Retreat" by Pee Wee King. She liked it so much that she wanted to record it. She contacted Roy Acuff's publishing house in Nashville and spoke to Acuff directly. He was happy to let her record it, but it took a while for her to make clear that she was a singer, not a fiddler, and therefore needed to have some lyrics written. Acuff came up with a new lyric, and "Bonaparte's Retreat" became her biggest hit up to that point, with close to a million sales.

In 1955, she signed with RCA Victor Records. However, at this time, rock-and-roll was displacing the existing forms of pop music and Kay had only two hits, the aforementioned, which is sometimes considered her attempt to sing rock and roll, and sometimes as a song poking fun at it, "The Rock and Roll Waltz". She stayed at RCA Victor until 1959, hitting the top ten with "My Heart Reminds Me", then returned to Capitol.

Most of Starr's songs had jazz influences. Like those of Frankie Laine and Johnnie Ray, they were sung in a style that anticipated rock and roll songs. These included her hits "Wheel of Fortune" (her biggest hit, No. 1 for 10 weeks), "Side by Side",[9] "The Man Upstairs", and "Rock and Roll Waltz". One of her biggest hits was her version of "(Everybody's Waitin' For) The Man with the Bag", a Christmas song that became a holiday favorite.[10][11]

Kay Starr in 2009

After rock-and-roll swept established performers from the charts, Starr appeared in the television series Club Oasis, mostly associated with the bandleader Spike Jones. She recorded several albums, including Movin' (1959), Losers, Weepers… (1960), I Cry By Night (1962), and Just Plain Country (1962).

After leaving Capitol for a second time in 1966, Starr continued touring in the US and the UK. She recorded several jazz and country albums on small independent labels, including How About This, a 1968 album with Count Basie.

In the late 1980s she performed in the revue 3 Girls with Helen O'Connell and Margaret Whiting, and in 1993 she toured the United Kingdom as part of Pat Boone's April Love Tour. Her first live album, Live at Freddy's, was released in 1997. She sang with Tony Bennett on his album Playin' with My Friends: Bennett Sings the Blues (2001).

Death

[edit]

Starr died on November 3, 2016, in Los Angeles at the age of 94 from complications of Alzheimer's disease. Starr was married six times, including, briefly in 1953, to bandleader/composer Vic Schoen. Starr was survived by a daughter.[12]

Discography

[edit]
Main article: Kay Starr discography
Studio albums

References

[edit]
  1. ^ Gravestone photo with name Catherine Laverne Starks, findagrave.com. Accessed June 3, 2023.
  2. ^ a b c d e f g h Belcher, David (November 3, 2016). "Kay Starr, Hillbilly Singer With Crossover Appeal, Dies at 94". The New York Times. Retrieved May 8, 2023.
  3. ^ a b c d e f McClellan, Lawrence (2004). The later swing era, 1942-1955. Greenwood Publishing Group. p. 106. ISBN 978-0313301575.
  4. ^ Moore Campbell, Ginnie. "The Encyclopedia of Oklahoma History and Culture: Kay Starr (1922-2016)". Oklahoma History.org. Retrieved May 8, 2023.
  5. ^ a b c d e f Vacher, Peter (November 6, 2016). "Kay Starr obituary: Jazz". The Guardian. Retrieved May 8, 2023.
  6. ^ a b Dary, David (2015). Stories of Old-Time Oklahoma. University of Oklahoma Press. p. 239. ISBN 978-0806151717.
  7. ^ Friedwald, Will (2010). A Biographical Guide to the Great Jazz and Pop Singers. Pantheon Books. p. 443. ISBN 978-0375421495.
  8. ^ Johnson, Bev. "Kay Starr: Memphis Music Hall of Fame". Memphis Music Hall of Fame. Retrieved May 9, 2023.
  9. ^ "Show 2 - Play a Simple Melody: American pop music in the early fifties. Part 2". Digital.library.unt.edu. Retrieved August 3, 2011.
  10. ^ Order Christmas Records Now, The Billboard, December 9, 1950, page 17
  11. ^ There's Christmas in the Air, The Billboard, November 29, 1952, pg. 29
  12. ^ Belcher, David (November 3, 2016). "Kay Starr, Hillbilly Singer With Crossover Appeal, Dies at 94". The New York Times. Retrieved July 21, 2018.
  13. ^ Starr, Kay (1960). "Movin' on Broadway! (LP Information)". Capitol Records. T-1374.
  14. ^ Starr, Kay (1966). "Tears and Heartaches/Old Records (LP Information)". Capitol Records. ST-2550.
  15. ^ Starr, Kay (January 1968). "When the Lights Go on Again (LP Information)". ABC Records. ABC-631.
  16. ^ Starr, Kay (1974). "Kay Starr Country (LP Information)". GNP Crescendo Records. GNSP-2083.
  17. ^ Starr, Kay (1975). "Back to the Roots (LP Information)". GNP Crescendo Records. GNSP-2090.
  18. ^ Starr, Kay (1981). "Kay Starr (LP Information)". GNP Crescendo Records. GP-5020.
[edit]
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