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{{Short description|Compromising of one's morality, integrity, or principles for personal gain}}
{{redirect|Sold Out|other uses|The Sellout (disambiguation)|and|Sold Out (disambiguation)|and|Selling Out (disambiguation)}}
{{other uses|The Sellout (disambiguation)|Sold Out (disambiguation)|Sell Out (disambiguation)|Selling Out (disambiguation)}}
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{{Multiple issues|
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"'''Selling out'''" is a common expression for the compromising of a person's integrity, morality, [[wikt:authentic|authenticity]], or principles in exchange for personal gain, such as money.<ref>{{cite web|title=sellout|url=http://dictionary.reference.com/browse/sellout|publisher=Dictionary.com|accessdate=21 February 2012|date=21 February 2012}}</ref> In terms of music or art, selling out is associated with attempts to tailor material to a [[mainstream]] or commercial audience. For example, a musician who alters his material to encompass a wider audience, and in turn generates greater revenue, may be labeled by fans who pre-date the change as a "sellout." A sellout also refers to someone who gives up, or disregards, hence the term 'sells' – someone or something – for some other thing or person. The term could also be used as 'sold out' depending on the context.
"'''Selling out'''", or "'''sold out'''" in the past tense, is a common expression for the compromising of a person's [[integrity]], [[morality]], [[Authenticity (philosophy)|authenticity]], or [[Principle#As moral law|principles]] by forgoing the long-term benefits of the collective or group in exchange for personal gain, such as money or power.<ref>{{cite web|title=sellout|url=http://dictionary.reference.com/browse/sellout|publisher=Dictionary.com|access-date=21 February 2012|date=21 February 2012}}</ref> In terms of music or art, selling out is associated with attempts to tailor material to a mainstream or commercial audience. For example, a musician who [[Mass marketing|alters their material to encompass a wider audience]], and in turn generates greater revenue, may be labeled by fans who pre-date the change as a "sellout". "Sellout" also refers to someone who gives up, or disregards someone or something for some other thing or person.

== In sports ==
In sports franchises, a "sellout" is a person or group claiming to adhere to the ideology of putting the collective interests of the team, franchise or fans above their own individual accomplishments or financial gain, only to follow these claims up with actions contradicting them, such as an athlete or coach pledging to stay with a team until a specific goal is accomplished, but immediately deciding to leave the team for financial gain.


==In politics==
==In politics==
In political movements a "sellout" is a person or group claiming to adhere to one ideology, only to follow these claims up with actions contradicting them, such as a revolutionary group claiming to fight for a particular cause, but failing to continue this upon obtaining power.
In political movements, a "sellout" is a person or group claiming to adhere to one ideology, only to follow these claims up with actions contradicting them, such as a revolutionary group claiming to fight for a particular cause, but failing to continue this upon obtaining power.


An example of political "selling out" is a political party who has formed a coalition with another party it had historically opposed, such as the [[Liberal Democrats (UK)|Liberal Democrats]]' leader [[Nick Clegg]]'s coalition with the [[Conservative Party (UK)|Conservative Party]] after the [[2010 United Kingdom general election|2010 general election]] in the United Kingdom, during which he reneged on his pledge to oppose any increase in student tuition fees.<ref>{{cite news|title=Clegg sold out to get power, say voters|url=https://www.independent.co.uk/news/uk/politics/clegg-sold-out-to-get-power-say-voters-2083293.html|newspaper=Independent|first=Matt|last=Chorley|date=19 September 2010|accessdate=21 July 2012}}</ref><ref>{{cite web|url=http://www.newstatesman.com/blogs/the-staggers/2010/09/lib-dem-clegg-poll-principles|title=Clegg "sold out" for power|first=Sophie|last=Elmhirst|publisher=New Statesman|date=19 September 2010|accessdate=21 July 2012}}</ref>
An example of political "selling out" is a political party who has formed a coalition with another party it had historically opposed, such as the [[Liberal Democrats (UK)|Liberal Democrats]]' leader [[Nick Clegg]]'s coalition with the [[Conservative Party (UK)|Conservative Party]] after the [[2010 United Kingdom general election|2010 general election]] in the United Kingdom, during which he reneged on his pledge to oppose any increase in student tuition fees.<ref>{{cite news|title=Clegg sold out to get power, say voters|url=https://www.independent.co.uk/news/uk/politics/clegg-sold-out-to-get-power-say-voters-2083293.html|newspaper=Independent|first=Matt|last=Chorley|date=19 September 2010|access-date=21 July 2012}}</ref><ref>{{cite web|url=http://www.newstatesman.com/blogs/the-staggers/2010/09/lib-dem-clegg-poll-principles|title=Clegg "sold out" for power|first=Sophie|last=Elmhirst|publisher=New Statesman|date=19 September 2010|access-date=21 July 2012}}</ref>


==In music and entertainment==
==In music and entertainment==
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===Music===
===Music===
<!-- PLEASE DO NOT ADD ANY UNSOURCED CONTENT! NOT LIKING AN ARTISTS LATEST SONG IS SUBJECTIVE, NOT INDICATIVE OF SELLING OUT! -->
<!-- PLEASE DO NOT ADD ANY UNSOURCED CONTENT! NOT LIKING AN ARTISTS LATEST SONG IS SUBJECTIVE, NOT INDICATIVE OF SELLING OUT! -->
There are two distinct forms of "selling out" in terms of music. First, there is the use of the term "sell out" to refer to those who sign for [[Music industry|major labels]] or to those who licence their music to companies for use in advertising<ref name=GreatSellOut>{{cite web|url=https://www.theguardian.com/music/2011/jun/30/rocknroll-sellout|title=The great rock'n'roll sellout|first=Dorian|last=Lynskey|publisher=The Guardian|date=30 June 2011|accessdate=21 July 2012}}</ref> that contradicts their apparent values. Secondly, the expression can refer to those who sacrifice their musical integrity through a change in their musical sound, sometimes due to pressure from major labels<ref name=InDefense>{{cite web|url=http://nyulocal.com/entertainment/2012/03/20/in-defense-of-sell-out-musicians/|title=In Defense of "Sell Out" Musicians|first=Lizzie|last=Azran|publisher=NYU Local|date=20 March 2012|accessdate=21 July 2012}}</ref> or in order to gain profit by making their music more appealing to a [[mainstream]] audience.
There are three distinct forms of "selling out" in terms of music. First, there is the use of the term "sell-out" to refer to those who sign for [[Music industry|major labels]] or to those who license their music to companies for use in [[advertising]]<ref name=GreatSellOut>{{cite web|url=https://www.theguardian.com/music/2011/jun/30/rocknroll-sellout|title=The great rock'n'roll sellout|first=Dorian|last=Lynskey|work=The Guardian|date=30 June 2011|access-date=21 July 2012}}</ref> that contradicts their apparent values. Secondly, the expression can refer to those who sacrifice their musical integrity through a change in their musical sound, sometimes due to pressure from major labels<ref name=InDefense>{{cite web|url=http://nyulocal.com/entertainment/2012/03/20/in-defense-of-sell-out-musicians/|title=In Defense of "Sell Out" Musicians|first=Lizzie|last=Azran|publisher=NYU Local|date=20 March 2012|access-date=21 July 2012}}</ref> or in order to gain profit by making their music more appealing to a mainstream audience. The third form of selling out is simply to sell out a venue, which normally has nothing to do with a lapse of integrity.


====Record labels and advertising====
====Record labels and advertising====


Since the time of [[big band]] radio shows there has been an established relationship between musicians and commercialisation. There had been some signs of resistance to this model as early as the 1960s, when gospel group [[The Blind Boys of Alabama]] refused to sign record deals to record secular music.<ref>http://ktep.org/post/clarence-fountain-leader-and-founding-member-blind-boys-alabama-dies-88</ref> It was not until the [[punk subculture]] in the 1970s that the notion that musicians should be completely independent of commercial influences began to increase in popularity.<ref name=GreatSellOut /><ref name=Cnet>{{cite web|url=http://news.cnet.com/8301-13526_3-20002543-27.html|title=Can bands sell out anymore?|first=Matt|last=Rosoff|publisher=Cnet|date=14 April 2010|accessdate=21 July 2012}}</ref> This partly manifested itself in the reluctance of bands to sign for major labels, as this would include taking part in activities that were seen as crass and overly commercial.<ref name=Science>{{cite web|url=http://news.bbc.co.uk/1/hi/magazine/7901003.stm|title=The science of selling out|first=Stephen|last=Dowling|publisher=BBC|date=20 February 2009|accessdate=21 July 2012}}</ref> This continued into the 1980s, when bands were scorned by [[fanzines]] for signing with major labels as the mainstream success this would bring was symptomatic of the general decay in culture.<ref name=GreatSellOut /> However, after a number of bands maintained the quality of their records after signing for a major label, by the end of the 1980s the focus on "selling out" shifted to advertising.<ref name=GreatSellOut />
Since the time of [[big band]] radio shows, there has been an established relationship between musicians and commercialization. There had been some signs of resistance to this model as early as the 1960s, when gospel group [[The Blind Boys of Alabama]] refused to sign record deals to record secular music.<ref>{{Cite web|url=http://ktep.org/post/clarence-fountain-leader-and-founding-member-blind-boys-alabama-dies-88|title = Clarence Fountain, Leader and Founding Member of Blind Boys of Alabama, Dies at 88| date=4 June 2018 }}</ref> It was not until the [[punk subculture]] in the 1970s that the notion that musicians should be completely independent of commercial influences began to increase in popularity.<ref name=GreatSellOut /><ref name=Cnet>{{cite web|url=http://news.cnet.com/8301-13526_3-20002543-27.html|title=Can bands sell out anymore?|first=Matt|last=Rosoff|publisher=Cnet|date=14 April 2010|access-date=21 July 2012}}</ref> This partly manifested itself in the reluctance of bands to sign for major labels, as this would include taking part in activities that were seen as crass and overly commercial.<ref name=Science>{{cite web|url=http://news.bbc.co.uk/1/hi/magazine/7901003.stm|title=The science of selling out|first=Stephen|last=Dowling|publisher=BBC|date=20 February 2009|access-date=21 July 2012}}</ref> This continued into the 1980s, when bands were scorned by [[fanzines]] for signing with major labels as the mainstream success this would bring was symptomatic of the general decay in culture.<ref name=GreatSellOut /> However, after a number of bands maintained the quality of their records after signing for a major label, by the end of the 1980s the focus on "selling out" shifted to advertising.<ref name=GreatSellOut />


The attitude held by those who disliked the idea of "selling out" towards advertising was negative; comedian [[Bill Hicks]] claimed that any band who licensed their music for advertising was "off the artistic roll call forever",<ref name=GreatSellOut /><ref name=Science /> and [[Neil Young]] mocked the fact that songs became associated with brands on his 1988 album ''[[This Note's for You]]''.<ref name=GreatSellOut /> However, although it was possible for fans to feel a sense of betrayal due to the relationship they developed with the song and artist, when artists did allow their music to be used for commercials others considered the advertised product to be more appealing.<ref name=Science /> As CD sales fell and record companies became unwilling or unable to afford the push new bands needed to become established, sponsorship of bands by major companies began to be seen as more acceptable, with even minor record labels devoting time and money towards marketing deals with well-known brands.<ref name=Cnet />
The attitude held by those who disliked the idea of "selling out" towards advertising was negative; comedian [[Bill Hicks]] claimed that any band who licensed their music for advertising was "off the artistic roll call forever",<ref name=GreatSellOut /><ref name=Science /> and [[Neil Young]] mocked the fact that songs became associated with brands on his 1988 album ''[[This Note's for You]]''.<ref name=GreatSellOut /> However, although it was possible for fans to feel a sense of betrayal due to the relationship they developed with the song and artist, when artists did allow their music to be used for commercials others considered the advertised product to be more appealing.<ref name=Science /> As CD sales fell and record companies became unwilling or unable to afford the push new bands needed to become established, sponsorship of bands by major companies began to be seen as more acceptable, with even minor record labels devoting time and money towards marketing deals with well-known brands.<ref name=Cnet />


By the 2010s the use of licensing of artists in commercials had become an accepted part of the music industry, and even those who would previously have been considered part of the 1970s resistance to "selling out" have been used in advertising products, such as former [[Sex Pistols]] frontman [[John Lydon]] advertising Country Life [[butter]] and [[Iggy Pop]] endorsing car insurance.<ref name= Science /> Consequently, it has been suggested<ref name=Cnet /><ref name=Risk>{{Cite web|url=https://www.npr.org/blogs/monitormix/2009/11/risk_management_can_an_artist.html|title=Risk Management: Can An Artist Sell Out When There Are No Boundaries?|first=Carrie|last=Brownstein|publisher=NPR Music|date=11 November 2009|accessdate=21 July 2012}}</ref> that the acceptance of music in advertising is generational, as younger listeners are comfortable with the relationship to the point of indifference<ref name=Science /><ref name=Risk /> whilst those who have seen the industry evolve still reject it.<ref name=Cnet /><ref name=Science />
By the 2010s, the use of licensing of artists in commercials had become an accepted part of the music industry, and even those who would previously have been considered part of the 1970s resistance to "selling out" have been used in advertising products, such as former [[Sex Pistols]] frontman [[John Lydon]] advertising Country Life [[butter]] and [[Iggy Pop]] endorsing car insurance.<ref name= Science /> Consequently, it has been suggested<ref name=Cnet /><ref name=Risk>{{Cite web|url=https://www.npr.org/blogs/monitormix/2009/11/risk_management_can_an_artist.html|title=Risk Management: Can An Artist Sell Out When There Are No Boundaries?|first=Carrie|last=Brownstein|publisher=NPR Music|date=11 November 2009|access-date=21 July 2012}}</ref> that the acceptance of music in advertising is generational, as younger listeners are comfortable with the relationship to the point of indifference<ref name=Science /><ref name=Risk /> whilst those who have seen the industry evolve still reject it.<ref name=Cnet /><ref name=Science />


====Musical integrity====
====Musical integrity====
[[File:Metallica 46.jpg|thumb|right|200px|Metallica playing live at Illinois in 2004.]]
[[File:Metallica 46.jpg|thumb|right|200px|Metallica playing live at Illinois in 2004.]]
Another definition of "selling out" refers to putting aside musical quality or original intentions in favor of commercial success,<ref name=Anti>{{cite web|url=http://www.antimusic.com/lowdown/05/integrity.shtml|title=The Art of Selling Out: Compromising the Music|first=Trent|last=McMartin|publisher=antimusic|accessdate=22 July 2012}}</ref> where a distinction is made for those who achieve success without changing their original sound.<ref name=InDefense /> The difference between the two is often subjective.<ref name=Anti /> Whilst artists may change their musical direction for commercial reasons, such as pressure from major labels who require songs to appeal to mass markets,<ref name=InDefense /> a change in sound may also be part of a natural progression of creative maturity.<ref name=Science />
Another definition of "selling out" refers to putting aside musical quality or original intentions in favor of commercial success,<ref name=Anti>{{cite web|url=http://www.antimusic.com/lowdown/05/integrity.shtml|title=The Art of Selling Out: Compromising the Music|first=Trent|last=McMartin|publisher=antimusic|access-date=22 July 2012}}</ref> where a distinction is made for those who achieve success without changing their original sound.<ref name=InDefense /> The difference between the two is often subjective.<ref name=Anti /> While artists may change their musical direction for commercial reasons, such as pressure from major labels who require songs to appeal to mass markets,<ref name=InDefense /> a change in sound may also be part of a natural progression of creative maturity.<ref name=Science />


An example of artists being accused of "selling out" is the band [[Metallica]], whose [[Metallica (album)|1991 eponymous album]] has been considered the turning point in the band's musical direction;<ref name=Review>{{cite web|url=https://www.bbc.co.uk/music/reviews/8b8c|title=Metallica (The Black Album) Review|first=Sid|last=Smith|publisher=BBC|date=18 April 2007|accessdate=22 July 2012}}</ref> the band members were called the "poster boys for musical un-integrity" after the band attempted to sue fans who were downloading their music through [[Napster]].<ref name=Lulu >{{cite web|url=https://www.theatlantic.com/entertainment/archive/2011/10/metallicas-lulu-problem-why-dont-they-just-sell-out-again/247295/|title=Metallica's 'Lulu' Problem: Why Don't They Just Sell Out Again?|first=Daniel|last=Snyder|publisher=The Atlantic|date=25 October 2011|accessdate=22 July 2012}}</ref> The album, known as ''The Black Album'', saw critics<ref name=Review /> and [[Bob Rock]],<ref name=Rock>{{cite web|url=http://www.musicradar.com/news/guitars/metallicas-black-album-track-by-track-485030#!1|title=Metallica's Black Album track-by-track|first=Joe|last=Bosso|publisher=MusicRadar|date=1 August 2011|accessdate=22 July 2012}}</ref> the album’s [[Record producer|producer]], acknowledge that there was a move away from the band's previous [[thrash metal]] sound. Rock claimed that the change stemmed from the band’s desire to "make the leap to the big, big leagues",<ref name=Rock /> whilst some fans blamed Rock himself, going as far to eventually create an internet petition demanding the band cut their ties with him.<ref name=Review /> However, other fans did not consider the change in sound to be significant enough to be considered "selling out,"<ref name=Anti /> and others accepted the change as part of a natural evolution of the band’s style.<ref name=Geeks>{{cite web|url=http://www.geeksofdoom.com/2011/08/13/metallica-20th-anniversary-of-the-black-album/|title=Metallica: 20th Anniversary Of The ‘Black Album’|publisher=Geeks of Doom|date=13 August 2011|accessdate=22 July 2012}}</ref> Ultimately ''The Black Album'' became the band’s most commercially successful release,<ref name=Anti /> going [[Music recording sales certification|16x platinum]].<ref name=Lulu /> The differing reaction by fans to the album demonstrates the difficulty in labelling an artist as a "sellout" objectively.
An example of artists being accused of "selling out" is the band [[Metallica]], whose [[Metallica (album)|1991 eponymous album]] has been considered the turning point in the band's musical direction;<ref name=Review>{{cite web|url=https://www.bbc.co.uk/music/reviews/8b8c|title=Metallica (The Black Album) Review|first=Sid|last=Smith|publisher=BBC|date=18 April 2007|access-date=22 July 2012}}</ref> the band members were called the "poster boys for musical un-integrity" after many incorrectly thought that the band attempted to sue fans who were downloading their music through [[Napster]]. The album, known as ''The Black Album'', saw critics<ref name=Review /> and [[Bob Rock]],<ref name=Rock>{{cite web|url=http://www.musicradar.com/news/guitars/metallicas-black-album-track-by-track-485030#!1|title=Metallica's Black Album track-by-track|first=Joe|last=Bosso|publisher=MusicRadar|date=1 August 2011|access-date=22 July 2012}}</ref> the album's [[Record producer|producer]], acknowledge that there was a move away from the band's previous [[thrash metal]] sound. Rock claimed that the change stemmed from the band's desire to "make the leap to the big, big leagues",<ref name=Rock /> while some fans blamed Rock himself, going as far to eventually create an internet petition demanding the band cut their ties with him.<ref name=Review /> However, other fans did not consider the change in sound to be significant enough to be considered "selling out",<ref name=Anti /> and others accepted the change as part of a natural evolution of the band's style.<ref name=Geeks>{{cite web|url=http://www.geeksofdoom.com/2011/08/13/metallica-20th-anniversary-of-the-black-album/|title=Metallica: 20th Anniversary Of The 'Black Album'|publisher=Geeks of Doom|date=13 August 2011|access-date=22 July 2012}}</ref> Ultimately ''The Black Album'' became the band's most commercially successful release,<ref name=Anti /> going [[Metallica (album)#Certifications and sales|16× Platinum in the United States]].<ref name=Lulu >{{cite web|url=https://www.theatlantic.com/entertainment/archive/2011/10/metallicas-lulu-problem-why-dont-they-just-sell-out-again/247295/|title=Metallica's 'Lulu' Problem: Why Don't They Just Sell Out Again?|first=Daniel|last=Snyder|publisher=The Atlantic|date=25 October 2011|access-date=22 July 2012}}</ref> The differing reaction by fans to the album demonstrates the difficulty in labelling an artist as a "sellout" objectively.


"[[Poseur]]" is a pejorative term, often used in the [[Punk subculture|punk]], [[Heavy metal subculture|heavy metal]], [[hip hop]], and [[goth subculture|goth]] [[subculture]]s, to describe a person who copies the dress, speech, and/or mannerisms of a group or subculture, generally for attaining acceptability within the group or for popularity among various other groups, yet who is deemed not to share or understand the values or philosophy of the subculture.
"[[Poseur]]" is a pejorative term, often used in the [[Punk subculture|punk]], [[Heavy metal subculture|heavy metal]], [[hip hop]], and [[goth subculture|goth]] [[subculture]]s, to describe a person who copies the dress, speech, and/or mannerisms of a group or subculture, generally for attaining acceptability within the group or for popularity among various other groups, yet who is deemed not to share or understand the values of the subculture.
While this perceived [[wikt:inauthentic|inauthenticity]] is viewed with scorn and contempt by members of the subculture, the definition of the term and to whom it should be applied is subjective. While the term is most associated with the 1970s- and 1980s-era punk and [[hardcore punk|hardcore]] subculture, English use of the term originates in the late 19th century.<ref name="dictionary">[http://dictionary.reference.com/search?q=poseur Definition of poseur] at Dictionary.com</ref> A hardcore punk band that signed a lucrative contract with a major label would probably be labelled as poseurs.{{citation needed|date=May 2013}}
While this perceived [[wikt:inauthentic|inauthenticity]] is viewed with scorn and contempt by members of the subculture, the definition of the term and to whom it should be applied is subjective. While the term is most associated with the 1970s- and 1980s-era punk and [[hardcore punk|hardcore]] subculture, English use of the term originates in the late 19th century.<ref name="dictionary">[http://dictionary.reference.com/search?q=poseur Definition of poseur] at Dictionary.com</ref> A hardcore punk band that signed a lucrative contract with a major label would probably be labelled as poseurs.{{citation needed|date=May 2013}}
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In film and television "selling out" refers to compromising the content of produced media, primarily for financial reasons; for example, introducing [[product placement]].
In film and television "selling out" refers to compromising the content of produced media, primarily for financial reasons; for example, introducing [[product placement]].


Product placement, or embedded marketing, is the placement of brands or products in media in order to advertise,<ref name=Chron>{{cite web|url=http://smallbusiness.chron.com/concept-embedded-marketing-product-placement-20278.html|title=Concept of Embedded Marketing & Product Placement|first=Neil|last=Kokemuller|publisher=Chron|accessdate=23 July 2012}}</ref> and has been in television from almost the very beginning, but has increased with introduction of devices such as [[Digital video recorder|DVR]]s which allow viewers, and therefore consumers, to fast-forward through adverts.<ref name=tvg>{{cite web|url=http://www.tvguide.com/news/product-placement-tv-1042607.aspx|title=Product Placement: Is TV Selling Out?|first=Michael|last=Schneider|publisher=TVguide.com|date=31 January 2012|accessdate=23 July 2012}}</ref> It has been suggested that the idea that product placement is a form of selling out is [[Eurocentrism|Anglocentric]],<ref name=Pisfor>{{cite web|url=https://www.independent.co.uk/arts-entertainment/tv/news/p-is-for-product-placement-as-tv-shows-sell-out-to-advertisers-2213863.html|title=P is for product placement as TV shows sell out to advertisers|first=Ian|last=Burrell|publisher=The Independent|date=14 February 2011|accessdate=23 July 2012}}</ref> as American television shows such as ''[[American Idol]]'' and ''[[The Apprentice (U.S. TV series)|Celebrity Apprentice]]'' recorded over 500 examples of brand integration in 2011 according to [[Nielsen Company|Nielsen]].<ref name=tvg /><ref name=Pisfor />
Product placement, or embedded marketing, is the placement of brands or products in media in order to advertise,<ref name=Chron>{{cite web|url=http://smallbusiness.chron.com/concept-embedded-marketing-product-placement-20278.html|title=Concept of Embedded Marketing & Product Placement|first=Neil|last=Kokemuller|publisher=Chron|access-date=23 July 2012}}</ref> and has been in television from almost the very beginning, but has increased with introduction of devices such as [[Digital video recorder|DVR]]s which allow viewers, and therefore consumers, to fast-forward through adverts.<ref name=tvg>{{cite web|url=http://www.tvguide.com/news/product-placement-tv-1042607.aspx|title=Product Placement: Is TV Selling Out?|first=Michael|last=Schneider|publisher=TVguide.com|date=31 January 2012|access-date=23 July 2012}}</ref> It has been suggested that the idea that product placement is a form of selling out is [[Eurocentrism|Anglocentric]],<ref name=Pisfor>{{cite web|url=https://www.independent.co.uk/arts-entertainment/tv/news/p-is-for-product-placement-as-tv-shows-sell-out-to-advertisers-2213863.html|title=P is for product placement as TV shows sell out to advertisers|first=Ian|last=Burrell|work=The Independent|date=14 February 2011|access-date=23 July 2012}}</ref> as American television shows such as ''[[American Idol]]'' and ''[[The Apprentice (U.S. TV series)|Celebrity Apprentice]]'' recorded over 500 examples of brand integration in 2011 according to [[Nielsen Company|Nielsen]].<ref name=tvg /><ref name=Pisfor />


===Comedy===
===Comedy===
[[File:Jesus is coming.. Look Busy (George Carlin).jpg|thumb|right|200px|George Carlin has been accused of being a sellout for appearing in commercials for MCI, a company he had previously criticized.]]
[[File:Jesus is coming.. Look Busy (George Carlin).jpg|thumb|right|200px|George Carlin has been accused of being a sellout for appearing in commercials for MCI, a company he had previously criticized.]]
[[Stand-up comedians]] occasionally face accusations of "selling out." Comedians who start out in comedy clubs might often use foul language and [[blue humor]] in their routines. A comic who alters his or her routine by "sugar-coating" his or her language and using less-offensive material to obtain mainstream success may be accused of "selling out."
[[Stand-up comedians]] occasionally face accusations of "selling out". Comedians who start out in comedy clubs might often use foul language and [[blue humor]] in their routines. A comic who alters their routine by "sugar-coating" their language and using less-offensive material to obtain mainstream success may be accused of "selling out".


[[George Carlin]] was accused of being a "sellout" for appearing in television commercials for [[MCI Inc.|MCI]]'s [[10-10-220]].<ref>{{cite web |url=http://www.gettingit.com/article/394 |work=Gettingit.com |title=The Happy Pessimist |access-date=15 June 2015 |archive-url=https://web.archive.org/web/20150530071427/http://www.gettingit.com/article/394 |archive-date=30 May 2015 |author=RU Sirius |date=30 November 1999}}</ref><ref>{{cite web |url=http://www.shadowculture.com/adman/admn1129.html |title=The adMan - A Knee-Jerk to the Groin of American Advertising |access-date=15 June 2015 |work=Shadow Culture |date=29 November 1998}}</ref><ref>{{cite web |url=http://www.teevee.org/archive/1999/01/18/index.html |title=1-800-SELL-OUT |access-date=15 June 2015 |archive-url=https://web.archive.org/web/20070704090058/http://www.teevee.org/archive/1999/01/18/index.html |archive-date=4 July 2007 |work=teevee.org |first=Gregg |last=Wrenn |date=18 January 1999 |publisher=Vidiot Syndicate LLC.}}</ref> Carlin had previously spoken of his dislike for MCI's commercials in his 1996 album ''[[Back in Town (George Carlin album)|Back in Town]]''. In his 1999 album ''[[You Are All Diseased]]'', which contains rants against advertising and business, Carlin admits the dichotomy but makes no attempt to explain himself, stating, "You're just gonna have to figure that shit out on your own." In interviews, Carlin revealed he appeared in the advertisements to help pay off a large tax debt to the [[Internal Revenue Service|IRS]].<ref>{{cite web |url=http://www.avclub.com/content/node/22917 |archive-url=https://web.archive.org/web/20071010135213/http://www.avclub.com/content/node/22917 |archive-date=10 October 2007 |title=Interviews: George Carlin |first=Stephen |last=Thompson |date=10 November 1999 |access-date=20 March 2019 |publisher=[[Onion Inc.]] |work=[[The A.V. Club]]}}</ref><ref>{{cite web |url=https://www.bankrate.com/csites/news/investing/20010316a.asp |title=Carlin's got his act together, on stage and off |work=[[Bankrate.com]] |last=Getlen |first=Larry |date=16 March 2001 |access-date=13 January 2008 |archive-url=https://web.archive.org/web/20180114073954/https://www.bankrate.com/csites/news/investing/20010316a.asp |archive-date=14 January 2018}}</ref>
[[George Carlin]] was accused of being a "sellout" for appearing in television commercials for [[MCI Inc.|MCI]]'s [[10-10-220]].<ref>{{cite web |url=http://www.gettingit.com/article/394 |work=Gettingit.com |title=The Happy Pessimist |access-date=15 June 2015 |archive-url=https://web.archive.org/web/20150530071427/http://www.gettingit.com/article/394 |archive-date=30 May 2015 |author=RU Sirius |date=30 November 1999}}</ref><ref>{{cite web |url=http://www.shadowculture.com/adman/admn1129.html |title=The adMan - A Knee-Jerk to the Groin of American Advertising |access-date=15 June 2015 |work=Shadow Culture |date=29 November 1998}}</ref><ref>{{cite web |url=http://www.teevee.org/archive/1999/01/18/index.html |title=1-800-SELL-OUT |access-date=15 June 2015 |archive-url=https://web.archive.org/web/20070704090058/http://www.teevee.org/archive/1999/01/18/index.html |archive-date=4 July 2007 |work=teevee.org |first=Gregg |last=Wrenn |date=18 January 1999 |publisher=Vidiot Syndicate LLC.}}</ref> Carlin had previously spoken of his dislike for MCI's commercials in his 1996 album ''[[Back in Town (George Carlin album)|Back in Town]]''. In his 1999 album ''[[You Are All Diseased]]'', which contains rants against advertising and business, Carlin admits the dichotomy but makes no attempt to explain himself, stating, "You're just gonna have to figure that shit out on your own." In interviews, Carlin revealed he appeared in the advertisements to help pay off a large tax debt to the [[Internal Revenue Service|IRS]].<ref>{{cite web |url=http://www.avclub.com/content/node/22917 |archive-url=https://web.archive.org/web/20071010135213/http://www.avclub.com/content/node/22917 |archive-date=10 October 2007 |title=Interviews: George Carlin |first=Stephen |last=Thompson |date=10 November 1999 |access-date=20 March 2019 |publisher=[[Onion Inc.]] |work=[[The A.V. Club]]}}</ref><ref>{{cite web |url=https://www.bankrate.com/csites/news/investing/20010316a.asp |title=Carlin's got his act together, on stage and off |work=[[Bankrate.com]] |last=Getlen |first=Larry |date=16 March 2001 |access-date=13 January 2008 |archive-url=https://web.archive.org/web/20180114073954/https://www.bankrate.com/csites/news/investing/20010316a.asp |archive-date=14 January 2018}}</ref>


Comedian/actress [[Janeane Garofalo]] has described herself as a "sellout" based on her participation with the TV show ''[[24 (TV series)|24]]'' playing [[Janis Gold]]. Garofalo initially turned down the role because of the way the show depicted torture scenes,<ref>{{cite web |url=http://www.buddytv.com/articles/24/24-its-a-chloejanis-rivalryor-26069.aspx |title=24: It's A Chloe-Janis Rivalry--Or Not, As It Seems |date=February 2, 2009 |work=[[Buddy TV]] |access-date=29 March 2009 |archive-url=https://web.archive.org/web/20180316235329/http://www.buddytv.com/articles/24/24-its-a-chloejanis-rivalryor-26069.aspx |archive-date=16 March 2018 |first=Henrik |last=Batallones }}</ref> however changed her mind later on, saying in an interview, “Being unemployed and being flattered that someone wanted to work with me outweighed my stance [on torture].”<ref name="nytimes">{{cite news |url=https://www.nytimes.com/2009/02/16/arts/television/16twen.html |title=Deep Inside the Grim ‘24,’ Two Comics’ Inside Joke |last=Itzkoff |first=Dave |author-link=Dave Itzkoff |date=February 15, 2009 |newspaper=[[New York Times]] |access-date=29 March 2009 |publisher=[[The New York Times Company]] |page=C1}}</ref> Garofalo admitted to "selling out" for losing weight in order to gain more acting work.<ref>{{cite web |title=Janeane Garofalo on Botox, Spanx, and the Troubles of Finding Work As a 45-Year-Old Former Slacker Icon&#124; |work=[[Vulture.com]] |publisher=New York Media, LLC |last=Yuan |first=Jada |date=19 February 2010 |access-date=23 November 2012 |url=http://www.vulture.com/2010/02/janeane_garofalo_on_botox_span.html}}</ref>
Comedian/actress [[Janeane Garofalo]] has described herself as a "sellout" based on her participation with the TV show ''[[24 (TV series)|24]]'' playing [[Janis Gold]]. Garofalo initially turned down the role because of the way the show depicted torture scenes;<ref>{{cite web |url=http://www.buddytv.com/articles/24/24-its-a-chloejanis-rivalryor-26069.aspx |title=24: It's A Chloe-Janis Rivalry--Or Not, As It Seems |date=February 2, 2009 |work=[[Buddy TV]] |access-date=29 March 2009 |archive-url=https://web.archive.org/web/20180316235329/http://www.buddytv.com/articles/24/24-its-a-chloejanis-rivalryor-26069.aspx |archive-date=16 March 2018 |first=Henrik |last=Batallones }}</ref> however, she changed her mind later on, saying in an interview, "Being unemployed and being flattered that someone wanted to work with me outweighed my stance [on torture]."<ref name="nytimes">{{cite news |url=https://www.nytimes.com/2009/02/16/arts/television/16twen.html |title=Deep Inside the Grim '24,' Two Comics' Inside Joke |last=Itzkoff |first=Dave |author-link=Dave Itzkoff |date=February 15, 2009 |newspaper=[[New York Times]] |access-date=29 March 2009 |page=C1}}</ref> Garofalo admitted to "selling out" for losing weight in order to gain more acting work.<ref>{{cite web |title=Janeane Garofalo on Botox, Spanx, and the Troubles of Finding Work As a 45-Year-Old Former Slacker Icon&#124; |work=[[Vulture.com]] |publisher=New York Media, LLC |last=Yuan |first=Jada |date=19 February 2010 |access-date=23 November 2012 |url=http://www.vulture.com/2010/02/janeane_garofalo_on_botox_span.html}}</ref>

==In the brewing industry==
The term has been used amongst fans of [[craft beer]] to describe when an independent brewery signs a deal with a big brewery, with the latter seen much as big record labels in the music industry. An example is when the [[Elysian Brewing Company]] signed a distribution deal with [[Anheuser-Busch InBev]].<ref>{{cite news|url=https://vinepair.com/articles/craft-beer-cultural-comedown/|title=Death of the Craft Beer ‘Sellout’: The Next Wave of Acquisitions Marks a New Era of Drinker Indifference|first=Dave|last=Infante|access-date=8 May 2024|date=7 February 2022|publisher=Vinepair}}</ref>


==Criticism of the term==
==Criticism of the term==
An artist may also be accused of "selling out" after changes in artistic direction. This conclusion is often due to the perception that the reason for the artist changing artistic style or direction was simply potential material gain. This ignores other causes of artistic [[Personal development|development]], which may lead an artist in new directions from those that attracted their original fans. Artists' improvements in musical skill or change in taste may also account for the change.
An artist may also be accused of "selling out" after changes in artistic direction. This conclusion is often due to the perception that the reason for the artist changing artistic style or direction was simply potential material gain. This ignores other causes of artistic [[Personal development|development]], which may lead an artist in new directions from those that attracted their original fans. Artists' improvements in musical skill or change in taste may also account for the change.


Other times, artists (including those with politically oriented messages) resent the term on the grounds that the perceived desire for material gain is simply a result of the band seeking to expand its message. To such artists, ''not'' going mainstream or signing to a bigger label to avoid "selling out" prevents them from addressing a wider audience, regardless of whether or not there is any real artistic change, and arbitrarily hampers the artists' course of mainstream success. Such an accusation, then, assumes that mainstream success must be against the artists' original intentions. For example, when questioned about signing to a major label, [[Rage Against the Machine]] answered "We're not interested in preaching to just the converted. It's great to play abandoned squats run by anarchists, but it's also great to be able to reach people with a revolutionary message, people from [[Granada Hills, Los Angeles|Granada Hills]] to [[Stuttgart]]".<ref>{{cite web |url=http://www.ratm.de/faq/ragefaq.html#1_9 |archive-url=https://web.archive.org/web/20060526032423/http://www.ratm.de/faq/ragefaq.html#1_9 |title=Rage Against The Machine Online : F.A.Q. |author=RinO |archive-date=26 May 2006 |access-date=15 June 2015 |work=Rage Against the Machine}}</ref> Similarly, when confronted with the accusation of "selling out" in 2001, [[Mike Dirnt]] of [[Green Day]] said:
Other times, artists (including those with politically oriented messages) resent the term on the grounds that the perceived desire for material gain is simply a result of the band seeking to expand its message. To such artists, ''not'' going mainstream or signing to a bigger label to avoid "selling out" prevents them from addressing a wider audience, regardless of whether or not there is any real artistic change, and arbitrarily hampers the artists' course of mainstream success. Such an accusation, then, assumes that mainstream success must be against the artists' original intentions. For example, when questioned about signing to a major label, [[Rage Against the Machine]] answered "We're not interested in preaching to just the converted. It's great to play abandoned squats run by anarchists, but it's also great to be able to reach people with a revolutionary message, people from [[Granada Hills, Los Angeles|Granada Hills]] to [[Stuttgart]]."<ref>{{cite web |url=http://www.ratm.de/faq/ragefaq.html#1_9 |archive-url=https://web.archive.org/web/20060526032423/http://www.ratm.de/faq/ragefaq.html#1_9 |title=Rage Against The Machine Online : F.A.Q. |author=RinO |archive-date=26 May 2006 |access-date=15 June 2015 |work=Rage Against the Machine}}</ref> Similarly, when confronted with the accusation of "selling out" in 2001, [[Mike Dirnt]] of [[Green Day]] said:


<blockquote>
<blockquote>
"If there's a formula to selling out, I think every band in the world would be doing it," he said. "The fact that you write good songs and you sell too many of them, if everybody in the world knew how to do that they'd do it. It's not something we chose to do...The fact was we got to a point that we were so big that tons of people were showing up at punk-rock clubs, and some clubs were even getting shut down because too many were showing up. We had to make a decision: either break up or remove ourselves from that element. And I'll be damned if I was going to flip fucking burgers. I do what I do best. Selling out is compromising your musical intention and I don't even know how to do that."<ref>{{cite news |url=http://www.lasvegassun.com/sunbin/stories/archives/2001/jul/20/512106831.html?%22green+day%22 |title='Warning' -- Don't call Green Day a sellout |access-date=7 August 2007 |archive-url=https://web.archive.org/web/20070930031510/http://www.lasvegassun.com/sunbin/stories/archives/2001/jul/20/512106831.html?%22green+day%22 |archive-date=30 September 2007 |date=20 July 2001 |first=Kirk |last=Baird |newspaper=[[Las Vegas Sun]] |publisher=[[Greenspun Media Group]]}}</ref>
"If there's a formula to selling out, I think every band in the world would be doing it. The fact that you write good songs and you sell too many of them, if everybody in the world knew how to do that they'd do it. It's not something we chose to do...The fact was we got to a point that we were so big that tons of people were showing up at punk-rock clubs, and some clubs were even getting shut down because too many were showing up. We had to make a decision: either break up or remove ourselves from that element. And I'll be damned if I was going to flip fucking burgers. I do what I do best. Selling out is compromising your musical intention and I don't even know how to do that."<ref>{{cite news |url=http://www.lasvegassun.com/sunbin/stories/archives/2001/jul/20/512106831.html?%22green+day%22 |title='Warning' -- Don't call Green Day a sellout |access-date=7 August 2007 |archive-url=https://web.archive.org/web/20070930031510/http://www.lasvegassun.com/sunbin/stories/archives/2001/jul/20/512106831.html?%22green+day%22 |archive-date=30 September 2007 |date=20 July 2001 |first=Kirk |last=Baird |newspaper=[[Las Vegas Sun]] |publisher=[[Greenspun Media Group]]}}</ref>
</blockquote>
</blockquote>


==See also==
==See also==
* [[Uncle Tom]]
* [[Eddie Hearn]]
* [[Tyson Fury]]
* [[Saudi Vision 2030]]
⚫
* [[Acting white]]
* [[Commercialism]]
* [[Commercialism]]
⚫
* [[Don't fuck with the formula]]
* [[Jumping the shark]]
* [[Jumping the shark]]
⚫
* [[Recuperation (sociology)]]
⚫
* [[Acting white]]
* [[Poseur]]
* [[Poseur]]
⚫
* [[Recuperation (sociology)]]
⚫
* [[Don't fuck with the formula]]
* [[Uncle Tom]]
* [[Los Vendidos]]


==References==
==References==
{{Reflist|2}}
{{Reflist}}


==External links==
==External links==
Line 78: Line 89:
* [http://www.slate.com/id/2098635 Tangled Up in Boobs: What's Bob Dylan doing in a Victoria's Secret ad?] (commentary)
* [http://www.slate.com/id/2098635 Tangled Up in Boobs: What's Bob Dylan doing in a Victoria's Secret ad?] (commentary)
* [https://web.archive.org/web/20110110050441/http://www.indiecredibility.org/ Things with indie credibility] (commentary)
* [https://web.archive.org/web/20110110050441/http://www.indiecredibility.org/ Things with indie credibility] (commentary)
* {{Cite news |last= Albini |first= Steve |author-link= Steve Albini |year= 1993 |title= The Problem with Music |periodical= [[The Baffler]] |publication-place= Chicago |publisher= [[Thomas Frank]] |issue= 5 |pages= |url= http://www.negativland.com/albini.html |archiveurl= https://web.archive.org/web/20070928182458/http://www.negativland.com/albini.html |archivedate= 2007-09-28 |issn= 1059-9789 |oclc= 24838556 |postscript= }}, also [https://web.archive.org/web/20061115070529/http://www.thebaffler.com/albiniexcerpt.html archived from the dead ''Baffler'' site]. (Legendary producer Albini's take on "going major". Reprinted in ''[[Maximum RocknRoll]]'' #133 (June 1994) and later various websites.)
* {{Cite news |last= Albini |first= Steve |author-link= Steve Albini |year= 1993 |title= The Problem with Music |periodical= [[The Baffler]] |publication-place= Chicago |publisher= [[Thomas Frank]] |issue= 5 |url= http://www.negativland.com/albini.html |archive-url= https://web.archive.org/web/20070928182458/http://www.negativland.com/albini.html |archive-date= 2007-09-28 |issn= 1059-9789 |oclc= 24838556 }}, also [https://web.archive.org/web/20061115070529/http://www.thebaffler.com/albiniexcerpt.html archived from the dead ''Baffler'' site]. (Legendary producer Albini's take on "going major". Reprinted in ''[[Maximum RocknRoll]]'' #133 (June 1994) and later various websites.)


{{DEFAULTSORT:Selling Out}}
{{DEFAULTSORT:Selling Out}}
[[Category:Ethics]]
[[Category:Cultural concepts]]
[[Category:Music industry]]
[[Category:Music industry]]
[[Category:Popular culture]]
[[Category:Popular culture]]
[[Category:Philosophy of life]]


[[ja:産業ロック]]
[[ja:産業ロック]]

Latest revision as of 03:29, 6 August 2024

For other uses, see The Sellout (disambiguation), Sold Out (disambiguation), Sell Out (disambiguation), and Selling Out (disambiguation).

"Selling out", or "sold out" in the past tense, is a common expression for the compromising of a person's integrity, morality, authenticity, or principles by forgoing the long-term benefits of the collective or group in exchange for personal gain, such as money or power.[1] In terms of music or art, selling out is associated with attempts to tailor material to a mainstream or commercial audience. For example, a musician who alters their material to encompass a wider audience, and in turn generates greater revenue, may be labeled by fans who pre-date the change as a "sellout". "Sellout" also refers to someone who gives up, or disregards someone or something for some other thing or person.

In sports

[edit]

In sports franchises, a "sellout" is a person or group claiming to adhere to the ideology of putting the collective interests of the team, franchise or fans above their own individual accomplishments or financial gain, only to follow these claims up with actions contradicting them, such as an athlete or coach pledging to stay with a team until a specific goal is accomplished, but immediately deciding to leave the team for financial gain.

In politics

[edit]

In political movements, a "sellout" is a person or group claiming to adhere to one ideology, only to follow these claims up with actions contradicting them, such as a revolutionary group claiming to fight for a particular cause, but failing to continue this upon obtaining power.

An example of political "selling out" is a political party who has formed a coalition with another party it had historically opposed, such as the Liberal Democrats' leader Nick Clegg's coalition with the Conservative Party after the 2010 general election in the United Kingdom, during which he reneged on his pledge to oppose any increase in student tuition fees.[2][3]

In music and entertainment

[edit]

Music

[edit]

There are three distinct forms of "selling out" in terms of music. First, there is the use of the term "sell-out" to refer to those who sign for major labels or to those who license their music to companies for use in advertising[4] that contradicts their apparent values. Secondly, the expression can refer to those who sacrifice their musical integrity through a change in their musical sound, sometimes due to pressure from major labels[5] or in order to gain profit by making their music more appealing to a mainstream audience. The third form of selling out is simply to sell out a venue, which normally has nothing to do with a lapse of integrity.

Record labels and advertising

[edit]

Since the time of big band radio shows, there has been an established relationship between musicians and commercialization. There had been some signs of resistance to this model as early as the 1960s, when gospel group The Blind Boys of Alabama refused to sign record deals to record secular music.[6] It was not until the punk subculture in the 1970s that the notion that musicians should be completely independent of commercial influences began to increase in popularity.[4][7] This partly manifested itself in the reluctance of bands to sign for major labels, as this would include taking part in activities that were seen as crass and overly commercial.[8] This continued into the 1980s, when bands were scorned by fanzines for signing with major labels as the mainstream success this would bring was symptomatic of the general decay in culture.[4] However, after a number of bands maintained the quality of their records after signing for a major label, by the end of the 1980s the focus on "selling out" shifted to advertising.[4]

The attitude held by those who disliked the idea of "selling out" towards advertising was negative; comedian Bill Hicks claimed that any band who licensed their music for advertising was "off the artistic roll call forever",[4][8] and Neil Young mocked the fact that songs became associated with brands on his 1988 album This Note's for You.[4] However, although it was possible for fans to feel a sense of betrayal due to the relationship they developed with the song and artist, when artists did allow their music to be used for commercials others considered the advertised product to be more appealing.[8] As CD sales fell and record companies became unwilling or unable to afford the push new bands needed to become established, sponsorship of bands by major companies began to be seen as more acceptable, with even minor record labels devoting time and money towards marketing deals with well-known brands.[7]

By the 2010s, the use of licensing of artists in commercials had become an accepted part of the music industry, and even those who would previously have been considered part of the 1970s resistance to "selling out" have been used in advertising products, such as former Sex Pistols frontman John Lydon advertising Country Life butter and Iggy Pop endorsing car insurance.[8] Consequently, it has been suggested[7][9] that the acceptance of music in advertising is generational, as younger listeners are comfortable with the relationship to the point of indifference[8][9] whilst those who have seen the industry evolve still reject it.[7][8]

Musical integrity

[edit]
Metallica playing live at Illinois in 2004.

Another definition of "selling out" refers to putting aside musical quality or original intentions in favor of commercial success,[10] where a distinction is made for those who achieve success without changing their original sound.[5] The difference between the two is often subjective.[10] While artists may change their musical direction for commercial reasons, such as pressure from major labels who require songs to appeal to mass markets,[5] a change in sound may also be part of a natural progression of creative maturity.[8]

An example of artists being accused of "selling out" is the band Metallica, whose 1991 eponymous album has been considered the turning point in the band's musical direction;[11] the band members were called the "poster boys for musical un-integrity" after many incorrectly thought that the band attempted to sue fans who were downloading their music through Napster. The album, known as The Black Album, saw critics[11] and Bob Rock,[12] the album's producer, acknowledge that there was a move away from the band's previous thrash metal sound. Rock claimed that the change stemmed from the band's desire to "make the leap to the big, big leagues",[12] while some fans blamed Rock himself, going as far to eventually create an internet petition demanding the band cut their ties with him.[11] However, other fans did not consider the change in sound to be significant enough to be considered "selling out",[10] and others accepted the change as part of a natural evolution of the band's style.[13] Ultimately The Black Album became the band's most commercially successful release,[10] going 16× Platinum in the United States.[14] The differing reaction by fans to the album demonstrates the difficulty in labelling an artist as a "sellout" objectively.

"Poseur" is a pejorative term, often used in the punk, heavy metal, hip hop, and goth subcultures, to describe a person who copies the dress, speech, and/or mannerisms of a group or subculture, generally for attaining acceptability within the group or for popularity among various other groups, yet who is deemed not to share or understand the values of the subculture.

While this perceived inauthenticity is viewed with scorn and contempt by members of the subculture, the definition of the term and to whom it should be applied is subjective. While the term is most associated with the 1970s- and 1980s-era punk and hardcore subculture, English use of the term originates in the late 19th century.[15] A hardcore punk band that signed a lucrative contract with a major label would probably be labelled as poseurs.[citation needed]

Film and television

[edit]

In film and television "selling out" refers to compromising the content of produced media, primarily for financial reasons; for example, introducing product placement.

Product placement, or embedded marketing, is the placement of brands or products in media in order to advertise,[16] and has been in television from almost the very beginning, but has increased with introduction of devices such as DVRs which allow viewers, and therefore consumers, to fast-forward through adverts.[17] It has been suggested that the idea that product placement is a form of selling out is Anglocentric,[18] as American television shows such as American Idol and Celebrity Apprentice recorded over 500 examples of brand integration in 2011 according to Nielsen.[17][18]

Comedy

[edit]
George Carlin has been accused of being a sellout for appearing in commercials for MCI, a company he had previously criticized.

Stand-up comedians occasionally face accusations of "selling out". Comedians who start out in comedy clubs might often use foul language and blue humor in their routines. A comic who alters their routine by "sugar-coating" their language and using less-offensive material to obtain mainstream success may be accused of "selling out".

George Carlin was accused of being a "sellout" for appearing in television commercials for MCI's 10-10-220.[19][20][21] Carlin had previously spoken of his dislike for MCI's commercials in his 1996 album Back in Town. In his 1999 album You Are All Diseased, which contains rants against advertising and business, Carlin admits the dichotomy but makes no attempt to explain himself, stating, "You're just gonna have to figure that shit out on your own." In interviews, Carlin revealed he appeared in the advertisements to help pay off a large tax debt to the IRS.[22][23]

Comedian/actress Janeane Garofalo has described herself as a "sellout" based on her participation with the TV show 24 playing Janis Gold. Garofalo initially turned down the role because of the way the show depicted torture scenes;[24] however, she changed her mind later on, saying in an interview, "Being unemployed and being flattered that someone wanted to work with me outweighed my stance [on torture]."[25] Garofalo admitted to "selling out" for losing weight in order to gain more acting work.[26]

In the brewing industry

[edit]

The term has been used amongst fans of craft beer to describe when an independent brewery signs a deal with a big brewery, with the latter seen much as big record labels in the music industry. An example is when the Elysian Brewing Company signed a distribution deal with Anheuser-Busch InBev.[27]

Criticism of the term

[edit]

An artist may also be accused of "selling out" after changes in artistic direction. This conclusion is often due to the perception that the reason for the artist changing artistic style or direction was simply potential material gain. This ignores other causes of artistic development, which may lead an artist in new directions from those that attracted their original fans. Artists' improvements in musical skill or change in taste may also account for the change.

Other times, artists (including those with politically oriented messages) resent the term on the grounds that the perceived desire for material gain is simply a result of the band seeking to expand its message. To such artists, not going mainstream or signing to a bigger label to avoid "selling out" prevents them from addressing a wider audience, regardless of whether or not there is any real artistic change, and arbitrarily hampers the artists' course of mainstream success. Such an accusation, then, assumes that mainstream success must be against the artists' original intentions. For example, when questioned about signing to a major label, Rage Against the Machine answered "We're not interested in preaching to just the converted. It's great to play abandoned squats run by anarchists, but it's also great to be able to reach people with a revolutionary message, people from Granada Hills to Stuttgart."[28] Similarly, when confronted with the accusation of "selling out" in 2001, Mike Dirnt of Green Day said:

"If there's a formula to selling out, I think every band in the world would be doing it. The fact that you write good songs and you sell too many of them, if everybody in the world knew how to do that they'd do it. It's not something we chose to do...The fact was we got to a point that we were so big that tons of people were showing up at punk-rock clubs, and some clubs were even getting shut down because too many were showing up. We had to make a decision: either break up or remove ourselves from that element. And I'll be damned if I was going to flip fucking burgers. I do what I do best. Selling out is compromising your musical intention and I don't even know how to do that."[29]

See also

[edit]

References

[edit]
  1. ^ "sellout". Dictionary.com. 21 February 2012. Retrieved 21 February 2012.
  2. ^ Chorley, Matt (19 September 2010). "Clegg sold out to get power, say voters". Independent. Retrieved 21 July 2012.
  3. ^ Elmhirst, Sophie (19 September 2010). "Clegg "sold out" for power". New Statesman. Retrieved 21 July 2012.
  4. ^ a b c d e f Lynskey, Dorian (30 June 2011). "The great rock'n'roll sellout". The Guardian. Retrieved 21 July 2012.
  5. ^ a b c Azran, Lizzie (20 March 2012). "In Defense of "Sell Out" Musicians". NYU Local. Retrieved 21 July 2012.
  6. ^ "Clarence Fountain, Leader and Founding Member of Blind Boys of Alabama, Dies at 88". 4 June 2018.
  7. ^ a b c d Rosoff, Matt (14 April 2010). "Can bands sell out anymore?". Cnet. Retrieved 21 July 2012.
  8. ^ a b c d e f g Dowling, Stephen (20 February 2009). "The science of selling out". BBC. Retrieved 21 July 2012.
  9. ^ a b Brownstein, Carrie (11 November 2009). "Risk Management: Can An Artist Sell Out When There Are No Boundaries?". NPR Music. Retrieved 21 July 2012.
  10. ^ a b c d McMartin, Trent. "The Art of Selling Out: Compromising the Music". antimusic. Retrieved 22 July 2012.
  11. ^ a b c Smith, Sid (18 April 2007). "Metallica (The Black Album) Review". BBC. Retrieved 22 July 2012.
  12. ^ a b Bosso, Joe (1 August 2011). "Metallica's Black Album track-by-track". MusicRadar. Retrieved 22 July 2012.
  13. ^ "Metallica: 20th Anniversary Of The 'Black Album'". Geeks of Doom. 13 August 2011. Retrieved 22 July 2012.
  14. ^ Snyder, Daniel (25 October 2011). "Metallica's 'Lulu' Problem: Why Don't They Just Sell Out Again?". The Atlantic. Retrieved 22 July 2012.
  15. ^ Definition of poseur at Dictionary.com
  16. ^ Kokemuller, Neil. "Concept of Embedded Marketing & Product Placement". Chron. Retrieved 23 July 2012.
  17. ^ a b Schneider, Michael (31 January 2012). "Product Placement: Is TV Selling Out?". TVguide.com. Retrieved 23 July 2012.
  18. ^ a b Burrell, Ian (14 February 2011). "P is for product placement as TV shows sell out to advertisers". The Independent. Retrieved 23 July 2012.
  19. ^ RU Sirius (30 November 1999). "The Happy Pessimist". Gettingit.com. Archived from the original on 30 May 2015. Retrieved 15 June 2015.
  20. ^ "The adMan - A Knee-Jerk to the Groin of American Advertising". Shadow Culture. 29 November 1998. Retrieved 15 June 2015.
  21. ^ Wrenn, Gregg (18 January 1999). "1-800-SELL-OUT". teevee.org. Vidiot Syndicate LLC. Archived from the original on 4 July 2007. Retrieved 15 June 2015.
  22. ^ Thompson, Stephen (10 November 1999). "Interviews: George Carlin". The A.V. Club. Onion Inc. Archived from the original on 10 October 2007. Retrieved 20 March 2019.
  23. ^ Getlen, Larry (16 March 2001). "Carlin's got his act together, on stage and off". Bankrate.com. Archived from the original on 14 January 2018. Retrieved 13 January 2008.
  24. ^ Batallones, Henrik (February 2, 2009). "24: It's A Chloe-Janis Rivalry--Or Not, As It Seems". Buddy TV. Archived from the original on 16 March 2018. Retrieved 29 March 2009.
  25. ^ Itzkoff, Dave (February 15, 2009). "Deep Inside the Grim '24,' Two Comics' Inside Joke". New York Times. p. C1. Retrieved 29 March 2009.
  26. ^ Yuan, Jada (19 February 2010). "Janeane Garofalo on Botox, Spanx, and the Troubles of Finding Work As a 45-Year-Old Former Slacker Icon|". Vulture.com. New York Media, LLC. Retrieved 23 November 2012.
  27. ^ Infante, Dave (7 February 2022). "Death of the Craft Beer 'Sellout': The Next Wave of Acquisitions Marks a New Era of Drinker Indifference". Vinepair. Retrieved 8 May 2024.
  28. ^ RinO. "Rage Against The Machine Online : F.A.Q." Rage Against the Machine. Archived from the original on 26 May 2006. Retrieved 15 June 2015.
  29. ^ Baird, Kirk (20 July 2001). "'Warning' -- Don't call Green Day a sellout". Las Vegas Sun. Greenspun Media Group. Archived from the original on 30 September 2007. Retrieved 7 August 2007.
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